Monday, August 31, 2026

The Fenton Connection: The Rediscovered Pottery of Jacob Barrows and Early Red Earthenware Production in Northern New England

A research trip to northern New Hampshire yesterday was a massive success, uncovering new information about a previously undocumented potter who worked at the base of the White Mountains from roughly 1806 to 1843. Remarkably, this production has never been cited or written about in any twentieth century pottery-related literature.

His name was Jacob Barrows (1757–1843), a Revolutionary War soldier originally from Connecticut, Barrows lived in Hanover, New Hampshire as early as 1790, before permanently relocating his homestead to Dalton by 1806. A portion of Dalton's first inventory of taxable property in 1809 owned by the Dalton Historical Society explicitly lists Barrows as a potter, providing an invaluable contemporary record of his operation.

Barrows' craftsmanship likely roots back to his first marriage to Lydia Fenton (1757–1813) in Mansfield, Connecticut. Lydia belonged to the prominent Fenton family—a lineage renowned for driving early American stoneware and red earthenware production—and she was a near relative of both the famed master potter Jonathan Fenton (1766-1851), and Jacob Fenton (1765-1822) who later brought the family trade westward to Gerry, New York. Given these deep ties, it is highly probable Barrows received his training from his Fenton in-laws, though some of his work also closely resembles that of the earliest members of the Clark family: https://historicbeverly.net/product/an-influential-family-of-early-potters-the-clarks-of-new-hampshire-and-related-businesses/.

Together, Jacob and Lydia had at least eight children before her death and eventual burial in Dalton's Johns River Cemetery. Jacob later remarried Amelia "Emily" Waterman (1782-1857), with whom he had at least four more children; a son or sons from both marriages may have assisted in running the family's pottery production. Amelia is buried in Dalton's Cushman Cemetery, though it is still pending research where Jacob was buried whether his grave is in the Dalton area or in Vermont. 

Evidence also shows Barrows operated an early pottery in Hanover as early as the mid-1790s, and hints that he may have worked as a potter in the Thetford, Vermont area during the 1780s. If verified, Barrows would be the second potter introduced in my forthcoming 700-800 page, eleventh book, titled, A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires and Vermont, whose work may predate John Norton’s (1758-1828) Bennington red earthenware production—previously thought to be Vermont's earliest. Vermont was also the birthplace of several of Jacob and Lydia's children, including their son Urial (1791–1851). Urial and his wife, Mary (1784–1873), spent their lives in the region and now rest next to one another in Johns River Cemetery.

There are at least three existing matching red earthenware jars known from Barrows' production, all outstanding in ovoid form, separate vibrant multi-colored glazes and incised decoration, though they will be saved for publication. One retains a history of ownership with the Barrows family, while another was originally owned by Mary Fiske Houlton (1782-1865) of neighboring Lancaster, New Hampshire. After marrying Joseph Holton (1779-1855), Fiske moved to Lancaster from Connecticut in 1810 to live on a large farm. Following years of terrible crop failures, her husband grew discouraged and decided to move back south in 1822. Mary flatly refused to leave the home she had built. Recognizing her grit, her father-in-law bypassed his own son and deeded the entire property directly to Mary so she could run the farm and raise her children independently.

Under Mary's management, the estate thrived and became known to locals as the "Wilder-Holton House." She ran it as a busy boarding house for visiting court officials and raised her children there, including future Wisconsin politician Edward Dwight Holton (1815-1892). Mary and her family were also passionate abolitionists, and her home became a celebrated station on the Underground Railroad, helping escaped slaves find freedom. 

Today, the Fiske family home stands as the oldest surviving two-story house in Coos County and is preserved as a museum by the Lancaster Historical Society and listed in 1975 on the National Register of Historic Places. Nonetheless, there is also existing archaeology that was examined; stay tuned for more information on this exciting discovery!

