Wednesday, February 7, 2024

An Exceptionally Glazed Pinch Bottle Found in a House Near Saratoga, New York

This is a form that is often associated today with twentieth century earthenware and stoneware production in various parts of North Carolina, although pinch bottles were also a type produced by utilitarian red earthenware potters located elsewhere in America in the nineteenth century. For instance, there will be a pinch bottle illustrated in my forthcoming 629-page New Hampshire book that is privately owned in New England and thought to have been made by the Clark family in New Hampshire or another related business in the state.

Furthermore, I just acquired this exceptionally glazed pinch bottle that is either made out of under-fired stoneware (thus the red colored clay) or red earthenware, although the clay does appear to be porous. Additionally, the person who I purchased it from just found it in a house near Saratoga, New York. 

Nonetheless, the glaze is really something else, whereas the manufacture of this object does not really fit with what I know about as pottery made in North Carolina (i.e. pinch bottles, weight, clay, etc.), including the wire-cut base, a style often found with a number of stoneware potters in the Northeast. Thoughts?

Exceptionally Glazed Pinch Bottle Found in New York

My Dog Jack Pictured with the Bottle
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Exceptionally Glazed Stoneware or  Pinch Bottle
Recently Found in a House Near Saratoga, New York
Possibly Made in North Carolina or the Northeast
Possibly Circa Early 1900s-1940s
Stands 6" Tall
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Different Views of the Bottle
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Additional View of the Bottle
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Additional View of the Bottle
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Additional View of the Bottle
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Additional View of the Bottle
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Additional View of the Bottle
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Additional View of the Bottle
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Views of the Base/Clay with Indoor Lighting
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Additional View of the Base/Clay in Natural Sunlight
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Additional View of the Base/Clay in Natural Sunlight
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Please Stay Tuned...Much More to Come...

A Recently Discovered Small Two-Color Slip Decorated Red Earthenware Pot from Beverly, Mass.

I was thrilled to acquire this small circa 1870 two-color slip-decorated red earthenware pot (possibly used as a match holder or toothpick holder) last week, which was made at the Charles A. Lawrence (1829-1904) Pottery in Beverly, Massachusetts. 

The glaze is spectacular on this two-inch tall pot, whereas this is the first example of this form that I have seen with slip-decoration; the few other examples that I have seen are painted terracotta or unglazed red earthenware with one example bearing a centennial date of “1876.”

The history of this object is also appealing; I purchased it from Wells, Maine antiques dealer Kelly Harrison, who found it last summer at Todd’s Farm Flea Market in Rowley, Massachusetts. He also told me that he bought it from the daughter of a now deceased local antiques dealer and collector, who had owned it for many years. Basically, until this pot was purchased at the flea market, it had most likely survived no more than twenty-miles from where it was originally created in Beverly.

For more information - see the first book in my pottery book series published by Historic Beverly, titled, The Beverly Pottery: The Wares of Charles A. Lawrence: https://historicbeverly.net/product/the-beverly-pottery-the-wares-of-charles-a-lawrence/.

Two-Color Slip Decorated Red Earthenware Pot from Beverly, Mass.

My Niece Alexis Holding the Slip Decorated Red Earthenware Pot
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19th Century Slip-Decorated Red Earthenware Pot
Probably Used as Match Holder or Toothpick Holder
Made at the Charles A. Lawrence Pottery in Beverly, Mass.
Circa 1870
Stands 2" Tall
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Another View of the Pot
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Another View of the Pot
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A View of the Interior
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A View of the Base
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Please Stay Tuned...Much More to Come...

Monday, February 5, 2024

An Important Signed 19th Century Stoneware Crock from Manasquan, New Jersey that Sold Tonight in Connecticut

An important signed nineteenth century stoneware crock sold tonight at Winter Associates, Inc. in Plainville, Connecticut that had been consigned from a private home in Connecticut. Interestingly, this crock is directly related to a signed nineteenth century stoneware jug that was recovered around 75 or so years ago along the banks of the Manasquan River near Riviera Beach in New Jersey. Both of these objects may have also been manufactured by a potter working with or somehow associated with Nicholas Van Wickle (1796-1865) in Manasquan, Monmouth County, New Jersey.

