Thursday, April 28, 2022

My New Book Is Now Available: A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod

Now available! My new 475-page book, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod. It will be posted in Historic Beverly's website shop soon for online orders, otherwise contact or visit the museum. Cost is $40 plus shipping.

Website Shop Link: https://historicbeverly.net/shop/

This is my fifth book in my pottery series through Historic Beverly in Beverly, Massachusetts - the Hartford, Connecticut area book is up next!

My New Book Is Now Available

My New Book Is Now Available
A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod
Cost is $40 Plus Shipping from Historic Beverly in Beverly, Mass.
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, April 26, 2022

Forthcoming Maine Antique Digest Feature Story: The Career of Abner Smith Wight in Central and Northern New England

I just wanted to let everyone know who contributed pictures that the research story I wrote about Abner Smith Wight (1822-1890) is finished and it will be my next published feature story in an upcoming issue of Maine Antique Digest. Wight was a red earthenware potter (and possibly also involved with stoneware in New Hampshire and Vermont), who is documented as having worked in Marlborough, New Hampshire, West Sterling, Massachusetts and Keene, New Hampshire.

Wight's career began in Marlborough, Cheshire County, New Hampshire in the early 1840s (possibly earlier), where he worked for his father and later had some ownership of a pottery in the "Chesham Village" section of the county. This is a term that is often found in the collector's world today, although I explain in detail in the article what this area was actually all about. 

Wight then relocated in late 1840s to West Sterling, a small community located to the north of Worcester, Massachusetts, and then ended his career in Keene. However, his production in West Sterling is significant today, seeing that it can be misinterpreted for wares manufactured in places like Vermont, New Hampshire and Maine. 

About twenty-five surviving pieces of red earthenware will be illustrated in the article from private and museum collections from across the country, as well as a variety of surviving paper documents. For instance, this is an original photograph of the "Snow & Coolidge Earthen Ware pottery cart and dog," which was a business that followed Wight's ownership in West Sterling that still retained a family connection.

1800s Photo: "Snow & Coolidge Earthen Ware Pottery Cart and Dog"
Snow & Coolidge Operated in West Sterling, Mass. in the 1800s
See Article for More Information
Photo Courtesy: Sterling, Massachusetts Historical Society

Please Stay Tuned...Much More to Come...

Monday, April 25, 2022

Wonderful Examples of American Stoneware and Red Earthenware Sell at Pook & Pook in Pennsylvania

An excellent selection of American red earthenware, sewer tile and stoneware sold last week at Pook & Pook in Downington, Pennsylvania, although the most significant piece may have been an incised stoneware flask decorated with various roulette motifs along the edges, each side and near the base. Both sides of the flask were also decorated with a hand drawn incised flower. The flask was probably made by a member of the Crolius or Remmey families in Manhattan, perhaps in the 1700s, otherwise circa 1800.

Interestingly, the rouletted decoration found on this flask is very similar to some artifacts published by archaeologist Meta Janowitz in a research article that she wrote for the 2008 edition of Ceramics in America, titled, New York City Stonewares from the African Burial Ground.

Furthermore, the incised flower decoration and roulette motifs found on this flask are also very similar to a four-sided flask that sold at Crocker Farm in Sparks, Maryland in July 2013. That flask was considered to date from the Colonial period in America, and attributed to the Crolius Family in Manhattan during the second or third quarter of the eighteenth century.

The flask sold for $2,394 including the buyer's premium.

Probably an 18th Century Stoneware Flask Made in Manhattan
Probably Made by Either the Crolius or Remmey Families
Stands 5 3/4" Tall
See Article for More Information
Photo Courtesy: Pook & Pook

Among the notable pieces of red earthenware in the sale was an incredible nineteenth century red earthenware inkstand, although missing the inkwell and sander, but nonetheless an important piece of pottery from Pennsylvania. The stand is embellished with an incised decoration of a man shooting a deer, whereas the rear of the stand is inscribed "Jonas Haring 1853."

The history of ownership was also certainly an attraction, seeing that this piece was previously owned by George Horace Lorimer (1867-1937) and exhibited at the Brooklyn Museum in New York City, before being sold by Ginsburg and Levy in 1980.

