Saturday, June 12, 2021

A Stoneware Jug Marked with a Fish Stamp that Sold Today in the Weil Collection in Amesbury, Massachusetts

Another example of the fish stamp that I wrote about last weekend sold today at John McInnis' auction in Amesbury, Massachusetts. This particular stamp is on what appears to be a one gallon ovoid stoneware jug, which was sold as part of the collection of Jack and Grace Weil of Marblehead, Massachusetts. To my knowledge, this is now the third piece of stoneware that bears this mark. The Weils were also connected to Massachusetts author Lura Woodside Watkins (1897-1982), who wrote the landmark book Early New England Potters and Their Wares in 1950.

This type of fish stamp was included in my new book South Amesbury's Red Earthenware & Stoneware: The 1791-1820 William Pecker Pottery, although, it is unproven if this stamp was used alongside another fish stamp known to have been applied at the Pecker Pottery. It is my opinion that this stamp may have been produced in South Amesbury, but it could also be from another New England pottery such as the industry in Charlestown, Massachusetts. Simply put, there needs to be more substantial evidence, whether it is archaeology, a signed piece or some other way to connect this stamp to a particular business.

Interestingly though, a friend of mine actually handled the Weils estate before it went to auction, and I was fortunate to acquire two great objects from the Beverly Pottery, one of which was an important photograph of the pottery published in Figure 5 in Watkins' book Early New England Potters and Their Wares, as well as a painted Grecian style ewer that I wrote about earlier this spring.

This jug sold today for $1,200 plus the auction premiums. 

A Stoneware Jug Marked with a Fish Stamp 

Likely Early 19th Century Stoneware Jug Impressed with a Fish
Stands 9 1/2" Tall
See Article for More Information
Photo Courtesy: John McInnis
Another View of Jug
See Article for More Information
Photo Courtesy: John McInnis
View of the Handle
See Article for More Information
Photo Courtesy: John McInnis
View of the Base and the Kiln Mark
See Article for More Information
Photo Courtesy: John McInnis
Three Pieces to My Knowledge Impressed with this Fish
See Article for More Information
Photo Courtesy: John McInnis, Hyde Park Country Auctions and Crocker Farm
The Codfish Stamp Used at the William Pecker Pottery in South Amesbury, Mass.
Circa 1810
This is a Different Species of Fish than that Shown on the Other Objects
See Article for More Information

Note: This nice example of Jonathan Fenton's (1766-1848) stoneware production also sold in the Weil Collection today, probably from when he worked in Charlestown in the 1790s. But Fenton also worked elsewhere in New England during this career. I also bought an excellent red earthenware jar in this sale that I will write about eventually, and I will explain how it is related to pieces in the National Museum of American History at the Smithsonian Institute in Washington, D.C. and the Peabody Essex Museum in Salem, Massachusetts. 

This jar sold today for $1,200 plus the auction premiums. 

Late 18th Century Stoneware Jar Decorated with a Fish
Attributed to Jonathan Fenton Probably in Charlestown, Mass.
Stands 12" Tall
See Article for More Information
Photo Courtesy: John McInnis
View of the Other Side
See Article for More Information
Photo Courtesy: John McInnis

Please Stay Tuned...Much More to Come...

Thursday, June 10, 2021

An Outstanding Bristol County, Mass. Jar that Will be Included in my Forthcoming Book

I have always been curious to know the whereabouts of the red earthenware jar illustrated in Figure 43 in Lura Woodside Watkins' (1897-1983) book Early New England Potters and Their Wares, seeing that it is a jar from Bristol County, Massachusetts. Although, the jar is attributed in the book to the Nathaniel Seymour (1763-1849) Pottery in West Hartford, Connecticut. 

However, I was quite surprised this morning while receiving the last group of photos sent to me from Historic New England that will be included in my forthcoming book from Historic Beverly, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod; I learned that they actually own the jar pictured in Watkins' book. It is a part of the Nina Fletcher Little (1900-1993) Collection at Cogswell's Grant in Essex, Massachusetts. And in my opinion, one of the finest examples of Bristol County and New England pottery known to exist today.

It appears that the attribution is a result of an old tag that is adhered to the base of the jar that reads "Seymour Pottery Hartford Conn." I also want to note that this jar is somewhat unknown today, and to my knowledge, it has never been published in color before. This is just an absolutely amazing  piece of Bristol County pottery.

Note: This new 365-page book that I am about to finish up will include pictures of over 300 individual pieces of pottery from this region, much of which is from Bristol County. It should be available to purchase this summer.

An Outstanding Bristol County, Mass. Jar that Will be Included in my Forthcoming Book

Late 18th or Early 19th Century Red Earthenware Jar Attributed to Bristol County, Mass.
Previously Published in Figure 43 in Early New England Potters and Their Wares
See Article for More Information
Photo Courtesy: Historic New England
See Article for More Information
Photo Courtesy: Historic New England
The Base Retains and Old Note that Reads, "Seymour Pottery Hartford Conn"
See Article for More Information
Photo Courtesy: Historic New England
How the Jar Was Published in Early New England Potters and Their Wares
See Article for More Information

Please Stay Tuned...Much More to Come...

