Monday, September 30, 2019

Flea Market Find: New England Red Earthenware Vase Inspired from Chinese Porcelain Production

While walking around Todd Farm Antique and Flea Market yesterday morning in Rowley, Massachusetts, my niece and I found this intriguing nineteenth century New England red earthenware vase, decorated with gold paint. The form is very similar to a group of vases with elongated necks made by Hugh Robertson (1845-1908) circa 1882-89 at the Chelsea Keramic Art Works in Chelsea, Massachusetts. An excellent selection of these type of vases can be found in the Robert A. Ellison Jr. Collection in the Americana Wing at the Metropolitan Museum of Art in Manhattan. The form was inspired after Chinese porcelain vases of a similar shape produced in many different sizes.

According to the MET, "The Robert A. Ellison Jr. Collection showcases the continuum of artistic ceramics in the United States from 1876-1956. The earliest examples date to the Centennial Exposition in Philadelphia, the catalyst for the emerging American art pottery movement. Ceramists absorbed styles and techniques from France and England, and from the Far East. The tradition of painted ceramics was explored in a myriad of ways."

However, I do not believe the vase we found was made in Chelsea, and the gold paint may also be original to where it was manufactured. I asked the dealer where he found it, and he told me that he discovered the vase earlier this year along Maine's mid-coast region.

The only other businesses in New England that come to mind for this type of production were those operated by Charles A. Lawrence (1829-1904) in Beverly, Massachusetts and Thomas Nickerson's 1897-1908 Merrimac Pottery Company in Newburyport, Massachusetts. Although, this does not appear to be anything made in Newburyport.

Interestingly, the Beverly Pottery did employ an artist from Marblehead, Massachusetts by the name of Thomas Pitman, who painted many of the objects that were copied and imitated from other countries. But I have not seen this type of Chinese production from Beverly before, but the business was certainly aware of the trends in the American pottery industry during this period. The clay and manufacture of the base is also in keeping with the wares made at the C.A. Lawrence Pottery. Gold paint is also found on some of the decorated wares from this business owned by the Beverly Historical Society.

New England Red Earthenware Vase Inspired from Chinese Production
19th Century New England Red Earthenware Vase Inspired from Chinese Production
Possibly Made in Beverly, Mass.
Circa 1872-1900
Stands 6 1/4" Tall
See Article for More Information
Another View of the Vase
See Article for More Information
View of the Base
See Article for More Information
19th Century Earthenware Vases Inspired from Chinese Porcelain Production
Made by Hugh Robertson at the Chelsea Keramic Art Works in Chelsea, Mass.
Circa 1882-89
Stands 4 1/8" to 9 1/16" Tall
See Article for More Information
Robert A. Ellison Jr. Collection
Photo Courtesy: Metropolitan Museum of Art
Another View of the Vase
See Article for More Information
Another View of the Vase
See Article for More Information
Another View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, September 27, 2019

New Published Feature Story: The Thomas Chandler Exhibit at the McKissick Museum at the University of South Carolina

This past June, my nephew and I visited the McKissick Museum at the University of South Carolina in Columbia to see an exhibit on Thomas Chandler's (1810-54) stoneware production in the Edgefield District in South Carolina. The exhibit was outstanding, and a few days after arriving home, I wrote a story about our experience.

I am excited to announce tonight that this story was just published today in the September 27, 2019 issue of Antiques & Auction News. The story is largely about the exhibit and the history of the pottery, but I also added my own experiences with Edgefield pottery based on what I have seen living in New England. I also discuss some significant examples of Chandler's production that I have seen in recent years in other major museums.

Here is a link to the story posted on Antiques & Auction News' website - I will also post the print version once it becomes available.

Thomas Chandler's Pottery Production
Story I Wrote About the Thomas Chandler Stoneware Exhibit at the McKissick Museum
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, September 26, 2019

Wonderful Green Glazed Jug with Make-Do Tin Handle Recently Found in the Midwest

This is a beautiful late-eighteenth or early-nineteenth century red earthenware jug with a make-do tin handle that I recently purchased from Dave Hillier at Antiques Associates at West Townsend in Massachusetts. It recently surfaced from a private collection in the Midwest.

The jug was likely made in southeastern Massachusetts or Cape Cod. This type of production also apparently happened in Rhode Island, but there is really no evidence to support what was actually made in that state.

