Tuesday, September 24, 2019

19th Century Red Earthenware Food Mold Attributed to Vermont

Last month, I posted a story recapping the sale of a small collection of nineteenth century Vermont red earthenware that sold on August 23rd at Duane Merrill & Company in Williston, Vermont. Included in the sale was a red earthenware food mold attributed to East Middlebury, Vermont.

No matter the shape, food molds (also called cake molds) of this type are regularly attributed to Pennsylvania today, but they were also manufactured in New England. In fact, the New England examples are often overlooked and said to be from Pennsylvania because of their appearance. Although, I have seen some of the East Middlebury examples also attributed to Maine because some are adorned in a colorful multi colored glaze.

I acquired this food mold last week from the collection of Anthony Butera, a collector and researcher on Long Island who is well-known today for articles that he has published in Ceramics in America.

This mold is an exact match in form and size to the example that sold last month at Duane Merrill & Company. And certainly without having seen a handleful of the Vermont examples through the years, this particular mold could easily be mistaken for production in Pennsylvania or thereabouts today.

Vermont Red Earthenware Food Mold
19th Century Red Earthenware Food Mold Attributed to Vermont
Circa 1840
Measures 11 1/4" in Diameter
See Article for More Information
View of the Base
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Please Stay Tuned...Much More to Come...

Thursday, September 19, 2019

Extraordinary Grecian Style Wares in the Collection of the Worcester Museum of Art in Massachusetts

As I have noted in the past few weeks, I guest curated an exhibit of local made pottery at the Custom House Maritime Museum in Newburyport, Massachusetts, which explains local production from the 1760s through the early-twentieth century. The name of the exhibit is "Potters on the Merrimac: A Century of New England Ceramics."

An area of the exhibit that I really enjoy is the aspect that is devoted to the production of Grecian style wares made at Thomas Nickerson's Merrimac Pottery Company in Newburyport, circa 1897-1908. I do not believe this subject has ever been shown like this in a museum exhibit before.

I recently learned about these two bowls in the collection of the Worcester Museum of Art - they are very much similar to an earthenware example displayed in the exhibit. These objects were obtained brand new by the Museum of Fine Arts Boston about 1900, and are also written about in the book published by the Metropolitan Museum of Art in Manhattan, which I wrote about tonight,  American Art Pottery: The Robert A. Ellison Jr. Collection. 

According to the MET, "Unlike many American firms making reproductions of antique pottery, Nickerson focused on Greek "Arrhetian" ware that was then on display at the Museum of Fine Arts Boston. From the few examples known, Merrimac made extraordinary faithful reproductions, supposedly molded at the museum on the objects themselves. Two of these rare works were briefly part of the collection of the Museum of Fine Arts Boston, but were then purchased in 1903 by the Worcester Art Museum. Merrimac published a small catalogue of the Arrhetian line, listing eight models including those in Worcester."

I suspect the MFA acquired these directly from Nickerson with an interest in seeing how the molds turned out. More than 100 years later now, it is too bad they did not still own these pieces and display them next to the Greek originals. However, I am glad that they are nearby and cherished in the Worcester Museum of Art.

Merrimac Pottery Company Grecian Wares
Merrimac Pottery Company Reproduction Grecian Arrhetian Bowl
Circa 1900
Acquired Brand New by the Museum of Fine Arts Boston
Now in the Collection of the Worcester Museum of Art
Measures 7 1/2" in Diameter
See Article for More Information
Photo Courtesy: Worcester Museum of Art
View of the Base
See Article for More Information
Photo Courtesy: Worcester Museum of Art
Merrimac Pottery Company Reproduction Grecian Arrhetian Bowl
Circa 1900
Acquired Brand New by the Museum of Fine Arts Boston
Now in the Collection of the Worcester Museum of Art
Measures 6" in Diameter
See Article for More Information
Photo Courtesy: Worcester Museum of Art
View of the Base
Marked "MERRIMAC"
See Article for More Information
Photo Courtesy: Worcester Museum of Art

Please Stay Tuned...Much More to Come...

