Tuesday, July 30, 2024

Some 19th Century Red Earthenware from the American Northeast Found in Various Contexts in California Through the Years

It should be no surprise that some nineteenth century red earthenware and stoneware manufactured in the American Northeast traveled all over the United States since it was originally manufactured, such as the case as some red earthenware that just sold today at John Moran Auctioneers in Monrovia, California: http://www.earlyamericanceramics.com/2024/07/a-good-19th-century-red-earthenware-dog.html.

Sometimes these objects traveled west as part of the twentieth century antiques trade, where West Coast collectors and museums chose to diversify their collections with objects made all over the country; there are examples of this happening with both museums and major private collectors in many places in the West, such Los Angeles County. But there are also other cases where pottery gradually moved away from its original place of manufacture, as a result of people or families relocating through the years or even the transfer of ownership, where pottery continued to travel further and further away from where it was originally produced.

For instance, published in the April 14, 2023 Issue of Antiques & the Arts Weekly is a feature story I wrote, titled, William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter, which illustrates a stoneware jug that was made by William Pecker (1757-1820) in South Amesbury (Merrimacport), Massachusetts that was recently discovered in California: http://www.earlyamericanceramics.com/2023/04/new-published-story-in-antiques-arts.html.

Another example that is worth mentioning is a nineteenth century red earthenware jug that was made at the John Corliss (1799-1892) Pottery in Days Ferry, Woolwich, Maine that was found covered in dirt in an old shed near San Diego in Coronado, California. I first wrote about this jug on this website in 2013, although it has since been published in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/94597/.

Nevertheless, here are some more examples of nineteenth century red earthenware from the American Northeast that have been discovered through the years in various contexts in California; these objects are also all privately owned in California. The larger jug and the jar or crock may have been made in Western New York, while the smaller jug is likely from northern New England.

19th Century Red Earthenware from the American Northeast

19th Century Red Earthenware Found in California Through the Years
The Larger Jug and Jar or Crock are Possibly from Western New York
The Small Jug is Likely from Northern New England
See Article for More Information
Photo Courtesy: Private Collection
More Views of the Jar or Crock
The Unglazed Top of the Rim Means There May Have Originally Been a Lid
See Article for More Information
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

A Good 19th Century Red Earthenware Dog from Pennsylvania that Sold Today in California

A good nineteenth century red earthenware figure of a seated dog sold today at John Moran Auctioneers in Monrovia, California. The dog was made in Pennsylvania sometime during the mid to late nineteenth century, however the manufacturer is not known. Although, the sale did include a selection of American red earthenware from various manufacturers in the Northeast, but the dog was the most significant object from the collection. 

Nevertheless, the dog sold for $1,400 plus the buyer's premium: https://www.johnmoran.com/auction-lot/a-pennsylvania-redware-pottery-dog-figure_B2249319FF?catalogReferredQueryParam=%253FpageNum%253D5.

For the rest of the pottery in today's sale - see the auction catalog: https://www.johnmoran.com/auction-catalog/traditional-collector_JA8MA2YAQ0.

Note: For more information about various red earthenware figures made in Pennsylvania - see a feature story that I wrote for the August 28, 2020 issue of Antiques & Auction News, titled, A Look At 19th-Century Figurals Made In Pennsylvania: https://antiquesandauctionnews.net/articles/A-Look-At-19th%E2%80%93Century-Red-Earthenware-Figures-Made-In-Pennsylvania/.

19th Century Red Earthenware Dog from Pennsylvania

19th Century Red Earthenware Figure of a Seated Dog Made in Pennsylvania
Circa Mid to Late 19th Century
Stands 4 1/2" Tall
See Above for More Information
Photo Courtesy: John Moran Auctioneers
Additional Views of the Dog
See Above for More Information
Photo Courtesy: John Moran Auctioneers

Please Stay Tuned...Much More to Come...

