Sunday, December 31, 2023

Happy New Year!

Happy New Year! Hopefully everyone has some great finds in 2024! I had two books published in 2023, and dozens of articles published in various newspapers and magazines. Here are some of the incredible objects that we found, studied, and handled in museum collections. We also saw some incredible private collections and archaeology from all over the Northeast, and learned about some very important forgotten information that will hopefully be published next year. I feel very fortunate to have held some of these objects and artifacts, and hope to continue this into 2024!

A Look at Some of 2023!
See Above For More Information

Please Stay Tuned...Much More to Come...

Saturday, December 30, 2023

A Good Example of Russell Crook's Salt-Glazed Stoneware Production Found in Peabody, Massachusetts

This is an incredibly lucky find from yesterday while going through a dealer’s giant inventory of twentieth century art and studio pottery in Peabody, Massachusetts. This unsigned circa 1910 or so stoneware vase decorated with cobalt and black is attributed to Russell Crook (1869-1955) in South Lincoln, Massachusetts, whereas the size of this vase is quite rare to find from Crook today, measuring only 3 3/4 inches in height.

For a brief history: Russell Crook was born in San Francisco in 1869, and later moved to Massachusetts. He was a prolific sculptor, plaster modeler and potter. He worked at the William Grueby (1867-1925) Faience Company for a time in South Boston manufacturing tiles and is the only potter known to have produced salt-glazed stoneware at this company, although he also had a brick studio behind his home in South Lincoln with a large kiln in which he fired his vases, as well as pottery tiles and mosaic murals. Repeating animal and fish motifs characterize his work executed in cobalt and black on salt-glazed stoneware. These are unusual materials for art potters and are more commonly seen in utilitarian crocks and jugs. Many of the salt-glazed objects that he made in Lincoln are also unsigned today, although examples of Crook’s salt-glazed work with animals can be found displayed at the Metropolitan Museum of Art in New York City, the Museum of Fine Arts, Boston, the National Museum of American History at the Smithsonian Institute in Washington, D.C, Historic New England and the Museum of the American Arts & Crafts Movement in St. Petersburg, Florida, among other art museums across the country.

Furthermore, the dealer told me that he remembered finding this vase years ago in a house in Contoocook, New Hampshire, which is located about twelve miles west of Concord, New Hampshire. Additionally, the vase seems to be decorated below the rim with perhaps cats and is possibly inspired in shape after Asian design, nonetheless, though this is not something that I expected to find yesterday!

Interestingly, in some ways, Crook's wide artistic talent can also be compared to John Bell's (1811-1895) accomplishments in England, which I wrote a story about for the June 2, 2023 issue of Antiques And The Arts Weekly, titled, The Other John Bell: Not A Pennsylvania Potter But London Sculptor: http://www.earlyamericanceramics.com/2023/05/new-research-article-in-antiques-and.html.

Note: For more information about salt-glazed stoneware and American-made art pottery - see a story I posted to this website in 2021 that discusses Susan S. Frackelton's (1848-1932) production in Milwaukee, Wisconsin in the late 1800s: http://www.earlyamericanceramics.com/2021/12/outstanding-stoneware-manufactured-by.html.

A Good Example of Russell Crook's Salt-Glazed Stoneware Production

Early 20th Century Salt-Glazed Stoneware Vase with Cobalt and Black
Attributed to Russell Crook (1869-1955) in South Lincoln, Mass.
Appears to be Decorated with Cats Highlighted in Cobalt
Found Yesterday in Peabody, Mass.
Circa 1910
Stands 3 3/4" Tall, A Very Rare Smaller Size from Crook
See Article for More Information
Another View of the Vase
See Article for More Information
A View of the Interior
See Article for More Information
A View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, December 29, 2023

Signed Plates Made by David Spinner in Bucks County, Pennsylvania

According to a book published in 1915 that was written by Walter A. Dyer, titled, Early American Craftsman, "David Spinner (1758-1811), a potter from before 1800 until 1811, on Willow Creek, Milford Township, Bucks County, Pennsylvania, enjoyed considerable local fame. His father, Ulrich Spinner (1717-1769), came to America from Zurich, Switzerland, in 1739. A number of Spinner's signed pieces are in existence and they include some of the most interesting examples of Pennsylvania-German pottery. He used a variety of flower motifs, the fuchsia being a favorite with him. His pictorial treatments were more ambitious than those of most of his contemporaries and were better drawn. They included gay and courtly ladies and gentlemen, gallant soldiers, and spirited hunting scenes."