This is Dalton's First Inventory of Taxable Income in 1809
Jacob Barrows is Listed as a "Potter"
See Article for More Information
Photo Courtesy: Dalton Historical Society
Jacob Barrows Listed as a "Potter" in the Taxable Income of Dalton in 1809
See Article for More Information
Photo Courtesy: Dalton Historical Society
(Left) This is Lydia Fenton's Gravestone in Dalton, New Hampshire
(Middle) This is the Gravestone of Jacob and Lydia's Son Urial Barrows
(Right) This is the Gravestone of Urial's Wife Mary
These Graves are Located in Dalton's Jones River Cemetery
See Article for More Information
(Right) This is the Gravestone of Jacob's Second Wife Amelia
This Grave is Located in Dalton's Cushman Cemetery
See Article for More Information
This is the Likely the Location of Jacob Barrows Home
He Seems to Have Owned a Large Plot of Land
See Article for More Information
This House is Cited on this Map Published in 1892
See Article for More Information
Photo Courtesy: Dalton Historical Society
The Barrows Home and Pottery Business were Located Along the Connecticut River
See Article for More Information
Dalton's First Church was Built on a Plot of Land Owned by Barrows in 1830
The Dalton Congregational Church was First Chartered in 1816
For the First 14 Years There was No Dedicated Building
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, August 28, 2026

Remarkable Survivors: 18th Century Red Earthenware Shaving Dishes

While speaking this past spring at Historic Trappe's second annual Americana symposium in southeastern Pennsylvania—which highlighted different author articles from the 2025 issue of Americana Insights—I was introduced to a remarkable survivor: a late eighteenth century slip-script decorated red earthenware shaving dish. Currently owned by Ohio potter Greg Shooner and previously in the inventory of Robesonia, Pennsylvania potter Greg Kramer, the piece immediately brought to mind another shaving dish. Held by the Metropolitan Museum of Art in New York City, that museum piece is dated "1767" and adorned with similar objects, including a razor, scissors and a comb. Although the Met notes their dish was made in Pennsylvania, they provide no further information: https://www.metmuseum.org/art/collection/search/7410.

Note: For more information about this year's Americana Symposium - see this article: http://www.earlyamericanceramics.com/2026/03/2025-americana-symposium-at-historic.html

18th  Century Slip-Script Decorated Red Earthenware Shaving Dish
Adorned with a Razor, Comb and Scisscors
See Article for More Information
Photo Courtesy: Greg Shooner
A View of the Back
See Article for More Information
Photo Courtesy: Greg Shooner
18th  Century Slip-Script Decorated Red Earthenware Shaving Dish
Dated "1769"
Adorned with a Razor, Comb and Scisscors
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Here is the Shaving Dish on Display at the MET
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, August 26, 2026

Beyond the Osborn Dynasty: Attribution Challenges in Early Essex County Red Earthenware

For those interested, I want to share a quick update on my forthcoming tenth book, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts. This two-volume, 1,990-page project is finally complete, and it should be available for purchase soon! As a quick preview, today's post features a red earthenware pitcher that appears to preserve information from an old note attached to this piece, which may challenge some past attributions: http://www.earlyamericanceramics.com/2026/08/an-update-on-forthcoming-two-volume.html.

"...This eighteenth or early nineteenth century red earthenware pitcher represents a type frequently associated with the prominent Osborn family of South Danvers (now Peabody), Massachusetts. However, the handwritten note accompanying the piece suggests that attributing its production to a single family may be far more complex than previously assumed. The note reads, "Old Danvers herb pitcher made in the Robert Wilson pottery about 1800 which became Andover St. Peabody, Massachusetts." 

The name “Robert Wilson” represents generations of an influential Quaker artisan family who operated prominent red earthenware potteries near 141 Andover Street in South Danvers, during the eighteenth and early nineteenth centuries. The family’s deep roots in the regional trade are anchored by Robert Wilson Junior (1724-1782), whose 1782 probate inventory valued his estate at a substantial £627 and specifically documented his house, barn, and dedicated potter's shop. His son, Robert Wilson III (1746-1797), inherited the craft, operated the pottery around the turn of the nineteenth century, and proudly served as a soldier in the Revolutionary War.

While direct records like this provide invaluable localized clues, definitively identifying early Essex County red earthenware remains a significant challenge. Although modern attributions lean heavily toward the Osborns, they were far from alone; numerous other Quaker families, including the Wilsons, operated extensive potteries across the Danvers and Peabody areas. These local artisan communities were deeply intertwined through a shared Quaker faith, collaborative apprenticeship systems, and frequent intermarriage. Because these craftsmen utilized the same regional clay beds, exchanged technical knowledge, and likely produced similar utilitarian forms, it is highly likely that their finished wares sometimes appeared indistinguishable from one pottery to the next. Consequently, unless a piece bears a rare maker's mark, family notes like this one are vital for separating individual workshop identities."

