Thursday, October 30, 2025

A Comparison of Colonial Slip Decorated Red Earthenware Sherds Recovered in Marblehead, Mass. and Faneuil Hall in Boston

Earlier this month, I posted an article to this website, titled, Some Important Circa 1690-1750 Slip Decorated Red Earthenware Sherds Recovered in Marblehead, Massachusetts; among the sherds shown in that article was an example adorned with a crossing slip decoration, which I speculated may have been made locally in the Danvers and Salem, Massachusetts area, based on the style of the other sherds that were recovered. 

Colonial Red Earthenware Handle and Slip Decorated Red Earthenware Sherd
Discovered on the Property of the Lee Mansion in Marblehead, Massachusetts
Recovered from a Circa 1690-1750 Archaeological Context
Likely a Local Manufacturer
See Article for More Information
Photo Courtesy: Property of the Marblehead Museum

Nonetheless, this eighteenth century slip decorated red earthenware sherd with a crossing technique was recovered by archaeologists within a pre-1742 archaeological context at Faneuil Hall in Boston. It may have been made in Charlestown, although it is unclear if these sherds are from the same potter's business, seeing that some potters did relocate from Charlestown to the Danvers and Salem area in the late seventeenth and eighteenth century; Kettle, Symonds, etc. But it is certainly a noteworthy comparison! There were definitely similarities in production at both locations before the American Revolution. 

However, the future of Charlestown's red earthenware industry was altered forever at the Battle of Bunker Hill on June 17, 1775, while production in the Danvers area flourished before and after the Revolutionary War. 

Note: For more information - see my third published book, titled, The Dawn of Independence, the Death of An Industry: The Pottery of Charlestown, Massachusetts: https://historicbeverly.net/product/the-dawn-of-independence-the-death-of-an-industry/.

18th Century Slip Decorated Red Earthenware Sherd
Recovered from a Pre-1742 Archaeological Context at Faneuil Hall in Boston
See Article for More Information
Photo Courtesy: City of Boston Archaeology Program

Please Stay Tuned...Much More to Come...

Tuesday, October 28, 2025

A Slip Script Red Earthenware Pitcher Inscribed "Joseph Goodell" with Potential Ties to Salem Village in Danvers, Massachusetts and Salem's Witch Trials in 1692

This is an object that has been published in some of my previous books, including The Dawn of Independence, the Death of An Industry: The Pottery of Charlestown, Massachusetts and An Influential Family of Early Potters: The Clarks of New Hampshire and Related Businesses; however, I conducted some research about the name on the pitcher as part of my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts.

This is an excerpt from the book: "...Robert Goodale, Goodall or Goodell (1594-1683) settled in Salem, Massachusetts, in 1634, and his descendants lived and worked in the area, including in the later years of Salem Village before 1784 in Danvers Massachusetts. Some descendants, like Samuel Goodale (1694-1783), are listed in Salem records, and the family lived in the area for at least two generations before spreading out to other parts of New England.

Goodale arrived in Boston in 1634, moving to Salem the same year; he married Margaret Lazenby Goodale (1630-1689) in Salem, on August 30, 1669. He had been previously married.

In the years following his immigration, Robert purchased land in Salem Village amounting to nearly 500 acres. Robert gifted his children with generous parcels of land when they married, and some he sold off to other residents. In 1660, Robert sold fifty acres to a local farmer named Giles Corey (1611-1692).

Corey has a significant history with the Goodale family in Salem Village; the Corey family farm was located about a mile from the farms of Robert's sons, Zachariah Goodale (1640-1715) and Isaac Goodale (1633-1679). The youngest Goodale son, Jacob (1626-1675), was a hired worker at the farm of Corey.

In 1675, Jacob was caught stealing some apples and Corey beat him so severely that he died. Corey was put on trial and even though several village members testified against him, he was fined and released. The perception was that Corey knew local law and purchased his freedom.