But as with many New Jersey pottery families, the Van Wickle family's lives and businesses intertwined with those of other pottery families. Nicholas was the son of Jacob Van Wickle (1770 - 1854), learning the craft from his father. Nicholas was named after his grandfather, Nicasius Symon Van Wickelen (1728 - 1801), whereas the family also had ties to Brooklyn and migrated to New York City from Wijckel, Friesland, Netherlands, probably in the 1680s

Nicasius does not seem to have been a potter but rather a farmer, although his son Jacob worked as a potter running a factory with General James Morgan, Jr. (1757-1822) and Branch Green (1773-1847) in Old Bridge, Middlesex County, New Jersey, where he worked from 1805 to about 1827. It is also important to note that the Morgan family and Green had strong ties to the stoneware industry in New York.

The Van Wickle and Morgan families were intertwined for several generations. Both James and Charles Morgan were witnesses to Nicasius Van Wickle's will in 1801, and Jacob Van Wickle married James Morgan's sister, Sarah Morgan. 

Furthermore, Nicholas Van Wickle married Ida Suydam (1796 - 1857) in 1821. The couple had nine children, three of whom died in childhood. Nicholas Van Wickle seems to have assisted his father in the running of the Old Bridge pottery for a time, possibly serving as an apprentice under his father's direction. 

In 1824, Nicholas purchased 430 acres in Manasquan, and eventually opened his own stoneware business there, sometime in the late 1820s. Van Wickle also seems to have been a successful farmer. 

By 1838, Nicholas Van Wickle owned 700 acres, as well as his stoneware firm; it was advertised in the January 25, 1838 issue of the Monmouth Inquirer & General Advertiser, that Van Wickle "has for sale at his factory at Manasquan, a general assortment of Stone Ware, such as Pots, Jugs, Jars, Pitchers, &c., &c., which he will sell on reasonable terms." By 1840, however, Van Wickle had closed his pottery and relocated with his family to a farm located elsewhere in New Jersey, although he does not appear to have worked in the pottery business again.

According to an article written by James S. Brown for the Asbury Park Press in New Jersey on May 14, 1950, titled, Reporter Finds Pottery Mystery Along Banks of Manasquan River, which reads in part"...immediately came up with a small brown jug on which in neat script is written "Asher Applegate, Maker, Manasquan, N. J." This jug looked promising; an investigation disclosed a number of Asher Applegates of Monmouth County, where the first name seemed to run in the family but none, apparently, was the potter who signed the little jug. Deeds at Toms River revealed that Nicholas Van Wickle and his wife, Ida, by 1851 were listed as Franklin Township, Somerset County residents and between that date and 1860 all of the Manasquan River holdings were sold. Did Asher Applegate lease the pottery site and the river clay banks from Van Wickle the potter and Applegate was an employee?" 

Nonetheless, this is possibly the same Asher Applegate (1809-1890) that is listed in census records as a potter working in Taunton, Massachusetts in 1850 and 1860. It is also important to note that Taunton was a part of the collective red earthenware and stoneware industry in Bristol County, Massachusetts, which was heavily influenced by the Quaker religion. Applegate may have been a journeyman potter, although the Applegate who worked in Bristol County died in 1890 and was buried in Sandy Hill Cemetery in Taunton.

Additionally, according to the Baker family history records of Taunton, "On July 1, 1859, Charles F. Baker (1837-1899) married Abby O. Applegate (1839-1893), daughter of Asher and Fannie Maria (PresbreyApplegate. Asher Applegate came from New Jersey to Taunton and worked as a potter in the Phoenix Crucible Works." But as Brown noted in his article, the Applegate family was prominent in New Jersey, and the name Asher ran in the family, including a man with this name from Monmouth County who served in the Civil War.

Interestingly though, the crock that sold tonight bears the same inscription and a similar style of floral decoration as the jug illustrated in Brown's article. The inscription on the base of the crock reads, "Asher Applegate, Maker, Manasquan." However, the crock is also decorated on one side with an inscribed bird that is similar in style to types produced in New York, as well as by Nicholas Van Wickle in Manasquan, along with other areas in New Jersey and elsewhere in the Northeast. But the name Ann Cook is also inscribed twice above the bird, once in script and a second time in block letters.