The combination of the green glaze and make-do handle is excellent, and this is also a larger sized jug than many of those that survive from the southeastern Massachusetts and Bristol County area today. This type of green glaze was also manufactured at the Bradford-Parker Pottery in West Barnstable, which is why I included Cape Cod.

For more information about these type of wares, I suggest two feature stories that I wrote for the June 2018 and May 2019 issue of Maine Antique Digest.

1) June 2018 issue of MAD - The Pottery Industry in Southeastern Massachusetts

2) May 2019 issue of MAD - The Bradford Family Potteries in Massachusetts

Wonderful Green Glazed Jug with Make Do Tin Handle
 My Niece Alexis Holding the Jug
See Article for More Information
 Late-18th or Early-19th Century Green Glazed Red Earthenware Jug with Make-Do Handle
Attributed to Southeastern Mass. or Cape Cod
Stands 8 1/2" Tall
See Article for More Information
 Another View of the Jug
See Article for More Information
 Another View of the Jug
See Article for More Informatio
 Another View of the Jug
See Article for More Informatio
View of the Make-Do Tin Handle
See Article for More Information

Please Stay Tuned...Much More to Come...

Exciting News! New Forthcoming Book To Be Published About the Beverly Pottery

For about the last ten years, I have made it an objective to research and identify the total output of the Charles A. Lawrence Pottery (1829-1904) in Beverly, Massachusetts, circa 1866-1906. Very little has been published about this company, and as a result, a lot of the production has been forgotten.

This has been an exciting adventure and investigation, although certainly frustrating at times seeing that there was very little material to begin with, and as a result, the direction of this business was not always clear. But I am excited to announce this morning that I have completed a book exploring the life of Charles A. Lawrence and the history of the Beverly Pottery. The title of the book is The Beverly Pottery: The Wares of Charles A. Lawrence. 

The Beverly Historical Society is publishing the book, and it should be available in the next few months through the museum's bookstore, the museum's website and Amazon. Well over 100 photos are illustrated in the book, including dozens of examples of pottery from all types of production. Almost all of these pieces have never been published before, many of which are hardly known because they are 1) owned by small museums, 2) have been tucked away by museums for decades with no record of their existence so the only way to find them is by physically going through the storage areas, and 3) have been privately owned for decades. However, I am extremely excited over this book. I cannot wait to finally see all of this information in print. I honestly feel that the C.A. Lawrence Pottery was among the most important potteries to operate anywhere in New England in the 1800s, although this business also had a national appeal during the period.

While researching the history of this business, I was surprised to learn that some of the previously published material about Lawrence is actually inaccurate. I do not want to give this information away here, but for those of you who are familiar with this business, you will likely be very surprised to learn about some original documents preserving the life of Lawrence and his family owned by the City of Beverly.

Note: I will continue to post updates about the book on this website as they become available.

Beverly, Mass. Historical Society
The Beverly, Mass. Historical Society - The John Cabot (1744-1821) House
The Museum is Publishing a Book I Wrote About the C.A. Lawrence Pottery in Beverly
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, September 24, 2019

19th Century Red Earthenware Food Mold Attributed to Vermont

Last month, I posted a story recapping the sale of a small collection of nineteenth century Vermont red earthenware that sold on August 23rd at Duane Merrill & Company in Williston, Vermont. Included in the sale was a red earthenware food mold attributed to East Middlebury, Vermont.

No matter the shape, food molds (also called cake molds) of this type are regularly attributed to Pennsylvania today, but they were also manufactured in New England. In fact, the New England examples are often overlooked and said to be from Pennsylvania because of their appearance. Although, I have seen some of the East Middlebury examples also attributed to Maine because some are adorned in a colorful multi colored glaze.

I acquired this food mold last week from the collection of Anthony Butera, a collector and researcher on Long Island who is well-known today for articles that he has published in Ceramics in America.

This mold is an exact match in form and size to the example that sold last month at Duane Merrill & Company. And certainly without having seen a handleful of the Vermont examples through the years, this particular mold could easily be mistaken for production in Pennsylvania or thereabouts today.