Sunday, June 6, 2021

An Early 19th Century Stoneware Jar that Sold Today in Poughkeepsie, New York

I thought the sale of this early nineteenth century stoneware jar decorated with two impressed fish was exciting this evening, seeing that this jar is published in picture number 104 in my most recent book, South Amesbury's Red Earthenware & Stoneware: The 1791-1820 William Pecker Pottery. This jar just sold at Hyde Park Country Auctions in Poughkeepsie, New York. 

As I wrote in the book, this fish stamp is slightly different than the known fish stamp applied at the William Pecker Pottery in the early 1800s, although, there are other aspects about this jar that can be matched up with archaeological evidence, suggesting it may have been manufactured in South Amesbury (Merrimacport) about 1810. 

You will see that I posted a picture of William Pecker's known fish stamp below next to the fish stamp applied on this jar. There are obvious differences, but more evidence may prove that two fish stamps were applied at the Pecker Pottery, alongside Pecker's known bird and flower stamps.

Note: See LiveAuctioneers for the auction result. The jar was consigned from Florida, but it was previously owned by a really good collector in Maine, Toby Ramirez. I believe it was also previously found in New England.

An Early 19th Century Stoneware Jar that Sold Today in Poughkeepsie, New York

Early 19th Century Stoneware Jar Decorated with Two Impressed Fish
Published in Picture 104 in the Book I Wrote About the William Pecker Pottery
Aspects About this Jar Match Archaeology Recovered in South Amesbury (Merrimacport), Mass.
Circa 1810
See Article for More Information
Photo Courtesy: Hyde Park Country Auctions
Another View of the Jar
See Article for More Information
Photo Courtesy: Hyde Park Country Auctions
(Left) Known Fish Stamp Applied at the William Pecker Pottery
(Right) The Fish Stamp on is this Jar is Slightly Different
But More Evidence May Prove Two Fish Stamps Were Applied at the Pecker Pottery
See Article for More Information

Please Stay Tuned...Much More to Come...

An Early Example of Ontario Red Earthenware that Surfaced Yesterday in the Berkshires in Western Massachusetts

While visiting the Berkshires yesterday in western Massachusetts, I acquired three excellent examples of nineteenth century red earthenware, although, this jar with its original lid was definitely the most surprising, seeing it was previously unknown to me, and it represents an early Ontario potter who migrated from Pennsylvania. In fact, it is one of only a few jars like this known to exist today, and it is actually a type of production I learned about in 2019 after another jar surfaced in the Mid-Atlantic region, which I also wrote about on this website. The following is the information that I published in that original post.

"According to Ontario collector, Paul Slater, "One of the earliest potters in Ontario, and certainly the earliest Mennonite potter in Waterloo County, was Jacob Bock (1789-1867).

Jacob was born on February 18, 1789 in Lancaster County, Pennsylvania and was one of six children to Frederick and Maria Catherine (Reichert) Bock, Frederick being a native off Wurttemberg, Germany. Jacob immigrated to Waterloo County in the early 1800s at a young age while the remainder of his siblings reportedly stayed behind in Pennsylvania; he lived with his uncle, Christian Reichert, in the village of Freeport (now a subdivision in Kitchener). Early records suggest that Jacob served as a private in the 2nd Regiment of York Militia in the War of 1812. On July 31st, 1814 he married Catherine Elizabeth Shupe in New Dundee (Wilmot Township, Waterloo County) and together they raised a family of 15 children born from 1815 to 1840.

The next trace of Jacob is in 1823 when he was appointed township clerk and assessor for the former Waterloo Township (which comprised a large portion of present-day Waterloo County, including Waterloo, Kitchener and Cambridge). We also know through signed and dated red earthenware, one of which bears his name, and all three marked 1825, that he established his pottery business in the small community of Waterloo during the same era, perhaps a bit earlier. One author theorized that Jacob's business was located on rented land at what is now the corner of King and Dupont Streets in downtown Waterloo, the same location that German immigrant potter John Jacobi purchased in 1852 to establish his own potting business. If true, Bock likely sourced the red earthenware clay used to make his wares from nearby Laurel Creek or Silver Lake (now within the boundary of Waterloo Park). 

Whether Jacob and his family lived in Waterloo at the time is not clear for two reasons: the first is that according to census and other records, all 15 of his children were born in Wilmot Township. And the second is that Jacob was heavily involved in various political and religious activities in neighboring Blenheim Township, Oxford County (just a short distance from New Dundee) including being ordained as the first deacon of the Blenheim Mennonite Church in 1841, a position he held until his death in 1867.