American Art Pottery: The Robert A. Ellison Jr. Collection Published by the Metropolitan Museum of Art

In the last year or two, I have referenced the Robert A. Ellison Jr. Collection of American art pottery and utilitarian red earthenware many times, which is kept at the Metropolitan Museum of Art in Manhattan. Much of this collection is on display in the museum's Americana Wing.

The Ellison Collection demonstrates types of production that are rare to find anywhere else today, and it includes a wide variety of wares that range from decorative objects to reproduction Grecian style wares. Mr. Ellison's interest in decorative Grecian pottery is especially intriguing since so little has been published about this type of production, and it was a style of pottery created by more American manufacturers than what is recognized today.

The MET wrote in 2009, "Outstanding works from every major American pottery and many lesser-known but historically significant potteries are featured in the collection. The objects range in size from miniature vessels a few inches tall to plaques, lamps, and large-scale vases measuring more than two feet in height. The primary catalyst in the development of the American art pottery movement was the 1876 Philadelphia Centennial Exposition (although some company's wares predate 1876), which introduced the American public to ceramics of the highest quality from Europe and Asia. This influence continued until 1956, when the California potter Peter Voulkos (1924-2002) altered traditional wheel-thrown vessels into sculpture-like shapes, ushering in the era of contemporary ceramics."

The MET also just published a book about this collection, titled, American Art Pottery: The Robert A. Ellison Jr. Collection. It is my feeling that this is the most important book published on the subject of American art pottery in the last seventy-five to 100 years. And I was surprised earlier this week when I finally went to buy a copy to learn that the MET was sold out, and it does not appear that they have any intention on republishing it. Although, luckily I found a brand new copy online with a small markup, but I would recommend that anyone who has an interest in this material to search out a copy sooner than later.

American Art Pottery: The Robert A. Ellison Jr. Collection
 My Niece Holding the Book, American Art Pottery: The Robert A. Ellison Jr. Collection
Published by the Metropolitan Museum of Art
See Article for More Information 
American Art Pottery: The Robert A. Ellison Jr. Collection
Published by the Metropolitan Museum of Art
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 18, 2019

Carl Mehwaldt's 19th Century Red Earthenware Production and the Site of His Pottery in Bergholz, New York

Last month, while vacationing in western New York with my nephew, Jason and niece, Alexis, we visited the Das Haus Museum in the Village of Bergholz next to Niagara Falls. Across the street from the museum is where Carl Mehwaldt (1808-1887) manufactured utilitarian red earthenware during the second half of the nineteenth century. We also visited The Buffalo History Museum in Buffalo where some of Mehwaldt's production is displayed in the exhibit, Neighbors: The People of Erie County, as well as The John R. Oishei Pioneer Gallery.

I have written a feature story about this experience and Mehwaldt's production that should be published later this year. The article recites some previously published first-hand accounts about Mehwald's production, but I also add a lot of new insight to the story, along with an important object that was not previously known until recently outside of a local family's history. It seems that the majority of what is known in publication about Mehwaldt today was written by Ada Walker Camehl for the Buffalo Historical Society in 1921, and again for the The Magazine Antiques in 1922.

According to the article, "Mehwaldt, a Pioneer American Potter" written by Camehl for the September 1922 issue of The Magazine Antiques, "In 1808, in Bruessow, a German village near Berlin, was born Carl August Mehwaldt. He came from a line of potters; for his father and his grandfather before him had spent their lives at the potter's wheel. After he had learned the trade, young Mehwaldt, as was the custom of the country, passed several years as a journeyman potter in search of experience taking him to Russia and into the Holy Land. On his return to his home, he found the country in a state of political unrest. Greater liberties were being demanded by the people while free America, beckoning across the sea with an alluring hand, was welcoming many citizens of all classes to voluntary exile.

In 1844, a man of wealth, Williams by name, gathered together several families from the neighborhood of Bruessow and brought the little band to the United States. They purchased a piece of land in western New York, on the Niagara frontier, cleared the timber and built a hamlet of log houses.

Fired by the glowing accounts which came back to the Fatherland from this transplanted colony, a second company came together, in 1851, to follow the first. Among this group were the potter Mehwaldt, his wife and their five children.