Vermont Red Earthenware Food Mold
19th Century Red Earthenware Food Mold Attributed to Vermont
Circa 1840
Measures 11 1/4" in Diameter
See Article for More Information
View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, September 19, 2019

Extraordinary Grecian Style Wares in the Collection of the Worcester Museum of Art in Massachusetts

As I have noted in the past few weeks, I guest curated an exhibit of local made pottery at the Custom House Maritime Museum in Newburyport, Massachusetts, which explains local production from the 1760s through the early-twentieth century. The name of the exhibit is "Potters on the Merrimac: A Century of New England Ceramics."

An area of the exhibit that I really enjoy is the aspect that is devoted to the production of Grecian style wares made at Thomas Nickerson's Merrimac Pottery Company in Newburyport, circa 1897-1908. I do not believe this subject has ever been shown like this in a museum exhibit before.

I recently learned about these two bowls in the collection of the Worcester Museum of Art - they are very much similar to an earthenware example displayed in the exhibit. These objects were obtained brand new by the Museum of Fine Arts Boston about 1900, and are also written about in the book published by the Metropolitan Museum of Art in Manhattan, which I wrote about tonight,  American Art Pottery: The Robert A. Ellison Jr. Collection. 

According to the MET, "Unlike many American firms making reproductions of antique pottery, Nickerson focused on Greek "Arrhetian" ware that was then on display at the Museum of Fine Arts Boston. From the few examples known, Merrimac made extraordinary faithful reproductions, supposedly molded at the museum on the objects themselves. Two of these rare works were briefly part of the collection of the Museum of Fine Arts Boston, but were then purchased in 1903 by the Worcester Art Museum. Merrimac published a small catalogue of the Arrhetian line, listing eight models including those in Worcester."

I suspect the MFA acquired these directly from Nickerson with an interest in seeing how the molds turned out. More than 100 years later now, it is too bad they did not still own these pieces and display them next to the Greek originals. However, I am glad that they are nearby and cherished in the Worcester Museum of Art.

Merrimac Pottery Company Grecian Wares
Merrimac Pottery Company Reproduction Grecian Arrhetian Bowl
Circa 1900
Acquired Brand New by the Museum of Fine Arts Boston
Now in the Collection of the Worcester Museum of Art
Measures 7 1/2" in Diameter
See Article for More Information
Photo Courtesy: Worcester Museum of Art
View of the Base
See Article for More Information
Photo Courtesy: Worcester Museum of Art
Merrimac Pottery Company Reproduction Grecian Arrhetian Bowl
Circa 1900
Acquired Brand New by the Museum of Fine Arts Boston
Now in the Collection of the Worcester Museum of Art
Measures 6" in Diameter
See Article for More Information
Photo Courtesy: Worcester Museum of Art
View of the Base
Marked "MERRIMAC"
See Article for More Information
Photo Courtesy: Worcester Museum of Art

Please Stay Tuned...Much More to Come...

American Art Pottery: The Robert A. Ellison Jr. Collection Published by the Metropolitan Museum of Art

In the last year or two, I have referenced the Robert A. Ellison Jr. Collection of American art pottery and utilitarian red earthenware many times, which is kept at the Metropolitan Museum of Art in Manhattan. Much of this collection is on display in the museum's Americana Wing.

The Ellison Collection demonstrates types of production that are rare to find anywhere else today, and it includes a wide variety of wares that range from decorative objects to reproduction Grecian style wares. Mr. Ellison's interest in decorative Grecian pottery is especially intriguing since so little has been published about this type of production, and it was a style of pottery created by more American manufacturers than what is recognized today.

The MET wrote in 2009, "Outstanding works from every major American pottery and many lesser-known but historically significant potteries are featured in the collection. The objects range in size from miniature vessels a few inches tall to plaques, lamps, and large-scale vases measuring more than two feet in height. The primary catalyst in the development of the American art pottery movement was the 1876 Philadelphia Centennial Exposition (although some company's wares predate 1876), which introduced the American public to ceramics of the highest quality from Europe and Asia. This influence continued until 1956, when the California potter Peter Voulkos (1924-2002) altered traditional wheel-thrown vessels into sculpture-like shapes, ushering in the era of contemporary ceramics."

The MET also just published a book about this collection, titled, American Art Pottery: The Robert A. Ellison Jr. Collection. It is my feeling that this is the most important book published on the subject of American art pottery in the last seventy-five to 100 years. And I was surprised earlier this week when I finally went to buy a copy to learn that the MET was sold out, and it does not appear that they have any intention on republishing it. Although, luckily I found a brand new copy online with a small markup, but I would recommend that anyone who has an interest in this material to search out a copy sooner than later.