However, Corey eventually was a victim of the Salem Witch Trials in 1692, when he was pressed to death for refusing to enter a plea of guilty or not guilty. He was accused of witchcraft after his wife, Martha (1620-1692), was also accused; Corey refused to stand for trial, which led to the medieval punishment of peine forte et dure (pressing). His refusal was a strategic move to prevent his property from being seized by the state and he ultimately died silently under the weight of stones on September 19, 1692. His wife was convicted of witchcraft and hanged on September 22, 1692.

The Pressing of Giles Corey on September 19, 1692
He was Sentenced to Death for Not Testifying in the Salem Witch Trials in 1692
He was Eventually Accused of Witchcraft
See Article for More Information
Photo Courtesy: Witchcraft Illustrated, 1892

Martha Corey Accused of Witchcraft in Salem Village on September 9, 1692
She was Hanged on September 22, 1692
See Article for More Information
Photo Courtesy: Stranger's Guide to Boston and its Suburbs, 1883

Nonetheless, this eighteenth century slip decorated red earthenware pitcher with three handles has been published in some of my other books, although the maker has not been identified. Previous information has suggested a New Hampshire or Massachusetts origin, whereas some of the British style slip decoration adorning the pitcher is similar to some pre-1775 archaeological evidence recovered in places like Charlestown, Massachusetts and Portsmouth, New Hampshire. The pitcher is also decorated with slip script, reading, “Joseph Goodell.”

There were at least three men named “Joseph Goodell,” born in Salem in the 1600s and 1700s, all of whom were relatives or descendants of Robert Goodale; Joseph Goodell I (1672-1718), Joseph Goodell II (1711-1760) and Joseph Goodell Jr. (1755-1829), with the youngest two relocating to other parts of New England..."

18th Century Slip Decorated Red Earthenware Pitcher Adorned with Three Handles
Inscribed "Joseph Goodell"
This Person is Likely Related to the Goodale Family of Salem Village in the 1600s
Stands 7" Tall
See Article for More Information
Photo Courtesy: Historic New England
Additional Views of the Pitcher
Some of the Slip Decoration is Influenced by British Design
See Article for More Information
Photo Courtesy: Historic New England
18th Century Slip Decorated Red Earthenware Mug Recovered in Charlestown, Mass.
The Slip Design is Similar to the Some of the Slip Applied on the Pitcher
This was a Style of Decoration Produced by Some American Potters Before 1775
See Article for More Information
Photo Courtesy: City of Boston Archaeology Program

Please Stay Tuned...Much More to Come...

Sunday, October 26, 2025

Some Red Earthenware and Stoneware that Sold Yesterday in Randolph, Maine

A number of examples of northern New England red earthenware sold yesterday at Farrin's Country Auctions in Randolph, Maine, some of which brought strong prices, such as a nineteenth century red earthenware jug from southern Maine. This type of jug has been associated with John Alld's (b. 1789) production in Hollis, Maine, circa 1820s-1860s, with this particular example selling for $2,250 plus the buyer's premium: https://www.invaluable.com/auction-lot/red-ware-jug-191-c-1f1dee2266?objectID=200150176&algIndex=archive_lotNumber_asc_prod&queryID=5695329b6ac911356cbd7a0a40c035fb.

The last example of Alld type production to sell publicly was a nineteenth century green glazed red earthenware jug that sold earlier this year at New England Auctions in Connecticut for $2,800 plus the buyer's premium: http://www.earlyamericanceramics.com/2025/01/19th-century-green-and-brown-glazed-jug.html.