Mehwaldt bought a log house, two acres of land and set up his pot works in Bergholtz, New York. His outfit was of the most primitive description: a small brick oven in his back yard for firing the clay, and a wooden kick wheel. These, with his hands and his Old-World training, were all his capital, and here he worked alone at his trade until he died in 1887.

As the Civil War drew near, Mehwaldt's sons were swept away with enthusiasm for their adopted country. Finally, the three boys ran away, and enlisted in the northern army. Two of them met death on southern battlefields. As a memorial to his dead soldier boys, the potter made two wreaths of clay flowers to hang upon the walls of the local church. With them hung the photographs and the war records of his boys.

Mehwaldt produced quantities of chimney crocks, red earthenware crocks of all sizes, butter-crocks with handles to be hung in wells to keep butter cool; cooking utensils, candlesticks, all manners of tableware - platters, plates, sauce-dishes, cups and saucers, mugs, pitchers, sugar bowls, vegetable dishes, teapots and teakettles. He also produced finer products like inkstands and tile stoves.

At Christmas-time, he usually turned out many little dinner-sets for children, and toys made in the form of pigs, owls, roosters, and birds with whistles in their tails."

Carl Mehwaldt's Pottery in Bergholz, New York
The Das Haus Museum in the Village of Bergholz in Western New York
See Article for More Information
Carl Mehwaldt's House with a Newer Addition
He Operated His Pottery on the Land Behind this House
See Article for More Information
19th Century Red Earthenware Lidded Jar and Jug
Attributed to the Mehwaldt Pottery in Bergholz, NY
See Article for More Information
Photo Courtesy: The Buffalo History Museum
(Center) 19th Century Handled Pot Attributed to the Mehwaldt Pottery in Bergholz, NY
See Article for More Information
Photo Courtesy: The Buffalo History Museum

Please Stay Tuned...Much More to Come...

Friday, September 13, 2019

Preview of Forthcoming Maine Antique Digest Feature Story About the North Yarmouth, Maine Pottery Industry Published by the Yarmouth Historical Society

A research story that I worked on for a number of years about the 1791-1890 red earthenware industry in North Yarmouth, Maine is about to be published in Maine Antique Digest; it covers everything from archaeology to existing objects owned by the Yarmouth, Maine Historical Society.

In anticipation of that material, I recently wrote a preview article that was just published in the fall 2019 newsletter of the Yarmouth Historical Society. The newsletter was just mailed to historical society members, and I received a copy of it yesterday. The story explains some of the key material found in the forthcoming article, and some additional pictures were published that were not used in the Maine Antique Digest story.

One of the interesting images illustrated in the newsletter is the detail of an 1871 map of Yarmouth with arrows indicating the location of the Foster and Brooks pottery shops in the Corner Village neighborhood. This small neighborhood was the location of a group of family owned and operated businesses during the 1791-1890 period. From what I have seen and studied, I believe that significantly more pottery was produced at this location than any other business or town/city in Maine in the late-eighteenth or nineteenth century. And for some reason, much of this production has been somewhat forgotten in publication through the years, and I hope the feature story I wrote for Maine Antique Digest will once again place this industry back into the spotlight of major New England pottery industries.

Fall 2019 Yarmouth, Maine Historical Society Newsletter
 My Niece, Alexis with the Fall 2019 Yarmouth, Maine Historical Society Newsletter
A Preview Story About the North Yarmouth Pottery Industry is Published in the Newsletter
This is in Anticipation of a Feature Story I Wrote that Will be Published in Maine Antique Digest
See Article for More Information
 The Yarmouth Pottery Industry: A Preview
See Article for More Information
  The Yarmouth Pottery Industry: A Preview
See Article for More Information
1871 Map Showing the Location of the Foster and Brooks Potteries in North Yarmouth, ME
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, September 12, 2019

Newburyport, Mass. Pottery Exhibit Featured in the September 20, 2019 Issue of Antiques & the Arts Weekly

Last weekend, I posted a story to this website announcing that the exhibit "Potters on the Merrimac: A Century of New England Ceramics" was now open to the public at the Custom House Maritime Museum in Newburyport, Massachusetts. The exhibit demonstrates pottery production from a variety of businesses in the Newburyport area during the Colonial eighteenth century through the early-1900s. A variety of archaeology is also displayed.