American Art Pottery: The Robert A. Ellison Jr. Collection
 My Niece Holding the Book, American Art Pottery: The Robert A. Ellison Jr. Collection
Published by the Metropolitan Museum of Art
See Article for More Information 
American Art Pottery: The Robert A. Ellison Jr. Collection
Published by the Metropolitan Museum of Art
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 18, 2019

Carl Mehwaldt's 19th Century Red Earthenware Production and the Site of His Pottery in Bergholz, New York

Last month, while vacationing in western New York with my nephew, Jason and niece, Alexis, we visited the Das Haus Museum in the Village of Bergholz next to Niagara Falls. Across the street from the museum is where Carl Mehwaldt (1808-1887) manufactured utilitarian red earthenware during the second half of the nineteenth century. We also visited The Buffalo History Museum in Buffalo where some of Mehwaldt's production is displayed in the exhibit, Neighbors: The People of Erie County, as well as The John R. Oishei Pioneer Gallery.

I have written a feature story about this experience and Mehwaldt's production that should be published later this year. The article recites some previously published first-hand accounts about Mehwald's production, but I also add a lot of new insight to the story, along with an important object that was not previously known until recently outside of a local family's history. It seems that the majority of what is known in publication about Mehwaldt today was written by Ada Walker Camehl for the Buffalo Historical Society in 1921, and again for the The Magazine Antiques in 1922.

According to the article, "Mehwaldt, a Pioneer American Potter" written by Camehl for the September 1922 issue of The Magazine Antiques, "In 1808, in Bruessow, a German village near Berlin, was born Carl August Mehwaldt. He came from a line of potters; for his father and his grandfather before him had spent their lives at the potter's wheel. After he had learned the trade, young Mehwaldt, as was the custom of the country, passed several years as a journeyman potter in search of experience taking him to Russia and into the Holy Land. On his return to his home, he found the country in a state of political unrest. Greater liberties were being demanded by the people while free America, beckoning across the sea with an alluring hand, was welcoming many citizens of all classes to voluntary exile.

In 1844, a man of wealth, Williams by name, gathered together several families from the neighborhood of Bruessow and brought the little band to the United States. They purchased a piece of land in western New York, on the Niagara frontier, cleared the timber and built a hamlet of log houses.

Fired by the glowing accounts which came back to the Fatherland from this transplanted colony, a second company came together, in 1851, to follow the first. Among this group were the potter Mehwaldt, his wife and their five children.

Mehwaldt bought a log house, two acres of land and set up his pot works in Bergholtz, New York. His outfit was of the most primitive description: a small brick oven in his back yard for firing the clay, and a wooden kick wheel. These, with his hands and his Old-World training, were all his capital, and here he worked alone at his trade until he died in 1887.

As the Civil War drew near, Mehwaldt's sons were swept away with enthusiasm for their adopted country. Finally, the three boys ran away, and enlisted in the northern army. Two of them met death on southern battlefields. As a memorial to his dead soldier boys, the potter made two wreaths of clay flowers to hang upon the walls of the local church. With them hung the photographs and the war records of his boys.

Mehwaldt produced quantities of chimney crocks, red earthenware crocks of all sizes, butter-crocks with handles to be hung in wells to keep butter cool; cooking utensils, candlesticks, all manners of tableware - platters, plates, sauce-dishes, cups and saucers, mugs, pitchers, sugar bowls, vegetable dishes, teapots and teakettles. He also produced finer products like inkstands and tile stoves.

At Christmas-time, he usually turned out many little dinner-sets for children, and toys made in the form of pigs, owls, roosters, and birds with whistles in their tails."

Carl Mehwaldt's Pottery in Bergholz, New York
The Das Haus Museum in the Village of Bergholz in Western New York
See Article for More Information
Carl Mehwaldt's House with a Newer Addition
He Operated His Pottery on the Land Behind this House
See Article for More Information
19th Century Red Earthenware Lidded Jar and Jug
Attributed to the Mehwaldt Pottery in Bergholz, NY
See Article for More Information
Photo Courtesy: The Buffalo History Museum
(Center) 19th Century Handled Pot Attributed to the Mehwaldt Pottery in Bergholz, NY
See Article for More Information
Photo Courtesy: The Buffalo History Museum

Please Stay Tuned...Much More to Come...