Two Published 19th Century Maine Red Earthenware Objects Sell at Crocker Farm in Maryland

It was great to see the nineteenth century Dodge Pottery red earthenware jar from Portland, Maine with its original lid do well a few days ago at Crocker Farm in Sparks, Maryland! Give or take a few, there are about a few dozen of these types of jars known to exist today impressed with various ingredients, some of which are owned by the descendants of the pottery business; this jar reads, "Cloves & Nutmeg." Both of these pieces are also pictured in the Maine book, available here: https://historicbeverly.net/product/94597/.

Two Published 19th Century Maine Red Earthenware Objects

Both of These Objects are Published in the Maine Book
See Above for More Information
Photo Courtesy: Crocker Farm

Please Stay Tuned...Much More to Come...

Monday, July 29, 2024

A Hand-Sculpted and Painted Figure of a Civil War Soldier Recently Found in a Lifelong Military Collector's Estate in Rockford, Illinois

This is more of a curiosity piece than anything else that I only paid $10 for recently, whereas this probably early to mid twentieth century cold painted hand-sculpted terracotta or red earthenware figure of a Civil War soldier was recently discovered in an estate in Rockford, Illinois. It came out of a house owned by a man who spent much of his life collecting military antiques, and predominantly from the American Civil War period. It has to be a one-of-a-kind piece depicting the face of a 47th Infantryman, where the cap is marked "47," and there is also a gold button that reads "US."

Personally, I do not think this is a student project; I place it more into the realm of twentieth century American folk art. Whoever made this object knew what they were doing, where it has crossed my mind whether this could have been made at a terracotta factory, which were located all over America during this period, everywhere from New England, to New York City, Philadelphia, Los Angeles, etc.

Interestingly, the face of this terracotta soldier is a type of image that was regularly seen in illustrations that were drawn by Winslow Homer (1836-1910) for Harper's Weekly, while reporting on the American Civil War. According to the Metropolitan Museum of Art, "In 1857 Winslow Homer began his eighteen-year career working as an illustrator for Harper’s Weekly, which launched in New York in the same year. The publication was one of the most successful examples of an illustrated weekly, a type of magazine dominated by images rather than text. Weeklies could be printed quickly, cheaply, and in large quantities thanks to recent advances in wood-engraving technology, in which an image was translated onto a wood block and then cast electrolytically from a wax mold. After working as a freelance illustrator during the early years of his career, Homer was hired by Harper’s as a full-time correspondent upon the outbreak of the American Civil War (1861–65). His work for the weekly ranges from wartime scenes observed from the front to nostalgic views evoking America’s agrarian past."

Furthermore, I am not sure which state the "47" represents, seeing that regiments were designated by a number and the name of the state that raised them, such as the 10th New York or 48th Mississippi. Each regiment also had their regimental colors, and flags which not only served to denote position and alignment on the battlefield, but which also held special emotional significance. 

But I also want to note that the hat looks more Southern to me than Northern so it may be a confederate hat; among the more notable Southern regiments was 47th Regiment, North Carolina Infantry, which was organized in March of 1862 at Camp Mangum, near Raleigh, North Carolina. Its companies were composed of men from Nash, Wake, Franklin, Granville, and Alamance counties. The regiment served in the Department of North Carolina until May, 1863, when it moved to Virginia. During the conflict it was brigaded under Generals Pettigrew, Kirkland and MacRae. It fought with the Army of Northern Virginia from Gettysburg to Cold Harbor, then was involved in the long Petersburg siege south of the James River and the Appomattox Campaign. The unit lost over thirty-five percent of the 567 engaged at Gettysburg and reported 42 casualties at Bristoe and 20 at The Wilderness. It surrendered 5 officers and 72 men. The field officers were Colonels George H. Faribault and Sion H. Rogers, Lieutenant Colonels Archibald d. Crudup and John A. Graves and Major William C. Lankford.

Note: I have also seen through the years some interesting folk pottery made in Ohio in the 1940s, none of which was signed, although it is unclear if this piece is related to that production. 