According to an article published in the New York Times on October 23, 1977: "None of that primitive‐looking pottery going on view in a Madison Avenue gallery exhibition this week would make it past the front door of a respectable china shop. But the collection—whimsical animals, a stoneware pitcher, crustily surfaced inkwells and bodily glazed plates, cups and vases, many awash with fantastic birds, stylish flowers or Gothic lettering—would merit an honored place in a museum, and did for decades. 

These late 18th‐and 19th‐century folk wares represented at least one fifth of the Brooklyn Museum's American ceramics collection until this past summer, when the owner withdrew the more than 70 pieces. The show at Bernard and S. Dean Levy, 981 Madison Avenue (at 76th Street) will be previewed Tuesday evening at a benefit to aid another museum, and will open to the public Wednesday, remaining on view through Nov. 12. 

The gallery's advertisements and announcements of this show do not identify the owner of the collection, stating merely that “it was formed by a pioneer collector.” Nor is there any public mention of the fact that these prized pieces have been on view at the Brooklyn Museum most of the time since 1942 when George Burford Lorimer (1908-1952), son of the man who assembled these rarities, loaned them to the museum. 

Mr. Lorimer's father was George Horace Lorimer, the editor who brilliantly directed the destinies of the Saturday Evening Post for 38 years until his death in 1937. It was in the 1920's and 30's that he gained the reputation of being the Henry Ford of American literature, responsible for an editorial assembly line that produced technically superior stories by such top writers as Ring Lardner, Mary Roberts Rinehart, F. Scott Fitsgerald and Sinclair Lewis. 

Mr. Lorimer's dogged pursuit of antiques also resulted in top‐quality finds and frequently led him to the source; he sought out the workshops of Pennsylvania and their artisans, or their heirs."

The inkstand sold for $10,710 including the buyer's premium.

19th Century Incised Red Earthenware Inkstand
Formerly Displayed at the Brooklyn Museum in New York
Also Previously Owned by George Horace Lorimer (1867-1937)
Incised Decoration Includes a Man Shooting a Deer
See Article for More Information
Photo Courtesy: Pook & Pook
The Back of the Inkstand is Inscribed "Jonas Haring 1853."
See Article for More Information
Photo Courtesy: Pook & Pook

Sewer tile prices were also strong, however, this group lot of three circa 1900 Midwestern frogs may have been the biggest surprise, selling for $8,820 including the buyer's premium. 

Group of Three Sewer Tile Frogs Attributed to the Midwest
Circa 1900
See Article for More Information
Photo Courtesy: Pook & Pook

Please Stay Tuned...Much More to Come....

Tuesday, April 19, 2022

An Inscribed Red Earthenware Crock Most Likely From Western New York or Ontario

I recently learned about this nineteenth century red earthenware crock that has been owned for about twenty years by Oregonia, Ohio potter Greg Shooner, which is decorated on the exterior and interior with a wonderful vibrant cream and raspberry colored glaze. The form may have been somewhat inspired after stoneware production during the period, and the style of this glaze is also probably most prevalent today with surviving wares associated with the Western New York and Ontario, Canada region, circa 1820-1880. Although, the aspect about this object that is most interesting is the fact that the base is inscribed with the name "Hartough."

I have been trying to determine more information about this extremely rare marked object over the last month or so; however, I have not found much information. My feeling is that this piece was most likely manufactured somewhere in either Western New York or Ontario, but I have not found any evidence of a potter working in this area with this last name. But I have handled a couple unmarked similar formed pieces thought to have been manufactured in the Western New York and Ontario area.

Interestingly, according to Ancestry.com, "The Hartough family name was found in the U.S.A., Canada and Scotland between 1840 and 1920, with the largest number of families bearing this last name in America about 1880. And among the states where a number of Hartough family members lived in the 1800s was New Jersey."

Furthermore, the Scottish-American immigrant connection in the nineteenth century can also be found with at least one migrant potter named William Lyle, who may have worked in New Jersey when he first arrived to America, although he is most known today for his work in Rochester, Monroe County, New York, circa 1875-1892. In fact, this crock signed "Hartough" may be further evidence of another Scottish potter involved with this wave of skilled migrants in the 1800s, or perhaps it may also share a connection to craftsman of a Scottish heritage born in America during the same period.