Furthermore, Spinner was also a Justice of the Peace in Bucks County; around 1776 or 1777, he was placed in apprenticeship by his father with Henry Neis, a cordwainer, and Johannes Neis (1754-1826), a potter, both in Milford Township, where he remained in their employment until inheriting his family's land in 1781. By 1782 Spinner was taxed independently as a successful potter and farmer. He owned more than two hundred acres and numerous livestock and had entered into local leadership and politics as a captain in the First Company Militia, justice of the peace, and tax collector for the township. Like many industrious craftsmen working within the Pennsylvania German community, Spinner enjoyed a relatively comfortable lifestyle as a result of his hard work and talents, and he achieved the prosperous designation of "Esquire" during his later life.

Interesting, even though it has been published that there are a number of signed pieces known to exist from Spinner today, I can only find one that has sold publicly with his inscribed name in script, which sold at Christies in New York City on January 19, 2007. The plate is signed "D Spinner / 1801." There are also two signed examples owned by the Brooklyn Museum in New York City and a slip-decorated plate signed in slip script that is owned by the Philadelphia Museum of Art. All of the other objects that I can find in museum collections and public sales are attributed to Spinner.

Are there many more examples of plates that were signed by Spinner?

Signed Plates Made by David Spinner in Bucks County, PA

Sgraffito Decorated Plate Made by David Spinner in Bucks County, PA
Inscribed "D Spinner / 1801"
See Article for More Information
Photo Courtesy: Christies
Brooklyn Museum
Two Sgraffito Decorated Plates Made by David Spinner in Bucks County, PA
Both Signed in Script by Spinner
Circa 1800
See Article for More Information
Photo Courtesy: Brooklyn Museum
Winterthur Museum
Two Sgraffito Decorated Plates Attributed to David Spinner in Bucks County, PA
Circa 1800
See Article for More Information
Photo Courtesy: Winterthur Museum
Philadelphia Museum of Art
Eight Sgraffito Decorated Plates Attributed to David Spinner in Bucks County, PA
Circa 1800
(Bottom Right) Slip Decorated 
Plate Attributed to David Spinner in Bucks County, PA
This Plate is Dated in Slip "1811"
See Article for More Information
Photo Courtesy: Philadelphia Museum of Art
Slip Decorated Plate Made by David Spinner in Bucks County, PA
Signed in Slip Script by Spinner
Circa 1809-1811
See Article for More Information
Photo Courtesy: Philadelphia Museum of Art
Metropolitan Museum of Art
Two Sgraffito Decorated Plates Attributed to David Spinner in Bucks County, PA
Circa 1800
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Slip Decorated 
Plate Possibly Made by David Spinner in Bucks County, PA
Circa 1810
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art

Please Stay Tuned...Much More to Come...

Tuesday, December 26, 2023

A Pair of 19th Century Maine Red Earthenware Jugs that were Recently Found in Connecticut

Traditionally, these types of nineteenth century red earthenware jugs are attributed to the Norcross family pottery in Farmington, Maine today, whereas the company was operated by three successive family members: Josiah Norcross (1759-1828) who was born in Cambridge, Massachusetts, as well as his son Matthias Norcross (1792-1868) and grandson Matthias Norcross, Jr. (1836-1880). Although, the oldest Matthias Norcross is thought to have been the most prominent of the group. 

There was also a brother to Josiah, named Samuel Norcross, who had some involvement in the potter's trade, but not much is documented about what he may have produced. Furthermore, the business is one of the few that operated in Maine in the late-eighteenth century - and there was also a period that the family was producing red clay bricks in the nineteenth century. 

Interestingly, it was written by Thomas Parker in a book published in 1846, titled, A History of Farmington, Me. from Its Settlement to 1846, that "...Asahel Wyman from Groton, Mass. set up the business on the farm since Mr. Quincy, prior to 1800, and continued it while he was able to attend to business. After him Jeremy Wyman his son set up the business on the west side of the River. He built the brick shop now occupied by M.S. Norcross for the pottery business, in 1810, where he continued until March 1814, when he died with the spotted or cold fever, being the second case in town." This information leads me to believe that the Norcross family may have operated multiple businesses simultaneously in Farmington.