For more information about Alld and similar wares made by other potters in the area - see these two articles that I recently posted to this website --

1) John Alld's Red Earthenware Bottle Signed "J ALLD / 1811" - http://www.earlyamericanceramics.com/2025/09/more-information-about-private-maine.html

2) A 19th Century Red Earthenware Jug from Southern Maine - http://www.earlyamericanceramics.com/2025/10/a-19th-century-red-earthenware-jug-from.html

Another object that sold strong yesterday was a large nineteenth century red earthenware jug probably from northern New England, although I do not know where it was made; it sold for $2,150 plus the buyer's premium: https://www.invaluable.com/auction-lot/red-ware-jug-169-c-f09c7bea68?objectID=200150154&algIndex=archive_lotNumber_asc_prod&queryID=5695329b6ac911356cbd7a0a40c035fb.

In regards to yesterday's stoneware - my favorite object was this late eighteenth or early nineteenth century jug with a cobalt decorated impressed fish attributed to Jonathan Fenton's (1768-1848) production in New England; the jug did have some condition issues, but it still brought $3,000 plus the buyer's premium: https://www.invaluable.com/auction-lot/johnathon-fenton-stoneware-jug-206-c-1f1f9bf95c?objectID=200150191&algIndex=undefined&queryID=2ea18dfb702a5cea63faeadbf1e86425

It may not be widely recognized today, but Fenton was a red earthenware and stoneware potter in a few different locations in New England in the late eighteenth and nineteenth century. 

Note: For the rest of the red earthenware and stoneware in yesterday's sale - see the auction catalog: https://www.invaluable.com/catalog/R6TAX85NEA?page=1&size=48.

Stoneware Jug Attributed to Jonathan Fenton in New England

Late 18th or Early 19th Century Stoneware Jug with an Impressed Fish
Attributed to Jonathan Fenton in New England
Stands 17" Tall
See Article for More Information
Photo Courtesy: Farrin's Country Auctions
A View of the Impressed Fish
See Article for More Information
Photo Courtesy: Farrin's Country Auctions
Another View of the Jug
See Article for More Information
Photo Courtesy: Farrin's Country Auctions

Please Stay Tuned...Much More to Come...

Saturday, October 25, 2025

2025 Issue of Americana Insights

Just arrived at my house today…the 2025 issue of Americana Insights is remarkable! This is an incredible book! I’m honored to have been able to contribute an article to this important publication!

Here is a brief overview of the book: Americana Insights 2025 is the third volume in an annual series that presents the latest research and discoveries on traditional Americana, folk art, and material culture. In this volume the authors explore a beloved aspect of American folk art—Pennsylvania German redware. Focusing on redware’s production, use, and collecting in southeastern Pennsylvania from the mid-eighteenth to early twentieth century, the authors provide fresh insights into renowned potters such as Georg Hubener and Samuel Troxel as well as lesser-known figures. Other essays delve into the work of twentieth-century potters like Jacob Medinger, considered the last of the traditional Pennsylvania German potters, and Mildred Keyser, a pioneering revivalist potter. The authors also explore broader themes, including the use of political imagery and hunting iconography, and redware’s role in cultural exchange between Anglo-Americans and Pennsylvania Germans. A celebration of this vibrant folk art tradition and a vital scholarly contribution, Americana Insights 2025 represents the most comprehensive study of Pennsylvania German redware in more than a century.

Contributors: Johanna Brown, Laini Farrare, R. Erich Hess, Christopher Malone, Lisa Minardi, Karl Pass, Candace Perry, Jeffrey Pressman, Jean Renshaw, Justin Thomas, Adam Zayas.

Here is a link to Antiques And The Arts Weekly's review: https://www.antiquesandthearts.com/americana-insights-2025/?fbclid=IwY2xjawNd3RFleHRuA2FlbQIxMQBicmlkETFqa2xCUkJvNGlRRmtkVUhYAR7XRJWMu1k2j-WExZgk6rJwyPN7a538GxuSIUD23DHS-HbpnQDxHJx3NQm2Gw_aem_Li0hqSZGrZnoKD5y0LkU_w.

Here is a link to purchase the book from the University of Pennsylvania Press: https://www.pennpress.org/9798988533122/americana-insights-2025/

2025 Issue of Americana Insights

2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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2025 Issue of Americana Insights
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Please Stay Tuned...Much More to Come...

