Tuesday, October 31, 2017

A Rare Late-18th or 19th Century Marbled Red Earthenware Plate Recovered on Shelter Island in New York

A few days ago, I posted an article about a remarkable late-eighteenth or nineteenth century marbled red earthenware platter, which I had recently acquired from Arkansas antiques dealer, Zach Miller; although, it is also an incredible story in itself to hear how the platter was just discovered at a local estate sale in Arkansas.

I had suggested that the platter may have been made in New England; however, I also know about the partial remains of a plate found outside of New England that may be related. Whereas, today I would like to discuss those remains that represent a late-eighteenth or nineteenth century marbled red earthenware plate that was recovered on Shelter Island, which is located on the eastern end of Long Island in New York.

Shelter Island was originally a plantation known as Sylvester Manor, which was established in 1652 by Nathaniel Sylvester (1610-1680), a sugar merchant, who was also the island's first known European settler.

But Sylvester Manor has also been a place of special interest since the late-1990s for archaeologists and students from the University of Massachusetts at Boston. According to the University, "Starting in 1998, faculty and students began an extensive program of excavation and analysis that continues to unfold. Excavations were carried out every summer between 1998 and 2005 with subsequent, more limited excavations carried out in 2006 and 2007. 

The results of the investigations at Sylvester Manor to date indicate that during the first 80 years of the plantation's existence, it evolved from a provisioning plantation, into a tenant run commercial farm after National Sylvester's death in 1680, and then configured into a Georgian-inspired, country estate in the 1700s.

Taken as a whole the archaeological evidence from Sylvestor Maner suggest that Native laborers, enslaved Africans and Europeans all lived together. The ceramics recovered from this context appear to combine stylistic and manufacturing attributes with both Native American and African American traditions."


The Georgian-Style Manor House Built on Shelter Island
Circa 1737
Photo Courtesy: Society for the Preservation of Long Island Antiquities

Nevertheless, the ensuing plate was not recovered within the archaeological context that I just described, but it was found within a later historical context of ownership on the island. The manufacturer is currently not known; although, red earthenware made nearby in Greenport and further west in Huntington have been recovered in various contexts of ownership on Long Island, which also include objects made in Huntington that have been recovered throughout New York City.

Clearly, the Long Island potteries in the late-eighteenth and nineteenth centuries were involved with a number of export opportunities throughout southern New York with the primary focus being the communities located on Long Island.

This plate may be a rare form of production that is not regularly attributed to Long Island today, even though Greenport is located just over ten miles away. I also feel that the red earthenware production within the Greenport-area is a subject that could use more research today - especially, the products that were decorated with slip, which may also include an object that is owned today by Winterthur in Delaware that was decorated with sgraffito.

According to the book, 'Useful Art: Long Island Pottery,' "The first documented pottery established on the East End was setup in the village of Greenport, beginning a family enterprise that lasted for nearly a half-century. Austin Hempstead and Samuel Osborn established a pottery works around 1819. The pottery, which was located on Sterling Lane, faced Sterling Harbor, the lesser of the two harbors in Greenport. In the same year, Hempstead and Osborn began to buy loads of clay from local beds in Arshamomoque. While the partnership continued in business into the 1830s, little information was found about the company. Sometime in that decade, Austin Hempstead also became the sole owner of the pottery.

In the late 1870s, the Hempstead family, as well as John and Philip Klipp operated separate potteries in Greenport. The Hempstead Pottery continued to produce red earthenware until the 1890s; in competition, the Klipp Pottery was also in business, but these businesses did not really last past 1900.

In 1981, an archaeological investigation of the Greenport pottery site was undertaken by archaeologists from the State University of New York at Stony Brook. The archaeology team dug ten test holes designed to locate the pottery. These test holes revealed that remains of the pottery works had been destroyed by residential construction and shoreline extension. Despite these problems, the team excavated a substantial number of red earthenware rim sherds similar to a documented Hempstead flower pot."

The known Hempstead flower pot is decorated with a coggle wheel along the rim of the attached saucer and the rim of the pot. This pot is also stamped with Austin Hempstead's initials on the base, as well as a woman's name, "Serrepta Moore," which was stenciled across the front of the pot in slip. She was a local woman who lived nearby close to Shelter Island. Interestingly, the edge of the marbled plate that was found on Shelter Island has also been decorated around the edge with a coggle wheel similar to the platter that I wrote about a few days ago.

