Thursday, April 30, 2026

A Potter's Legacy: The Will and Probate of Amos Osborn

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

While conducting research for my new book, I came across the probate records and will of Amos Osborn, a third-generation master potter in South Danvers (Peabody). Here is the information about this document that will be included in the book.

"...Amos Osborn (1773–1836) was a third-generation potter in the prolific Quaker Osborn family of potters, which dominated the red earthenware industry in South Danvers, (now modern-day Peabody), Massachusetts. The family’s potting tradition was established by his grandfather, Joseph Osborn (1702-1780), in the 1730s and continued by his father, Joseph Osborn Junior (1726-1804), before Amos took over the business. Operating out of a prominent establishment at 106 Central Street, Amos was part of a thriving industrial red earthenware community, where at the height of his business, the Beverly, Danvers and Salem, Massachusetts area was home to dozens of kilns, making it one of the largest production centers of red earthenware in the United States.

Amos was also a central figure in the local Quaker community, and his probate records reflect a man of status who was deeply concerned with the "harmony and friendship" of his Quaker family and friends. After his death in 1836, his shop remained under the control of his family until it was sold to Joseph Reed (1809-1884) in the 1850s, eventually becoming the well-known Moses B. Paige (ca. 1847/48-1941) Pottery in the 1870s. 

This last will and testament reads, "I Amos Osborn, of Danvers in the county of Essex and commonwealth of Massachusetts, potter, by the mercy of God, being of sound and disposing mind and memory, but of feeble health, and admonished by repeated complaints of the uncertainty of life and the continuance thereof, and feeling a desire so to arrange my worldly concerns, as best to promote the happiness, comfort, harmony and friendship of those, who look to me, as their friend and protector, do make and publish this my last will and testament; hereby revoking all former wills by me at any time made..."

Nonetheless, the full probate file will be published in my forthcoming book; this section will include a detailed inventory of Amos Osborn's pottery shop and estate.

Note: For more information about later production at the location of Amos Osborn's shop - see my second published book, titled, The Moses B. Paige Company: The Last of the Peabody Potterieshttps://historicbeverly.net/product/the-moses-b-paige-company-the-last-of-the-peabody-potteries/.

Last Will and Testament of Amos Osborn of South Danvers (Peabody), Mass.
Amos was a Third Generation Master Potter
See Article for More Information
Photo Courtesy: Essex County Probate Records

Please Stay Tuned....Much More to Come...

Wednesday, April 29, 2026

The Portsmouth Pipeline: Moving Pottery from Charlestown and Staffordshire to Berwick, Maine

The discovery of these eighteenth century sherds in Berwick, Maine, provides significant archaeological evidence of the trade networks of colonial New England. The black glazed and yellow slip decorated red earthenware sherds suggest a pre-1775 Charlestown, Massachusetts origin, which was a prominent center for red earthenware production, circa 1630s-1775.

Historical documentation confirms that Charlestown red earthenware was imported into Portsmouth, New Hampshire before 1755, where it then may have been distributed to inland settlements like Berwick. Some of this production was also imitating British slip techniques.

Furthermore, the presence of Staffordshire, England slip decorated earthenware sherds suggests they were also imported into Portsmouth, before migrating upriver to Berwick. Prior to the American Revolution, Staffordshire was the global leader in slip-decorated earthenware, which inspired some potters in the Charlestown and Danvers/Salem, Massachusetts area to imitate some of the English slip techniques. 

Note: For more information - see my third published book, titled, The Dawn of Independence, the Death of an Industry: The Pottery of Charlestown, Massachusettshttps://historicbeverly.net/product/the-dawn-of-independence-the-death-of-an-industry/.

18th Century Slip Decorated Red Earthenware Sherds Recovered in Berwick, Maine
Possibly Made in Charlestown, Mass. Before 1775
Some of the Production in Charlestown was Inspired by British Slip Decoration
Some of the Production in the Danvers/Salem Area was Inspired by British Slip Decoration
See Article for More Information
Photo Courtesy: Matt Anson
18th Century Slip Decorated Earthenware Sherds Recovered in Berwick, Maine
Made in Staffordshire, England Before 1775
See Article for More Information
Photo Courtesy: Matt Anson

Please Stay Tuned...Much More to Come...

Bees by Wilcox: The Published Article

Posted below is a page from the March 1849 issue of The Genesee Farmer, a pioneering agricultural journal published in Rochester, New York. The most prominent feature of the page is an illustrated advertisement and descriptive article for Wheeler's Patent Horse Power and Thresher, manufactured by H. L. Emery (1818-1891) of Albany, New York. This machine utilized an "endless chain" treadmill system, allowing one or two horses to power essential farm tasks like threshing grain, sawing wood, and cutting straw. The editors highly recommend the device for farmers with limited space or smaller operations, noting its portability and durability.