I have no proof that it is the same Ann Cook, although the only record that I can find of a woman with this name in Manasquan, Monmouth County, New Jersey is an Ann Cook who was born in 1798 and died in 1883. She is buried in the Quaker Cemetery in Manasquan and was of a Quaker faith. These types of presentation objects are also known among Quaker potter families in Massachusetts in the late eighteenth and early nineteenth century, such as a pair of marriage jars owned by the Metropolitan Museum of Art in New York City. This type of production is also discussed in detail in my fifth book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/.

Nevertheless, this crock sold tonight to New York collector Adam Weitsman for $4,750 plus the buyer's premium.

19th Century Stoneware Crock from Manasquan, New Jersey

19th Century Stoneware Crock Made in Manasquan, New Jersey
Inscribed with a Perched Bird
Also Inscribed Twice Above the Bird "Ann Cook"
The Base is Inscribed "Asher Applegate, Maker, Manasquan"
Possibly Circa 1830s-1840s
Stands 7 1/2" Tall
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A View of the Flower Decoration on the Other Side of the Crock
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A View of the Inscription on the Base
It Reads  "Asher Applegate, Maker, Manasquan"
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A Closer View of the Inscribed Base
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19th Century Stoneware Jug and Inkwells Recovered Along the Manasquan River in N.J.
Related to Production of the Manasquan River Pottery in New Jersey
The Jug is Inscribed on the Base "Asher Applegate, Maker, Manasquan, N. J."
Published in 1950 in the Ashbury Park Press
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Photo Courtesy: James S. Brown
The Gravestone of Ann Cook (1798-1883)
This Gravestone is in the Quaker Cemetery in Manasquan, New Jersey
Is this the Same Ann Cook?
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Please Stay Tuned...Much More to Come...

Sunday, February 4, 2024

Website Update! Three Previous Posts from the Past

Website update! I have added a new category under the Featured Post section found in the right column of this website; the new category is called "Three Previous Posts from the Past," wheres I will regularly update this section with three posts that I wrote over the past eleven years (yes that is the age of this website), which I think people may want to read again; see that section of the website for what I posted today!

Note: For mobile device readers make sure you select the "View web version" at the bottom of the page, seeing that viewing this website on a phone or some sort of other mobile device usually gives a simpler version of the website.

Website Update!
Three Previous Posts from the Past
See Above for More Information

Please Stay Tuned...Much More to Come...

Saturday, February 3, 2024

A Recently Discovered Small Two-Color Slip Decorated Red Earthenware Pot from Beverly, Mass.

As soon as this object arrives at my house, I will post better pictures of it next week on this website and to my Instagram account, seeing that I suspect the glaze colors are even brighter in natural light, especially the spots of green. Although, I was thrilled to acquire this small circa 1870 two-color slip-decorated red earthenware pot (possibly used as a match holder) earlier this week, which was made at the Charles A. Lawrence (1829-1904) Pottery in Beverly, Massachusetts. 

The glaze is spectacular on this two-inch tall pot, whereas this is the first example of this form that I have seen with slip-decoration; the few other examples that I have seen are painted terracotta or unglazed red earthenware with one example bearing a centennial date of "1876."

The history of this object is also appealing; I purchased it from Wells, Maine antiques dealer Kelly Harrison, who found it last summer at Todd's Farm Flea Market in Rowley, Massachusetts. He also told me that he bought it from the daughter of a now deceased local antiques dealer and collector, who had owned it for many years. Basically, until this pot was purchased at the flea market, it had most likely survived no more than twenty-miles from where it was originally created in Beverly.

For more information - see the first book in my pottery book series published by Historic Beverly, titled, The Beverly Pottery: The Wares of Charles A. Lawrencehttps://historicbeverly.net/product/the-beverly-pottery-the-wares-of-charles-a-lawrence/.

Two-Color Slip Decorated Red Earthenware Pot from Beverly, Mass.