Note: It will be included in Volume II of the forthcoming book, where a very similar pitcher was recovered from a late eighteenth century archaeological context at the Narbonne House in Salem. The Wilson family is also associated with slip decoration and "Philadelphia" style red earthenware, all of which will be explained in the book.

18th or Early 19th Century Red Earthenware Pitcher
Made in the South Danvers (Peabody), Mass. Area
See Article for More Information
Photo Courtesy: Private Collection
An Old Note that Accompany's the Pitcher
See Article for More Information
Photo Courtesy: Private Collection
Robert Wilson III"s Household in 1790 in Danvers, Mass.
This is From the United States Federal Census
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, August 25, 2026

An Update on Forthcoming Two-Volume Tenth Book!

For those interested - I wanted to share a quick update on my forthcoming tenth book, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts. This two-volume, 1,990-page project is finally complete, and I couldn't be happier with the result. It should be available for purchase soon!  

Volume I  

The Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts area has a deep-rooted history, dating back to the seventeenth century, perhaps best-known today for the Salem Witch Trials of 1692 and Salem’s maritime trade in the eighteenth and nineteenth century. However, the area was also the location of one of New England’s most important red earthenware industries, dating back to the 1600s. The area’s pottery businesses were also intertwined with red earthenware production in Charlestown, Massachusetts before the American Revolution, and the industry in Bristol County, Massachusetts, as well as other parts of New England. This book is the first of its kind to explore the red earthenware produced in this part of coastal Massachusetts through archaeology, historical records and surviving objects.  

Volume II  

The Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts area has a rich history of Quakers, many of whom were intertwined with local red earthenware production, as well as Quaker potters living elsewhere in New England. The early history of these Quakers is marked by persecution, although it took a long time, but they were eventually met with acceptance. This area was also home to some potters in Salem after 1750, as well as migrants, who influenced local production from France, Germany, Italy and Portugal. This book is the first of its kind to explore the red earthenware produced in this part of coastal Massachusetts through archaeology, historical records and surviving objects.

Forthcoming Two-Volume Tenth Book!
See Above for More Information

Please Stay Tuned...Much More to Come...

From Private Study to Public Auction: The Legendary Stradling Ceramics Collection at Nye & Company

Diana and J. Garrison Stradling transformed the landscape of historical American ceramics through their rare combination of legendary antiquarian dealing, deep material scholarship, and archival research. Operating as elite dealers and curators, the Stradlings did not merely buy and sell pottery; they actively rewrote its history. Their pioneering field research and landmark publications, such as The Art of the Potter: Redware and Stoneware, bridged the gap between commercial collecting and high academic scholarship, forever altering how early American redware, stoneware, and molded pottery are valued

Their discerning eyes and dedication to provenance helped build the foundations of major public institutional collections across the United States. They sourced and sold seminal, highly documented historic pieces to prestigious institutions including The Metropolitan Museum of Art, the Newark Museum of Art, the Museums at Old Salem, and other elite museums. By placing exceptional masterworks into these permanent public displays, the Stradlings ensured that the ingenuity of early American potters was recognized on par with European decorative arts.

In fact, I want to tell one story: A few years ago, my good friend Sam Herrup told me an incredible story from the late 1980s. While walking through Manhattan, he spotted a masterpiece sitting in the storefront window of a closed antiques shop: a slip-script decorated red earthenware plate reading "Days Pottery." It is widely considered one of the most significant examples of northeastern redware in existence. Sam went back the very next morning to buy it, but to his disappointment, it was already gone. The plate eventually found its way to the Stradlings, who advertised it in The Magazine Antiques in 1990 before ultimately selling it to the High Museum of Art in Atlanta, Georgia: http://www.earlyamericanceramics.com/2023/07/the-1990-advertisement-for-days-pottery.html.