A Hand-Sculpted and Painted Figure of a Civil War Soldier

Probably Early to Mid 20th Century Hand-Sculpture Figure of a Civil War Solder
The Painted Decoration is Original to this Object
The Potter or Artist is Unknown
The Cap is Marked "47" for 47th Regiment
There is also a Gold Button that Reads "US"
Recently Found in Military Collector's Estate in Rockford, Illinois
Stands 14" Tall
See Article for More Information
Another View of the Figure
See Article for More Information
A View of the Cap
The Gold Button to the Left Reads "US"
See Article for More Information
A View of One of the Flags
See Article for More Information
A View of the Other Flag
See Article for More Information
A View of the Back
See Article for More Information
Winslow Homer, The Songs of the War, 1861
See Article for More Information
Photo Courtesy: Library of Congress

Please Stay Tuned...Much More to Come...

A Pair of 19th Century Painted Red Earthenware Vases Likely from Beverly, Mass. that Just Sold on eBay

I was quite surprised to see this pair of nineteenth century painted red earthenware vases show up on eBay, whereas the form and the painted decoration match objects owned by Historic Beverly, which were made at the Charles A. Lawrence (1829-1904) Pottery in Beverly, Massachusetts, circa 1870s-1890s. In fact, the painted decoration on the vases is the same hand that painted a larger sized red earthenware jug that is owned by the museum; the artwork on the museum's object probably represents the work of Marblehead artist Thomas Pitman (1848-1923), who was employed at the pottery business as a decorator. 

Furthermore, I purchased these pieces, and I will post better pictures once they arrive at my house later this week or next week; although, the seller also told me that they were found together in a house in New Jersey. The house was filled with ceramics, much of which dated from the seventeenth to the nineteenth century, and were from various locations in Asia and Europe. 

The seller also noted that they felt the artwork was Japanese inspired, which is a subject that Lawrence focused on in the late 1800s with some of the decorative objects produced at this company.

For more information - see my first published book, titled, The Beverly Pottery: The Wares of Charles A. Lawrencehttps://historicbeverly.net/product/the-beverly-pottery-the-wares-of-charles-a-lawrence/.

A Pair of 19th Century Painted Red Earthenware Vases

19th Century Painted Red Earthenware Vases
Likely Made at the C.A. Lawrence Pottery in Beverly, Mass.
Painted Decoration Possibly Japanese Inspired
Recently Found Together in a New Jersey Estate
Circa 1870s-1890s
Larger Stands 5 1/2" Tall
See Article for More Information
Photo Courtesy: eBay
Additional Views of the Vases
See Article for More Information
Photo Courtesy: eBay
Large 19th Century Painted Red Earthenware Jug
Made at the C.A. Lawrence Pottery in Beverly, Mass.
Artwork Original to the Factory and Likely Created by Artist Thomas Pitman
Painted Decoration Possibly Japanese Inspired
Circa 1870s-1890s
See Article for More Information
Photo Courtesy: Historic Beverly
Additional Views of the Jug
See Article for More Information
Photo Courtesy: Historic Beverly

Please Stay Tuned...Much More to Come...

Saturday, July 27, 2024

A Preview of a Forthcoming Feature Story that Will be Published in Antiques And The Arts Weekly

This is a preview of my next published feature story that will be out in a few weeks in Antiques And The Arts Weekly; the focus of the story is a signed nineteenth century red earthenware jug from Western New York. The jug has never been illustrated in publication, and it has only briefly been cited in text in a book once, which was in William C. Ketchum Jr.'s 1987 book, Potters and Potteries of New York State, 1650-1900: Second Edition.

Personally, I think this is an exciting article, which provides more information about a Western New York potter that very little is known about today; the jug is inscribed on the base, George B. Graham Maker, Ont. Co. New York." But the story will also discuss production in Ontario County, New York and Erie County, New York, along with the career of museum specialist and archaeologist George R. Hamell. I'm really looking forward to this story!

A Preview of a Forthcoming Published Feature Story

19th Century Red Earthenware Jug from Western New York
Inscribed on the Base, George B. Graham Maker, Ont. Co. New York"
See Article for More Information
Photo Courtesy: George R. Hamell and Vince Martonis

Please Stay Tuned...Much More to Come...