Additionally, there is a lot yet to be learned about this company's production, however, what is known is that this unusual type of jug with an indent surrounding the middle-half of the body is a type of production that is accurately attributed to this family. The only other instance where I have seen something comparable to this shape is a small group of jars that were produced in Bristol County, Massachusetts, circa 1780-1830, all of which were published in my fourth book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/

Nonetheless, these two jugs just sold this morning on eBay; I asked the seller where they came from and they told me that they were recently found together in Connecticut. I did not buy the jugs, although the first jug sold for $905 and the second jug sold for $520, plus any additional eBay fees. 

For more information about these types of jugs, see a group of them from a private Maine collection that are illustrated in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/94597/

A Pair of 19th Century Maine Red Earthenware Jugs

19th Century Red Earthenware Jug from Maine
Attributed to the Norcross Pottery in Farmington, Maine
Stands 7 1/2" Tall
See Article for More Information
Photo Courtesy: eBay
19th Century Red Earthenware Jug from Maine
Most Likely Made at the Norcross Pottery in Farmington, Maine
Otherwise Another Business in Maine
Stands 5 3/4" Tall
See Article for More Information
Photo Courtesy: eBay

Please Stay Tuned...Much More to Come...

Saturday, December 23, 2023

A Good East Bloomfield, New York or North Carolina Vase Found in a Thrift Store in Saugus, Massachusetts

This is a $2 find from yesterday at a thrift store located to the north of Boston in Saugus, Massachusetts! And even though this colorfully glazed stoneware vase is not signed, I think this is possibly the best example of pottery that I have seen from the Roadside Craftsmen in East Bloomfield, New York, circa 1930s-1940s. 

The shape of this vase matches another vase that is privately owned (see last picture) that is signed in script on the base “G.D.” and dated “48” (1948). The G.D. represents Guy Daugherty (1879-1958), a journeyman potter who mainly worked in the South, although he also worked in East Bloomfield, whereas this vase certainly appears to have been influenced by Asian pottery, as well as perhaps the glaze too. But I was told a few years ago by New York archaeologist and museum specialist George Hamell that this type of glaze was a tribute to a similar type of glaze that was produced by the early Bloomfield, New York potters in the 1800s. Furthermore, this vase probably originally had a Roadside Craftsmen sticker adhered to it.

Nonetheless, there will be a chapter devoted to the pottery made at the Roadside Craftsmen in my forthcoming 800-900 page ninth book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New York.

For more information - see a story I wrote that was published on page 45 in the June 30, 2023 issue of Antiques And The Arts Weekly, titled, Guy Daugherty: A Roadside Craftsmen Potter — http://www.earlyamericanceramics.com/2023/06/new-published-story-in-antiques-and.html?m=1

Update: North Carolina author and scholar Stephen Compton commented on today's post saying that this vase may have been made by Daugherty at the Hillside Pottery and Smithfield Art Pottery in North Carolina, where he also made similar wares in the 1920s.

East Bloomfield, N.Y. Vase Found in a Thrift Store in Saugus, Mass.

20th Century Stoneware Vase Found in a Thrift Store in Saugus, Mass.
Attributed to Guy Daugherty (1879-1958)
Possibly Made at the Roadside Craftsmen in East Bloomfield, New York
Possibly Also Made by Daugherty in North Carolina
Circa 1920s-1940s
Stands 6" Tall
See Article for More Information
Another View of the Vase
See Article for More Information
A View of the Interior
See Article for More Information
A View of the Base
See Article for More Information
20th Century Red Earthenware Vase
Made by Guy Daugherty in East Bloomfield, New York in 1948
The Base is Signed and Dated by Daughtery
It is Also Faintly Marked with the Roadside Craftsman Stamp
See Article for More Information
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...


Thursday, December 21, 2023

A Late 18th or Early 19th Century Green Glazed Red Earthenware Jar with a Lid

I have owned this large circa 1780-1830 green glazed red earthenware jar from Southeastern Massachusetts, Bristol County or Cape Cod for about a decade now, although I just acquired the lid a few months ago from a friend, and it’s not a perfect match, but it fits good and I suspect it’s from the same area. 