Friday, September 13, 2019

Preview of Forthcoming Maine Antique Digest Feature Story About the North Yarmouth, Maine Pottery Industry Published by the Yarmouth Historical Society

A research story that I worked on for a number of years about the 1791-1890 red earthenware industry in North Yarmouth, Maine is about to be published in Maine Antique Digest; it covers everything from archaeology to existing objects owned by the Yarmouth, Maine Historical Society.

In anticipation of that material, I recently wrote a preview article that was just published in the fall 2019 newsletter of the Yarmouth Historical Society. The newsletter was just mailed to historical society members, and I received a copy of it yesterday. The story explains some of the key material found in the forthcoming article, and some additional pictures were published that were not used in the Maine Antique Digest story.

One of the interesting images illustrated in the newsletter is the detail of an 1871 map of Yarmouth with arrows indicating the location of the Foster and Brooks pottery shops in the Corner Village neighborhood. This small neighborhood was the location of a group of family owned and operated businesses during the 1791-1890 period. From what I have seen and studied, I believe that significantly more pottery was produced at this location than any other business or town/city in Maine in the late-eighteenth or nineteenth century. And for some reason, much of this production has been somewhat forgotten in publication through the years, and I hope the feature story I wrote for Maine Antique Digest will once again place this industry back into the spotlight of major New England pottery industries.

Fall 2019 Yarmouth, Maine Historical Society Newsletter
 My Niece, Alexis with the Fall 2019 Yarmouth, Maine Historical Society Newsletter
A Preview Story About the North Yarmouth Pottery Industry is Published in the Newsletter
This is in Anticipation of a Feature Story I Wrote that Will be Published in Maine Antique Digest
See Article for More Information
 The Yarmouth Pottery Industry: A Preview
See Article for More Information
  The Yarmouth Pottery Industry: A Preview
See Article for More Information
1871 Map Showing the Location of the Foster and Brooks Potteries in North Yarmouth, ME
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, September 12, 2019

Newburyport, Mass. Pottery Exhibit Featured in the September 20, 2019 Issue of Antiques & the Arts Weekly

Last weekend, I posted a story to this website announcing that the exhibit "Potters on the Merrimac: A Century of New England Ceramics" was now open to the public at the Custom House Maritime Museum in Newburyport, Massachusetts. The exhibit demonstrates pottery production from a variety of businesses in the Newburyport area during the Colonial eighteenth century through the early-1900s. A variety of archaeology is also displayed.

Overall, these are the businesses targeted by the exhibit:

1) Daniel Bayley Pottery Company, ca. 1763-1792
2) William Pecker Pottery, ca. 1791-1820
3) James Chase Pottery, ca. 1820-1849
4) Phineas Chase Pottery, ca. 1849-1890
5) Merrimac Pottery Company, ca. 1897-1908

I am thrilled to announce that this exhibit is the cover story to this week's issue of Antiques & the Arts Weekly with a feature story written by Rick Russack. I also wrote an article for this issue which features the history of local pottery production in the Newburyport area. A number of objects from the exhibit are also illustrated between the two feature stories.

Here are links to the two stories posted on Antiques & the Arts Weekly's website:

1) Potters on the Merrimac: A Century of New England Ceramics by Rick Russack

2) A History of Pottery Production Along the Merrimack River by Justin W. Thomas

September 20, 2019 Issue of Antiques & the Arts Weekly
 The Cover for the September 20, 2019 Issue of Antiques & the Arts Weekly
This Issue Features Two Articles Related to the Newburyport, Mass. Pottery Exhibit
See Article for More Information
 Feature Story Written by Rick Russack
See Article for More Information
Feature Story that I Authored
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 11, 2019

A Trip to the Clinton, New York Historical Society and the Site of the John Betts Gregory Pottery

While traveling through upstate New York last month with my nephew Jason and niece Alexis, we stopped at the Clinton, New York Historical Society to learn more about the museum's collection of advertising slipware made at the John Betts Gregory Pottery in downtown Clinton. We were also given a tour of the site of the pottery, and learned that basically very little archaeology survives from this business today because of late-nineteenth and twentieth century development. As a result, it is almost impossible to differentiate the lesser decorated slipware made by Gregory in Clinton from what he also made in Connecticut and Long Island. But we also learned that very little is known about Gregory's simpler production without slip, and that some of his slipware in Clinton can even be mistaken for wares made in Pennsylvania.