However, the name Hartough is also found on some circa 1875-1890 New York City stoneware, such as a rare jar that Crocker Farm sold in Sparks, Maryland in 2015, stamped "W.B. HARTOUGH / CHINA GLASS CROCKERY / AND EARTHENWARE / C33 MYRTLE AVE / BROOKLYN." Records indicate that Sergeant Walter B. Hartough (b. 1839) was born in Brooklyn on February 26, 1839 and was a veteran of the American Civil War. His father Henry J. Hartough (1810-1880) was born just outside of New York City in Somerset, New Jersey in 1810, whereas his mother Sarah (Hartough) Stoothoof (1815-1850) was born in New York City in 1815.

Nevertheless, it would be great to learn more about this object if anyone reading this post is able to provide any additional information, whether this name potentially represents a pottery business owner, apprentice or journeyman potter.

An Inscribed Red Earthenware Crock Most Likely From Western New York or Ontario

19th Century Red Earthenware Crock Probably Made in the Western New York and Ontario Area
Most Likely Circa 1820-1880
The Base is Inscribed "Hartough"
See Article for More Information
Photo Courtesy: Greg Shooner
Another View of the Crock
See Article for More Information
Photo Courtesy: Greg Shooner
View of the Interior
See Article for More Information
Photo Courtesy: Greg Shooner
View of the Inscribed Base "Hartough"
See Article for More Information
Photo Courtesy: Greg Shooner
Another View of the Inscribed Base "Hartough"
See Article for More Information
Photo Courtesy: Greg Shooner

Please Stay Tuned...Much More to Come...

Thursday, April 14, 2022

An Update on My New Book and a Green Glazed Red Earthenware Jug from Bristol County, Massachusetts

For those of you anticipating my new 471-page book from Historic Beverly in Beverly, Massachusetts, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod - I just wanted to briefly provide an update on its publication status. A second proof copy arrived back from the printer yesterday, which I have already gone through; an order of books will be placed soon, and they should be back from the printer to purchase in the next few weeks for $40 plus shipping. I will post an update on this website as soon as the books are back providing details on how the book can be purchased online or in person in the museum's bookstore.

Note: This is my fifth book; the previous four books from my New England pottery book series from Historic Beverly can be purchased by visiting this link: https://historicbeverly.net/product/pottery-book-collection/

An Update on My New Book

View of the Front Cover of My New Book: A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod
Second Proof Copy of My New 471-Page Book
The Book Will be Available in a Few Weeks
See Article for More Information
View of the Book's Back Cover
See Article for More Information

Nevertheless, every now and again, I post good pieces of red earthenware and stoneware that are for sale somewhere in the antiques world on this website, and seeing that my new 471-page book is about to be published, I thought this would be a good piece of circa 1780-1830 Bristol County red earthenware to discuss. This is a finely thrown green glazed jug that was previously owned for many years by Lew Scranton, and I recently learned that it is currently for sale with Dave Hillier at Antiques Associates at West Townsend in Massachusetts; contact them for details. This piece is also illustrated a few times in my new book!

A Green Glazed Red Earthenware Jug from Bristol County, Massachusetts

Late 18th or Early 19th Century Green Glazed Red Earthenware Jug
Attributed to Bristol County, Mass.
Circa 1780-1830
Stands 5 1/2" Tall
Ex Lew Scranton Collection
See Article for More Information
Photo Courtesy: Antiques Associates at West Townsend
Another View of the Jug
See Article for More Information
Photo Courtesy: Antiques Associates at West Townsend
Another View of the Jug
See Article for More Information
Photo Courtesy: Antiques Associates at West Townsend
View of the Base
See Article for More Information
Photo Courtesy: Antiques Associates at West Townsend
View of the Collection Sticker on the Base
See Article for More Information
Photo Courtesy: Antiques Associates at West Townsend

Please Stay Tuned...Much More to Come...