I also want to mention that the archaeology collection from Shelter Island is kept at the University of Massachusetts at Boston; whereas, I have been told that there is a lot of red earthenware in the collection from later contexts, where some of which likely represents the production that took place in Greenport in the 1800s.

For more information about the pottery produced in Greenport, I suggest visiting this link, which will redirect you to an article that was published in the 2008 edition of Ceramics in America.

Note: The Samuel Osborn who worked with Austin Hempstead may be the same 'Samuel Osborn' who was born in Peabody, Massachusetts, where he also learned  the potter's craft at the Osborn Pottery. But I have, yet to prove this association, even though I thought it was worth mentioning; whereas, the sgraffito decorated object that is owned by Winterthur somewhat resembles a similar form that was made in Peabody in the 1800s.

Marbled Red Earthenware Dish Recovered on Shelter Island
Late-18th or 19th Century Marbled Red Earthenware Dish
Recovered on Shelter Island Located on the Eastern End of Long Island
Possibly Made on Long Island
See Article for More Information
Photo Courtesy: Anthony Butera - Port Jefferson, Long Island, NY
A Closer View of the Marbled Slip-Decoration
See Article for More Information
Photo Courtesy: Anthony Butera - Port Jefferson, Long Island, NY

Please Stay Tuned...Much More to Come...

Sunday, October 29, 2017

An Incredible Marbled Red Earthenware Platter Recently Found at an Estate Sale in Arkansas

This is really a remarkable late-eighteenth or nineteenth century marbled red earthenware platter that I recently acquired from Zach Miller, an antiques dealer in northwest Arkansas. Zach told me that he actually discovered this rare object at a local estate sale in Arkansas, which is incredible to think about.

I believe this dish may have been made in New England, but I don't have an exact attribution, even though I have seen this type of dish also attributed to western New York, as well as the Mid-Atlantic region. But I have also seen marbled red earthenware sherds, which closely resemble the colors found on this dish that were collected on the eastern end of Long Island that may have been made locally in the 1800s.

But this is also a very-rare object to find today; whereas, there are only so many comparable examples known to exist, which include a few examples owned privately in Pennsylvania, another example in the collection of Winterthur in Delaware, and one that is owned by the Museum of Fine Arts in Boston.

I feel this particular example is just about as good as it gets for this style of marbled dish. I feel very-furtunate to have acquired it for my private collection. The condition is also remarkable, where this object appears to have been cherished for many years.

Note: Here is a link to a comparable marbled platter that is owned by Winterthur in Delaware. I have also posted a picture of the dish, which is owned by the Museum of Fine Arts in Boston.

Marbled Platter Recently Found in Arkansas
 Late-18th or 19th Century Marbled Red Earthenware Platter
Recently Found in Arkansas
Possibly Made in New England
Measures 10 5/8" by 13 7/8"
See Article for More Information
View of the Back of the Platter
See Article for More Information

Marbled Platter Owned by MFA in Boston
Late-18th or 19th Century Marbled Red Earthenware Platter
Possibly Made in New England
See Article for More Information
Photo Courtesy: Boston Museum of Fine Arts

Please Stay Tuned...Much More to Come...

Saturday, October 28, 2017

An Important Piece of 19th Century Incised and Slip-Decorated Red Earthenware

According to Merriam-Webster's Dictionary, "Sgraffito is a decoration created by cutting or scratching away parts of a surface layer (as of plaster or clay) to expose a different colored ground or bottom layer. This is a traditional style of decoration found on Pennsylvania-Dutch pottery. The first known use of the word in America reportedly happened circa 1720-1730."

This past July at the antique shows in Brimfield, Massachusetts, Hilarly Nolan, a longtime antiques dealer from Falmouth, Massachusetts, who specializes in early-American objects including redware gave me a group of nineteenth century slip-decorated red earthenware sherds that he had kept in his barn on Cape Cod for years. The sherds pretty-much represented a complete jar or vase, which appeared quite important.

I instantly felt this jar or vase could be one of the more important objects that I had seen from New England; whereas, this object was entirely decorated with what seems to resemble a reverse form of sgraffito, where figures and objects had been hand-drawn into the clay first, and later highlighted by very thick slip. The combination of what had been drawn on this object appeared quite important for what is known about the eighteenth and nineteenth century New England potter's industry today.

