In the June 23, 1932, edition of The Livonia Gazette, the lead article highlights an unusual business venture by a Hemlock, New Yorkk resident named C. E. Wemett (1886-1961). After traveling through the South and being captivated by the primitive, hand-fashioned pottery techniques he saw there, Wemett decided to bring that "Old South" aesthetic to East Bloomfield, New York. He established a workshop known as "Roadside Craftsmen" in an old church building along Route 5, aiming to create a space where traditional craftsmanship could be preserved and shared with the public.
The operation was a unique blend of historical tradition and regional collaboration. To ensure authenticity, Wemett hired Guy Daugherty (1879-1958), a skilled potter from Texas who was famous for his demonstrations at the State Fair. Daughterly utilized a horse-powered clay mill to process the raw material, and then hand-threw various vessels with remarkable speed and precision. The project also fostered a connection with the local academic community, as students from the State School of Ceramics at Alfred assisted with the specialized glazing and firing processes, adding a touch of modern technical knowledge to the antique methods.
Beyond just simple pots, the workshop was a hub for diverse hand-crafted goods. While it was well-known for its ceramics—including distinctive "flower frogs" with a signature brown glaze—it also featured hand-turned woodwork made from native maple and exotic tropical woods, as well as hand-woven textiles created on a traditional loom. Wemett’s daughter-in-law, Mrs. Norris Wemett (1913-2005), became a key figure in the business, helping to turn the roadside shop into a well-regarded destination for high-quality, artisanal items.
This venture was more than just a retail shop; it was an early example of "heritage tourism" in the Finger Lakes region. By creating a working museum atmosphere where travelers could watch clay transformed into art, Wemett successfully tapped into a growing public nostalgia for handmade goods in an increasingly industrial age. The article captures a moment when the traditional ways of the South were transplanted into Upstate New York, leaving a lasting legacy in the local history of American ceramics.
Note: For more information about the Roadside Craftsmen - see a feature story I wrote published on page 45 in the June 30 issue of Antiques And The Arts Weekly, titled, Guy Daugherty: A Roadside Craftsmen Potter: http://www.earlyamericanceramics.com/2023/06/new-published-story-in-antiques-and.html.
Also see my recently published two-volume, ninth book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New York: https://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.
Please Stay Tuned...Much More to Come...

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