Nonetheless, for decades, alongside their public dealings, the Stradlings quietly maintained an extensive, private study collection. Following their profound legacy, this legendary collection is finally stepping out of the private sphere. Property from the Stradling Study Collection is officially heading to the auction block at Nye & Company Auctioneers in Bloomfield, New Jersey, during their Chic & Antique Auction on September 9, 2026, at 10:00 AM EDT. For historians and collectors alike, the auction represents a rare opportunity to acquire pieces carrying the ultimate pedigree of American ceramic scholarship. Here is a link to the catalog: https://www.nyeandcompany.com/auction-catalog/chic-antique-auction-september-9th-10th-2026-incl_5YW752B7DO.

For more information about the Stradlings - see an article written by Diana and Garrison for the 2014 issue of Ceramics in America, titled, Dealer's Choice: https://chipstone.org/article.php/699/Ceramics-in-America-2014/Dealers'-Choice.

The Stradling Study Collection
To Be Sold at Nye & Company on September 9, 2026
See Article for More Information
Courtesy: Connor Rush
This is Diana Stradling in the Americana Wing at the Metropolitan Museum of Art
The Large Stoneware Cooler is an American Masterpiece
Attributed to Jonathan Fenton in Boston, 1793-1796
It was Previously Owned by the Stradlings
See Article for More Information
Courtesy: Connor Rush
The Stradling Study Collection
To Be Sold at Nye & Company on September 9, 2026
Published in the 2026 Issue of Maine Antique Digest
See Article for More Information

Please Stay Tuned...Much More to Come...

Unearthing the Past: The Rediscovered Artifacts of Monmouth’s Safford Pottery

I was thrilled to learn that archaeological artifacts from the Safford family pottery in Monmouth, Maine, still exist. While these pieces were originally recovered in the twentieth century, they were recently acquired by Portland, Maine resident Chris Havey.

For a brief history: The Safford family pottery legacy in Monmouth, Maine, represents a multi-generational tradition of American red earthenware production spanning from the late eighteenth into the early twentieth century. The trade roots trace back to an uncle, John Safford (1742-1823), who was born in Ipswich, Massachusetts, and passed the craft down to his nephew, John Safford II (1769-1850). In 1830, a nineteen-year-old cousin named John M. Safford (1811–1880), who had completed his formal training as a potter in Exeter, New Hampshire, moved to Monmouth to work alongside John II. The two cousins solidified their collaboration by forming an official business partnership that operated successfully from 1832 until 1838.

Following the dissolution of the partnership and his subsequent marriage in 1840, John M. Safford constructed his own homestead and independent pottery shop in Monmouth. His workshop became well-known for producing highly functional, lead-glazed utilitarian red earthenware—such as pitchers, jars, and lidded stew pots—designed to meet the daily needs of nineteenth century households in Maine. The family trade continued well into the next generation when John M. passed the thriving business down to his son, George Llewellyn Safford (1847–1921), who continued production into the twentieth century.

For more information - see my seventh book, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/.

Note: The Maine State Museum in Augusta also owns a collection of archaeology from Monmouth, Maine.

Archaeology Collected at the Site of the Safford Pottery in Monmouth, Maine
See Article for More Information
Photo Courtesy: Chris Havey
Archaeology Collected at the Site of the Safford Pottery in Monmouth, Maine
See Article for More Information
Photo Courtesy: Chris Havey
Archaeology Collected at the Site of the Safford Pottery in Monmouth, Maine
Some of These Sherds are Adorned with Snowflake Type Stamps
There is also an Acorn Stamp Known
See Article for More Information
Photo Courtesy: Chris Havey

Please Stay Tuned...Much More to Come...

Monday, August 24, 2026

An Elusive Trio: Investigating a Rare Form of New England Red Earthenware

This specific type of early nineteenth century red earthenware jug is exceptionally rare, with only three examples currently known to exist in New England. One sold several years ago at Sotheby's in New York City, another was owned by Dr. Ed Robertson, and a third was recently in the inventory of Massachusetts antiques dealer Sam Herrup.

While there is some past discussion suggesting these jugs may have originated in New Hampshire, they do not appear to align with any known production from that state. Instead, their physical attributes—specifically the squat, exaggerated bulbous form, the rounded foot, the handle style and the handle terminal—may suggest a connection to the Noah Bradford Jr. (1761-1841) Pottery site on Cape Cod in Barnstable, Massachusetts, circa 1819-1831.