An Exceptional Slip Decorated Red Earthenware Pitcher that Sold Today at Crocker Farm in Sparks, Maryland

One of the most dramatic decorated examples of nineteenth century slip decorated red earthenware sold this morning at Crocker Farm in Sparks, Maryland; described by the auction house as an "exceptional redware cream pitcher with marbled three-color slip decoration, New England origin, probably Norwalk, CT, early to mid 19th century, thin-walled, ovoid pitcher with footed base, tooled midsection, and flared rim, lavishly-decorated throughout with marbled yellow-colored, copper, and manganese slip under a clear lead glaze. The striking, joggled slip treatment on this pitcher is occasionally seen on dishes attributed to Norwalk, Connecticut, but rarely on this form. Among the finest Northeastern redware pitchers that we have ever offered, this work even includes marbled slip decoration to its delicate, finely-ribbed handle." The pitcher sold for $7,500 plus the buyer's premium: https://www.crockerfarm.com/stoneware-auction/2024-07-26/lot-186/Exceptional-New-England-Redware-Cream-Pitcher-w-Three-Color-Marbled-Slip-Decoration-probably-Norwalk/.

Nevertheless, posted below are three of the best late eighteenth or nineteenth century marbled slip-decorated red earthenware objects that I have ever seen from the American Northeast, whereas there has been some speculation that a potter named John Betts Gregory (1782-1842) may have been producing this type of marbled slip, based on archaeological evidence recovered from a context on Long Island, when he would have been working at the Huntington Pottery. Gregory also worked in Norwalk, Connecticut and Clinton, New York. Furthermore, the three objects posted below may all be from the same business.

However, this was not the only potter producing this type of slip in the Northeast; for example, my forthcoming two-volume Western New York books will also document that this type of slip was produced in this region, as well.

For more information about Gregory - see a feature story I wrote for the April 26, 2021 issue of Antiques & Auction News, titled, The Wares Made By John Betts Gregory In Clinton, New York: An Examination Of Empire State Regional Redware: https://www.scribd.com/document/504897640/Gregory-Article-Antiques-Auction-News#

An Exceptional Slip Decorated Red Earthenware Pitcher

19th Century Slip Decorated Red Earthenware Pitcher
Made in the American Northeast, Possibly Norwalk, Connecticut or New York
Stands 5 1/2" Tall
See Article for More Information
Photo Courtesy: Crocker Farm
Another View of the Pitcher
See Article for More Information
Photo Courtesy: Crocker Farm
These Three Objects May All be Related to the Same Business
See Article for More Information
Photo Courtesy: Crocker Farm

Please Stay Tuned...Much More to Come...

Friday, July 26, 2024

Perhaps an 18th Century Red Earthenware Sherd Recovered in Cumberland, Maine

This probably is not the most exciting red earthenware sherd, although it was recently found in an interesting context in Maine by historian Matt Anson. According to Matt, "This is a dark glazed red earthenware sherd that I dug up in Cumberland, Maine, which is located about ten minutes from my house in Falmouth. I found a series of three very old foundation holes on some municipal properties and dug up some shoe buckles, pewter 'rat-tailed' spoons and three George II pennies around them, finding exclusively 1700s stuff around all three, at least the stuff I can identify."

This is Where Cumberland, Maine is Located
See Article for More Information

Furthermore, my thought was that if this sherd is from the eighteenth century then it may have originated in Massachusetts, such as the industry in Charlestown, Massachusetts, which is known to have shipped production all over coastal New England before the American Revolution, including parts of Maine. In fact, various types of Charlestown red earthenware have been recovered in Yarmouth, Maine, which is not far from Cumberland, along with artifacts also found in the Portland, Maine area.

For more information, see my third book, titled, The Dawn of Independence, the Death of an Industry: The Pottery of Charlestown, Massachusettshttps://historicbeverly.net/product/the-dawn-of-independence-the-death-of-an-industry/.

Also see my latest book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/94597/.

Red Earthenware Sherd Recovered in Cumberland, Maine


Perhaps an 18th Century Red Earthenware Sherd Recovered in Cumberland, Maine
See Article for More Information
Photo Courtesy: Matt Anson
Another View of the Sherd
See Article for More Information
Photo Courtesy: Matt Anson

Please Stay Tuned...Much More to Come...