Furthermore, this is a rather rare form and glaze color to come across today, whereas this might be the largest green glazed jar of this type that I have seen, measuring eleven inches tall without the lid. Another green glazed jar of this type was previously owned by noted collector Charles D. Cook, who had some of his collection featured in the October 1931 issue of The Magazine Antiques.

For more information about this type of production, see my fifth book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod: https://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/

A Green Glaze Red Earthenware Jar with a Lid

Late 18th or Early 19th Century Green Glazed Red Earthenware Jar
Most Likely Made in Either SE Mass., Bristol County or Cape Cod
Circa 1780-1830
Stands 11" Tall
The Lid is Perhaps from the Same Area
See Above for More Information
A View of the Jar with the Lid
See Above for More Information
This Pitcher with its Original Lid is Likely Related to the Jar Shown Above
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

Monday, December 18, 2023

A Face Jug from Edgefield, South Carolina that was Plowed Out of a Field in Massachusetts in the 1980s

A number of nineteenth century stoneware objects made by African Americans in Edgefield, South Carolina before the American Civil War have been found in New England over the past 100 years. Although, the most surprising object may be a face jug that Maine antiques dealer Ross Levett sold in the 1980s, which was shockingly plowed out of a field in Massachusetts. 

In fact, I have heard stories about this face jug through the years, but I had never seen a picture of it until New Hampshire scholar Richard Miller posted an advertisement on Facebook a few days ago that Ross placed for the jug in the November 1987 issue of Maine Antique Digest. The jug appears to be missing its rim, however the remainder of it seems to be in great condition. 

Furthermore, there are at least two similar and perhaps related objects displayed as part of the William and Susan Mariner Gallery at the Museum of Early Decorative Arts in Winston-Salem, North Carolina identified as being made during the circa 1850-1860 period.

Note: Another South Carolina face jug sold earlier this year in Freeport, Maine, which had just been found in an old attic in Portsmouth, New Hampshire; here is a link to that story: http://www.earlyamericanceramics.com/2023/05/a-rediscovered-19th-century-face-jug.html

Face Jug that was Plowed Out of a Field in Massachusetts in the 1980s

19th Century Face Jug from Edgefield, South Carolina
The Jug was Plowed Out of a Field in Massachusetts in the 1980s
Perhaps Circa 1850-1860
See Above for More Information
Photo Courtesy: Nov. 1987 Issue of Maine Antique Digest, Ross Levett
Here is the Jug Today
See Above for More Information
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

Saturday, December 16, 2023

Two 20th Century Southwest Pottery Objects Recently Found in Massachusetts

I know very little about twentieth century Native American pottery from the American southwest, predominantly made in places like New Mexico. Although, I do know that some of it was brought back to the eastern states in the 1900s, as part of the tourist trade. This is a similar idea to the North Carolina pottery that I have been searching for the last two years or so throughout the northeast, which was made from the 1920s to the 1960s, some of which was shipped to retail stores in places like New York City and Boston.

However, over the past few years, I have also repeatedly spoken about this subject with Massachusetts antiques dealer Mark Brightman, who specializes in objects made by natives in the American southwest during the late nineteenth and twentieth century, whereas it is a subject that I would like to learn a little bit about, seeing that this type of pottery shows up in various contexts in New England. Interestingly, I actually picked up a few pieces in the last month at various thrift stores in Massachusetts. 

This first unsigned hand-painted earthenware pot was just found a few days ago for $4, and a friend suggested that I contact Marcy Burns, who specializes in antique Native American Art in New York City. She told me that the pot is likely from Acoma or Zuni Pueblo in New Mexico.

Furthermore, Pennsylvania antiques dealer Steve Smoot told me that the pot is probably from the circa 1940 to 1960 period. He added that the dart form black birds were first seen in the early twentieth century and he believes they originally were the product of the Medina family of potters. The decorative form was then adopted by many others.

The second object was found a few weeks ago for $3; the earthenware bowl is hand-painted and signed on the back, which was suggested to me that the signature may be from Elizabeth Waconda (1925-2007), who was active in New Mexica, circa 1940s-1990s. Her work is also represented in various American art museums today, including The Peabody Museum at Harvard University in Cambridge, Massachusetts.