Friday, October 24, 2025

A Likely 18th Century Two-Color Slip Decorated Red Earthenware Jar Found Decades Ago in Coastal Massachusetts

While working on my forthcoming two-volume, tenth book yesterday, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts, I was very surprised to learn about this likely eighteenth century two-color slip decorated red earthenware jar with its original lid; somehow I overlooked this object during all of my trips to the storage area of the National Museum of American History at the Smithsonian Institution in Washington, D.C.: https://americanhistory.si.edu/collections/object/nmah_579970.

This object was discovered decades ago in coastal Massachusetts by Massachusetts author Lura Woodside Watkins, although for whatever reason it was not published in Early New England Potters and Their Wares. Perhaps she did not know what to make of it at the time, seeing that there was no archaeological evidence from places like the pre-1775 industry in Charlestown, Massachusetts, etc.

Nonetheless, take note of how the potter decorated the top of the finial on the lid with slip; this is the same technique used on the colonial eighteenth century double-handled red earthenware pot from Charlestown, which is illustrated on the cover of my third book, titled, The Dawn of Independence, the Death of An Industry: The Pottery of Charlestown, Massachusetts:  https://historicbeverly.net/product/the-dawn-of-independence-the-death-of-an-industry/.

The base of the jar is also adorned with a large rounded foot, which is a characteristic of early wares made in coastal Massachusetts, especially in the Danvers and Salem area before 1800, as well as Charlestown before 1775.

A Likely 18th Century Two-Color Slip Decorated Red Earthenware Jar

18th Century Slip Decorated Red Earthenware Jar with Original Lid
Found Years Ago in Coastal Mass. by Lura Woodside Watkins
Stands 9 1/4" Tall
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institution
Another View of the Jar and the Lid
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institution
A View of the Large Round Foot at the Base
This is a Characteristic of Some Wares Made in Mass., Ca. 1700s and Early 1800s
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institution
The Top of the Finial on the Lid is Decorated with Slip
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institution
A Closer View of the Two Colors of Slip
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institution
Colonial 18th Century Slip Decorated Red Earthenware Pot with Original Lid
Made in Charlestown, Massachusetts
See Article for More Information
A View of the Slip Decorated Finial on the Lid
See Article for More Information
Photo Courtesy: Sam Herrup and City of Boston Archaeology Program
Another View of the Lid
See Article for More Information
Photo Courtesy: Sam Herrup and City of Boston Archaeology Program

Note: This is another object that Lura Woodside Watkins donated to the Smithsonian, which I believe she also found in New England in the twentieth century; it is a great eighteenth or early nineteenth century slip  decorated red earthenware plate from southeastern Pennsylvania, perhaps Philadelphia:  https://americanhistory.si.edu/collections/object/nmah_579973.

18th or Early 19th Century Slip Decorated Red Earthenware Plate
Made in Southeastern PA, Perhaps Philadelphia
Measures 9 1/2" in Diameter
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institution

 Please Stay Tuned...Much More to Come...

Thursday, October 23, 2025

A Great 19th Century Slip Decorated Red Earthenware Jar with Eagles, a Peacock and Tulips, Etc.

I have had some discussions with a friend recently about restoration and preservation of red earthenware and stoneware, where I typically leave pottery as is, seeing that the condition is often a part of the object's history. I do not necessarily agree with restoring pottery just so it has a perfect look to it, although there are always exceptions. It is a subjective subject, though.

In the case of this large nineteenth century slip decorated jar; this is one those exceptions. This may have been a presentation object when it was originally made since I do not believe there is another object in existence like it today, otherwise it was likely made for a specific reason.

Nonetheless, a friend gave me this jar nearly ten years ago, although it was severely damaged, having been dropped many years back and broken into a number of pieces. However, it is an important piece of slip decorated red earthenware, so I had to save it.