However, despite the fact there is missing information about Gregory's production in Clinton, his story is still a fascinating subject to learn. In 1896, Reverend Charles Melbourne Selleck (1831-1909) wrote Norwalk, "in an attempt to bring the town's history fully to light, and to preserve and to perpetuate its mentions and memoirs. Many of these were gathered by the author while engaged in the necessarily hasty preparation of his 1886 St. Paul's Church centenary address in Norwalk, Connecticut, but most of them have since been collected, and their public presentation upon the eve of the town's quarter-millennial birth anniversary."

As part of Reverend Selleck's history of Norwalk was the life of John Betts Gregory (1782-1842), a potter who began and ended his career in Norwalk; although, I believe Reverend Selleck's recount was the first time Gregory's entire career had been published, only to be later cited in some twentieth century historical and pottery related publications.

According to Reverend Selleck, "John Betts Gregory was born in Norwalk in 1782 to Abraham and Elizabeth Gregory, who lived where the late Henry Marvin resided, on East Avenue, and south of the ancient Beacham Lane. He learned his trade (potter) of Absalom Day (1770-1843) of "Old Well (neighborhood in Norwalk)." After his marriage to Olive (1786-1883), he had a good business offer from Huntington, Long Island, which he accepted. He afterward established a pottery in Clinton, Oneida County, New York, which required a building 140x40 for his operations. He returned in 1831 to Norwalk and bought from Samuel Hanford, Half-Mile Isle, paying $325.00. He there built a kiln for the burning of earthenware and stoneware. The kiln was erected in 1832 by masons Lewis and George Raymond of "Old Well." The business was here kept up until 1840. Mr. Gregory died July 22, 1842."

Situated almost 50 miles east of Syracuse, New York and in between Rochester, New York and Albany, New York, the Village of Clinton was settled in 1787 by Revolutionary War Veterans and families from Plymouth, Connecticut, having been named after New York's first governor, George Clinton (1739-1812). This settlement eventually expanded into a town, joining Kirkland in the nineteenth century, but the original village was listed on the National Register of Historic Places in 1982.

The reason why Gregory moved to landlocked upstate New York may have been a simple desire to operate his own pottery, but he may have also heard news of Clinton's connection to Connecticut and other areas in this part of New York. There may have also been a financial incentive to move.

Nevertheless, Gregory arrived in Clinton sometime around 1808-1810 with his wife and two daughters, purchasing a pottery from Erastus Barnes, Clinton's first potter. But Gregory's desire to move north may have also been a religious quest, seeing that at the time, parts of New York were engulfed with new religious movements in the early-nineteenth century, finding much of this activity in central and western upstate New York.

Aside from his family, Gregory brought along his knowledge of slip-decoration and slip-script, which he had learned from Absalom Day in Connecticut, a New Jersey trained potter who arrived in Norwalk about 1793. But he likely practiced this type of production while employed in Huntington, as well sometime around the late-eighteenth and early-nineteenth century.

John Betts Gregory may have been the first red earthenware potter producing slip-decorated pottery in upstate New York, a technique that was already practiced in downstate New York, and later embraced by a number of potters employed in Western New York. But he clearly manufactured a lot of wares while employed in Clinton for about 20 years, circa 1810-1829. The most notable of those objects today are the wares that were decorated with slip, but he must have produced simpler decorated pottery in the same manner. Much of this production was also likely intended for local consumption.

Unfortunately, not much is left of the Clinton Pottery today, since the Owens-Pavlot Funeral Home was built on top of the pottery in the nineteenth century and also occupying Betts' home, having been established in 1867.

Interestingly, the personalities of most early American potters are not known; however, author, Amos Delos Gridley published History of the Town of Kirkland, New York in 1874, describing the businesses of Erastus Barnes and Gregory, as well as a first-hand account he had been told by someone who knew Gregory: "Erastus Barnes established the first pottery in Clinton, his works being nearly in the rear of the late Reverend Charles Jerome's residence on College Street (Hamilton College established in 1793). He found clay of an excellent quality on the Gleason farm, near Manchester, and his business was, for those times, large and lucrative. Mr. John B. Gregory succeeded him, and carried on the same industry for several years. He was quite a recluse, being seldom seen outside of his own premises. Yet he had a genial soul, and loved to scatter jokes and bits of humor among old and young who came to inspect his works or to buy his wares. He was a devout Methodist. Placing a lump of clay on his lathe, he would set his wheel a-spinning, and, while moulding pan or jug or other vessel, would burst into some old refrain, as --


"Behold the potter and the clay !
He forms his vessels as he please."