20th C. Southwest Pottery Objects Recently Found in Mass.

Unsigned 20th Century Hand-Painted Earthenware Pot
Possibly from Acoma or Zuni Pueblo in New Mexico
Possibly Circa 1940s-1960s
See Article for More Information
Another View of the Bowl
See Article for More Information
Signed 20th Century Hand-Painted Earthenware Bowl from New Mexico
Possibly Signed by Elizabeth Waconda (1925-2007)
Possibly Circa 1960s-1970s
See Article for More Information
A View of the Back and the Signature
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, December 15, 2023

A Slip Decorated Stoneware Flask Recently Found in the Boston Area that is Related to an Object Owned by The British Museum

This is definitely not something that I expected to see earlier this week in the Boston area, although my initial feeling was that this slip decorated stoneware flask had a bit of age to it! It is quite refined, too, meaning light in weight. I also suspected at the time that it was Asian in origin, perhaps Chinese or Korean.

However, after some feedback and research, I learned that The British Museum in London owns a similar example that they acquired in China, probably in the 1980s, which they described as a "flask with two loop handles, decorated with slip trailed leaf with roundel on both sides, and made of glazed ceramic stoneware." This type or form of flask also dates back thousands of years with Chinese stoneware and porcelain potters, whereas some museums, such as the Metropolitan Museum of Art in Manhattan make reference to a similar type of flask that was also produced by the ancient Romans.

Furthermore, I have no idea how this object made its way into America, seeing that I cannot imagine that this is something that was produced for the American market, although I found it in a group thrift/collectible type shop so it must retain some type of local ownership in the Boston area. Additionally, I would be curious to learn if this is something that may have been brought to Massachusetts in the late 1800s or 1900s, considering that there was a large population of Chinese migrants that came to the area during this period.

The British Museum also suggests a nineteenth or early twentieth century period for the manufacture date, although without more information about where these objects were actually made because the museum does not appear to have that information, then I suspect that these flasks may have also been produced earlier than this period. The museum only indicates that they acquired their flask in China, although no more history is provided about where exactly it was made.

Nevertheless, though, I think the idea that this flask could potentially retain a history of ownership with a local family is fascinating! Does anyone reading this post know more information about these objects?

Slip Decorated Stoneware Flask Recently Found in the Boston Area

Slip Decorated Stoneware Flask Probably Made in China
Recently Found in the Boston Area
Probably Retains a History of Ownership in the Boston Area
Stands 6" Tall
See Article for More Information
Another View of the Flask
See Article for More Information
Another View of the Flask
See Article for More Information
Another View of the Flask
See Article for More Information
Another View of the Flask
See Article for More Information
Another View of the Flask
See Article for More Information
A View of the Base
See Article for More Information
Slip Decorated Stoneware Flask Probably Made in China
Acquired in China Probably in the 1980s
See Article for More Information
Photo Courtesy: The British Museum

Please Stay Tuned...Much More to Come...

Wednesday, December 13, 2023

Early Storage Jars Found in the Salem, Massachusetts Area, Perhaps Originating in Europe in the 1700s

About a decade ago, I found what I believe is an eighteenth century storage jar with a red colored clay body in an old estate in Beverly, Massachusetts. I have always suspected that the jar was made in continental Europe, perhaps before the American Revolution. Although, I have not seen any related jars of this type in any of the archaeology collections that I have studied from the Boston and Salem, Massachusetts areas. Certainly an interesting object, nevertheless!

However, I just learned yesterday that the Peabody Essex Museum in Salem owns a similar jar, but with a white colored clay body. Their jar also likely retains some history of local ownership, whereas both of these objects may have originated in the same area and were just produced with a different type of clay; for instance, this is often seen with Spanish storage jars that were shipped to the American colonies in the 1600s and 1700s. Thoughts? Has anyone seen this type of jar before recovered from an American archaeological context?

For reference, the museum's jar came into the Essex Institute's collection in 1919, when it was cataloged as "jar, stoneware, salt glaze." But no information is currently known about who donated it or how it arrived in America.