But rather than having the jar entirely restored to perfection, I had it professionally conserved by a professional in New York; the jar was basically entirely there so it had to be pieced back together. The interior was not restored so when someone views the inside of the jar there are lines that can be seen from the different ways that it broke.

The significance of this jar is in the slip decoration, which reveals different styles of slip, some of which is raised, a very unusual technique for American production, while there are also lines drawn into the clay that were then infilled with slip. The decoration includes different types of birds and flowers, such as two eagles, a peacock and tulips, etc.

Furthermore, I believe this is a significant piece of upstate New York red earthenware, perhaps related to a nineteenth century slip script decorated red earthenware jar from Champion, New York that is owned today by the National Museum of American History at the Smithsonian Institution in Washington, D.C.

Note: For more information - see a feature story I wrote for the February 28, 2020 issue of Antiques And The Arts Weekly, titled, Early Pottery Manufactured In Champion, New York: http://www.earlyamericanceramics.com/2020/02/new-published-research-story-early.html.

Also see my recently published two-volume, ninth book, titled, America’s Great Awakening and Migration: The Red Earthenware of Western New Yorkhttps://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

A Great 19th Century Slip Decorated Red Earthenware Jar

19th Century Slip Decorated Red Earthenware Jar Perhaps Made in Upstate New York
Similar Forms Jars are Known from New York
Possibly a Presentation Object, Otherwise Likely Made for a Specific Reason
Stands 14 3/8" Tall
See Article for More Information
Another View of the Slip Decoration
See Article for More Information
Another View of the Slip Decoration
See Article for More Information
Another View of the Slip Decoration
See Article for More Information
A View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, October 22, 2025

A Great Selection of Southern Stoneware Sells at Brunk Auctions in Asheville, North Carolina

An incredible selection of southern stoneware sold today at Brunk Auctions in Asheville, North Carolina, as part of the Sally and Paul Hawkins Collection from Atlanta, Georgia. The collection included makers in North Carolina, South Carolina, Georgia and Alabama, along with twentieth century stoneware made by Lanier Meaders (1917-1998) and other members of the Meaders family, etc. 

Overall, the collection included museum type objects made in Edgefield, South Carolina with outstanding examples from Dave Drake (ca. 1800-1873), Thomas Chandler (1810-1854) and Shaw's Creek, along with a great Miles Mill Manufactory face jug, among many other objects.

The most sought after lot was a giant stoneware jar made by the enslaved potter Dave Drake in Edgefield that sold for $100,000 plus the buyer's premium. The jar was inscribed "Feb - 25 - 1857," "Dave" and "LM" - https://www.liveauctioneers.com/item/216196334_outstanding-signed-and-dated-dave-drake-edgefield-sc-stoneware-jar-asheville-nc.

Another notable object was a pre-Civil War nineteenth century face jug made in Edgefield, which brought $48,000 plus the buyer's premium - https://www.liveauctioneers.com/item/216196366_outstanding-edgefield-south-carolina-stoneware-face-jug-asheville-nc.

The results were quite strong across the entire collection with many of the modern pieces selling for strong prices, although one other lot that I want to mention is a circa 1840-1850 six gallon slip decorated jug made at Shaw's Creek in Edgefield, which sold for $55,000 plus the buyer's premium -https://www.liveauctioneers.com/item/216196322_rare-and-exceptional-six-gallon-collin-rhodes-attributed-edgefield-sc-decorated-stoneware-jug-asheville-nc.

Nonetheless, for the rest of the pottery in today's sale - see the auction catalog: https://www.liveauctioneers.com/catalog/390274_our-premier-autumn-auction-session-ii/.

Note: For more information about southern stoneware - see a feature story I wrote for the October 4, 2019 issue of Antiques & Auction News, titled, Thomas Chandler's Pottery Production: The McKissick Museum Of The University Of South Carolina Holds Innovative Exhibition - http://www.earlyamericanceramics.com/2019/10/thomas-chandler-story-in-oct-4-2019.html.

