Friday, June 9, 2023

A 19th Century Red Earthenware Pitcher that Retains a Lengthy History of Family Ownership in Delaware

This is a nineteenth century molded red earthenware pitcher that I recently picked up for an inexpensive price, whereas the reason I purchased it was because of the lengthy history of family ownersrhip that it retained, as well as the fact that I think it may have been made at the Gast Pottery in Lancaster, Pennsylvania, circa 1860-1880. Furthermore, this object seems to have been inspired by similar shaped Rockingham glazed pitchers made in places like Bennington, Vermont in the 1800s.

Nonetheless, I acquired this pitcher from a woman living in southeastern Pennsylvania, and she told me that it was her grandmother's - she said she remembered it from her childhood. She also said that her grandmother owned the pitcher for as long as she could remember; she told me that her grandmother then gave it to her mother some years ago, and more recently, it was given to the woman who I purchased it from.

Additionally, she told me that she did not know if it retained any further history with her family prior to her grandmother, although she did note that her grandfather sold lumber in the mid-twentieth century, and he traveled throughout the area, often bringing home gifts for his wife, such as pottery and glass. 

For more information about the Gast Pottery in Lancaster, see a report written in 2007 by Karen Hagadorn, titled, The Legacy of Henry Gast and an Examination of the Impact of Industrialization on Nineteenth Century Pottery in Lancaster: https://digital.fandm.edu/object/scholars-square2236.

Red Earthenware Pitcher that Retains History of  Family Ownership

Nineteenth Century Molded Red Earthenware Pitcher
Possibly Made at the Gast Pottery in Lancaster, PA
Retains a Lengthy History of Family Ownership in Delaware
Circa 1860-1880
Stands 10" Tall
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Another View of the Pitcher
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A View of the Handle
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A View of the Base
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Please Stay Tuned...Much More to Come...

Thursday, June 8, 2023

An Example of "Sunset Mountain Pottery" Recently Discovered in New England

Here is another recent find in New England, whereas this twentieth century green glazed earthenware bowl is impressed on the base "Sunset Mountain Pottery." Furthermore, the North Carolina Pottery Center in Seagrove owns a matching example that they identify as having been made by Waymon Cole at the J.B. Cole Pottery in Moore County, North Carolina, circa 1929-1935.

Link to bowl owned by the North Carolina Pottery Century: https://ncpotterycenter.omeka.net/items/show/2236

According to the research of noted author Terry Taylor, "Sunset Mountain Pottery was made by J. B. Cole’s Pottery in Steeds, North Carolina, and resold in Asheville to the tourist trade by both stores The Treasure Chest and later by Three Mountaineers, which were located at the base of Sunset Mountain. One advertisement for a three-handled vase described it as “ready to receive your garden blooms and to add the glow of a gorgeous mountain sunset to the corner to which you place it — this lovely hand-turned Pottery Vase.”

The shapes of Sunset Mountain Pottery are consistent with those associated with the Seagrove area potters, who made the transition from nineteenth century storage vessels to twentieth century decorative art pottery. Classical shapes similar to those of Fulper Pottery are often decorated with two or three looping handles. The majority of their pieces were vases ranging from a few inches to twelve inches in height, although some pitchers, bowls and lamp bases were also produced. Production appears to have run from 1929 until 1935."

Example of "Sunset Mountain Pottery" Recently Discovered in New England

My Dog Jack Pictured with the Green Glazed Earthenware Bowl
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20th Century Green Glazed Earthenware Bowl
Marked on the Base "Sunset Mountain Pottery"
Made by Waymon Cole at the J.B. Cole Pottery in Moore County, North Carolina
Recently Found in New England
Circa 1929-1935
Measures 10 7/8" Across
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Another View of the Bowl
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Another View of the Bowl
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A View of the Base
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The Base is Impressed "Sunset Mountain Pottery"
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A View of the "Sunset Mountain Pottery" Mark
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An Advertisement from 1929
The Ad Shows Some of the Forms Marked "Sunset Mountain Pottery"
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, June 6, 2023

19th Century Tile Made by Arthur Osborne in Chelsea, Massachusetts Recently Found in a Maine

I recently found this object following a mountain hike in a collectible type shop in Maine - this is a nineteenth century decorative tile made in the 1880s at the J.G. & J.F Low Art Tile Works in Chelsea, Massachusetts, whereas the tile was designed and created by the English modeler, Arthur Osborne (1854-1942). 

This tile and others like it were primarily American versions of the Aesthetic Movement moulded tiles that were made in England at Minton's and Maw. These specific tiles that were made in Chelsea were known as "plastic sketch" tiles, which were either this size or larger, and made of wet, or plastic, clay, which was very time consuming and technically difficult to create. These also represent what many consider to be the best tiles made in America during this period; these types of tiles were also often framed for hanging rather than used as a traditional tile.