Thursday, July 25, 2024

New Published Cover Story in Antiques & Auction News: A Collection Of Pottery That Descended In The Bach Family Of Allentown, Pa.

This is the print version of my latest feature story published on the cover page and pages 8-9 in the July 26, 2024 issue of Antiques & Auction News, titled, A Collection Of Pottery That Descended In The Bach Family Of Allentown, Pa. 

Here are links to PDFs of the print version of the story —

Cover Page: https://www.scribd.com/document/751815465/ant-001-072624-cover-page

Page 8: https://www.scribd.com/document/751815947/ant-008-072624-Page-8

Page 9: https://www.scribd.com/document/751816076/ant-009-072624-Page-9

Here is also a link to the online version of the story: https://antiquesandauctionnews.net/articles/A-Collection-Of-Pottery-That-Descended-In-The-Bach-Family-Of-Allentown%2C-Pa~/.

New Published Cover Story in Antiques & Auction News
New Published Cover Story in the July 26, 2024 Issue of Antiques & Auction News
 A Collection Of Pottery That Descended In The Bach Family Of Allentown, Pa.
This is the Cover Page
See Article for More Information
New Published Cover Story in the July 26, 2024 Issue of Antiques & Auction News
 A Collection Of Pottery That Descended In The Bach Family Of Allentown, Pa.
This is the Cover Page
See Article for More Information

Please Stay Tuned...Much More to Come...

A Collection of Red Earthenware Originally Owned by the Occupants of the McIntire Garrison House in York, Maine

As I noted in a post from a few days ago, “The McIntire Garrison House is a historic house on Cider Hill Road in York, Maine. Built circa 1707, it is an extremely rare well-preserved example of a New England colonial log garrison house, built by settlers for defense against Native American attacks. The house, possibly the oldest in the state, was designated a National Historic Landmark in 1968.”

However, what this does not tell you is that this house has always remained in the ownership of the McIntire family, even though it has not been occupied full-time since 1870; however, the family has always maintained it, often using it as a vacation retreat.

But because of concerns that the family has going forward with preserving the property, its contents, the house and barn, it has just been acquired by the Old York Historical Society. Furthermore, those contents include red earthenware from various time periods original to the family’s ownership, whereas the picture shown below is an example of what they are finding. For example, the hanging flowerpot was probably made at the M.B. Paige Pottery in Peabody, Massachusetts after 1876, while the green glazed jug may have come from Merrimacport, Massachusettts before 1840, and the black glazed porringer could be from the eighteenth century, and perhaps made in Massachusetts (although there was also eighteenth century production elsewhere in coastal New England). Nonetheless, stay tuned for more details!

Note: Interestingly, I also recently noted that the Paige Pottery was shipping various wares to Grafton, New Hampshire in the late nineteenth century, whereas York was apparently another area that saw this company's wares distributed; but I also documented that it appeared that red earthenware from the Paige Pottery (and possibly the William Pecker Pottery in Merrimacport) was shipped to the Portland, Maine area in my latest published book, titled, From One Town Came: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/94597/.

Red Earthenware Originally Owned by the Occupants of the McIntire Garrison House

This is the McIntire Garrison House in York, Maine
It was Built About 1707
Until Recently it Had Always Remained in the Same Family's Ownership
See Article for More Information
Some of the Red Earthenware that is Original to this Property's Ownership
The Hanging Flowerpot was Likely Made in Peabody, Mass.
The Green Glazed Jug to the Left was Possibly Made in Merrimacport, Mass.
The Black Glazed Porringer May Date from the 1700s
See Article for More Information
Photo Courtesy: Old York Historical Society

 Please Stay Tuned...Much More to Come...

Wednesday, July 24, 2024

A Guide to Published Information About William Pecker's Early 19th Century Stoneware Production in South Amesbury (Merrimacport), Mass.

This is one of my all-time favorite pictures of my niece Alexis surrounded by stoneware! This is most likely the best selection of William Pecker (1757-1820) stoneware assembled since it was originally manufactured in South Amesbury (Merrimacport), Massachusetts in the early 1800s.