19th Century Slip-Decorated Red Earthenware Pot
Probably Used as Match Holder
Made at the Charles A. Lawrence Pottery in Beverly, Mass.
Circa 1870
Stands 2" Tall
See Article for More Information
Photo Courtesy: Kelly Harrison
Another View of the Object
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Photo Courtesy: Kelly Harrison
A View of the Base
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Photo Courtesy: Kelly Harrison

Please Stay Tuned...Much More to Come...

Thursday, February 1, 2024

A Good Western New York Slip-Decorated Red Earthenware Jar From the Dittmar Collection at Olde Hope Antiques in New York City

Included as part of my forthcoming 800-900 page western New York book, due out sometime later this year is a wide selection of very unusual slip-decoration techniques that adorn various types of red earthenware jars made in the Bloomfield, New York area before 1830. In fact, this is an example of that type of production, which is currently exhibited in the gallery of Olde Hope Antiques in Manhattan in New York City. 

These types of jars are typically attributed to the Nathaniel Rochester (1751-1831) Pottery in West Bloomfield, New York, circa 1818-1831, although the Rochester Pottery was most likely not the only business producing slip-decoration in the Bloomfield, New York area before 1830. For instance, there is little known about a company known as the Wheeler Griffin Pottery that Alvin Wilcox would eventually acquire, and Griffin may have also produced some slip-decorated red earthenware. 

Furthermore, this jar is displayed as part of the George and Florence Dittmar Collection of Pennsylvania, which has been owned by the couple's children since 2002. The jar also retains some history of ownership that is written on the base, which reads, "Collection of Lou Wales, Bristol, NY." This is not a collector who is known to me, although Bristol is located only about six miles south of where this jar was made so it is likely that this object did not travel very few prior to this collector's acquisition of this object. 

I also want to add that I know of at least two other jars that are related to this object that are privately owned in New York, although each with different slip techniques. These objects will also be illustrated in my forthcoming book, one of which will be published on either the front or back cover.

Note: For another jar that retains this type of local ownership in Western New York - see a story I posted to this website on January 1st of this year: http://www.earlyamericanceramics.com/2024/01/a-very-good-slip-decorated-red.html.

Western New York Slip-Decorated Red Earthenware Jar

19th Century Slip-Decorated Red Earthenware Jar Made in Western New York
Most Likely Made in the Bloomfield, New York Area Before 1830
Currently Displayed in the Gallery of Olde Hope Antiques in Manhattan
The Jar is Included as Part of the Dittmar Collection
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Photo Courtesy: Olde Hope Antiques
The Base Retains Some Information
"Collection of Lou Wales, Bristol, NY."
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Photo Courtesy: Olde Hope Antiques

Please Stay Tuned...Much More to Come...

A 19th Century Advertising Envelope from the Goodwin Bros. Pottery in West Hartford, Connecticut

This is another good example of nineteenth century paperwork that was recently discovered, whereas this advertising envelope is from the Goodwin Bros. Pottery in Elmwood, West Hartford, Connecticut, and it is dated "October 12, 1883." Interestingly, these types of envelopes illustrate some of the products made at this company during this period, and this example shows one of the types of painted red earthenware vases that were made at this business. Furthermore, the envelope was found not far from Hartford, and it is addressed to possibly a retailer or merchant in Lansingburgh, New York.

Nevertheless, I actually posted about this envelope on this website last month, although I finally received it yesterday. These types of envelopes are actually important documentary evidence of this company's production, and aside from the vase illustrated on this example, other envelopes include illustrations of various oil lamps with painted red earthenware bases that were made (and assembled) in West Hartford. 

For more information - see my sixth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Area: https://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/.

 19th Century Advertising Evenlope from the Goodwin Bros. Pottery
19th Century Envelope From the Goodwin Brothers Pottery in West Hartford, CT
A Painted Red Earthenware Vase is Illustrated
Addressed to Lansingburg, New York.
Dated October 12, 1883
Recently Discovered in Connecticut
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Another view of the Envelope
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A View of the Back of the Envelope
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Please Stay Tuned...Much More to Come...