In fact, this distinctive squat bulbous form closely mirrors two early nineteenth century red earthenware jars previously owned by Sandwich, Massachusetts cabinetmaker Samuel Wing (1774-1854), which are believed to have been manufactured nearby in Barnstable and are now in the collection of Old Sturbridge Village. Furthermore, the bold finger impression at the terminal of each jug's handle (see below) closely matches the handle treatment found on the Wing jars. It is certainly compelling food for thought!

These Early 19th Century Red Earthenware Jugs Are All Likely from the Same Business
Forms Slightly Vary
Top Left and Bottom are Squat and Bulbous in Form
Top Right is a Smaller Version
See Article for More Information
Photo Courtesy: Dr. Ed Robertson, Sam Herrup and Sotheby's
This is How All of the Handle Terminals Appear on the Three Jugs
This is the Handle Seen on the Jug Pictured to the Top Right
The Handle Terminal Sherd is from the Noah Bradford Pottery Site on Cape Cod
See Article for More Information
A Closer View of the Comparison
See Article for More Information
This is One of the Jars that was Owned by Samuel Wing in Sandwich, Mass.
Likely Made at the Bradford Pottery in Barnstable, Mass.
Likely 1819-1830
See Article for More Information
Photo Courtesy: Old Sturbridge Village
This is the Second Jar that was Owned by Samuel Wing in Sandwich, Mass.
Likely Made at the Bradford Pottery in Barnstable, Mass.
Likely 1819-1830
See Article for More Information
Photo Courtesy: Old Sturbridge Village

Please Stay Tuned...Much More to Come...

Sunday, August 23, 2026

The Bradford Family Potteries: Assessing Archaeological Artifacts and Red Earthenware Distribution in Early Massachusetts

The Bradford family of southeastern Massachusetts and Cape Cod will be featured in a chapter of Volume II of my forthcoming tenth book, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts. Their inclusion is prompted by archaeological artifacts recovered in South Danvers (Peabody), Massachusetts, which closely resemble archaeology from the Stephen Bradford Pottery site in Kingston, Massachusetts, currently housed at the Smithsonian Institution. While these South Danvers artifacts may ultimately prove to be the work of a local manufacturer, they raise compelling questions that will be explored in this chapter; because the Bradfords are documented as shipping their wares as far south as Cape Cod before 1820, it is entirely possible they distributed their production northward as well.

The multi-generational Bradford family enterprise began around 1750 on a Wapping Road farm in Kingston, where John Bradford (1732–1811) established a brick-making operation and a local red earthenware kiln. The workshop flourished between the 1780s and 1870s under the direction of his son, Stephen Bradford (1771–1837), and grandson, Stephen Jr. (1807–1866), who harvested local clay pits along the Jones River.

The family expanded its regional reach to Cape Cod in 1819 when Noah Bradford Jr. (1761–1841) relocated from Kingston to Barnstable, Massachusetts. After acquiring a site from Prince Nye (1781–1850), Noah operated a pottery there from 1819 until 1830. Significant archaeological evidence of this Cape Cod enterprise survives today, thanks to twentieth century salvage efforts by Brian Cullity, the former curator at Heritage Museums & Gardens. The following pictures compares some of these artifacts recovered by Cullity with objects that were either likely manufactured on Cape Cod or are otherwise linked to the Bradford family’s production in Massachusetts.

For more information -  see a five-page feature story I wrote for the May 2019 issue of Maine Antique Digest, titled “The Bradford Family Potteries in Massachusetts.” This information was then published again in my fifth book, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/

Sherd from the Noah Bradford Jr. Pottery Site on Cape Cod Compared to an Existing Object
Recovered by Brian Cullity in the Late 20th Century
See Article for More Information
A Closer View of the Comparison
See Article for More Information
Sherd from the Noah Bradford Jr. Pottery Site on Cape Cod Compared to an Existing Object
Recovered by Brian Cullity in the Late 20th Century
See Article for More Information
A Closer View of the Comparison
See Article for More Information
Sherd from the Noah Bradford Jr. Pottery Site on Cape Cod Compared to an Existing Object
Recovered by Brian Cullity in the Late 20th Century
See Article for More Information
Another View of the Comparison
See Article for More Information
Sherd from the Noah Bradford Jr. Pottery Site on Cape Cod Compared to an Existing Object
Recovered by Brian Cullity in the Late 20th Century
See Article for More Information
Another View of the Comparison
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, August 20, 2026

Upcoming Talks & Events

I have a few more talks coming up later this year, starting next month in Western Massachusetts. I'll be speaking in the Berkshires alongside New York author Warren Broderick. Looking further ahead, Warren and I will also be teaming up in September 2027 for a talk at the Stoneware Collectors' event at the Bennington Museum in Vermont.