To my knowledge, this could be the only object known from New England, whether it be a complete object or in an archeology collection decorated in this manner. The incised figures and objects include:

1) One Peacock
2) Two Eagles
3) Multiple Tulips
4) and a Variety of other Flowers

I immediately took these sherds to Melody Howarth, a professional conservator and restorer in Nassau, New York, which is located in the Capital Region near Albany, New York. Melody spent a total of about 60 hours on this project bringing it back to life to the point that this jar or vase now completely represents how this object had originally appeared in the 1800s.

Yesterday, I drove from coastal Massachusetts to upstate New York in order to pick up this important object and I was extremely happy to see the outcome.

I have posted a number of pictures below to represent the stages; whereas, I have shown how the sherds appeared when they were given to me on July 11th, then the jar under conservation and restoration in August, and finally how it appeared after full restoration when I saw it yesterday. The areas where the glaze is discolored or dripping is a decoration that is original to the object. The overall result is incredible!

Note: I provided a link in the article, but here is another link to Melody Howarth's business website, Mel's Belles Restorations. I believe she also has a professional page listed on Facebook, as well.

Important Red Earthenware Jar in Sherds
19th Century Slip-Decorated Red Earthenware Jar In Sherds
Given to Me by Cape Cod Antiques Dealer, Hilary Nolan at Brimfield, Mass. in July 2017
Sherds Left for Restoration with Melody Howarth in Nassau, NY
Sherds Left for Restoration with Melody Howarth in Nassau, NY
Sherds Left for Restoration with Melody Howarth in Nassau, NY


Melody Howarth Working on the Object
19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY
19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY
 19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY
 19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY
 19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY
 19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY
19th Century Red Earthenware Jar During Conservation and Restoration in August 2017
Photo Courtesy: Melody Howarth - Nassau, NY

After Conservation and Restoration
19th Century Red Earthenware Jar or Vase Decorated with a Reverse Type of Sgraffito 
To My Knowledge: This Would be the Only Example of Sgraffito Known from New England Today
Possibly Made in Massachusetts
But Possibly Made Elsewhere
Stands 14 3/8" Tall
 See Article for More Information
 Another View of the Object
 See Article for More Information
  Another View of the Object
 See Article for More Information
  Another View of the Object
 See Article for More Information
  Another View of the Object
 See Article for More Information
 View of the Peacock and One of the Eagles
See Article for More Information
 View of a Flower and the Second Eagle
See Article for More Information
 View of Some of the Flowers
See Article for More Information
View of One of the Tulips
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, October 25, 2017

Possibly Philadelphia-Style Red Earthenware Sherds Recovered at the Site of a Potter's Business in Newburyport, Massachusetts

The Daniel Bailey (1729-1792) Pottery Company in Newburyport, Massachusetts, circa 1764-1799 is a well-documented red earthenware potter's business today. Daniel Bayley founded the company; although, a number of traveling potters and Bayley family members are also known to have produced red earthenware for this business.

Massachusetts author, Lura Woodside Watkins devoted an entire chapter to this business in her book, 'Early New England Potters and Their Wares;' whereas, she visited the Bayley property in the 1930s when a team of construction workers were demolishing the site for a highway underpass that still travels directly through Newburyport today. The construction crews granted her permission to collect as many artifacts as she could, which have since been donated to the National Museum of American History at the Smithsonian in Washington, D.C.

Last week, I visited the National Museum of American History to study the museum's red earthenware, stoneware and archaeology collections, and there is actually a lot of material that relates to the Bayley Pottery in Newburyport.

Red earthenware bowls appear to have been a regular form of output at this business; however, I was rather surprised last Friday to see the remains of a bowl, which closely resembled a style of bowl that was regularly produced in Philadelphia in the eighteenth and early-nineteenth centuries, circa 1770-1815.

Interestingly, Watkins wrote in 1950 that there was a lawsuit filed by John Thomas (1754-1843), a Newburyport potter, who was related to Daniel Bayley; although, Thomas did not live his entire life in Newburyport. The court files from the 1780s indicate Thomas brought a lawsuit against Joseph Wilson from Providence, Rhode Island, whom I wrote about earlier today. According to Watkins, "It would appear that Thomas worked for Wilson and was trying to recover lost wages. It is also probable that Thomas was employed at the Bayley Pottery Company."