Among the best known examples of slipware produced by Gregory in Clinton is a large slip-script plate, "Why / Will You / Die," which has been published, and was owned for many years by retired New York State archaeologist and museum specialist, George Hamell. Other notable objects of interest include a slip-decorated vase with two eagles, as well as another plate inscribed, "Made / By J B G / Oct 18 1823 / Clinton" (see below), which is considered one of the earliest examples of dated and signed red earthenware from New York.

John Betts Gregory's Pottery in Clinton, New York
My Nephew Jason and Niece Alexis Outside the Clinton, NY Historical Society
See Article for More Information
My Niece Alexis Admiring Two Pieces of Advertising Slipware
Red Earthenware Made by John Gregory Betts in Clinton, NY
See Article for More Information
The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
Sign on the House Once Owned by John Betts Gregory in Clinton, NY
See Article for More Information
The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
Building Behind the Site of the John Betts Gregory Pottery in Clinton,  NY
Most of the Archaeology was Likely Removed Because of this Type of Construction
See Article for More Information
Some Red Earthenware Artifacts Found Behind the Site of the John Betts Gregory Pottery
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, September 10, 2019

19th Century Canteen or Rundlet Owned by the Livingston County Historical Museum in Western New York

While traveling through western New York a few weeks ago with my nephew Jason and niece Alexis, we visited the Livingston County Historical Museum in Geneseo, New York. Our purpose of the visit was to study a terrific western New York red earthenware jar inscribed "Ice Cream," but we also saw other examples of locally made red earthenware and stoneware.

For instance, this red earthenware canteen or rundlet is a form that is typically attributed to manufacturers in New England today. However, this particular example was reportedly made in western New York in the 1800s, and according to the museum's records, it was owned by a local man named Zolman Wright.

Zolman Wright reportedly used this canteen while he served in the 171st Regiment in the New York Infantry during the Civil War, which was organized in New York in 1862. I have not been able to find much information on Wright's life, yet, but it appears that he served alongside other family members. The potter responsible for this object has also not been identified.

Western New York Canteen or Rundlet
19th Century Red Earthenware Canteen or Rundlet
Attributed to Western New York
Used by a Local Man Named Zolman Wright
See Article for More Information
Photo Courtesy: Livingston County Historical Museum
Information on Display with the Canteen or Rundlet
See Article for More Information
Photo Courtesy: Livingston County Historical Museum

Please Stay Tuned...Much More to Come...

19th Century New England Red Earthenware Jar Sells in Freeport, Maine

This excellent nineteenth century red earthenware jar just sold on Sunday September 8, 2019 at Casco Bay Auctions in Freeport, Maine. It was the firm's inaugural antiques auction. And while I cannot say specifically where this jar was made, I suspect that it was manufactured somewhere in northern New England. 

The combination of colors is quite attractive, combined with the shape and the incised decoration. However, this was a highly competitive lot in the sale seeing that there were 79 different bids.

New England Red Earthenware Jar
19th Century New England Red Earthenware Jar
Likely Made in Northern New England
Stands 8 1/2" Tall
See Article for More Information
Photo Courtesy: Casco Bay Auctions


Please Stay Tuned...Much More to Come...

Sunday, September 8, 2019

Early 19th Century Whale Oil Lamp Complete with a Double Burner Tin Insert

This is one of two incredibly rare nineteenth century red earthenware whale oil lamps that sold through Crocker Farm in Sparks, Maryland earlier this year. I actually bought this example after the auction while visiting central Pennsylvania in June. I think the form is just spectacular, and it may be related to a specific type of jar manufactured in southeastern Massachusetts.

However, neither lamp retained their burner inserts, and I was very fortunate to acquire a period double burner tin insert yesterday that fits perfectly from Milford, New Hampshire antiques dealer, Mark Newton. The lamp is now complete, and as far as I know, this is the only lamp in this form known today.