Tuesday, April 12, 2022

An 18th Century Red Earthenware Jar Made by Christian Klinker in Bucks County, Pennsylvania

Something I do every now and again is compare past auction results over the past twenty-five years with a specific object that sold back then versus how it recently sold again. There are a number of factors that can contribute to changes, such as desirability, the antiques market, the economy, the auction venue, new scholarship, new collectors, etc. In fact, some of the most surprising prices are the wares that were made in the Edgefield District in South Carolina before 1870, although this may be the most surprising comparison! The jar shown to the right in this first photo sold as part of the landmark John Gordon Collection of Folk Americana at Christies in New York City in 1999. The jar sold for $4,370 including the buyer's premium.

The jar is attributed to Christian Klinker (d. 1798), who was active in Bucks County, Pennsylvania, circa 1773-1798. Examples of Klinker's production can be found prominently displayed at art museums around the country, including an outstanding inscribed multi-color slip decorated jar that is exhibited in a glass case in The Charles Engelhard Court in the Americana Wing at the Metropolitan Museum of Art in New York City. The MET also owns other examples of wares made by Klinker.

Three examples of Christian Klinker's production can also be found displayed at the Philadelphia Museum of Art, which includes a jar missing a handle that matches this form, albeit possibly with a more elaborate style of slip decoration, and dated in slip "1787." 

It is certainly possible that Klinker manufactured this form of double-handled jar throughout his entire career, but the museum's jar does serve as evidence that this form was made in the late 1780s, which could provide a more exact period of production for the jar that sold at Christies. 

According to Edwin Atlee Barber's (1851-1916) 1903 book, Tulip Ware of the Pennsylvania-German Potters: An Historical Sketch of the Art of Slip-Decoration in the United States: "One of the pioneer potters of Bucks County, Pa., was Christian Klinker, who is suppose to have come from Germany. An earthenware jar in the collection of the Pennsylvania Museum (now the Philadelphia Museum of Art), covered with colored slips in raised floral designs, bears on the bottom his initials, C.K., and the date of fabrication, 1773."

Nevertheless, the jar that sold in the Gordon sale at Chrsties in 1999 recently sold again at Crocker Farm in Sparks, Maryland in the summer of 2021. The jar was also previously owned by Robesonia, Pennsylvania antiques dealer Greg Kramer, as well as a collector in the Midwest. However, this time the jar sold for $132,000 including the buyer's premium.

Note: Other examples of Klinker's work can be found in Winterthur in Delaware and the National Museum of American History at the Smithsonian Institute in Washington, D.C.

An 18th Century Red Earthenware Jar Made by Christian Klinker in Bucks County, PA

(Left) 18th Century Slip Decorated Red Earthenware Jar
Attributed to Christian Klinker in Bucks County, PA
Circa 1773-1798
Jar May Have Been Made Around 1787 Based on Example Owned by the PMA
Stands 7" Tall
It Sold for $4,370 Including the Buyer's Premium at Christies in NYC in 1999
See Article for More Information
Photo Courtesy: Christies
This is the Same Jar that Just Sold Again in the Summer of 2021 at Crocker Farm in Maryland
It Sold for $132,000 Including the Buyer's Premium
See Article for More Information
Photo Courtesy: Crocker Farm

Please Stay Tuned...Much More to Come...

Monday, April 11, 2022

An Important Flowerpot Made by Absalom Bixler in Lancaster County, Pennsylvania Sells at Crocker Farm in Maryland

The Beauport, Sleeper-MCann House is somewhat of a hidden gem in Gloucester, Massachusetts today, which displays two pieces of nineteenth century red earthenware that I have always admired made by Absalom Bixler (1802-1884) in Earl Township, Lancaster County, Pennsylvania. According to Historic New England, "Beauport, the extraordinary creation of Henry Davis Sleeper (1878-1934), was built between 1907 and 1934 on Eastern Point in Gloucester, Massachusetts. It began conventionally enough as a Queen Ann cottage overlooking the harbor - a comfortable summer retreat for Sleeper, a well-to-do young bachelor from Boston and his widowed mother. But scarcely had the house been finished when Sleeper began to lay plans for expanding it. Over the next twenty-seven years he continually added rooms, each displayed with spectacular displays of objects. At the time of his death, he had literally run out of land on which to build, and Beauport had become a forty-room labyrinth. 

From hallway to dining room, from bedroom to alcove, every room at Beauport is decorated to express a theme. Sometimes the theme was historical, sometimes literary.