I also posted earlier today the fact that Joseph Wilson (born ca. 1735) appears to have produced some Philadelphia-style pottery in Providence, which he advertised in the 'Newport (Rhode Island) Mercury' on June 22, 1767, "Joseph Wilson - potter at the North End of Providence Informs the Public that he can Supply them with Earthen Ware at a Cheap Rate, made in the best Manner and Glazed in the Same Way as Practised in Philadelphia - All Persons in this Town may be regularly supplied by Means of the Boats which constantly pass between this Place and Providence."

Nevertheless, the following sherds were recovered at the site of the Bayley Pottery and they certainly appear like some of the bowls that were produced in Philadelphia. This may have been a style of production that Thomas learned from Wilson, which he (or another potter) later produced at the Daniel Bayley Pottery Company in Newburyport before 1799.

Note: John Thomas eventually traveled to North Yarmouth, Maine, where he helped establish that industry in the late-eighteenth and nineteenth centuries. But this may also explain why Philadelphia-style bowls have also been recovered in various contexts in Yarmouth, Maine. These two links will redirect you to two articles that I have previously published that show the style of bowl, which has been recovered in Yarmouth; whereas, I have previously suggested that these bowls could have been locally-made, but I have been careful in making that attribution.

1) Slip-Decorated Bowl Recovered in Yarmouth, Maine
2) Philadelphia-Style Sherds Recovered from Trash Area in Yarmouth, Maine

Bowl Recovered at the Site of the Daniel Bayley Pottery Co. in Newburyport, Mass.
 18th Century Red Earthenware Bowl Sherds with Slip-Decorated Interior
Recovered at the Site of the Daniel Bayley Pottery Company in Newburyport, Mass.
Appears to Imitate a Style of Bowl Produced in Philadelphia, Circa 1770-1815
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian
Another View of the Bowl Sherds
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian

Please Stay Tuned...Much More to Come...

An Incredible Circa 1764 Red Earthenware Dish that is Attributed to the Joseph Wilson Pottery in Dedham, Massachusetts

Joseph Wilson, an eighteenth century Essex County, Massachusetts trained potter, who traveled to Dedham, Massachusetts to establish a potter's business and later Providence, Rhode Island advertised on June 22, 1767 in the 'Newport (Rhode Island) Mercury,' "Joseph Wilson - potter at the North End of Providence Informs the Public that he can Supply them with Earthen Ware at a Cheap Rate, made in the best Manner and Glazed in the Same Way as Practised in Philadelphia - All Persons in this Town may be regularly supplied by Means of the Boats which constantly pass between this Place and Providence."

I have never been able to find any red earthenware or archaeological evidence that is properly attributed to Joseph Wilson's production in Providence, but I did see an exceptional eighteenth century slip-decorated red earthenware dish, which is attributed to his production in Dedham last week, while visiting the National Museum of American History at the Smithsonian in Washington, D.C. This important object is illustrated in figure 26 in Massachusetts author, Lura Woodside Watkins' book, 'Early New England Potters and Their Wares.' This object may have been a presentation piece since it is dated in slip '1764.'

The decoration on this pan appears to demonstrate exactly what Wilson had advertised in 1767, when he informed the public that he was producing red earthenware similar to what was manufactured in Philadelphia during the same period.

I mentioned the idea that the use of slip in Essex County, Massachusetts is a subject that deserves more attention today in an article that I wrote for the current November 2017 edition of the New England Antiques Journal called, 'Digging Into the Peabody Potteries: Archaeology and Red Earthenware,' where this pan is covered in three colors of slip from Wilson's reported production in Dedham. However, I suspect that Wilson must have been originally introduced to slip while he learned the potter's craft in Peabody (formerly South Danvers), Massachusetts.

According to Watkins, "The Wilsons were a prominent family of artisans. The first two (full-time) potting Wilsons were sons of Robert, a farmer (and potter). They were Robert, known as Robert, Jr., who remained in South Danvers and Joseph, who went to Dedham and thence to Providence, Rhode Island. "

The Wilson Pottery in Peabody passed through a few generations of family ownership before the pottery likely closed in 1809 when the last known full-time family potter died; this is also another potter's business from Peabody that is hardly recognized today even though they produced red earthenware on a regular basis for over 40 years. But unlike some of the other potter's businesses in Peabody, the Wilson Pottery was mostly an eighteenth century business.