Overall, these are the businesses targeted by the exhibit:

1) Daniel Bayley Pottery Company, ca. 1763-1792
2) William Pecker Pottery, ca. 1791-1820
3) James Chase Pottery, ca. 1820-1849
4) Phineas Chase Pottery, ca. 1849-1890
5) Merrimac Pottery Company, ca. 1897-1908

I am thrilled to announce that this exhibit is the cover story to this week's issue of Antiques & the Arts Weekly with a feature story written by Rick Russack. I also wrote an article for this issue which features the history of local pottery production in the Newburyport area. A number of objects from the exhibit are also illustrated between the two feature stories.

Here are links to the two stories posted on Antiques & the Arts Weekly's website:

1) Potters on the Merrimac: A Century of New England Ceramics by Rick Russack

2) A History of Pottery Production Along the Merrimack River by Justin W. Thomas

September 20, 2019 Issue of Antiques & the Arts Weekly
 The Cover for the September 20, 2019 Issue of Antiques & the Arts Weekly
This Issue Features Two Articles Related to the Newburyport, Mass. Pottery Exhibit
See Article for More Information
 Feature Story Written by Rick Russack
See Article for More Information
Feature Story that I Authored
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 11, 2019

A Trip to the Clinton, New York Historical Society and the Site of the John Betts Gregory Pottery

While traveling through upstate New York last month with my nephew Jason and niece Alexis, we stopped at the Clinton, New York Historical Society to learn more about the museum's collection of advertising slipware made at the John Betts Gregory Pottery in downtown Clinton. We were also given a tour of the site of the pottery, and learned that basically very little archaeology survives from this business today because of late-nineteenth and twentieth century development. As a result, it is almost impossible to differentiate the lesser decorated slipware made by Gregory in Clinton from what he also made in Connecticut and Long Island. But we also learned that very little is known about Gregory's simpler production without slip, and that some of his slipware in Clinton can even be mistaken for wares made in Pennsylvania.

However, despite the fact there is missing information about Gregory's production in Clinton, his story is still a fascinating subject to learn. In 1896, Reverend Charles Melbourne Selleck (1831-1909) wrote Norwalk, "in an attempt to bring the town's history fully to light, and to preserve and to perpetuate its mentions and memoirs. Many of these were gathered by the author while engaged in the necessarily hasty preparation of his 1886 St. Paul's Church centenary address in Norwalk, Connecticut, but most of them have since been collected, and their public presentation upon the eve of the town's quarter-millennial birth anniversary."

As part of Reverend Selleck's history of Norwalk was the life of John Betts Gregory (1782-1842), a potter who began and ended his career in Norwalk; although, I believe Reverend Selleck's recount was the first time Gregory's entire career had been published, only to be later cited in some twentieth century historical and pottery related publications.

According to Reverend Selleck, "John Betts Gregory was born in Norwalk in 1782 to Abraham and Elizabeth Gregory, who lived where the late Henry Marvin resided, on East Avenue, and south of the ancient Beacham Lane. He learned his trade (potter) of Absalom Day (1770-1843) of "Old Well (neighborhood in Norwalk)." After his marriage to Olive (1786-1883), he had a good business offer from Huntington, Long Island, which he accepted. He afterward established a pottery in Clinton, Oneida County, New York, which required a building 140x40 for his operations. He returned in 1831 to Norwalk and bought from Samuel Hanford, Half-Mile Isle, paying $325.00. He there built a kiln for the burning of earthenware and stoneware. The kiln was erected in 1832 by masons Lewis and George Raymond of "Old Well." The business was here kept up until 1840. Mr. Gregory died July 22, 1842."