Below the machinery feature is a detailed article titled "Management of Bees" by the West Bloomfield, New York red earthenware potter Alvin Wilcox (1801-1862). Wilcox's article states that it is based on his twenty-five years of experience as both a mechanic and a beekeeper in West Bloomfield. In the article, he offers practical advice on winter care and the prevention of "robber" bees. 

Wilcox emphasizes that the most common cause of bee mortality in winter is suffocation caused by poor ventilation. He explains that moisture from the bees' breath accumulates as frost at the top of the hive and, upon melting, runs down and seals the lower passage. To prevent this, he suggests keeping the bottom board clean and maintaining a small opening above it to allow for consistent airflow.Additionally, Wilcox warns that "robber bees" are a major threat during the first warm days of spring, as they target weaker hives to steal honey. He advises beekeepers to inspect their hives early in the season and reduce the entrance size for any feeble colonies, making it easier for the resident bees to defend their store. He also notes that larger swarms are more profitable, recalling a successful 1836 season where a brother-in-law's 220 swarms produced over 4,000 pounds of honey. For those looking to start beekeeping, Wilcox recommends purchasing swarms from the previous season to ensure they have enough honey to survive the winter and remain productive.

Note: For more information - see a cover story I wrote for the November 14, 2025 issue of Antiques & Auction News, titled, Lorenzo Lorraine Langstroth: The Father Of American Beekeeping: http://www.earlyamericanceramics.com/2025/11/new-published-cover-story-in-antiques.html.

Also see my recently published two-volume, ninth book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New Yorkhttps://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

Bees by Wilcox: The Published Article

March 1849 Issue of The Genesee Farmer
 Western N.Y. Potter Alvin Wilcox Contributed Information bout Bee Keeping
See Article for More Information
March 1849 Issue of The Genesee Farmer
 Western N.Y. Potter Alvin Wilcox Contributed Information bout Bee Keeping
See Article for More Information

Please Stay Tuned...Much More to Come...

An Article About the Roadside Craftsmen Published in the June 23, 1932, Issue of The Livonia Gazette

In the June 23, 1932, edition of The Livonia Gazette, the lead article highlights an unusual business venture by a Hemlock, New Yorkk resident named C. E. Wemett (1886-1961). After traveling through the South and being captivated by the primitive, hand-fashioned pottery techniques he saw there, Wemett decided to bring that "Old South" aesthetic to East Bloomfield, New York. He established a workshop known as "Roadside Craftsmen" in an old church building along Route 5, aiming to create a space where traditional craftsmanship could be preserved and shared with the public.

The operation was a unique blend of historical tradition and regional collaboration. To ensure authenticity, Wemett hired Guy Daugherty (1879-1958), a skilled potter from Texas who was famous for his demonstrations at the State Fair. Daughterly utilized a horse-powered clay mill to process the raw material, and then hand-threw various vessels with remarkable speed and precision. The project also fostered a connection with the local academic community, as students from the State School of Ceramics at Alfred assisted with the specialized glazing and firing processes, adding a touch of modern technical knowledge to the antique methods.

Beyond just simple pots, the workshop was a hub for diverse hand-crafted goods. While it was well-known for its ceramics—including distinctive "flower frogs" with a signature brown glaze—it also featured hand-turned woodwork made from native maple and exotic tropical woods, as well as hand-woven textiles created on a traditional loom. Wemett’s daughter-in-law, Mrs. Norris Wemett (1913-2005), became a key figure in the business, helping to turn the roadside shop into a well-regarded destination for high-quality, artisanal items.

This venture was more than just a retail shop; it was an early example of "heritage tourism" in the Finger Lakes region. By creating a working museum atmosphere where travelers could watch clay transformed into art, Wemett successfully tapped into a growing public nostalgia for handmade goods in an increasingly industrial age. The article captures a moment when the traditional ways of the South were transplanted into Upstate New York, leaving a lasting legacy in the local history of American ceramics.

Note: For more information about the Roadside Craftsmen - see a feature story I wrote published on page 45 in the June 30 issue of Antiques And The Arts Weekly, titled, Guy Daugherty: A Roadside Craftsmen Potter: http://www.earlyamericanceramics.com/2023/06/new-published-story-in-antiques-and.html.

Also see my recently published two-volume, ninth book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New Yorkhttps://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

Article About the Roadside Craftsmen in New York
Published in the June 23, 1932, Issue of The Livonia Gazette
See Article for More Information

Please Stay Tuned...Much More to Come...

19th Century Slip Decorated Pitcher, Marked "SPRINGWOLD / LINCOLN NEBR"

Last fall, Crocker Farm sold a rare piece of nineteenth century slip decorated red earthenware in Sparks, Maryland. Though found in Maryland, the pot was made in Oregon by a craftsman who had originally relocated from North Carolina: https://www.crockerfarm.com/stoneware-auction/2025-11-14/lot-22/Extremely-Rare-Solomon-H-Way-Eloa-Oregon-Redware-Mug-w-Fine-Slip-Decoration/

This slip decorated pitcher from Nebraska features a stylized tulip on a long stem, surrounded by simple leafy branches. The manufacturer remains unidentified, although equally as rare as the piece of red earthenware from Oregon.