Nonetheless, I have not been able to find any evidence to say how much success Joseph Wilson's pottery found in Providence; whereas, I have seen other potter's businesses advertise their wares in a similar manner only to be out of business a few years later. For example, an imitation style of Whieldon ware was advertised in Boston in 1769; however, this same business was advertised a few years later liquidating its assets.

Historically, Rhode Island was a state that was dominated by domestic red earthenware exports from places, such as Connecticut and southeastern Massachusetts in the late-eighteenth and nineteenth centuries. It has been reported that the clay beds in Rhode Island were not the same quality for red earthenware production when compared to what was found elsewhere in New England. I cannot currently say whether Joseph Wilson was a successful potter in Rhode Island, but he may have also been a journeyman potter, who relocated, yet, again.

Wilson Family Potters who Worked at the Wilson Pottery in Peabody, Mass.
Robert Wilson I (South Danvers, Mass) – d. 1782
Joseph Wilson (Danvers & Dedham, Mass and Providence, RI) – b. 1735
Robert Wilson Jr. – son of Robert I (South Danvers, Mass) -1745-1797
Isaac Wilson III (Jr.) – (South Danvers, Mass) – 1758-1809
Job Wilson – son of Robert Jr. (South Danvers, Mass) – 1762-1791
Robert Wilson III – son of Robert Jr (South Danvers, Mass) – 1776-1803
John Wilson – son of Robert I (South Danvers, Mass) – b. 1791

Note: I will post another article later today, which demonstrates how another Massachusetts potter appears to have also imitated red earthenware made in Philadelphia in the eighteenth century.

18th Century Dish Attributed to Dedham, Mass.
18th Century Slip-Decorated Red Earthenware Dish
Attributed to Joseph Wilson's Pottery in Dedham, Mass.
Possibly a Presentation Piece
Wilson was an Essex County, Mass. Trained Potter
Circa 1764
Measures 11 3/8" in Diameter
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian
View of the Decoration in the Center of the Dish as well as the Date '1764'
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian
View of the Back
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian

Please Stay Tuned...Much More to Come...

Tuesday, October 24, 2017

Digging Into the Peabody Potteries: Archaeology and Red Earthenware

I want to pass along tonight that my latest published feature story in the November 2017 edition of the New England Antiques Journal is now available; the article is titled, 'Digging Into the Peabody Potteries: Archaeology and Red Earthenware." 

My niece, Alexis is actually quite excited over this article since she makes her print debut, where I wrote about a large group of kiln waste that we discovered, which was related to an eighteenth and nineteenth century potter's business in Peabody, Massachusetts. But the article also discusses the significance of the industry in Peabody and its impact on potter's businesses throughout New England and New York State. I also theorize how this important industry would have appeared had the eighteenth century industry in Charlestown, Massachusetts not been destroyed at the Battle of Bunker Hill on June 17, 1775.

My favorite part of the article is finally publishing a style of pottery that was produced in the Peabody-area, which seems to have been inspired from French production that took place in France in the late-eighteenth century. I first discovered this style of production when I reviewed a collection of red earthenware in storage that is owned today by the Peabody Essex Museum in Salem, Massachusetts; whereas, this collection of pottery also retains a local history of ownership in Salem from the nineteenth century. To my knowledge, this type of production has never been acknowledged or published before.

For those, who do not have access to the magazine, I will post a .PDF link to my website sometime next month.

Note: The cover of this magazine features a wonderful locally-made French-inspired eighteenth century red earthenware dish that was uncovered by archaeologists at the site of the Museum of the American Revolution in Philadelphia.

November 2017 Edition of the New England Antiques Journal
 My Niece, Alexis Showing the Article
She Makes Her Print Debut in this Feature Story
See Article for More Information
My Niece, Alexis Showing the Article
She Makes Her Print Debut in this Feature Story
See Article for More Information
My Niece, Alexis Showing the Cover of the November 2017 NEAJ
See Article for More Information

Please Stay Tuned...Much More to Come...

19th Century Slip-Decorated Red Earthenware Sherds Recovered in DeRuyter, New York that are Owned by the Smithsonian in Washington, D.C.

I was surprised last week while studying the archaeology from various American red earthenware and stoneware potter's sites at the National Museum of American History at the Smithsonian in Washington, D.C. to learn that Massachusetts author, Lura Woodside Watkins' (1897-1982) (Early New England Potters and Their Waresresearch extended beyond only New England potters. There was a collection of slip-decorated sherds, which Watkins had gifted to the museum in 1951 from the site of the Elijah Cornell Pottery in DeRuyter, New York, which is located in Western New York, 35 miles southeast of Syracuse, New York.

