Tuesday, August 31, 2021

The Site of the New York Terra-Cotta Company in New York City

While visiting New York City last weekend, I stopped at the site of the circa 1892-1921 New York Architectural Terra-Cotta Company building that sits beneath the Queensboro Bridge in Long Island City. The business took advantage of its location along the East River in order to transport its production all over the tristate area, elsewhere in the United States and Canada, although this is the lone building that survives from this important business. 

The company's decorative production adorns buildings throughout New York City today, including a number of important artifacts that still exist in Brooklyn and Manhattan, as well as some of the city's most prominent buildings that were constructed in the late 1800s and early 1900s. Untapped New York actually published an extensive story written about this company not that long ago, titled, A Terra Cotta Beauty Sits Alone Beneath The Queensboro Bridge.

Interestingly, I also included pictures of an outstanding late nineteenth or early twentieth century American terracotta architectural shelf, decorated with an eagle that I believe may have been manufactured at this business. It retains an illegible mark; I purchased it last fall while visiting Robesonia, Pennsylvania antiques dealer Greg Kramer, who acquired it years ago, and has kept it in storage ever since in one of the historic buildings on his property.

The Site of the New York Terra-Cotta Company in New York City

The Site of the New York Terra-Cotta Company in New York City
Circa 1892-1921
See Article for More Information
The Site of the New York Terra-Cotta Company in New York City
Circa 1892-1921
See Article for More Information
The Site of the New York Terra-Cotta Company in New York City
Circa 1892-1921
See Article for More Information
The Site of the New York Terra-Cotta Company in New York City
Circa 1892-1921
See Article for More Information
Late 19th or Early 20th Century Terracotta Architectural Object
Possibly Made at the New York Terra-Cotta Company in New York City
See Article for More Information
Late 19th or Early 20th Century Terracotta Architectural Object
Possibly Made at the New York Terra-Cotta Company in New York City
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, August 27, 2021

A 19th Century 24-Tube Red Earthenware Candle Mold that Just Sold in New York

This nineteenth century red earthenware twenty-four tube candle mold recently sold at Schultz Auctioneers in Clarence, New York. This type of candle mold with a pine frame is found in various sizes today and often attributed to the Alvin Wilcox (1801-1862) Pottery in West Bloomfield, New York, including the remains of one tube that was recovered at the site of Mormon leader Brigham Young's (1801-1877) house in Mendon, New York.

The Wilcox Pottery candle molds are thought to have been made in the late 1840s and 1850s, and were typically manufactured in groups held together by a wooden or pine frame. The earliest that I have seen these objects advertised was 1849. But the context at the site of Brigham Young's house could suggest that these molds were also made in the 1820s and/or early 1830s, given that the context that they were found was when Brigham Young still occupied the property. Although, I am still trying to determine the exact situation of ownership, seeing that the mold may have been used years after Brigham Young left for Utah.

Interestingly though, I learned a few years ago that this same type of candle mold was also manufactured by Enos Smedley (1805-1892) in Chester County, Pennsylvania. And both Smedley and Wilcox stamped some of these pieces with their name, although in the case of this example it is difficult to say who exactly made it.

The candle mold sold for $800 plus the auction premiums.

A 19th Century 24-Tube Red Earthenware Candle Mold

19th Century 24 Tube Red Earthenware Candle Mold Held Together by a Pine Frame
Most Likely Made in Either Western New York or Chester County, Pennsylvania
See Article for More Information
Photo Courtesy: Schultz Auctioneers
Another View of the Candle Mold
See Article for More Information
Photo Courtesy: Schultz Auctioneers
Another View of the Candle Mold
See Article for More Information
Photo Courtesy: Schultz Auctioneers

Please Stay Tuned...Much More to Come...

Thursday, August 26, 2021

Excellent Green Glazed Bristol County, Mass. Red Earthenware Jug Sells in Rhode Island

This outstanding late eighteenth or early nineteenth century emerald green glazed red earthenware jug from Bristol County, Massachusetts sold last Friday at Bruneau & Company Auctioneers in Cranston, Rhode Island. This is an excellent example of the vibrant green glazes that were manufactured in this region, circa 1780-1830. A number of related jugs and archaeology will also be included in my forthcoming 400 page book that should be available to purchase in the next few months, as part of my book series through Historic Beverly, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod.