Furthermore, this may be a piece of institutional pottery from the early 1900s that belonged to the Springwold Sanatorium, a private hospital in Lincoln, Nebraska. The way the name is impressed on the base may indicate it was done as a property mark, which was common for items used in hospitals or large estates at that time. While the hospital itself was not a pottery manufacturer, they may have commissioned these types of pieces for daily use or as commemorative items. However, this is likely a rare example of slip decorated pottery from Nebraska. 

Note: Though unrelated, the glaze on this pitcher reminds me of some objects produced at the Hyssong Pottery in Pennsylvania -  for more information - see a feature story I wrote that was published on pages 7, 8 and 10 in the December 6, 2024 issue of Antiques & Auction News, titled, A Century Of Red Earthenware And Stoneware Production In Huntingdon County, Pa., Ca. 1811-1912: http://www.earlyamericanceramics.com/2024/12/a-slip-decorated-flowerpot-made-in.html.

19th Century Slip Decorated Pitcher, Marked "SPRINGWOLD / LINCOLN NEBR"

Late 19th or Early 20th Century Slip Decorated Pitcher
Like Made in Nebraska
See Article for More Information
Photo Courtesy: Private Collection
A View of the Impressed Mark on the Base
The Mark Reads "SPRINGWOLD / LINCOLN NEBR"
See Article for More Information
Photo Courtesy: Private Collection
The Nebraska Sanitarium
Circa 1911-12
See Article for More Information
Photo Courtesy: Union College Library

Please Stay Tuned...Much More to Come...

Worcester’s Red Earthenware Production: 1773–1860

As I have recently noted on this website - I am working on an eleventh book with a group of researchers, including New York author Warren Broderick, titled, A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires and Vermont

While the book primarily focuses on those regions, it will also feature new research into Worcester’s red earthenware history, etc., including insights from a descendant of potters who worked in Orange, Massachusetts. However, I have yet to identify a single surviving piece of red earthenware that can be definitively linked to Worcester production between 1773 and 1830.

If you have an artifact that might be related to this production, please feel free to contact me. In the meantime, here is a general overview of that production history as it will appear in the book.

"...The history of red earthenware production in Worcester, Massachusetts, began with a small pre-Revolutionary business in the 1770s, which eventually led to the production of industrial stoneware around the mid-nineteenth century. It is possible that Worcester-made red earthenware may have reached the western part of the state between 1773 and 1810, though it is undocumented. It was also likely limited in quantity due to the logistics of eighteenth century trade.

In the years leading up to the American Revolution, Daniel Goulding (1752-1843), a native of Worcester, established one of the earliest operations near Front Street in Worcester around 1773, providing the community with everyday household red earthenware. Furthermore, he was also a town leader and even helped build the city's first water system by piping a spring from his land to his neighbors.

In 1798, Goulding was authorized by the state to establish Worcester's first organized water system, utilizing hollowed-out log pipes to carry water from a spring on his property to the residents of Front Street. While modern urban development has made formal archaeological excavations of his original kiln site difficult, utility work in downtown Worcester occasionally unearths red earthenware sherds alongside the remains of his log aqueducts. 

By the time of Goulding’s death in 1843, his family had fully transitioned away from the red earthenware industry; his son, Henry Goulding (1802-1866), became a prominent manufacturer of wool-carding machinery, marking the shift from Daniel's handmade red earthenware to the machine-driven economy of Worcester in the nineteenth century.

Goulding ‘s red earthenware business was followed by Thomas Stearns (1778-1826), who was born 25 to 30 miles north of the city in Lunenburg, Massachusetts, in 1778. He began producing red earthenware near the Worcester Common around 1805. During this period, Worcester Common was a busy field used for everything from cattle shows to military drills. Stearns lived the traditional "farmer-potter” lifestyle of the early 1800s, perhaps similar to Hervey Brooks (1779-1873) of Goshen, Connecticut: https://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/.

Like Goulding, Stearns made household utilitarian red earthenware until his death. His son, Thomas Stearns Junior (1811-1896), decided not to become a potter and instead moved into the shipping and trading business, finding success in Baltimore and Boston, while embracing how the next generation moved toward bigger industries that were beginning to emerge in Worcester. 

However, during this early period, the Standish family also contributed to the local trade, led by Lemuel Standish (1746-1824) and his son, James Standish (1782-1846). They descended from the Pilgrim Captain Myles Standish (1584-1656), who arrived in America aboard the Mayflower in 1620, eventually living in the Plimouth Colony. Myles died in Duxbury, Massachusetts, October 3, 1656.

Lemuel was born in Pembroke, Massachusetts (though his birth was also recorded in nearby Duxbury) in 1746. Before his move to Worcester, 1776-1780, Lemuel lived on the South Shore in Pembroke and served during the American Revolution. Lemuel may have initially worked for Daniel Goulding’s business, since both men were also active in the local Worcester militia.