Furthermore, Osborne emigrated to America in 1879 and began working as a designer at the J. & J.G. Low Art Tile Works in Chelsea. His tiles can be found displayed at such museums today as the Metropolitan Museum of Art in Manhattan and the Museum of Fine Arts, Boston.  

Note: I also want to mention that my next published research article will be out in a few weeks in Antiques And The Arts Weekly, and it will cover Guy Daugherty's (1879-1958) pottery production at the Roadside Craftsmen in East Bloomfield, New York, circa 1930s-1950. 

19th Century Tile Made by Arthur Osborne in Chelsea, Mass.

19th Century Tile Made by Arthur Osborne in Chelsea, Mass.
Made at the J.G. & J.F Low Art Tile Works
Recently Found in Maine
Circa 1880s
Measures 6" by 6"
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A View of the Back of the Tile
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Please Stay Tuned...Much More to Come...

Monday, June 5, 2023

Some Pottery Finds From a Trip to New York Over the Weekend

This was a good find a few days ago at the outdoor antique market in Madison-Bouckville, New York, whereas this is a very early dated stoneware vase made by Guy Daugherty (1879-1958) at the Roadside Craftsmen in East Bloomfield, New York. 

The base is inscribed “R.C.” and “G.D.” as well as dated 1937, which is also around the time this company was established. The vase is also stamped in ink “Hand Made By Roadside Craftsmen.” All of this information on a vase from East Bloomfield is a first for me! Daugherty also worked as a potter in Texas, North Carolina and South Carolina, where he is probably best known today for the face jugs that he produced in Bethune, South Carolina about 1950. The dealer told me that he recently found the 6 1/4 inch tall vase locally in central New York.

Additionally, The Roadside Craftsmen was opened in the early 1930s by Clarence Wemett (1885-1961) as a place to make and sell novelty items. Homer Bullock (1888-1957) was hired in 1934 as a wood craftsmen. Guy Daugherty (1879-1958) was the potter (but there may have been others) and a weaver and metal worker were also involved with the business.

According to New York archaeologist and museum specialist George Hamell, "There was a southern potter, Guy Daugherty, an itinerant potter from Denton Texas, having started his pottery career in Spartanburg, South Carolina, and later worked in the summer months during the Great Depression and in the early years after World Word II in making pottery in East Bloomfield.”

Daughterty's southern pottery heritage is reflected in the lip treatment on some of the small pitchers he made here, although he did produce some larger pitchers and vases, among other forms. He also fired his wares in a groundhog kiln. Interestingly, he perhaps knew of the earlier red earthenware heritage in the Town of Bloomfield - he often used a red-firing clay, and much of his production is covered in a glaze strikingly similar to that found on a lot of the wares made in West Bloomfield around the mid-1800s (as well as some of the wares made in Morganville, New York).

20th Century Stoneware Vase Made by Guy Daugherty (1879-1958)
Made at the Roadside Craftsmen in East Bloomfield, New York
Recently Discovered in Central New York
The Base is Marked “R.C.” and “G.D.” as Well as Dated 1937
This is the Earliest Dated Piece of Pottery that I Have Seen from the Roadside Craftsmen
The Base is also Marked in Ink “Hand Made By Roadside Craftsmen
Stands 6 1/4" Tall
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Another View of the Vase
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The Base is Marked “R.C.” and “G.D.” as Well as Dated 1937
The Base is also Marked in Ink “Hand Made By Roadside Craftsmen
See Article for More Information

As an added bonus, I also found this Chinese inspired twentieth century red earthenware vase on my way home in a shop located to the south of Albany, New York. The vase is marked on the base with the second North State Pottery mark from Sanford, North Carolina, circa 1925-1939. The North Carolina Pottery Center also owns a similar vase adorned in a pinkish colored glaze.

Link to vase owned by the North Carolina Pottery Center: https://ncpotterycenter.omeka.net/items/show/419

20th Century Red Earthenware Vase Made in Sanford, North Carolina
Marked with the Second Mark from the North State Pottery
Found Near Albany, New York
Stands 5" Tall and 6 1/2" Wide
Circa 1925-1939
See Article for More Information

Please Stay Tuned...Much More to Come...

A Good Slip Decorated Red Earthenware Money Box or Bank Found Yesterday in New England

I was rather surprised to find this large nineteenth century red earthenware “Savings Bank” in a thrift type shop while out and about in New England yesterday morning. The bank is probably English in origin and it was made in the form of a Federal period chest-of-drawers, whereas all of the applied flower decoration was formed by hand, individually stamped with the impression in the center and then highlighted with slip decoration. 

Furthermore, I have not been able to find another bank like this example with this amount of applied decoration; the other examples that I have seen are adorned with less. 