The information on file at the Smithsonian said that the Elijah Cornell Pottery was established in 1819 and the artifacts included the remains of slip-decorated pans, plates and bowls. "The sherds had been decorated with wavy lines of white slip, spirals of white slip, combinations of black and white slip to give a floral effect, or scroddled in marbled effect, or as alternating colored lines."

According to Watkins, "The eighteenth century Chace Pottery in Somerset, Massachusetts (southeastern Massachusetts) was indirectly responsible for the first steps in the career of a famous man when, on January 28, 1791, Elijah Cornell was apprenticed to Asa Chace. This young man's mother, Sarah (Miller) Cornell had made a second marriage with Asa's cousin, Benjamin Chace, and Elijah was no doubt familiar with the pottery from earliest childhood. 

Born in Swansea, Massachusetts in 1771, he had got what schooling he could receive there and had done a little teaching, but he evidently had a bent for the potter's craft. After his apprenticeship was ended, he worked as a journeyman potter. But for an ambitious youth, this was not enough.

In 1805, he sold out his holdings in Swansea and went to Westchester Landing in New York City. Cornell's subsequent history is one of many moves and much hardship, but gains interest because he was the father of Ezra Cornell, founder of Cornell University. 

Little Ezra gained the fortitude that was his while working in his father's redware pottery. In 1819, the family settled in DeRuyter, New York, where, after a period of teaching, Elijah again established a pottery, which Ezra helped to build. 

In 1943, we visited this site and were rewarded by the discovery of a small collection of fragments. Elijah had evidently advanced somewhat beyond the rather restrained technique of the Massachusetts potters, for in DeRuyter he decorated a good deal of his ware with slip of two colors, black and white, either marbled or applied in bold wavy lines against backgrounds of contrasting hue."

Below, I have shown a large nineteenth century slip-decorated red earthenware jar that I just acquired from an antiques picker, who lives near Los Angeles in California. This object is directly related to a rare slip-decorated jar that was attributed to Western New York, which Crocker Farm sold in Sparks, Maryland in 2011. Crocker Farm wrote, "This outstanding slip-decorated redware jar is attributed to the Rochester-Genesee Valley region in western New York. The jar is approximately two-gallons in size and it was wheel thrown in two pieces, then joined at the center."

Nevertheless, the style of the slip found on both of these large jars is similar to the sherds that I studied from DeRuyter at the Smithsonian; whereas, I now wonder if these objects are related to the Elijah Cornell Pottery after 1819.

Sherds Recovered at the Elijah Cornell Pottery in DeRuyter, NY
Slip-Decorated Sherds Recovered at the Site of the Elijah Cornell Pottery in DeRuyter, NY
Elijah Cornell Established the Pottery in DeRuyter in 1819
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian
Slip-Decorated Sherds Recovered at the Site of the Elijah Cornell Pottery in DeRuyter, NY
Elijah Cornell Established the Pottery in DeRuyter in 1819
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian
Slip-Decorated Sherds Recovered at the Site of the Elijah Cornell Pottery in DeRuyter, NY
Elijah Cornell Established the Pottery in DeRuyter in 1819
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian
Slip-Decorated Sherds Recovered at the Site of the Elijah Cornell Pottery in DeRuyter, NY
Elijah Cornell Established the Pottery in DeRuyter in 1819
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian

Red Earthenware Jar Recently Discovered Near Los Angeles
 19th Century Red Earthenware Jar Attributed to Western New York
Possibly Made in DeRuyter, NY
Stands 14 1/2" Tall
See Article for More Information
Photo Courtesy: Private Dealer Located in Glendora, CA
 Another View of the Jar
See Article for More Information
Photo Courtesy: Private Dealer Located in Glendora, CA
 Another View of the Jar
See Article for More Information
Photo Courtesy: Private Dealer Located in Glendora, CA
 Another View of the Jar
See Article for More Information
Photo Courtesy: Private Dealer Located in Glendora, CA
 View of the Interior
See Article for More Information
Photo Courtesy: Private Dealer Located in Glendora, CA
View of the Base
See Article for More Information
Photo Courtesy: Private Dealer Located in Glendora, CA

Western NY Jar that Sold at Crocker Farm in Maryland
19th Century Red Earthenware Jar Attributed to Western New York
Form and Decoration is Likely the Same Potter Who Made the Jar Discussed Above
Stands 12" Tall
See Article for More Information
Photo Courtesy: Crocker Farm, Sparks, MD 
 Another View of the Jar
See Article for More Information
Photo Courtesy: Crocker Farm, Sparks, MD 
Another View of the Jar
See Article for More Information
Photo Courtesy: Crocker Farm, Sparks, MD 

Please Stay Tuned...Much More to Come...