After sleeper's death in 1934, Beauport was put up for sale. SPNEA's (later became Historic New England) director, William Sumner Appleton, hoped to acquire the house and its contents for SPNEA. Before this could transpire, Mr. and Mrs. Charles E.F. McCann, who had first seen Beauport while on a yachting trip and had fallen in love with it, purchased the house and the grounds intact. 

In 1937, Mrs. McCann approached SPNEA with the idea of bequeathing the house to the society, but unfortunately, she was taken ill and died before plans could be worked out. Five-years later, however, after the death of their father, the three McCann children - carried out their late parents' wishes and donated the house and its contents to SPNEA (today, Historic New England)."

The objects made by Bixler that are owned by Historic New England include a dish that is stamped, "ABSALOM BIXLER / TO HIS WIFE SARAH / 1824," as well as a flowerpot that is also stamped, "ABSALOM BIXLER / TO HIS WIFE SARAH / 1824."

Furthermore, Cynthia G. Falk wrote an article for the Spring 2005 issue of Winterthur Portfolio, titled, Celebrating Years Together: Personal Commemorations and the Colonial Revival: "During the second-half of the nineteenth century, Absalom Bixler presented a series of redware plates and flowerpots to his wife, Sarah. An impressed inscription on each marked it as a gift from husband to wife and included the date 1824, although Absalom and Sarah were not married until 1827. The plates and pots were commemorative, marking the longevity of their bond. They were produced during a period when it was increasingly common in the United States to reflect on earlier times by memorializing patriotic events and celebrating handcraftsmanship...Over the years the plates and flowerpots were acquired by collectors of Americana and eventually found their way into museum collections (such as the Philadelphia Museum of Art and Winterthur in Delaware; in fact, Winterthur has a small collection of wares related to both pieces owned by Historic New England)."

Interestingly, one of the best and largest flowerpots known to exist from these type of wares made by Bixler was just consigned by a collector in California to Crocker Farm's most recent auction in Sparks, Maryland. The flowerpot was stamped "READY FOR A CATCH," and was adorned with an applied black cat sneaking up on a bird perched on a branch. The flowerpot stands an impressive 10 1/4" tall and measures 10 1/4" in diameter; a nearly identical flowerpot is owned by Winterthur, although the cat's fur is a different color (see below). The flowerpot was also illustrated on the cover of the September 1982 issue of The Magazine Antiques, and previously sold at Sotheby's in New York City.

The flowerpot did well selling over the weekend for $65,000 plus the auction premiums.

An Important Flowerpot Made by Absalom Bixler in Lancaster County, Pennsylvania

Large 19th Century Red Earthenware Flowerpot with Applied Decoration
Attributed to Absalom Bixler in Earl Township, Lancaster County, PA
Stamped "READY FOR A CATCH"
Stands 10 1/4" Tall and measures 10 1/4" in Diameter
See Article for More Information
Photo Courtesy: Crocker Farm
The Flowerpot was Illustrated in the Cover of the Sept. 1982 Issue of The Magazine Antiques
The Flowerpot also Previously Sold at Sotheby's in New York City
See Article for More Information
A Similar Flowerpot Owned by Winterthur in Delaware
This Flowerpot is also Attributed to Absalom Bixler in Earl Township, Lancaster County, PA
See Article for More Information
Photo Courtesy: Winterthur

Red Earthenware Dish and Flowerpot Made by Bixler Owned by Historic New England

19th Century Red Earthenware Dish Made by Absalom Bixer in Lancaster County, PA
Stamped "ABSALOM BIXLER / TO HIS WIFE SARAH / 1824"
See Article for More Information
Photo Courtesy: Historic New England
19th Century Red Earthenware Pot with Bird Perched on a Branch
Stamped "ABSALOM BIXLER / TO HIS WIFE SARAH / 1824"
Stands 5 5/8" Tall
See Article for More Information
Photo Courtesy: Historic New England, Beauport

Please Stay Tuned...Much More to Come...