A Great Selection of Southern Stoneware

19th Century Stoneware Face Jug Made in Edgefield, S.C.
Stands 4 3/4" Tall
See Article for More Information
Photo Courtesy: Brunk Auctions

20th Century Stoneware Jug Made by the Brown Bros. in Adren, N.C.
Stands 5 1/4" Tall
See Article for More Information
Photo Courtesy: Brunk Auctions
19th Century Slip Decorated Stoneware Made in Edgfield, South Carolina
All Likely Made at Shaw's Creek in Edgefield
See Article for More Information
Photo Courtesy: Brunk Auctions
19th Century Stoneware Made by Dave Drake in Edgefield, South Carolina
See Article for More Information
Photo Courtesy: Brunk Auctions

19th Century Slip Decorated Stoneware Made in Edgfield, South Carolina
All Likely Made by Thomas Chandler
See Article for More Information
Photo Courtesy: Brunk Auctions

Please Stay Tuned...Much More to Come...

Tuesday, October 21, 2025

Antiques And The Arts Weekly Write Up About the 2025 Issue of Americana Insights

There is a great write up in the October 24, 2025 issue of Antiques And The Arts Weekly about the 2025 issue of Americana Insights!

Here is a brief overview of the book: Americana Insights 2025 is the third volume in an annual series that presents the latest research and discoveries on traditional Americana, folk art, and material culture. In this volume the authors explore a beloved aspect of American folk art—Pennsylvania German redware. Focusing on redware’s production, use, and collecting in southeastern Pennsylvania from the mid-eighteenth to early twentieth century, the authors provide fresh insights into renowned potters such as Georg Hubener and Samuel Troxel as well as lesser-known figures. Other essays delve into the work of twentieth-century potters like Jacob Medinger, considered the last of the traditional Pennsylvania German potters, and Mildred Keyser, a pioneering revivalist potter. The authors also explore broader themes, including the use of political imagery and hunting iconography, and redware’s role in cultural exchange between Anglo-Americans and Pennsylvania Germans. A celebration of this vibrant folk art tradition and a vital scholarly contribution, Americana Insights 2025 represents the most comprehensive study of Pennsylvania German redware in more than a century.

Contributors: Johanna Brown, Laini Farrare, R. Erich Hess, Christopher Malone, Lisa Minardi, Karl Pass, Candace Perry, Jeffrey Pressman, Jean Renshaw, Justin Thomas, Adam Zayas.

Here is a link to the review: https://www.antiquesandthearts.com/americana-insights-2025/?fbclid=IwY2xjawNd3RFleHRuA2FlbQIxMQBicmlkETFqa2xCUkJvNGlRRmtkVUhYAR7XRJWMu1k2j-WExZgk6rJwyPN7a538GxuSIUD23DHS-HbpnQDxHJx3NQm2Gw_aem_Li0hqSZGrZnoKD5y0LkU_w.

Link to buy the book: https://www.pennpress.org/979898.../americana-insights-2025/a

Antiques And The Arts Weekly Write Up About the 2025 Issue of Americana Insights

October 24, 2025 Issue of Antiques And The Arts Weekly
See Article for More Information
October 24, 2025 Issue of Antiques And The Arts Weekly
See Article for More Information
October 24, 2025 Issue of Antiques And The Arts Weekly
See Article for More Information
October 24, 2025 Issue of Antiques And The Arts Weekly
See Article for More Information
October 24, 2025 Issue of Antiques And The Arts Weekly
See Article for More Information

Please Stay Tuned...Much More to Come...

Sunday, October 19, 2025

Dunbar Lockwood: A Flowerpot Manufacturer in Boxford, Essex County, Massachusetts

This is a very interesting subject that will be included in my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts: "...While red earthenware production was largely limited to the Danvers, Peabody and Salem area in this part of Essex County, Massachusetts in the eighteenth, nineteenth and early twentieth century, there appears to have been a lesser-known flowerpot manufacturer in the twentieth century in Boxford, Essex County, Massachusetts.