This jug sold for $6,000 plus the auction premiums.

Excellent Green Glazed Bristol County, Mass. Red Earthenware Jug

Late 18th or Early 19th Century Green Glazed Red Earthenware Jug
Attributed to Southeastern Mass.
Circa 1780-1830
Stands 7" Tall
See Article for More Information
Photo Courtesy: Bruneau & Company Auctioneers

View of the Handle
See Article for More Information
Photo Courtesy: Bruneau & Company Auctioneers
Another View of the Jug
See Article for More Information
Photo Courtesy: Bruneau & Company Auctioneers
View of the Base
See Article for More Information
Photo Courtesy: Bruneau & Company Auctioneers

Please Stay Tuned...Much More to Come...

Sunday, August 22, 2021

The Story of Carl Mehwaldt, A New York-German Potter: Part Two

While visiting the Das Haus Museum in Berkholz, Niagara County, New York a few days ago in order to see a wreath manufactured by Carl Ludwig Heinrich Mehwaldt (1809-1887), which commemorated the death of one of his sons during the Civil War in Virginia in 1864 - I also brought along a painted red earthenware eagle that I wrote about on this website earlier this summer that I also suspected was manufactured by Mehwaldt. Although, the eagle's history seems to be much greater than I ever imagined, based on conversations and evidence I learned about at the museum. 

Mehwaldt was a migrant potter from Bruessow, Germany, who relocated with his family to western New York in the 1850s. Aside from a variety of unique objects like the wreath, Mehwaldt also produced quantities of chimney crocks, red earthenware crocks of all sizes, butter-crocks with handles to be hung in wells to keep butter cool; cooking utensils, candlesticks, all manners of tableware - platters, plates, sauce-dishes, cups and saucers, mugs, pitchers, sugar bowls, vegetable dishes, teapots and teakettles. He also produced finer products like inkstands and tile stoves. At Christmas-time, he usually turned out many little dinner-sets for children, and toys made in the form of pigs, owls, roosters, and birds with whistles in their tails.

Seeing the wreath was an absolute thrill in itself, but after a careful comparison, we determined that the exact green paint that covers the front and back of the eagle is the same green paint that was used to paint the leaves on the wreath. Mehwaldt actually made a second wreath for another son who also died in the Civil War in 1864, although the remains of a third wreath that was unknown until recently was also brought to the museum that was likely manufactured for a third local soldier who died in the Civil War. It is owned by a local homeowner in Berkholz and retains a history of ownership with that family. The story of how it broke is even documented with it falling off a wall in the 1950s because a group of young children were fooling around. 

However, further evidence and discussions that I had at the museum determined that this was most likely not an American eagle, but instead a Prussian eagle, which is where Mehwaldt and the rest of the Berkholz settlement migrated from in Germany. This eagle may have also hung in the settlement's Holy Ghost Church where other pieces of Mehwaldt's unique pottery were displayed, such as his son's wreaths and a giant chandelier. 

Interestingly, this eagle also closely resembles the eagle found on the helmet of a carved nineteenth century Prussian soldier that is displayed at the museum. According to the information that the soldier retains, "Randy Warblow, longtime board member of the Historical Society of North German Settlements in Wheatfield, Niagara County, New York, donated a family heirloom to the Das Haus Museum, a carved soldier. He told the museum that a relative from Buffalo who had passed on, said he remembers as a young boy seeing the wooden soldier on the dining room serving chest at the Warblow homestead on Nash Road (Town of Wheatfield). Living there at the time was August Frederich Warblow Jr. and his sister Amelia Warblow.

Based on papers obtained from Warblow's grandfather's attic after he died, Warblow believes that the soldier was made by August F. Werblow who was in the Brandenburg Infantry Regiment #64 stationed in Russow, Prenzlau, Brandenburg, Prussia.