Situated almost 50 miles east of Syracuse, New York and in between Rochester, New York and Albany, New York, the Village of Clinton was settled in 1787 by Revolutionary War Veterans and families from Plymouth, Connecticut, having been named after New York's first governor, George Clinton (1739-1812). This settlement eventually expanded into a town, joining Kirkland in the nineteenth century, but the original village was listed on the National Register of Historic Places in 1982.

The reason why Gregory moved to landlocked upstate New York may have been a simple desire to operate his own pottery, but he may have also heard news of Clinton's connection to Connecticut and other areas in this part of New York. There may have also been a financial incentive to move.

Nevertheless, Gregory arrived in Clinton sometime around 1808-1810 with his wife and two daughters, purchasing a pottery from Erastus Barnes, Clinton's first potter. But Gregory's desire to move north may have also been a religious quest, seeing that at the time, parts of New York were engulfed with new religious movements in the early-nineteenth century, finding much of this activity in central and western upstate New York.

Aside from his family, Gregory brought along his knowledge of slip-decoration and slip-script, which he had learned from Absalom Day in Connecticut, a New Jersey trained potter who arrived in Norwalk about 1793. But he likely practiced this type of production while employed in Huntington, as well sometime around the late-eighteenth and early-nineteenth century.

John Betts Gregory may have been the first red earthenware potter producing slip-decorated pottery in upstate New York, a technique that was already practiced in downstate New York, and later embraced by a number of potters employed in Western New York. But he clearly manufactured a lot of wares while employed in Clinton for about 20 years, circa 1810-1829. The most notable of those objects today are the wares that were decorated with slip, but he must have produced simpler decorated pottery in the same manner. Much of this production was also likely intended for local consumption.

Unfortunately, not much is left of the Clinton Pottery today, since the Owens-Pavlot Funeral Home was built on top of the pottery in the nineteenth century and also occupying Betts' home, having been established in 1867.

Interestingly, the personalities of most early American potters are not known; however, author, Amos Delos Gridley published History of the Town of Kirkland, New York in 1874, describing the businesses of Erastus Barnes and Gregory, as well as a first-hand account he had been told by someone who knew Gregory: "Erastus Barnes established the first pottery in Clinton, his works being nearly in the rear of the late Reverend Charles Jerome's residence on College Street (Hamilton College established in 1793). He found clay of an excellent quality on the Gleason farm, near Manchester, and his business was, for those times, large and lucrative. Mr. John B. Gregory succeeded him, and carried on the same industry for several years. He was quite a recluse, being seldom seen outside of his own premises. Yet he had a genial soul, and loved to scatter jokes and bits of humor among old and young who came to inspect his works or to buy his wares. He was a devout Methodist. Placing a lump of clay on his lathe, he would set his wheel a-spinning, and, while moulding pan or jug or other vessel, would burst into some old refrain, as --


"Behold the potter and the clay !
He forms his vessels as he please."


Among the best known examples of slipware produced by Gregory in Clinton is a large slip-script plate, "Why / Will You / Die," which has been published, and was owned for many years by retired New York State archaeologist and museum specialist, George Hamell. Other notable objects of interest include a slip-decorated vase with two eagles, as well as another plate inscribed, "Made / By J B G / Oct 18 1823 / Clinton" (see below), which is considered one of the earliest examples of dated and signed red earthenware from New York.

John Betts Gregory's Pottery in Clinton, New York
My Nephew Jason and Niece Alexis Outside the Clinton, NY Historical Society
See Article for More Information
My Niece Alexis Admiring Two Pieces of Advertising Slipware
Red Earthenware Made by John Gregory Betts in Clinton, NY
See Article for More Information
The Site of John Betts Gregory's Pottery in Clinton,  NY
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The Site of John Betts Gregory's Pottery in Clinton,  NY
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Sign on the House Once Owned by John Betts Gregory in Clinton, NY
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The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
Building Behind the Site of the John Betts Gregory Pottery in Clinton,  NY
Most of the Archaeology was Likely Removed Because of this Type of Construction
See Article for More Information
Some Red Earthenware Artifacts Found Behind the Site of the John Betts Gregory Pottery
See Article for More Information

Please Stay Tuned...Much More to Come...