The bank survives in excellent condition, where these were objects that were heavily used and often given to children, so few survive with no damage. The bank or money box stands 6 3/4 inches tall and measures nearly 7 inches across.

A Good Slip Decorated Red Earthenware Money Box or Bank
My Dog Jack with the Red Earthenware Money Box or Bank
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19th Century Slip Decorated Red Earthenware Money Box or Bank
Probably Made in England
Found Yesterday in a Thrift Type Shop in New England
Stands 6 3/4" Tall
See Article for More Information
A View of the Back
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A View of the Base
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 Please Stay Tuned...Much More to Come...

Sunday, June 4, 2023

A Good Example of William Pecker's Stoneware Production Recently Discovered in the Midwest

While scrolling through my Facebook feed this past Friday night, I was very surprised to see that a good example of William Pecker' (1757-1820) early nineteenth century stoneware production had just been discovered in a private collection in the Midwest. In fact, this double-handled two-gallon jar is decorated on both sides with Pecker's known flower stamp, as well as the typical small sized stamps that he used for capacity marks. Furthermore, the style of the rim, the incised lines below the rim and the handles are all represented in archaeological evidence recovered at the site of the Pecker Pottery in South Amesbury (Merrimacport), Massachusetts.

For more information about William Pecker's stoneware production - I recommend my fourth book from my pottery book series, titled, South Amesbury's Red Earthenware & Stoneware Production: The 1791-1820 William Pecker Pottery, along with an article I wrote for the April 14, 2023 issue of Antiques And The Arts Weekly, titled, William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter.

Additionally, I will be speaking about William Pecker' stoneware production at the Bennington Museum in Vermont in September. 

Link to buy book: https://historicbeverly.net/product/south-amesburys-red-earthenware-stoneware-production/

Link to Antiques And The Arts Weekly article: http://www.earlyamericanceramics.com/2023/04/new-published-story-in-antiques-arts.html

A Good Example of William Pecker's Stoneware Production

19th Century Two-Gallon Stoneware Jar Impressed on Both Sides with a Flower Stamp
Attributed to William Pecker in South Amesbury, Mass.
Recently Discovered in the Midwest
Circa 1810 or so
See Article for More Information
Photo Courtesy: Zach Christy
A View of the Other Side of the Jar
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Photo Courtesy: Zach Christy
A Closer View of the Capacity Mark and One of the Flower Stamps
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Photo Courtesy: Zach Christy
The Other Flower Stamps
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Photo Courtesy: Zach Christy
A View of One of the Handles
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Photo Courtesy: Zach Christy
A Closer View of the Handle
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Photo Courtesy: Zach Christy

Please Stay Tuned...Much More to Come...

Friday, June 2, 2023

A Wonderful 20th Century Terracotta Architectural Brick Made by a New York City Artist for Townhomes in Boston's Back Bay Neighborhood

I think this is really cool! This leftover terracotta brick or tile was made by the Brooklyn artist Syma and it is entirely hand carved, whereas the information that it retains indicates that it was made as a decorative or architectural feature for a building in Boston. The brick just sold at D.L. Straight Auctions in Sturbridge, Massachusetts. 

According to the artist - the brick or tile was made about 1985 or 1986 for sculpted brick pediments for Symphony Road townhomes in Boston's Back Bay neighborhood. Furthermore, extra bricks were constructed because it was unknown if all of the bricks would survive the multi-day firing process inside of the kiln. 

Nonetheless, I think this is a really great object to own, whereas matching bricks are now permanently installed on brick buildings as part of Boston's twentieth century architectural history and urban landscape.

Additionally, Syma is an award winning New York artist who has been working with clay and mixed media for nearly five decades. Her studio workspace is in the Red Hook neighborhood of Brooklyn. 

Inspired by ancient artifacts and mythologies, Syma’s interactive and conceptual clay sculptures, vessels and gallery installations are her response to wishes, dreams and worries. Materials, techniques, modalities and artistic styles are selected to reflect ancient magical spiritual objects. 

Syma’s custom-made small and large scale sculpted panels are permanently installed as architectural details on walls of public and private buildings in the United States and in the United Kingdom. She is also a teaching artist at the Metropolitan Museum of Art in Manhattan.


A Wonderful 20th Century Architectural Terracotta Brick

20th Century Hand-Carved Terracotta Brick
This was Made by the New York City Artist Syma
The Brick was Constructed for Townhomes in Boston's Back Bay Neighborhood
Made Circa 1985 or 1986
Measures 8" by 8"
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Another View of the Brick
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Another View of the Brick
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Another View of the Brick
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Some of Syma's Bricks Displayed at 35 Symphony Road in Boston
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More of Syma's Bricks Displayed at 35 Symphony Road in Boston
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More of Syma's Bricks Displayed at 39 Symphony Road in Boston
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Please Stay Tuned...Much More to Come...