Early 19th Century Red Earthenware Whale Oil Lamp
Early 19th Century Red Earthenware Whale Oil Lamp
I Added the Tin Double Burner Insert Yesterday
Stands 4 3/8" Tall
See Article for More Information

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Saturday, September 7, 2019

Today's the Day! Potters on the Merrimac: A Century of New England Ceramics

Today is the big day! After a very successful opening night party last night, the Newburyport, Massachusetts Pottery exhibit, known as "Potters on the Merrimac: A Century of New England Ceramics," opens to the public this morning at 10:00 am at the Custom House Maritime Museum in Newburyport. This is an exhibit that I have dreamt of putting together for about a decade now, and the museum generously brought me on board as a guest curator, making this idea a reality.

I think this is a collection of extremely exciting pottery, all of which was made locally in the Newburyport area. There are wares that can positively be identified as production from the early-1760s right up through the artware made in the early twentieth century.

However, the aspect about this exhibit that makes me most proud is the selection of stoneware made by William Pecker (1758-1820) in the early-nineteenth century; an exhibit of this type of production has never been assembled before. And we have most of the best pieces in existence on display, including a monumental six-gallon jar and a jar that was published in the 2004 edition of Ceramics in America. There are less than 15 examples of Pecker's stoneware known today, and seven of those pieces can be seen in this exhibit, demonstrating a variety of production. There is also archaeology on display from the site of Pecker's stoneware business in Merrimacport.

Overall, these are the businesses targeted by the exhibit:

1) Daniel Bayley Pottery Company, ca. 1763-1792
2) William Pecker Pottery, ca. 1791-1820
3) James Chase Pottery, ca. 1820-1849
4) Phineas Chase Pottery, ca. 1849-1890
5) Merrimac Pottery Company, ca. 1897-1908

There is also a book that was published to coincide with this exhibit, featuring new research and many of the objects displayed. It is available in the museum's bookstore, as well through this link on Amazon.com.

A special event of interest is planned for Saturday October 5, 2019, where Massachusetts potter Rick Hamelin will demonstrate pottery production behind the Custom House building and along the picturesque Merrimack River. This event will compliment the exhibit, and will be both entertaining and extremely informative.

Potters on the Merrimac: A Century of New England Ceramics
Part of the Pottery Exhibit at the Custom House Maritime Museum in Newburyport, Mass.
See Article for More Information
Part of the Pottery Exhibit at the Custom House Maritime Museum in Newburyport, Mass.
See Article for More Information
The Exhibit Catalog is Available in the Museum's Bookstore and Through Amazon.com
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, September 5, 2019

Excellent Late-18th or Early-19th Century Red Earthenware Jar Found in a Rhode Island Estate

An early-nineteenth century red earthenware cup will be on display at the Newburyport, Massachusetts pottery exhibit, beginning this weekend at the Custom House Maritime Museum in Newburyport - the cup was made at William Pecker's business in Merrimacport, Massachusetts, and it was discovered earlier this summer inside an old estate in Rhode Island.

However, also found in that estate was this beautiful late-eighteenth or early-nineteenth century red earthenware jar, likely made by Peter Clark (1743-1826) in Lyndeborough, New Hampshire; otherwise, another potter located somewhere along Boston's South Shore or southeastern Massachusetts. 

I recently acquired this piece from Sagamore, Massachusetts antiques dealer, Brian Cullity who purchased this jar from the person handling the Rhode Island estate, while I bought the Pecker Pottery cup. And granted this is a Clark jar, then very few objects in this form are known to exist today with the most famous of those likely being an example owned by the New Hampshire Historical Society in Concord, New Hampshire. The museum's jar was reportedly made during the 1790-1810 period, and measures about the same height.

The lid also appears to be original; it certainly is the correct shape for the type of lids made by Clark, and it fits the jar very well. 

For more information about Peter Clark, I recommend a feature story I wrote for the August 2016 issue of the New England Antiques Journal, titled, "A Pottery Moves to New Hampshire: Peter Clark and His Family in Lyndeborough.

Excellent New England Red Earthenware Jar
Late-18th or Early-19th Century Red Earthenware Jar
Likely Made by Peter Clark in Lyndeborough, NH or Another Potter in Southeastern Mass.
Recently Discovered in an Estate in Rhode Island
Stands 8 1/4" Tall
See Article for More Information
Another View of the Jar
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Please Stay Tuned...Much More to Come...