August Werblow Sr. (1852-1926) and his wife Emilie Wittkop (1852-1930) came to America leaving Hamburg on the S.S. Polynesia on March 30, 1882 with two sons and an infant daughter. They arrived in New York City on April 20, 1882 and headed to Niagara County. They setup a home on Nash Road between Niagara Falls Boulevard and Fairmont Park. August's great grandfather Albert Herman (1883-1970) was born there along with two brothers and two sisters.

After August Jr. and Amelia died in 1965, the soldier ended up in the hands of Albert Herman. When Albert died in 1970, the soldier and papers were passed down to Albert's son Lester Herbert (1906-1998) and then passed down to the oldest grandson in 1998. It appears that the Werblow spelling was changed between 1915-1920 to Warblow."

Other evidence at the museum shows that not only is the eagle similar to the Prussian eagle, but it also resembles an eagle displayed associated with western New York. This eagle may have been Mehwaldt's design for the Prussian eagle, but it may have been a combination of an American and Prussian eagle as well, seeing how proud this community was to be living in America, especially the Mehwalt family.

Note: The eagle was also previously owned by noted New York City dealer, author and collector George S. McKearin (1874-1958), and he also likely knew Ada Walker Camehl (1866-1939) who wrote about Mehwaldt in the 1920s after visiting Berkholz and speaking with people who still remembered the pottery business.

An Important Painted Red Earthenware Eagle

My Niece Alexis with the Eagle Outside the Das Haus Museum in Berkholz, New York
This Painted Eagle was Most Likely Made by Carl Mehwaldt (1809-1887) in Berkholz
It is Most Likely a Prussian Eagle, But There may be an American Influence as Well
Probably Circa 1850s to 1870s
See Article for More Information
Another View of the Eagle Outside the Das Haus Museum
See Article for More Information
The Eagle at the Site of the Mehwaldt Pottery in Berkholz, New York
See Article for More Information
The Eagle at the Site of the Holy Ghost Church in Berkholz, New York
See Article for More Information
The Eagle at the Site of the Holy Ghost Church in Berkholz, New York
See Article for More Information
A Monument Remembering the Holy Ghost Church
See Article for More Information
The Eagle with the Rediscovered Wreath and the Remains of a Third Wreath
See Article for More Information
View of the Back of Each Object
It is Same Green Paint that Adorns the Back of Each Piece and the Clay is the Same Color
The Eagle also Retains an Old George S. McKearin Label
See Article for More Information
19th Century Carved Wooden Solider from Russow, Prenzlau, Brandenburg, Prussia
Believed to Have Been Carved By August Werblow Sr. (1852-1926)
See Article for More Information
Photo Courtesy: Das Haus Museum
The Eagle and Shield on the Helmet is Very Similar to the Red Earthenware Eagle
See Article for More Information
Photo Courtesy: Das Haus Museum
The Prussian Flag with the Eagle
See Article for More Information
(Top Right) A Western New York Eagle
(Bottom Left) A Prussian Eagle
Both are Similar to the Red Earthenware Eagle
See Article for More Information
Photo Courtesy: Das Haus Museum

Please Stay Tuned...Much More to Come...

The Story of Carl Mehwaldt, A New York-German Potter: Part One

I just visited the Das Haus Museum in Berkholz, Niagara County, New York in order to see one of three known Civil War Memorial wreaths, which I consider to be absolute national treasures, even though the history of these pieces and their existence happens to be relatively unknown to a wide audience today. In fact, these objects could easily be displayed at any national art museum in America. 

The wreaths were made by Carl Ludwig Heinrich Mehwaldt (1809-1887), a migrant potter from Bruessow, Germany, who came to America with his wife and three sons in the 1850s. All three of his sons enlisted in the Union Army during the Civil War and two were killed in Virginia in 1865. These are the official comments provided about their deaths by the 8th Regiment New York Voluneteer Artillery:

Mehwaldt, G.G. - Age 21 years. Enlisted, July 29, 1862, at Lockport, NY; mustered in as a private, Co. B, One Hundred and Twenty-Ninth Infantry, July 29, 1862 (which became the Eighth Artillery, December 19, 1862), to serve three years; killed, June 3, 1864, at Cold Harbor, VA.