For more information - see my fourth book, titled, South Amesbury’s Red Earthenware & Stoneware: The 1791-1820 William Pecker Pottery: https://historicbeverly.net/product/south-amesburys-red-earthenware-stoneware-production/

Also see an article published in the 2004 issue of Ceramics In America, as well as a feature story that I wrote for the April 23, 2023 issue of Antiques And The Arts Weekly, titled, William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter, along with another feature story I wrote for the August 2015 issue of the New England Antiques Journal, titled, William Pecker: A Forgotten Stoneware Potter From Merrimacport, Mass

Note: Some of this stoneware along with archaeology from the site of the Pecker Pottery was also displayed in an exhibit that I guest curated at the Custom House Maritime Museum in Newburyport, Mass. - here is a link to buy the exhibit catalog: https://www.amazon.com/Potters-Merrimac-Century-England-Ceramics/dp/1694078531/ref=sr_1_1?crid=3IT7BE0XQTV06&dib=eyJ2IjoiMSJ9.j-OvF-T05MNF9DnM0gkIbbs0NyO98vIK6I_8WgdLJXA.qHzjpjLd7ULmici6H_yCO9Evqds_3CP3O_u4qfndxHY&dib_tag=se&keywords=potters+merrimac&qid=1721837719&sprefix=potters+merrimac%2Caps%2C180&sr=8-1.

William Pecker's Stoneware Production in South Amesbury (Merrimacport), Mass.

Selection of Stoneware Made by William Pecker in South Amesbury (Merrimacport), Mass.
See Above for More Information
(Left) This is a Presentation Jar Made by William Pecker
(Right) This Pecker Stoneware Jar was Written About in Ceramics in America
See Above for More Information
Additional Views of the Jars
See Above for More Information
2004 Article Published in Ceramics In America
See Above for More Information
August 2015 Issue of the New England Antiques Journal
William Pecker: A Forgotten Stoneware Potter From Merrimacport, Mass.
See Above for More Information
South Amesbury’s Red Earthenware & Stoneware: The 1791-1820 William Pecker Pottery
See Above for More Information
April 23, 2023 issue of Antiques And The Arts Weekly
William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter
See Above for More Information

Please Stay Tuned...Much More to Come...

A Painted Red Earthenware Vase Found on Ontario, Canada that May Retain Some Family History Written on a Note

I learned about this late nineteenth century painted red earthenware vase a few days ago from Ontario, Canada antiques dealer, Tim Saunders, and while I cannot speak to the business that it was manufactured at likely in the late 1800s - it does seem that there may be some truth to the label that was taped to the base. The note reads, "Painted Pottery by my Mother's Aunt Lizzie Armstrong (Sister of Grandpa Joe Armstrong) Laurel - Orangeville, Ont. (Sometime Before 1880) Pat Gilbart."

For reference, Orangeville is a town in Dufferin County, which is located in south-central Ontario. There was also some red earthenware production here in the late 1800s, such as some objects that are impressed "ORANGEVILLE."

This is Where Orangeville is Located in Ontario, Canada
See Article for More Information

Furthermore, I am typically an advocate of preserving some later painted decoration on red earthenware and stoneware, where it often helps tell the story of the object through past ownership. And this may be a perfect example of that, seeing that it is quite rare today when a piece of pottery is painted after it left the business or factory, and the artist (often an amateur artist) can be identified. There are also instances where the object was cold-painted after it had been fired in the kiln at the pottery company, but this is not an example of that type of factory production.

I think there is some truth in the information written on the note, although there are a few Elizabeth "Lizzie" Armstrong's born before 1880, who would have been an appropriate age to have painted this vase. But there are no public records that I could find of any of them having a brother named Joe or Joseph, although there was a woman with this name from Dufferin County, who was born about 1858 and died on August 24, 1928.

This is also a type of decorative production that happened at more businesses than what might be recognized during the circa 1870-1890 period, whereas it can be overlooked if it has not been previously documented. It should also be noted that there were some late nineteenth century businesses that did produce unglazed wares with the intent that it would be later painted by the person who purchased the object.