Early Storage Jars Both Found in the Salem, Massachusetts Area

Probably 18th Century Storage Jar with a Red Colored Clay Body
Found Years Ago in an Old Estate in Beverly, Mass.
Possibly Made in Continental Europe
See Above for More Information
Probably 18th Century Storage Jar with a White Colored Clay Body
Retains Some History of Ownership in Salem, Mass.
Possibly Made in Continental Europe
See Above for More Information
Photo Courtesy: Peabody Essex Museum
Another View of the Jar
See Above for More Information
Photo Courtesy: Peabody Essex Museum
A View of the Base
See Above for More Information
Photo Courtesy: Peabody Essex Museum

Please Stay Tuned...Much More to Come...

Tuesday, December 12, 2023

A Good 19th Century Red Earthenware Pig Bottle that Recently Sold in Mount Crawford, Virginia

I have always been curious to learn where the attribution was established for some of the red earthenware pig bottles that are attributed to the Henne Pottery in Hartlesville, Berks County, Pennsylvania, circa 1830-1860. It was certainly a prolific form made by some of the red earthenware and stoneware potters in America in the 1800s, such as the well-known examples that were produced in the latter part of the nineteenth century by the Kirkpatrick Brothers in Anna, Illinois, whereas there was also a very good example from Virginia that was displayed in the Landis Valley Village & Farm Museum's exhibit a few years ago in Lancaster, Pennsylvania, titled, Thrown, Fired & Glazed: The Redware Tradition From Pennsylvania and Beyond. That example was also published in a cover story I wrote with the same title for the July 31, 2020 issue of Antiques And the Arts Weekly.

However, there may also be some examples that are attributed to the Henne Pottery tucked away in small museum and historical society collections in Berks County and elsewhere in Pennsylvania. Although, the only museum example that I know about with this attribution is owned by the American Folk Art Museum in Manhattan, which was gifted to the museum by noted New York collector Ralph Esmerian.

Furthermore, a smaller sized red earthenware pig bottle that shares some characteristics with the examples attributed to the Hennes sold earlier this month at Jeffrey S. Evans & Associates in Mount Crawford, Virginia. The reason that I am brining this up is because some of the characteristics about this pig, such as the stamped circular marks on the belly and the way the surface texture was created is also similar to some of the red earthenware animal figurals made in Pennsylvania after 1850. Maybe this is some "food for thought," but is there documentation that provides more information about the Henne Pottery attribution and how it was originally established? Or is this attribution based on the pig that is owned by the American Folk Art Museum? I would very much like to learn more about it, seeing that this is a really good type of figural bottle made in Pennsylvania.

Nevertheless, this pig sold for $2,400 plus the buyer's premium; I have also posted pictures of another red earthenware pig bottle from a private American collection that is most likely directly related, although it is a few inches larger in length.

Note: This sale also included some other very good pottery, including a nineteenth century red earthenware bowl or pan with a slip decorated interior thought to have probably been made in the shop of John G. Coffman (1803-1889) in New Market, Virginia, circa 1840. The pan sold for $4,500 plus the buyer's premium. There was also a very good late eighteenth or early nineteenth century stoneware jar made by Thomas Commeraw in Manhattan that sold for $12,000 plus the buyer's premium. However, for the rest of the red earthenware and stoneware in the sale - here is a link to the auction catalog: https://www.liveauctioneers.com/catalog/309686_premier-americana-day-one/.

Update: It seems that there is also a pig in the collection of the Philadelphia Museum of Art with this same attribution: https://philamuseum.org/collection/object/55553?fbclid=IwAR2enDG4xna4aos5Fe9nx6oNYvQO_RmdRNduawpuckz6n98WAtkbG7-B7LE

Two Related 19th Century Red Earthenware Pig Bottles

19th Century Red Earthenware Pig Bottle Thought to Have Been Made in Pennsylvania
Shares Similarities to Pig Bottles Associated with the Henne Pottery in Berks County, PA
Measures Only 5" in Length
See Article for More Information
Photo Courtesy: Jeffrey S. Evans & Associates
A View of the Pig's Belly with the Circular Stamps
See Article for More Information
Photo Courtesy: Jeffrey S. Evans & Associates
19th Century Red Earthenware Pig Bottle Thought to Have Been Made in Pennsylvania
Shares Similarities to Pig Bottles Associated with the Henne Pottery in Berks County, PA
Measures 7" in Length
See Article for More Information
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

Monday, December 11, 2023

New Published Story in Antiques And The Arts Weekly: End-Of-The-Day Porcelain From Victor Insulator Company

I just realized that a feature story I wrote about end-of-the-day type production in Victor, New York was published in the October 13, 2023 issue of Antiques And The Arts Weekly, titled, End-Of-The-Day Porcelain From Victor Insulator Company. I really enjoyed writing this story seeing that not only did I visit the site of this factory in Western New York this past June, but I also found a really rare example of end-of-the-day porcelain that was made in the early years of this company's production.