By the 1830s and 1840s, red earthenware production expanded northward and eastward as the city grew. The Gates family established a kiln on Lincoln Street, primarily led by Horatio Gates (1803-1851), a descendant of the town's early colonial settlers. 

Around the same time, Amasa G. Davis (1811-1888) began his work as a red earthenware potter on Grafton Street, eventually becoming a pivotal figure in the 1850s, as he partnered with other local makers to transition the city’s output from local red earthenware to mass-produced stoneware. This was a monumental change for how Worcester’s pottery industry had previously operated.

Nevertheless, everything changed in 1858, with the arrival of Frederick Hancock (1817-1891), a master potter from Vermont. Hancock partnered with Franklin B. Norton (1829-1886) at Washington Square, marking the city’s official shift from small scale red earthenware production to large-scale industrial manufacturing. While they initially produced some utilitarian red earthenware, Hancock and Norton’s collaboration essentially laid the groundwork for the Norton Company. In fact, by 1860, Worcester’s red earthenware production was nearly non-existent, replaced by salt-glazed stoneware and the dawn of Worcester’s industrial revolution..."

Note: For more information about red earthenware production in central Massachusetts - see my eighth book, titled, An Influential Family of Early Potters: The Clarks of New Hampshire and Related Businesseshttps://historicbeverly.net/product/an-influential-family-of-early-potters-the-clarks-of-new-hampshire-and-related-businesses/.

This is an AI-Generated Image of How Worcester Common May Have Appeared in 1810
There are Similar Woodcuts and Engravings from this Period
See Article for More Information

Please Stay Tuned...Much More to Come....

Tuesday, April 28, 2026

The Symonds-Osborn Story: A Puritan Masterpiece for a Quaker Home

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

While conducting research for the new book, I thought it was essential to include some information about this seventeenth century chest, which was previously published in an article written by Martha H. Willoughby for the the 2000 issue of American Furniture, titled, Patronage in Early Salem: The Symonds Shop and Their Customers: https://chipstone.org/article.php/458/American-Furniture-2000/Patronage-in-Early-Salem:-The-Symonds-Shops--and-Their-Customers.

"...As previously noted (in Chapter 3, Volume I), the Peabody Essex Museum owns a significant example of seventeenth century furniture manufactured by the Symonds family of Salem, Massachusetts. This master woodworking lineage eventually transitioned into the red earthenware trade, operating as potters in Salem from the mid-eighteenth century through about 1830, while also maintaining ties to the colonial industry in Charlestown, Massachusetts in the 1740s.

The chest’s provenance has been traced to Caleb Osborn and Hannah Trask—the daughter of Amos Trask and Hannah Goldthwaite. This lineage effectively bridges the Symonds family (see Chapter 8, Volume I) and the Goldthwaite family (see Chapter 5, Volume I) with the Osborn family, illustrating an intriguing relationship between Puritan and Quaker families in the late seventeenth century. Decades prior, Quakers had been persecuted (or oppressed) by the Puritans in Salem for their faith.

This piece likely descended through ancestors such as Samuel or John Osborne before entering the Trask family through marriage. By uniting these names, the chest serves as an important physical record of the interconnected lives of Salem’s seventeenth century master joiners and the area’s eighteenth century potters." 

The Symonds-Osborn Story: A Puritan Masterpiece for a Quaker Home
Late 17th Century Chest Made by the Symonds Family in Salem, Mass.
Made for a Member of the Osborne or Osborn Family
The Symomds Family were Puritans
While the Osborns were Quakers
See Article for More Information
Photo Courtesy: Peabody Essex Museum
The Chest Displayed Today at the Peabody Essex Museum in Salem, Mass.
See Article for More Information

Please Stay Tuned...Much More to Come...

Monday, April 27, 2026

Update: My Forthcoming Tenth Book (Two Volumes)

While my previous nine books are tied into my tenth, there is no repetition. This forthcoming work is a two-volume, 1,800-plus-page study of red earthenware from Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts, spanning the 1630s through 1953. It highlights production from regions featured in my earlier titles—reflecting Essex County's direct ties to those industries—while also exploring production from other key locations across America.

For anyone interested in any of the previous titles - see the links below.

 





Please Stay Tuned...Much More to Come...

Two Centuries of Production, Gone in One Day: The Rise and Tragic End of Peabody’s Red Earthenware Industry

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

To conclude Volume II, I wanted to highlight the specific event that ended red earthenware production in South Danvers (now Peabody). Had it not been for this sudden event, the craft might have persisted in Peabody, much like it did with the Stahl family and Lester Breininger (1935-2011) in southeastern Pennsylvania. Here is that story.

"...The history of red earthenware production in the Salem Village, Danvers, Peabody, Beverly, and Salem, Massachusetts area, dates back to the seventeenth century, though it was a sudden explosion that happened in 1953, which ultimately put a close to this storied industry. Fires happened at the local pottery businesses through the centuries, but this one was different.  