An Outstanding Classically Decorated Red Earthenware Flowerpot Found Years Ago in the Buffalo, New York Area

Over the past few years, I have documented on this website two rare red earthenware jars (article about the first jar; article about the second jar) that are accurately attributed to one of Canada's earliest documented potters, Jacob Bock (1789-1867) who was living in Waterloo, Ontario in the early 1800s. Although, Bock was born in Lancaster County, Pennsylvania, which is most likely where he learned the potter's craft, as well. A third signed jar is owned by the Royal Ontario Museum in Toronto; in fact, this signed jar is what these attributions are based on today, as well as a few other known signed examples that are privately owned.

These jars are all decorated with classical figures of Saint Aurelius Ambrosius (ca. 340-397 AD), who was born in one of Germany's oldest cities Trier, and his father was an important Roman soldier. He is considered to be one of the most influential ecclesiastical figures of the 4th century, and was the Roman governor of Liguria and Emilia, based in Milan, before being made Bishop of Milan by popular acclamation in 374 AD, even though he was not even a priest.

For many years, Ambrose defended the faith of the Church, writing hymns and influencing other Christian songwriters. After Ambrose's death on April 4, 397 AD and because of his love of Christianity, the Church declared Saint Ambrose a Doctor of the Church, and his life has been celebrated ever since. However, the jars that I have previously cited are to my knowledge the only examples of seventeenth, eighteenth or nineteenth century utilitarian pottery made in America or Canada which honor the life of Aurelius Ambrosius. In fact, they more than likely represent Bock's faith and his commitment to his church.

According to Ontario collector Paul Slater, To this point there are three documented pieces of signed and dated red earthenware made by Jacob Bock, one of which resides in the Royal Ontario Museum in Toronto (the other two are in private collections). All three are red earthenware tobacco jars with four relief portraits of St. Ambrose or Aurelius Ambrosius, a highly influential 4th Century religious figure. One is marked "Waterloo the 4 Jan 1825"; another "Waterloo, Upper Canada, September 17 1825, Jacob Bock, Potter"; the third is the same as the first except "January" is spelled in full. Beyond these three pieces, other pottery has surfaced which some have attributed to Bock, including two storage jars with "1820" marked on the base, a small barrel marked "Waterloo 1827," and a small cup marked "September 1836." Although, it is probable that other examples exist, there is no question that marked pieces by Jacob Bock are extremely rare to see today."

This nineteenth century red earthenware flowerpot is also decorated with classical figures in relief, which appear religious, and might be related to the jars made by Bock in Waterloo. This flowerpot is currently privately owned in Western New York, although it was discovered about fifteen years ago in the Buffalo, New York area, which is located right next to the Ontario border and about 110 miles southeast of where Bock worked in the 1800s.

For some years, the thought was that this flowerpot may have been made by Carl Mehwaldt (1808-1887), a German immigrant who worked in the Village of Bergholz in Niagara County, New York (see Mehwaldt article I wrote for the October 15, 2021 issue of Antiques & Auction News), or perhaps at the Gleason family pottery in Morganville, New York. However, its production seems to be most similar to the jars that were made by Bock in Ontario. Nonetheless, this type of classical revival and religious production is quite rare to find with any surviving wares from Western New York or Ontario today.

An Outstanding Classically Decorated Red Earthenware Flowerpot

19th Century Red Earthenware Flowerpot Attributed to Either Western New York or Ontario
Retains Some History of Ownership in the Buffalo, New York Area
Possibly Related to Some Jars Made by Jacob Bock (1789-1867) in Waterloo, Ontario
Stands About 9" Tall and Measures About 10" in Diameter
See Article for More Information
Photo Courtesy: Gene Pratt
Another View of the Flowerpot
See Article for More Information
Photo Courtesy: Gene Pratt
Another View of the Flowerpot and the Base
See Article for More Information
Photo Courtesy: Gene Pratt
View of the Interior
See Article for More Information
Photo Courtesy: Gene Pratt
Another View of the Interior
See Article for More Information
Photo Courtesy: Gene Pratt

Please Stay Tuned...Much More to Come...

Friday, April 8, 2022

A Good Circa 1790-1820 Stoneware Crock that Sold Last Weekend in Connecticut

As I noted earlier this week, New Haven Auctions in Branford, Connecticut held a two-day auction last weekend, which featured the collection of Stephen and Patricia Center on Saturday April second, while Sunday April third offered a selection of objects consigned from various owners. Both days included examples of domestic utilitarian pottery, although some nice pieces of nineteenth century stoneware sold on the second day, such as some good cobalt decorated pots made in Bennington, Vermont.