Note: For more information about painted red earthenware from Canada, see a story that I posted to this website earlier this year, titled, A Late 19th Century Painted Red Earthenware Vase Made at the John A. Kennedy Pottery in Brantford, Ontario: http://www.earlyamericanceramics.com/2024/04/a-late-19th-century-painted-red_29.html.

A Painted Red Earthenware Vase Found on Ontario, Canada

Late 19th Century Red Earthenware Vase Found in Ontario, Canada
Possibly Made in Ontario
Retains Family Information Written on a Note
See Article for More Information
Photo Courtesy: Tim Saunders
Additional Views of the Vase
See Article for More Information
Photo Courtesy: Tim Saunders
A View of Note
"Painted Pottery by my Mother's Aunt Lizzie Armstrong (Sister of Grandpa Joe Armstrong) Laurel - Orangeville, Ont. (Sometime Before 1880) Pat Gilbart"
See Article for More Information
Photo Courtesy: Tim Saunders

Please Stay Tuned...Much More to Come...

Tuesday, July 23, 2024

A Mottled Green Glazed Red Earthenware Handled Pot that the Clark Family Acquired from a Context of Ownership in Plymouth, New Hampshire

As I noted in two previous articles posted to this website about red earthenware production in Plymouth, New Hampshire during the circa 1816-1894 period, "The Plymouth Historical Society owns a collection of objects that were all found locally by the Clark family in the early to mid-twentieth century, retaining a history of ownership in Plymouth." 

Among those objects is a mottled green glazed red earthenware handled pot of particular interest, seeing that it matches a form that is published in Figure 12 in Lura Woodside Watkins' (1897-1982) book, Early New England Potters and Their Wares. I have always questioned the published information that accompanied this object, seeing that I can probably reference off the top of my head about five to ten other pieces that are known to exist. The information states, "...this is an early form, perhaps made about 1700."

I am always hesitant to say anything was made in the 1700s in New England without factual or archaeological proof because how do you really know. And I think that is the case with this pitcher, whereas I feel that a related object found in a context of ownership in the Plymouth, New Hampshire area is notable, and also contributes to the story of these objects, which I feel more likely date from the late eighteenth and nineteenth century period. 

I also want to mention that I don't necessarily always agree with the idea of an early red earthenware form (meaning an eighteenth century form), however there are exceptions; but archaeology and studying dated pieces have taught me that forms made in New England in the 1700s were also often made during a period in the nineteenth century. For example, there is a dated two-handled red earthenware jug that will be published in my forthcoming New Hampshire book, titled, An Influential Family of Early Potters: The Clarks of New Hampshire and Related Businesses, which is inscribed with an eighteenth century date, although if you were to remove the date then it would look like a nineteenth century jug. 

The same idea with the handled pot discussed in this post; a variation of this form was made in South Amesbury (Merrimacport), Massachusetts and in South Danvers (Peabody), Massachusetts during both the eighteenth and nineteenth century. But I have not seen any archaeological evidence that would prove that this form was made before 1760, and especially before the American Revolution outside of Massachusetts. 

Note: Here are links to the previous articles that I posted this month about production in Plymouth, New Hampshire:

1) Three Red Earthenware Families and Their 19th Century Production in Plymouth, Grafton County, New Hampshire: http://www.earlyamericanceramics.com/2024/07/three-red-earthenware-families-and.html

2) A Collection of Red Earthenware from the Clark Family of Plymouth, New Hampshire: http://www.earlyamericanceramics.com/2024/07/a-collection-of-red-earthenware-from.html

Mottled Green Glazed Red Earthenware Handled Pots

This Handled Pot is Published in Figure 12 in Early New England Potters and Their Wares
The Information Says it May Date as Early as 1700
However, It is More Likely from the Late 1700s or 1800s
See Article for More Information
Photo Courtesy: National Museum of American History at the Smithsonian Institute
This is How the Pot Above is Published in Early New England Potters and Their Wares
See Article for More Information
This Related Handled Pot Retains a History of Ownership in Plymouth, New Hampshire
There were Three Families Producing Red Earthenware in Plymouth
Acquired by the Clark Family from a Local Plymouth Home in the 1900s
See Article for More Information
Photo Courtesy: Plymouth Historical Society
Another View of the Pot
See Article for More Information
Photo Courtesy: Plymouth Historical Society

Please Stay Tuned...Much More to Come...