For over 200 years, pottery production was kept alive in a section of South Danvers (now Peabody) on Central Street. It started in 1736 with the Osborne family, who ran the kilns for generations. Eventually, Joseph Reed took over the business in the 1850s, followed by Moses B. Paige in 1876, and finally the Paoluccis after 1945. No matter who owned it, the old Osborne pottery shop remained a local landmark that connected the modern times to the colonial period. This shop also stood as a symbol—the lone survivor in the twentieth century from the dozens of businesses that once existed in the area. 

This old red earthenware business also stood as a link to other eighteenth and nineteenth century traditions, including the Quaker potters in Bristol County, Massachusetts, family businesses in New Hampshire, and the history of the struggle and eventual rise of the Quaker religion in different parts of America.  

The area’s businesses witnessed it all: from the persecution of Quakers in the seventeenth century to the survival of the 1600s and the thriving growth of the 1700s; through the American Revolution, the rise of global maritime trade, and nineteenth century expansion; and finally through the abolitionist movement, the Industrial Revolution, and the dawn of modern times. 

Everything changed on April 30, 1953, when a chemical tank at the American Polymer Corporation suddenly overheated and blew up. The blast was so loud that it was felt for miles and shattered windows in nearby homes.  

The resulting fire was so intense it threatened all of Wilson Square and completely leveled the historic pottery buildings. For days, the explosion made newspaper headlines; " Blast Rocks North Shore,” "1 Dead, 30 Hurt in Peabody Blast,” and "Peabody Threatened by Fire Resulting from Chemical Blast.”  

Since it was too difficult to rebuild, the red earthenware shop closed for good. In a single day, a modern accident destroyed a handmade tradition that had lasted since the 1730s, ending one of the longest-running red earthenware businesses of its kind in America. In theory, had this event not taken place, then production may have continued in Peabody, like it did with the Stahl family and Lester Breininger (1935-2011) in southeastern Pennsylvania."

Note: For more information about twentieth century production in Peabody - see my second published book, titled, The Moses B. Paige Company: The Last of the Peabody Potterieshttps://historicbeverly.net/product/the-moses-b-paige-company-the-last-of-the-peabody-potteries/.

This is the Explosion and Fire at the American Polymer Corporation on April 30, 1953
This Event Destroyed the Old Pottery Business 
See Article for More Information
Photo Courtesy: Peabody Institute Archives

Please Stay Tuned...Much More to Come...

Sunday, April 26, 2026

The Eighteenth Century Osborn-Shove Connection

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

While conducting research for the new book, I learned about a 1773 Quaker meeting record that tracks the migration of the Osborne and Shove potting dynasties from Massachusetts to southeastern Pennsylvania. This is that story. 

"...Much like the previously discussed Quaker marriage certificate of Daniel Purinton (1710-1764) and Sarah Osborn (1707-1755), a record within the U.S. Quaker Meeting House Records, 1681–1935 highlights the interconnected nature of these families. It confirms a direct link between the Quaker potting dynasties of Danvers and Salem and their counterparts in Bristol County, while further extending these ancestral ties into southeastern Pennsylvania. 

The documentation of Phebe Osborn (1720-1775) in Chester, Pennsylvania, on May 7, 1773, places her at a foundational site of American religious history. Chester was the location of the first Quaker meeting held in Pennsylvania in 1675 and served as the initial landing point for William Penn (1644-1718) during his "Holy Experiment" in 1682. By the time Phebe was recorded there, the town had become a vital spiritual and administrative anchor for the Religious Society of Friends in America.

Phebe was born in Salem, Massachusetts, on January 3, 1720, to Samuel Osborn (1675-1744) and Sarah Clark. In 1739, she married Reverend Edward Shove Junior (1716-1806), who was the son of Edward (1680-1746) and Lydia Shove (1683-1739). This marriage united two potting families with deep Quaker ties in Salem. This is also another example of the direct connection between the Quaker potting dynasties of Danvers and Salem and those in Bristol County.

However, the U.S. Quaker Meeting House record tracks Phebe’s move from the Massachusetts Bay Colony to Pennsylvania in 1773, showing how Quaker families traveled between major settlements to help establish the social and religious foundations of the early American colonies.

The record reads, “The Friends appointed to assist the women Friends in preparing a certificate for Sarah Osborn and her five Children (viz) Hannah, Frances, Elizabeth, Phebe and Samuel to Warrington Monthly Meeting has done accordingly which was approved and signed directed as requested.”

The Warrington Monthly Meeting was a Quaker church in York County, Pennsylvania. In 1773, it was a community center where local Quakers met to pray and keep official records. When families like Sarah Osborn’s moved to the area, this group officially welcomed them and added them to their books.

The reason Phebe was likely in Chester in 1773 is that the Warrington Monthly Meeting was originally part of Chester Quarter before the Quaker boundaries changed, which at the time were divided into “Quarters.”