Mehwaldt, Herman - Age 18 years. Enlisted, December 20, 1863, at Whitefield, NY; mustered in as a private, Co. B, January 5, 1864, to serve three years; wounded, June 18, 1864, before Petersburg, VA; died of such wounds, June 26, 1864, on board steamer Connecticut.

To commemorate the lives of his sons, Mehwaldt made two amazing hand modeled red earthenware wreaths that hung in the community's Holy Ghost Church, decorated with highly detailed and carefully constructed flowers that grew around Mehwaldt's home, each measuring about twenty inches in diameter. After the wreaths were fired in the kiln, each flower and leaf was carefully painted with accurate colors. 

Mehwaldt's career and two of three wreaths were well known in the 1920s when they were published by the Buffalo Historical Society and The Magazine Antiques, but have been largely forgotten since then.  In a story written in 1921 by Ada Walker Camehl (1866-1939) for Volume 25 of the Buffalo Historical Society Publications in Western New York, titled, The Old Bergholz Pottery, she describes these works as beautiful art. She also mentions a chandelier that Mehwaldt created for the churchAdditionally, Mehwaldt must have created other specialty pieces (see part two). 

Camehl also wrote for the September 1922 issue of The Magazine Antiques that "Mehwaldt also produced quantities of chimney crocks, red earthenware crocks of all sizes, butter-crocks with handles to be hung in wells to keep butter cool; cooking utensils, candlesticks, all manners of tableware - platters, plates, sauce-dishes, cups and saucers, mugs, pitchers, sugar bowls, vegetable dishes, teapots and teakettles. He also produced finer products like inkstands and tile stoves. At Christmas-time, he usually turned out many little dinner-sets for children, and toys made in the form of pigs, owls, roosters, and birds with whistles in their tails."

These wreaths had been missing for about fifty years when the Das Haus Museum was able to track down one in Seattle two years ago. And this past May that wreath returned home to the museum only a matter of feet from the site of Mehwaldt's pottery and a very short distance from where the Holy Ghost Church was located. They are now trying to determine the whereabouts of the other wreath that was last known in Chicago in the 1960s. Neither wreath ever left ownership of the Mehwaldt family, although the last known owner of the missing wreath died in the 1990s.

Interestingly, the remains of a third wreath was unknown until recently, likely also manufactured for a local soldier who died in the Civil War. It is owned by a local homeowner in Berkholz and retains a history of ownership with that family. The story of how it broke (see part two for pictures) is even documented with it falling off a wall in the 1950s because a group of young children were fooling around. It is very likely that only three commemorative wreaths were ever made by Mehwaldt. Each is an amazing piece of American folk art and in my opinion an absolute national treasure!

Civil War Memorial Wreath Manufactured in Western New York

19th Century Painted Red Earthenware Wreath
Manufactured by Carl Mehwaldt (1809-1887) in Berkholz, Niagara County, New York
The Wreath Commemorates One of His Sons Deaths in the Civil War in Virginia in 1864
The Entire Wreath is Hand Made
Circa 1860s
Measures About 20" in Diameter
Recently Rediscovered in Seattle After Missing For About 50 Years
Three of These Memorial Wreaths are Known to Have Been Produced
See Article for More Information
Photo Courtesy Das Haus Museum
Another View of the Wreath
See Article for More Information
Photo Courtesy Das Haus Museum
Another View of the Wreath
See Article for More Information
Photo Courtesy Das Haus Museum
Another View of the Wreath
See Article for More Information
Photo Courtesy Das Haus Museum
Another View of the Wreath
See Article for More Information
Photo Courtesy Das Haus Museum

Please Stay Tuned...Much More to Come...

Sunday, August 8, 2021

An Excellent Red Earthenware Jar from Saugus, Massachusetts that Just Sold at Crocker Farm in Maryland

Another one of my favorite pieces of pottery from Crocker Farm's summer 2021 auction in Sparks, Maryland is an early nineteenth century red earthenware jar manufactured by William Jackson in Saugus, Essex County, Massachusetts, which is stamped on the base "Jackson." Saugus is located just a few miles north of Boston. Interestingly, this jar was previously displayed in an exhibit at the York County Historical Society in Pennsylvania from May 12th through October 12th in 1974, and it was published in the exhibit catalog Regional Aspects of American Folk Pottery (see below).