Dunbar Lockwood (1891-1967) was born in Boston in 1891, although he was living in Beverly, Massachusetts by 1900, according to that year’s United States Federal Census. His parents were Thomas (1853-1919) and Emmaline Stackpole Lockwood (1858-1944). His father was born in Roxbury, Massachusetts and was listed as a dry goods merchant in the 1900 and 1910 United States Federal Censuses, while his mother was born in Ohio.

Lockwood was back living in Boston by 1910, and he married Carolina Sinkler Lockwood (1896-1993) in Henderson, Vance County, North Carolina, on June 26, 1920.

The 1930 United States Federal Census lists Lockwood with an occupation of “flowerpot manufacturer” in Boston, working for the Abraham Hews Pottery in North Cambridge, Massachusetts.
He was also listed as an employee of the Hews Pottery in 1934 in Volume 445 of the Official Gazette of the United States Patent Office (see below). However, he was living with his family in Boxford by 1935, and listed with an occupation of “flowerpot manufacturer” in Boxford in 1940.

It is unclear how long production may have lasted in Boxford, although the business seems to have been established about the time that the Moses Paige (1847/48-1941) Pottery in Peabody was slowing operations. It is possible that Lockwood recognized the financial opportunity that he could have capitalized on with the Paige Pottery company going out of business, and perhaps taking over that production in Boxford,
which had previously catered to a widespread flowerpot marketplace in different parts of the United States. But little information is documented today about Lockwood's flowerpots.


Additionally, Lockwood was a member of the Harvard class of 1913, though he did not graduate with the class. In 1913, he was also involved in an Arctic voyage aboard the schooner Polar Bear, which was documented by the Peabody Museum at Harvard (see below). From 1913–1914, Lockwood participated in an Arctic expedition to Nome, Alaska, with fellow Harvard-affiliated figures, including zoologist Joseph Dixon and artist Samuel J. Mixter..."

Note: For more information about twentieth century flowerpot production in the Peabody area - see my second book, titled, The Moses B. Paige Company: The Last of the Peabody Potterieshttps://historicbeverly.net/product/the-moses-b-paige-company-the-last-of-the-peabody-potteries/.

For more information about the A.H. Hews Pottery - see a feature story I wrote for the March 17, 2023 issue of Antiques and the Arts Weekly, titled, The Abraham Hews Pottery Of Weston & North Cambridge, Mass.: http://www.earlyamericanceramics.com/2023/03/new-published-story-in-antiques-and.html.

Dunbar Lockwood: A Flowerpot Manufacturer in Boxford, Mass.

This is Thomas (1853-1919) and His Son Dunbar Lockwood (1891-1967)
This Photo was Taken in Boston in the 1890s
See Article for More Information
Photo Courtesy: Peabody Museum at Harvard
This is Dunbar Lockwood on an Arctic Voyage in 1913-1914
See Article for More Information
Photo Courtesy: Peabody Museum at Harvard
This is Dunbar Lockwood's World War I Registration Card
See Article for More Information
This is Dunbar Lockwood's World War II Registration Card
See Article for More Information
Dunbar Lockwood Listed as a "Flowerpot Manufacturer" in Boston
This is from the 1930 United States Federal Census
He Worked at the A.H. Hews Pottery
See Article for More Information
Dunbar Lockwood Cited as an Employee at the A.H. Hews Pottery in 1934
This is from the Official Gazette of the United States Patent Office
See Article for More Information
Dunbar Lockwood Listed as a "Flowerpot Manufacturer" in Boxford, Mass.
This is from the 1940 United States Federal Census
He Relocated to Boxford in 1935
See Article for More Information

Please Stay Tuned...Much More to Come...