Additionally, Phebe was the older sister of Sarah, and the half-sister of Joseph Osborn (1702-1780), who established the first Osborn red earthenware business in South Danvers (Peabody) in 1736. Phebe died in Danvers, Massachusetts on January 12, 1775..."

Note: For more information about production in Bristol County - see my fifth published book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/.

This Document Places Phebe Osborn (1720-1775) in Chester, Pennsylvania in 1773
She Married Edward Shove Jr. (1716-1806) in 1739
This Marriage United the Osbornes with the Shove Family of Quaker Potters
See Article for More Information
Photo Courtesy: U.S Quaker Meeting House Records, 1681-1935
This is Where Phebe Osborn and Her Family are Cited
See Article for More Information
Photo Courtesy: U.S Quaker Meeting House Records, 1681-1935

Please Stay Tuned...Much More to Come...

The Salem-Bristol County Connection: A Pottery Dynasty Begins with a 1726 Union

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

While conducting research for the new book, I learned about a 1726 marriage certificate that serves as a genealogical link between the established Quaker potting traditions of Danvers and Salem and those in Bristol County in the eighteenth century. Here is that story.

"...This 1726 marriage certificate for Daniel Purinton (1710-1764) and Sarah Osborne (1707-1755) is a vital piece of colonial red earthenware and Quaker history in Massachusetts because it documents Daniel living in Salem, Massachusetts, while marrying into the Osborne family pottery dynasty. At the time of this wedding, the Osbornes, led by Sarah’s father Samuel Osborne (1675-1744), were already establishing Danvers as one of the premier pottery centers in New England. In just a few years, Jonathan Kettle (1670-1744) established the first business in South Danvers (Peabody) in 1731, followed by Joseph Osborne or Osborn (1702-1780) in 1736, who was Sarah's half-sibling (they had the same father and two different mothers).

The significance of this document lies in what happened after this union. Members of the Purinton family later moved south to Bristol County, Massachusetts, specifically to towns like Somerset and Swansea, where they established their own successful red earthenware potteries. This record serves as the "source document" proving that the famous Bristol County pottery tradition was in some ways an offshoot of the Danvers/Salem industry. 

Because of this marriage, some of the red earthenware knowledge of production in Danvers/Salem must have traveled south with the Purintons, effectively linking the two of the most important pottery regions in Massachusetts, through a single family line. Multiple generations of the Purinton family became a cornerstone of the history of red earthenware production in Bristol County after they migrated from the Danvers/Salem area.

This document is signed by members of the Osborne, Purinton and Southwick families. The presence of Southwick signatures is not incidental either. The Southwicks were among the earliest Quaker families in Salem and were heavily persecuted for their faith. By the 1700s, they were deeply intertwined with the Osborne and Purinton families through both marriage and trade.

Another marriage certificate illustrated in Chapter 3 of Volume I of this book reveals an even stronger connection between the Quaker potting dynasties of Danvers and Salem and those in Bristol County, Massachusetts..." -- http://www.earlyamericanceramics.com/2026/04/the-quaker-marriage-certificate-of.html.

Note: For more information about production in Bristol County - see my fifth published book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/.

1726 Quaker Marriage Marriage Certificate from Salem, Mass.
This is the Marriage of Daniel Purinton (1710-1764) and Sarah Osborne (1707-1755)
This was an Important Union
See Article for More Information
The Names Who were Witness to the Union and Signed the Marriage Certificate
They Include Purinton, Osborne and Southwick
This was an Important Union
See Article for More Information

Please Stay Tuned...Much More to Come...

Saturday, April 25, 2026

Signed by a Cousin: Finding Edward Cornell in a 1736 Wedding Ceremony

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

While conducting research for the new book, I learned about a fascinating connection between a 1736 Quaker marriage certificate from Bristol County, Massachusetts and the red earthenware legacy of the Cornell family in Massachusetts and New York. Here is part of that story. 

"...Joseph Brownell (1699-1762) and Leah Lawton (1700-1749) married on June 3, 1736, at the Apponegansett Meeting House in Dartmouth, Massachusetts. Both came from well-known Quaker families, and their wedding followed strict religious customs where they stood before the community to exchange vows. Because there was no priest or minister running the wedding, everyone in the room had to sign a big piece of paper called a marriage certificate. By signing their names, every guest was acting as a witness. Among the names included on this certificate was Edward Cornell (1697-1754).

These were the same types of weddings for which the Bristol County red earthenware marriage jars—and perhaps the existing jar featuring a Quaker hat finial—were originally created.