According to Massachusetts author Lura Woodside Watkins' (1897-1982) book, Early New England Potters and Their Wares, "Potteries may have been in existence in Lynn (Massachusetts) at an early period, but the only one of which I have a record was in a section of the present town of Saugus (Massachusetts) known as Cliftondale. It was started by William Jackson, from Manchester, England.

He had bought a farm in Cliftondale (then a part of Lynn) in 1808 (known as Jackson's Meadow), and, finding a deposit of clay on his land, he came to the conclusion that it would be possible to make from it a fine kind of earthenware, similar to what was imported from England.

In this hope, he put up a suitable plant, consisting of a large building and two smaller ones, and procured the best equipment and workmen he could find. Production began in 1811 and kept up for four years, but Jackson was doomed to disappointment, financial and otherwise, for the clay proved to be the usual variety from which only common red earthenware was made.

Jackson advertised his wares in glowing terms in the Boston Gazette on December 16, 1811. It is evident from the list of forms that they did not greatly differ from those turned out by New England potters, although there was perhaps a greater variety.

Jackson's pottery was also sold by Wainwright and Jackson in their store on Exchange Street in Cliftondale. Thomas Jackson of this firm was connected with the Boston Porcelain and Glass Company. The two may have been related."

Jackson also got into politics; he was a signer of a petition that requested that Lynn's Second Parish be set off as a separate town known as Westport. The plan was abandoned, however the following year the Second Parish separated from Lynn and became the Town of Saugus. Saugus' first town meeting was held on March 13, 1815 and Jackson was elected Saugus' first Town Moderator. In 1827 and 1828, Jackson represented Saugus in the Massachusetts House of Representatives. 

To my knowledge, this is the only jar known like this today that bears Jackson's name, although there is a jar in the Woodman Museum in Dover, New Hampshire that may be related, which I wrote about on this website in July 2018. There has to be other pieces out there that were made by Jackson, and they may be misinterpreted for other areas in New England, but this is the only object that I currently known about today.

Note: The jar sold for $3,500 plus the auction premiums.

An Excellent Red Earthenware Jar from Saugus, Massachusetts

Early 19th Century Red Earthenware Jar
Manufactured by William Jackson in Saugus, Massachusetts
Circa 1811
Stands 9" Tall
See Article for More Information
Photo Courtesy: Crocker Farm
Another View of the Jar
See Article for More Information
Photo Courtesy: Crocker Farm
Another View of the Jar
See Article for More Information
Photo Courtesy: Crocker Farm
Another View of the Jar
See Article for More Information
Photo Courtesy: Crocker Farm
View of the "Jackson" Mark on the Base
See Article for More Information
Photo Courtesy: Crocker Farm
View of the Jar Published in Regional Aspects of American Folk Pottery in 1974
See Article for More Information
Photo Courtesy: York County Historical Society

Please Stay Tuned...Much More to Come...

Saturday, August 7, 2021

A New York State Stoneware Dog or Fox Inspired from an English Form in Crocker Farm's Current Sale

As many people know, Crocker Farm's summer 2021 auction in Sparks, Maryland closed last night at 9:00 pm, and among my favorite pieces in the sale was a nineteenth century stoneware dog or fox formed pitcher made in upstate in New York. I teased this on my Instagram story recently, and the reason I find this object so fascinating is because it must be inspired after an earlier English form. 

This past winter I found a related piece in an antique shop in the Boston area, where the comparison is unmistakable. A friend told me that this English brown glazed stoneware dog or fox was probably made in Nottingham, England in the late eighteenth or early nineteenth century.

Note: The New York dog sold for $3,000 plus auction premiums.

A New York State Stoneware Dog Inspired from an English Form 

(Left) Late 18th or Early 19th C. Brown Glazed Stoneware Dog or Fox Formed Pitcher
Probably Made in Nottingham, England
(Right) 19th Century Salt Glazed Dog or Fox Formed Pitcher Decorated with Cobalt
Attributed to Upstate New York
Included in Crocker Farm's Current Summer 2021 Sale
See Article for More Information

Please Stay Tuned...Much More to Come...