Event Next Month in Western Massachusetts
See Above for More Information

Please Stay Tuned...Much More to Come...

Surfaced at Auction: Red Earthenware Creamer from the Matt King Collection

This rare creamer—a small, black-glazed red earthenware piece with slip decoration—recently surfaced in a group lot at Flying Pig Auctions in Westmoreland, New Hampshire. Sold earlier this year as part of the Matt King Collection, the pitcher appears to highlight a fascinating link between early American and British pottery. During the 1600s and 1700s, New England potters were deeply inspired by imported British slipware, frequently copying its shapes and styles. Structurally, this creamer closely mirrors historical wares produced in Charlestown, Massachusetts before 1775, as well as those found throughout Essex County before 1800.

18th Century Slip Decorated Red Earthenware Creamer
Probably Made in Coastal Massachusetts
See Article for More Information
Courtesy: Matt King Collection
Another View of the Creamer
See Article for More Information
Courtesy: Matt King Collection
A View of the Handle
See Article for More Information
Courtesy: Matt King Collection
A View of the Foot and the Base
See Article for More Information
Courtesy: Matt King Collection

Please Stay Tuned...Much More to Come...

A Historical Example of New England Red Earthenware: The Provenance, Exhibition, and Publication History of a Colonial Honey Pot

One of my all-time favorite pieces of colonial New England slip-decorated red earthenware will be featured in my forthcoming tenth book—a comprehensive, two-volume, 1,900-page work titled An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts. The handled pot (also referred to as a "honey pot") is set to be included in Chapter 1 of Volume I, a section largely dedicated to the Kettle family and early production in Salem Village dating as far back as 1687. Beyond its focus on the Kettles, this opening chapter expands outward to establish critical connections to other early pottery manufacturing sites across coastal Massachusetts, providing a broader regional context for the industry.

This exceptional honey pot was owned for decades by Roger Pheulpin of Gloucester, Massachusetts, though it previously sold in the Chris Huntington Sale in Maine in 1974 to Maine antiques dealer Ross Levett. It is now privately owned in New England.

Beyond its storied provenance, the pot has a fascinating history of publication and exhibition. It was prominently featured as item number 38 in a landmark decorative arts exhibition organized by the Heritage Plantation of Sandwich, Massachusetts, which ran from May 8 to October 23, 1994. Curated by Brian Cullity, the exhibition was accompanied by the official catalogue, A Cubberd, Four Joyne Stools & Other Smalle Thinges: The Material Culture of Plymouth Colony, which explored the regional craftsmanship and material history of Plymouth Colony, Cape Cod, and Nantucket (see below).

The catalog stated, "This is undoubtedly an early example of Massachusetts redware. It bears parallel incised lines circling the body in much the same manner as an early Essex County piece of redware illustrated in Early New England Potters and Their Wares (1950) and has a domed base. It has yellow slip spots with green splashes on an orange-brown body. The clay is a deep red color."

Late 17th or 18th Century Slip Decorated Red Earthenware Honey Pot
Probably Made in the Danvers and Salem, Mass. Area
See Article for More Information
Courtesy: Private Collection
Another View of the Pot
See Article for More Information
Courtesy: Private Collection
A View of the Handle
See Article for More Information
Courtesy: Private Collection
A View of the "Domed" Base
See Article for More Information
Courtesy: Private Collection
Material Culture Museum Exhibit from 1994
Curated by Brian Cullity at the Heritage Museum on Cape Cod
See Article for More Information
Here is the Pot Illustrated in the Exhibit Catalog
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, August 19, 2026

Perhaps Connecting an Early New England Colander with a British Example

At New Hampshire Antiques Week, a friend acquired a fascinating eighteenth century British slip-decorated earthenware colander from Massachusetts dealers Eliot and Grace Snyder. The piece, featuring three feet and a dish-like form, is notably dated and inscribed with initials. This object immediately caught my attention because it slightly resembles a peculiar slip-decorated red earthenware colander held by the Museum of Fine Arts, Boston. Gifted to the museum in 1956 by Miss Elizabeth Tuck (1881-1968), that particular piece was reportedly made in eighteenth century Massachusetts, though its maker remains unknown. It is also the only eighteenth century colander that I have seen from New England.