Additionally, Edward was the cousin twice removed of Elijah Cornell (1771–1862). Elijah was a Quaker potter who started his career in 1791 as an apprentice for Asa Chace (1744-1812) in Somerset, Bristol County, Massachusetts. After moving to New York City in 1805, he ran a pottery in Westchester and later opened his own shop in Tarrytown. He became successful manufacturing some red earthenware, which was in high demand during the War of 1812. In 1819, he moved his family to DeRuyter, New York to farm on Crum Hill while continuing his red earthenware work. His son, Ezra Cornell (1807-1874), who later founded Cornell University, helped him build a new pottery business there and even built the family a house. Finally, in 1842, Elijah moved to Ithaca, New York, where he and his sons produced both red earthenware and stoneware..."

Nevertheless, for more information about the Cornell family - see my most recent published two-volume, ninth book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New Yorkhttps://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

Note: A Good example of Cornell red earthenware sold very reasonably in Crocker Farm's recent Spring 2026 sale in Sparks, Maryland: https://www.crockerfarm.com/stoneware-auction/2026-04-10/lot-243/Rare-Large-Sized-Redware-Jar-w-Manganese-Slip-Decoration-attrib-Elijah-Cornell-Ithaca-NY/.

1735 Quaker Marriage Certificate from Dartmouth, Bristol County, Mass.
The Wedding of Joseph Brownell (1699-1762) and Leah Lawton (1700-1749)
Both were Originally from Portsmouth, Rhode Island
See Article for More Information
Photo Courtesy: Dartmouth Historical & Arts Society
Among the Names Who Signed the Certificate was Edward Cornell (1697-1754)
See Article for More Information
Photo Courtesy: Dartmouth Historical & Arts Society

Please Stay Tuned...Much More to Come...

The Quaker Marriage Certificate of Dorcas Osborne and Joseph Buxton

This post is another preview of my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts. I promise this new book is unlike any other New England redware book previously published; it runs 1,854 pages! It also ties in a number of my other published books!

While researching my new book, I learned about a significant 1791 marriage record that links the Quaker potting families of Danvers and Salem to those in Bristol County. Here is some of that information.

"...Dorcas Osborne (1768-1839) was born in 1768 in the town of South Danvers (now Peabody), Massachusetts to Abigail Chase (1740-1817) and Paul Osborne (1735-1808). Her father was a "yeoman," a term for a farmer who owned and worked his own land. When Dorcas was twenty-three, she and her fiancé, Joseph Buxton (1766-1849), announced their plans to get married. 

Dorcas came from the same Osborn or Osborne family, who turned the South Danvers and Peabody area into a major hub for red earthenware production during the eighteenth and nineteenth centuries

Because they were Quakers, the couple followed a unique set of traditions (also discussed in Chapter 6 in Volume I). Before they could wed, they had to attend several "monthly meetings" in Lynn and Salem, Massachusetts to get the official blessing of their religious community. Their marriage certificate, signed on October 21, 1791, serves as a record of this tradition, featuring the signatures of about forty friends and family members who acted as witnesses to their marriage.

This document is significant because it records the names of the Buxton, Osborne, Purinton, Shove, and Southwick families. These names reveal a direct connection between the Quaker potting dynasties of Danvers and Salem and those in Bristol County, Massachusetts.

Since Quakers tended to marry others within their same faith, these families became a tight-knit group of relatives and business partners. These marriages helped these families share their skills and trade secrets for making red earthenware, turning a local craft into a widespread family business. This certificate acts like a family tree that shows how the red earthenware industry in parts of eastern Massachusetts was actually a large network of related Quaker families..."

Quaker Marriage Certificate of Dorcas Osborne and Joseph Buxton

Marriage Certificate for Dorcas Osborne and Joseph Buxton
Directly Connects Quaker Potting Families in Danvers/Salem to Those in Bristol County
Dated "October 21, 1791"
See Article for More Information
Photo Courtesy: Peabody Historical Society
Another View of the Marriage Certificate
See Article for More Information
Photo Courtesy: Peabody Historical Society
The Names Who Signed the Marriage Certificicate
Includes Buxton, Osborne, Purinton, Shove and Southwick Families
See Article for More Information
Photo Courtesy: Peabody Historical Society

Please Stay Tuned...Much More to Come...

The 1776 Sampler: Lydia Osborne’s Living Legacy

This post is another preview of my forthcoming two-volume, 1,800+ page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html

While conducting research for the new book, I learned how the Osborne family’s legacy connected their famous Danvers (and Peabody) red earthenware businesses to the needlework of a sampler created by Lydia Osborn in 1776. Here is some of that story.

"...Lydia Osborne (1757–1848) was a lifelong resident of South Danvers (now Peabody), Massachusetts, and the daughter of Abraham (1725-1805) and Mary Osborne (1729-1813). She was also the niece of Joseph Osborne (1702–1780), the man widely credited with establishing the family’s first pottery business in South Danvers in 1736. 

Nevertheless, Lydia might be best known today for an intricate needlework sampler she completed in 1776 at the age of 19. Now owned by the Peabody Historical Society, this sampler is a significant historical artifact that links her family's local legacy to the year of American independence.