Monday, October 23, 2017

An 18th Century Slip-Decorated Red Earthenware Sherd that was Discovered in Germantown in Quincy, Massachusetts in the 1940s

According to the city of Quincy, Massachusetts, "In 1752, General Joseph Palmer (1716-1788) and Richard Cranch (1726-1811), brother-in-law of John Adams (1735-1826) and father of American jurist, William Cranch (1769-1855), were held by tenure of lease by a company interested in German immigration to create a planned manufacturing community in a section of Quincy known as Germantown. The land was to be settled in the 1750s by a group of glassmakers and weavers from Germany. The planned community had failed by 1760, but the name has remained."

Massachusetts author, Lura Woodside Watkins also wrote about Germantown in Quincy when she published 'Early New England Potters and Their Wares' in 1950, "Almost every authority on American ceramics has stated as a fact that pottery was made in the German colony at Quincy known as Germantown. Their reason for believing this to be so was that Judge William Cranch, a descendent of Richard Cranch, one of the proprietors of the eighteenth century German glassworks and other manufactures there, had picked up fragments of stoneware near the site of the enterprise. This I have done, also, and I have found sherds of slip-decorated red earthenware near the shore. I cannot, however, obtain any real proof that pottery making was one of the Germantown industries.

There is a list of the male members of the community in 1757 which I have used in an attempt to discover in their land records whether any of them were potters, but the search was fruitless, as an examination of documents in the state archives. It seems likely that Judge Cranch's finds were merely household breakage, particularly in view of the fact that stoneware could not be made of the local clay."

I was surprised last week when I studied the red earthenware sherds at the National Museum of American History at the Smithsonian in Washington, D.C., which Watkins had collected on the shore in Germantown in Quincy in the 1940s. There was a wonderful slip-decorated sherd, which she discovered that she may have overlooked; whereas, similar styles of slip-decoration were manufactured by the German immigrant potters in Philadelphia during the same period.

This sherd is decorated with multiple colors of slip, as well as a tulip. This is a style of production that has never been associated with eighteenth century potters in New England, but this is a technique that could have been made by any Dutch or German potters, who had migrated to Germantown in Quincy in the 1750s.

I also feel this sherd is American-made, where this could be a style of production from Germantown that has been completely forgotten. I should also note that Watkins did not illustrate this sherd in 'Early New England Potters and Their Wares.'

Note: I also noticed with the sherds that Lura Woodside Watkins collected in Germantown in Quincy, Massachusetts that some were likely from the eighteenth century industry in Charlestown, Massachusetts. I have posted one of those sherds below, which resembles some of the mid-eighteenth century red earthenware chamber pots that were recovered by archaeologists in Charlestown in the 1980s as part of Boston's Big Dig Project. I have previously published on this website, as well as in the New England Antiques Journal that red earthenware from Charlestown was shipped all over New England and Canada before the American Revolution, but I have not previously found evidence that it ended up in Quincy before 1775.

18th Century Slip-Decorated Sherd Found in Germantown
 18th Century Slip-Decorated Red Earthenware Sherd Decorated with a Tulip
Found on the Shore in Germantown in Quincy, MA
Possibly Made in Germantown
Possibly Circa 1750s
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian
View of the Base
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian

Map Shows Location of Germantown in Quincy, MA
18th Century Map that Shows Location of Germantown in Quincy, MA
Quincy is Located Less-Than 10 Miles South of Boston
Photo Courtesy: Wikipedia

18th Century Charlestown, MA Sherd Found in Germantown
 18th Century Red Earthenware Sherd Collected on the Shore in Germantown in Quincy, MA
Likely Made in Charlestown, MA
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian
Another View of the Charlestown, MA Sherd Found on the Shore in Germantown in Quincy, MA
See Article for More Information
Photo Courtesy: The National Museum of American History at the Smithsonian

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