This resemblance highlights a fascinating link between early American and British pottery. In the 1600s and 1700s, New England potters were deeply inspired by imported British slip decorated earthenware, often copying shapes and styles. Because decorated colanders with three feet were rare and perhaps made as special orders, seeing these two pieces together is highly unusual. The connection between them leaves a possible mystery: did the anonymous Massachusetts potter directly copy a British import, or did they simply share a common design history? Either way, the two objects likely show how British styles traveled across the Atlantic Ocean to shape some early Massachusetts red earthenware.

(Left) 18th Century Slip Decorated Red Earthenware Colander 
Reportedly Made in Massachusetts
The Colander was Gifted to the Museum of Fine Arts, Boston in 1956
Measures 14" in Diameter
Photo Courtesy: Museum of Fine Arts, Boston
(Right) 18th Century British Slip Decorated Earthenware Colander
The Colander Has Three Feet Attached to the Back
See Article for More Information
Photo Courtesy: Eliot and Grace Snyder

Please Stay Tuned...Much More to Come...

Rare Slip-Decorated Red Earthenware Household Wares

These are some excellent early examples of slip-decorated red earthenware. They will be featured in my tenth book, a 1,900-page, two-volume work titled An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts. While most of these pieces reside in private collections—including several formerly owned by Roger Pheulpin of Gloucester, Massachusetts, Chris Huntington of Maine and another by George McKearin of New York City—some were previously exhibited in the early 1990s at the Heritage Museum on Cape Cod, which was curated by Brian Cullity.

Probably All 18th Century Slip Decorated Red Earthenware Pots
The Form is Typically Called a "Honey Pot"
It was a Popular British Form; Staffordshire, England, etc.
See Article for More Information
Photo Courtesy: Various Museum and Private Collections

Please Stay Tuned...Much More to Come...

Tuesday, August 18, 2026

From the Matt King Collection: A Rare Danvers-Salem, Mass. Red Earthenware Bowl Surfaces in New Hampshire

A notable eighteenth- or early nineteenth-century slip-decorated red earthenware bowl recently surfaced in the Matt King Collection, selling tonight during the ongoing auction at Flying Pig Auctions in Westmoreland, New Hampshire.

Attributed to the Danvers and Salem, Massachusetts region, the bowl features swirled slip motifs that mirror local archaeological recoveries from Danvers, Ipswich, Marblehead, and Salem, as well as early European designs. Personally, I suspect it may have been made by the Symonds family of Salem (1750–1830)—a lineage best known today for their seventeenth-century furniture shop. While further research is needed to prove they manufactured this exact design, there is no question that this style was produced locally.

Strikingly, the pattern also echoes the eighteenth- and early nineteenth-century cobalt decorations used on stoneware in parts of New Jersey, New York City, the Hudson River Valley, and southern Connecticut. This exceptional bowl will be included alongside local archaeology in my forthcoming tenth book, a two-volume, 1,900-page work: An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts.

18th or Early 19th Century Slip Decorated Red Earthenware Bowl
Matches Archaeology from the Danvers and Salem, Mass. Area
See Article for More Information
Courtesy: Matt King Collection
Another View of the Bowl
See Article for More Information
Courtesy: Matt King Collection
Another View of the Bowl
See Article for More Information
Courtesy: Matt King Collection
Another View of the Bowl
See Article for More Information
Courtesy: Matt King Collection
Another View of the Bowl
See Article for More Information
Courtesy: Matt King Collection
Some of the Cited Archaeological Evidence
This and More Evidence Will Be Included in My New Book!
See Article for More Information

Please Stay Tuned...Much More to Come...