However, this was my favorite stoneware piece, a circa 1790-1810 double-handled stoneware crock with various incised decoration that was then carefully filled in with cobalt. The crock is attributed to New York, and perhaps made by the Crolius family in Manhattan, although the precise decoration is also similar to some styles attributed to George Lent in New York.

Nevertheless, the crock sold for $1,800 plus the auction premiums.

Note: For a great stoneware jug attributed to George Lent and some other early stoneware, I suggest a research story I wrote for the January 31, 2020 issue of Antiques & the Arts Weekly, titled, Early Red Earthenware & Stoneware Found on Staten Island.

A Good Circa 1790-1820 Stoneware Crock

Late 18th or Early 19th Century Stoneware Crock Attributed to New York
Probably Circa 1790-1810
Stands 11 5/8" Tall
See Article for More Information
Photo Courtesy: New Haven Auctions
Another View of the Crock
See Article for More Information
Photo Courtesy: New Haven Auctions
View of One of the Handles
See Article for More Information
Photo Courtesy: New Haven Auctions
View of the Base
See Article for More Information
Photo Courtesy: New Haven Auctions

Please Stay Tuned...Much More to Come...

Wednesday, April 6, 2022

A Red Earthenware Teapot that was Published in the Book American Redware which Recently Sold at Skinner

In 1991, New York historian and author William Ketchum Jr.'s (1931-2021) 147-page book American Redware was published, providing readers with a generic overview of red earthenware production across America. The book illustrates a number of objects owned by museums, private collectors as well as Ketchum; although, it is not indicated in the captions where each object was owned when the book was published. 

Nonetheless, a number of the pieces pictured in the book were owned by New York State archaeologist and museum specialist George R. Hamell, who also provided much of the red earthenware information for another book written by Ketchum, titled,  Potters and Potteries of New York State, 1650-1900: Second Edition, which was published in 1987.

Sadly, William Ketchum Jr. passed away last year at the age of 90, and some of the red earthenware and stoneware that he owned has been appearing at various auction houses, especially some of the objects that were published in his book American Redware.

For instance, this red earthenware teapot was sold in a group lot without a provenance in Skinner's Country Americana online auction in Marlborough, Massachusetts that ended on March 15, 2022. Some of the other pieces that sold in the lot may have also been published in American Redware. According to the information that Ketchum published about this teapot: "Redware teapot, c. 1830-60, attributed to Connecticut and formerly in the Hampstead House, New London."

However, rather than the "Hampstead House," I think it should have read the Joshua Hempsted House in New London, Connecticut; the house was built about 1678 and altered several times in the eighteenth century, as well as being one of the state's oldest buildings.  It was home to the Hempsted family until 1939. There is also another Hempstead House in New London that is adjacent to this home and built by Nathaniel Hempsted in 1759. Both of these properties are included as part of Connecticut Landmarks today.

Other examples of stoneware and red earthenware owned by Ketchum have sold through Skinner over the past year. This lot was a bargain selling for only $188 including the buyer's premium.

Note: This sale also included a wonderful eighteenth or early nineteenth slip decorated red earthenware pan that was probably made in the Hartford, Connecticut area.

A Red Earthenware Teapot that was Published in the Book American Redware

A Collection of Red Earthenware that Sold in a Single Lot
The Teapot was Published in the 1991 Book American Redware
Previously Owned by William Ketchum Jr. (1931-2021)
See Article for More Information
Photo Courtesy: Skinner

Please Stay Tuned...Much More to Come...

Tuesday, April 5, 2022

A 19th Century Red Earthenware Face Pitcher Recently Found in New Hampshire

From time to time good examples of historic red earthenware and stoneware have been known to show up at the weekly Milford, New Hampshire Antiques Show, such as a great nineteenth century northern New England red earthenware rundlet with a political inscription that I wrote about earlier this year.