Link to the October 13, 2023 issue: https://digital.olivesoftware.com/olive/odn/aaw/default.aspx#

Link to a PDF of the story: https://www.scribd.com/document/691584522/1013-D-028-ANA-Victor-Insulator

End-Of-The-Day Porcelain From Victor Insulator Company.
Published in the October 13, 2023 issue of Antiques And The Arts Weekly
See Above for More Information

Please Stay Tuned...Much More to Come...

Sunday, December 10, 2023

Website Update: The Featured Photos Now Have Links!

Website update! The featured redware and stoneware photos illustrated in the right column of this website now have links included as part of the picture; if you click on the picture it will bring you to another website or post providing more information about the object. I will try to update the pictures every few weeks or so.

Website Update: The Featured Photos Now Have Links!

The Current Featured Photos
See the Right Column on this Website for More Information

Please Stay Tuned...Much More to Come...

Two Good Examples of 19th Century Edgefield Stoneware that Sold Yesterday in Pendleton, South Carolina

Two good examples of nineteenth century stoneware made in Edgefield, South Carolina before the American Civil War sold yesterday at an onsite sale in Pendleton, South Carolina that was hosted by Bid Y'All Auction & Realty. The pottery was included as part of a larger selection of antiques that came from a dealer's personal collection that had been assembled over the past sixty or so years.

The highest priced piece of pottery was a very good example of slip decorated stoneware made at Thomas Chandler's (1810-1854) Factory in Edgefield, circa 1840s-1850s; the double-handled jar was decorated with Chandler's classic slip design, and although it was unmarked, the jar sold for $10,7000 plus the auction premium. 

Interestingly, it was another object that actually caught my interest the most, which was a large nineteenth century stoneware jug attributed to the enslaved potter Dave Drake in Edgefield, which was most likely made before 1850. This jug was marked with an inscribed "X" and "Y," whereas I found a jug a few years ago from Edgefield in a group shop in Cambridge, Massachusetts with this same placement of an inscribed "X." That jug was thought to have been made circa 1820s-1830s. Nonetheless, this jug also had five punch marks near the handle - it sold for $2,750 plus the buyer's premium.

For more information about Thomas Chandler and Dave Drake - see a story I wrote for the October 4, 2019 issue of Antiques & Auction News, titled, Thomas Chandler's Pottery Production: McKissick Museum Of The University Of South Carolina Holds Innovative Exhibition - http://www.earlyamericanceramics.com/2019/10/thomas-chandler-story-in-oct-4-2019.html.

Also see two posts that I shared on this website about the Edgefield exhibit at the Metropolitan Museum of Art in Manhattan and the Museum of Fine Arts, Boston, titled, Hear Me Now: The Black Potters of Old Edgefield, South Carolina.

MET Exhibit: http://www.earlyamericanceramics.com/2022/12/now-on-display-at-met-in-new-york-city.html

MFA, Boston Exhibit: http://www.earlyamericanceramics.com/2023/03/now-on-display-at-mfa-boston-hear-me.html

Two Good Examples of 19th Century Edgefield Stoneware

19th Century Stoneware Jar with Slip Decoration
Attributed to Thomas Chandler's Factory in Edgefield, South Carolina
Circa 1840s-1850s
Stands 15" Tall
See Above for More Information
Photo Courtesy: Bid Y'All Auction & Realty

19th Century Stoneware Jug
Attributed to Dave Drake in Edgefield, South Carolina
Marked with an Inscribed "X"and a "Y"
Also Had Five Punch Marks Near the Handle
Most Likely Made Before 1850
Stands 17" Tall
See Above for More Information
Photo Courtesy: Bid Y'All Auction & Realty

Please Stay Tuned...Much More to Come...