The sampler reads, "Lydia Osborne is my name, English is my nation, Danvers is my dwelling place, Christ is my salvation; when I am dead and laid in my grave and all my bones are rotten, when this you see remember me and let me not be forgotten," followed by "Aged 19 1776" and the numbers one through ten..."

Note: Interestingly, the Dodge Pottery of Portland, Maine will also be a subject mentioned in this book, where I learned about a similar sampler still owned today by descendants of the Dodge family. This sampler was published in a feature story I wrote for the August 5, 2022 Issue of Antiques & the Arts Weekly, titled, A Group of Important Objects From The Dodge Family, Portland, Maine: http://www.earlyamericanceramics.com/2022/07/latest-published-story-group-of.html.

This sample was also published in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/.

18th Century Sample Completed by Lydia Osborne (1757-1848) in 1776
She was the Niece of Joseph Osborne (1702-1780)
Joseph Established the First Osborne Pottery in South Danvers in 1736
See Article for More Information
Photo Courtesy: Peabody Historical Sociey

Other samplers in my forthcoming new book include an eighteenth century example made by a member of the Southwick family. However, I also chose to feature this sampler because it originated in Rollinsford (Dover), New Hampshire—a prominent Quaker hub during the eighteenth and nineteenth centuries. Here is is some that information.

"...Fourteen-year-old Mary Wentworth Wallingford (1786–1881) created this sampler in 1800 while attending the Sophia Cushing Hayes Wyatt (1781-1876) School in Dover, New Hampshire. With its dark green linen ground, precise lettering, and motifs of paired birds and floral baskets, the piece is often categorized as "Quaker"—a style deeply influenced by Dover’s large Quaker community. However, Mary herself belonged to the prominent Wentworth and Wallingford families, who were leaders in the town’s Congregational and Episcopal churches...."

Note: For more information about the Quakers in Dover and Rollinsford, New Hampshire - see a feature story I wrote that was published on page 10 in the January 23, 2026 issue of Antiques And The Arts Weekly, titled, Recently Recovered From A River In New Hampshire - A 1793 Red Earthenware Pan Helps Write History: http://www.earlyamericanceramics.com/2026/01/new-feature-story-published-in-antiques_20.html.

Sampler Made in 1800 by Mary Wentworth Wallingford (1786-1881)
Made in Rollinsford (Dover), N.H.
Decorated with Quaker Motifs and Styles
See Article for More Information
Photo Courtesy: The Woodman Museum

Please Stay Tuned....Much More to Come...

Friday, April 24, 2026

Quick Update! From Scribd to Academia.edu

Quick update for those following my work on Scribd! Due to their new upload requirements, I’m moving my article archive over to Academia.edu. You can find all my future PDFs and published articles there from now on: https://independent.academia.edu/JustinThomas43.

Note: However, all of my previous articles will remain on my Scribd account; the first article posted to my Academia.edu account is the Italian Terracotta story that just came out in the April 24, 2026 issue of Antiques And The Arts Weeklyhttp://www.earlyamericanceramics.com/2026/04/new-feature-story-published-in-antiques_23.html.

This is My Account on Academia.edu
See Above for More Information

Please Stay Tuned...Much More to Come...

A Collection of Red Earthenware Now Available as a Group in Massachusetts

Last fall, I shared a once-in-a-lifetime opportunity to acquire a lifelong collection of Maine-made red earthenware on this website, which quickly sold to a private collector. Now, the final pieces from a similar distinguished collection are available.

While I have recently featured a few of these late eighteenth- and/or early nineteenth century objects on this website, they represent the remainder of the redware portion of a major American private antiques collection. This specific redware group was carefully curated in the 1990s and early 2000s, purchased from prominent dealers and advanced collectors. These objects have also been published in two of my books; A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod, as well as A City on the River: The Early Red Earthenware of the Hartford, Connecticut Area

These final pieces also originate from the same collection as the renowned, colorfully glazed Bristol County jug, originally from the Hilary and Paulette Nolan collection—widely considered by many to be the finest example of a Bristol County jug known to exist today. These remaining objects are now available to purchase as a single group; please contact Antique Associates at West Townsend in Massachusetts for more information: https://www.aaawt.com/about/

Note: For a closer look, you can find more details in my recent articles this month, featuring two of these specific objects:

1) "A Rare Late 18th or 19th Century Slip Decorated Red Earthenware Jar Currently For Sale in Massachusetts": http://www.earlyamericanceramics.com/2026/04/a-rare-late-18th-or-19th-century-slip.html

2) "A Second Rare Late 18th or 19th Century Slip Decorated Red Earthenware Jar Currently For Sale in Massachusetts": http://www.earlyamericanceramics.com/2026/04/a-second-rare-late-18th-or-19th-century.html

A Collection of Red Earthenware Now Available as a Group in Massachusetts
Collection of Red Earthenware Available as a Group in Massachusetts
All Objects Have Been Published
See Article for More Information
Photo Courtesy: Antiques Associates At West Townsend

Please Stay Tuned...Much More to Come...