Nevertheless, this nineteenth century red earthenware face pitcher was just found at the show in Milford a few weeks ago; I am not positive, but the face and hair do somewhat resemble Marquis de Lafayette (1757-1834), a French aristocrat and military officer who fought in the American Revolution, commanding American troops in several battles, including the siege of Yorktown in Virginia. 

Various wares commemorating Lafayette were manufactured in America in the 1820s when Lafayette made a tour of the twenty-four states from July 1824 to September 1825. During this visit, he was also the last surviving major general of the Revolutionary War. Historical accounts document his trip as receiving a hero's welcome, and many honors and monuments were presented to commemorate and memorialize the visit. 

Among the domestic commemorative red earthenware that was produced were wares manufactured in Norwalk, Connecticut and River Edge, New Jersey, which can be read about in a research article I wrote for the January 8, 2021 issue of Antiques & Auction News, titled, The Red Earthenware Manufactured In River Edge, New Jersey: A Look At Bergen County, Pottery. I also cited Lafayette's visit and connection to the pottery industry in Concord, New Hampshire in a research story I wrote for the June 2021 issue of Maine Antique Digest, titled, The Red Earthenware Industry in Concord, New Hampshire

These type of historical pitchers were made at a number of potteries in America in the 1800s, which represent various historical figures; they were made in New Hampshire, Massachusetts, New Jersey, Pennsylvania, Ohio, and probably other places as well. My guess is that this pitcher was made somewhere in the Northeast, although since I have never seen anything like it before, I am hesitant to be more specific about where it was made.

And as I have stated, my thought is that this figure may represent Lafayette, but if anyone reading this has any other suggestions - please let me know!

Note: It has also been suggested by Massachusetts potter Rick Hamelin that this may very well be a Mexican piece made in the 1900s.

A 19th Century Red Earthenware Face Pitcher Recently Found in New Hampshire

19th or 20th Century Red Earthenware Face Pitcher
Recently Discovered in New Hampshire
See Article for More Information
Photo Courtesy: Mark Newton
Another View of the Pitcher
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Photo Courtesy: Mark Newton
View of the Interior
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Photo Courtesy: Mark Newton
View of the Handle
See Article for More Information
Photo Courtesy: Mark Newton
View of the Base
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Photo Courtesy: Mark Newton

Please Stay Tuned...Much More to Come...

Monday, April 4, 2022

A Wonderful Slip Decorated Red Earthenware Bowl that Sold Over the Weekend at New Haven Auctions in Connecticut

As many of you reading this may recall, Camden, Ohio antiques dealer David Good sold much of his lifelong antiques collection and dealer inventory in January of this year through New Haven Auctions in Branford, Connecticut. Although, some objects from Good's collection were also included in New Haven Auctions sale yesterday, which featured consignments from various owners.

Among those objects was a multi-colored nineteenth century slip decorated red earthenware bowl, adorned with a two-color slip decorated motif in the center; the use of colors on this piece is similar to wares made at a number of potteries in places like Berks County, Pennsylvania in the 1800s, as well as elsewhere in southeastern Pennsylvania in the eighteenth and nineteenth century. But the thought is that this bowl was more likely manufactured in Maryland, circa 1780-1830, perhaps in Hagerstown, Maryland. 

In fact, I posted an article on this website in June of 2019 that showed various artifacts that were recovered from an early 1800s archaeological context in Cearfoss, Maryland, where the domestic red earthenware from this site was thought to have originated in Hagerstown. Those artifacts include various rim sherds that are similar in decoration to the way the slip adorns this rim.

From my perspective, the way the back of this bowl was manufactured also seems different than the typical single colored slip decorated bowls that are attributed to Pennsylvania today from the 1800s. Nonetheless, the bowl did very well selling for $8,500 plus the auction premiums.

A Wonderful Slip Decorated Red Earthenware Bowl from the Mid Atlantic Region

Late 18th or 19th Century Slip Decorated Red Earthenware Bowl with a Motif in the Center
Attributed to the Mid Atlantic Region
Possibly Made in Hagerstown, MD
Possibly Circa 1780-1830
Measures 8 3/4" in Diameter
See Article for More Information
Photo Courtesy: New Haven Auctions

View of the Back of the Bowl
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Photo Courtesy: New Haven Auctions

Please Stay Tuned...Much More to Come...