Some Examples of Hervey Brooks' Red Earthenware Production from Goshen, CT Sell that Sold Yesterday in New Hampshire

It is not often that examples of Hervey Brooks' (1779-1873) red earthenware production from Goshen, Connecticut are found today, largely because his production is rather rare to find, even though he operated a pottery business for decades. 

According to the Connecticut Historical Society, "Hervey Brooks was an American potter and farmer who made red earthenware in Goshen for more than one half century. His production provided domestic wares for an isolated countryside and contributed to an informal system of sales, barter and trade that characterized the rural economy of the period. While few records of this trade exist, Brooks left behind extensive documentation of his business transactions and daily responsibilities that provide historians a unique look at the life of a nineteenth century farmer-potter.

The life of a farmer-potter meant that Brooks did not have the luxury of spending all his time perfecting his craft. In fact, from 1828 until 1864 Brooks only fired his kiln one day per year because life on the farm also involved sawing lumber, blacksmithing, carpentry, and a host of other responsibilities that kept him from his pottery.

When Brooks passed away in 1873, he left behind account books and day books. He also left a largely intact manufacturing facility that provided archaeologists with new insight into the tools, materials and processes that went into his production of red earthenware."

Nevertheless, some red earthenware that was made by Brooks, which also matches archaeological evidence recovered at the site of the pottery, now owned by Old Sturbridge Village in Massachusetts sold yesterday at Flying Pig Auctions in Westmoreland, New Hampshire. The objects came from the estate of Elizabeth Rybak of Harwinton, Connecticut, which included a slip decorated red earthenware pan, as well as two slip decorated red earthenware plates or dishes.

However, the most competitive of the Brooks material was a pair of unglazed red earthenware flowerpots that were both impressed, "H. BROOKS." They sold together in the same lot to Pennsylvania flowerpot collector Randy Bohn for $850 plus the buyer's premium.

Note: There was also another nineteenth century slip decorated red earthenware pan that sold; it may have also been made at the Brooks Pottery in Goshen, seeing that the slip technique is similar to a pan owned by the Litchfield, Connecticut Historical Society, which the museum acquired from the Brooks family in the twentieth century; it sold for $250 plus the buyer's premium: https://www.liveauctioneers.com/item/181888754_antique-redware-slip-decorated-milk-pan-as-found-13-14-diam.

For the rest of the pottery in the sale - see the auction catalog: https://www.liveauctioneers.com/catalog/336271_the-estate-of-elizabeth-betty-rybak/.

For more information - see my sixth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Areahttps://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/.

Hervey Brooks' Red Earthenware Production from Goshen, CT

19th Century Slip Decorated Red Earthenware Pan
Likely Made by Hervey Brooks in Goshen, CT
Measures 12" in Diameter
Matches Archaeological Evidence Recovered at the Site of the Brooks Pottery
See Article for More Information
Photo Courtesy: Flying Pig Auctions

19th Century Slip Decorated Red Earthenware Plates or Dishes
Likely Made by Hervey Brooks in Goshen, CT
Largest Measures 9 1/2" in Diameter
Matches Archaeological Evidence Recovered at the Site of the Brooks Pottery
See Article for More Information
Photo Courtesy: Flying Pig Auctions

19th Century Slip Decorated Red Earthenware Pan
Made Hervey Brooks in Goshen, CT
Both Impressed "H. BROOKS"
Largest Stands 5" in Tall
Matches Archaeological Evidence Recovered at the Site of the Brooks Pottery
See Article for More Information
Photo Courtesy: Flying Pig Auctions
19th Century Slip Decorated Red Earthenware Pan
Possibly Made by Hervey Brooks in Goshen, CT
Measures 12" in Diameter
Similar to a Pan Owned by the Litchfield, CT Historical Society
See Article for More Information
Photo Courtesy: Flying Pig Auctions

Please Stay Tuned...Much More to Come...