Documentation also exists indicating that in February 1848, Jacob Bock  (noted as "Buck" in the document) was given a land grant equal in value to 100 acres of land in recognition of his military service some 35 years earlier. This land was almost certainly the farm property in (or near) New Dundee that became his family homestead. The first census that Jacob and his family are documented is 1851 where he was still listed as a potter. Since records indicated that John Jacobi owned the Waterloo pottery beginning in 1852, it is not clear whether Bock ended his pottery career at that time or if he established another pottery from his New Dundee farm. In the 1861 census, Jacob is listed as a farmer and there is not any mention of his pottery business in any directory that I have from that area. In any case, in spite of the roughly 30 years where he made pottery, it was likely at best a part-time endeavor. Jacob Bock passed away on March 18, 1867 at the age of 78. He and other family members are buried in the Blenheim Mennonite Cemetery adjacent to the church that he devoted much of his adult life to.

To this point there are three documented pieces of signed and dated red earthenware made by Jacob Bock, one of which resides in the Royal Ontario Museum in Toronto (the other two are in private collections). All three are red earthenware tobacco jars with four relief portraits of St. Ambrose or Aurelius Ambrosius, a highly influential 4th Century religious figure. One is marked "Waterloo the 4 Jan 1825"; another "Waterloo, Upper Canada, September 17 1825, Jacob Bock, Potter"; the third is the same as the first except "January" is spelled in full. Beyond these three pieces, other pottery has surfaced which some have attributed to Bock, including two storage jars with "1820" marked on the base, a small barrel marked "Waterloo 1827," and a small cup marked "September 1836." Although, it is probable that other examples exist, there is no question that marked pieces by Jacob Bock are extremely rare to see today."

In any case, images of Aurelius Ambrosius (ca. 340-397 AD) are found on a variety of decorative displays at major art museums around the world today, such as pottery, paintings and stained glass. Saint Ambrose was born in one of Germany's oldest cities Trier, and his father was an important Roman soldier. He is considered to be one of the most influential ecclesiastical figures of the 4th century, and was the Roman governor of Liguria and  Emilia, based in Milan, before being made Bishop of Milan by popular acclamation in 374 AD, even though he was not even a priest.

For many years, Ambrose defended the faith of the Church, writing hymns and influencing other Christian songwriters. After Ambrose's death on April 4, 397 AD and because of his love of Christianity, the Church declared Saint Ambrose a Doctor of the Church, and his life has been celebrated ever since. However, these tobacco jars are to my knowledge, the only examples of seventeenth, eighteenth or nineteenth century utilitarian pottery made in America or Canada which honor the life of Aurelius Ambrosius. In fact, they more than likely represent Bock's faith and his commitment to his church."

An Early Example of Ontario Red Earthenware

19th Century Molded Red Earthenware Jar Featuring St. Ambrose or Aurelius Ambrosius
Attributed to Jacob Bock (1789-1867) in Waterloo, Ontario
Circa 1825
Stands 8 3/4" Tall with the Lid
See Article for More Information 
It Appears that the Jar Retains Two Old Tags from an Early Collection
See Article for More Information 

Please Stay Tuned...Much More to Come...

Saturday, June 5, 2021

19th Century Green Glazed Red Earthenware Jug Retaining a Strong History of Ownership in Meredith, New Hampshire

About three years ago, I wrote about a nineteenth century red earthenware handled pot owned by the Meredith, New Hampshire Historical Society thought to have been locally made in the Lake Winnipesaukee region. I have always had an interest in any red earthenware made in this area in the 1800s, seeing that very little is documented today outside of this pot and a few examples owned by the New Hampshire Historical Society.

According to Massachusetts author, Lura Woodside Watkins (Early New England Potters and Their Wares), "There are vague accounts of several potteries in the region around Lake Winnipesaukee. At Gilford, once a part of Gilmanton, Nathaniel Goodhue was running a shop about 1830. Duane Hamilton Hurd's 'History of Belknap County' says that he carried on the business for many years and that he got his clay from The Weirs. Goodhue advertised it for sale in the New Hampshire Patriot and State Gazetteer, March 1, 1833, describing it as a "large pottery for making earthenware and a good kiln on same." He was apparently succeeded by Charles Stark, who four years later "contemplating a removal from Gilford," offered for sale a "shop, kiln, and apparatus for the manufacture of brown ware."

Cornelius Weygandt, in the White Hills has noted a potter named Bennett in Moultonborough and the existence of a pottery in New Durham, near Alton. In November Rowen, the same author describes a quart mug tooled with lines marked "old Cider" that he found in Meredith. He notes its resemblance to pieces from the Gill Pottery. The mug could, however, have been made in Meredith.

During the excavation of a cellar under the house of H.B. Twombley on Plymouth Street in Meredith, setting tiles and other examples of kiln furniture were unearthed. For several years Mr. Twombley did not know the significance of these curious baked clay objects and he was greatly surprised to learn that his house stood directly over a potter's dump. The circumstance was explained by the fact that the house had been moved from another site to its present location. A perusal of Meredith history reveals that Joshua W. Burpee, eldest son of Jeremiah (1781-1862) from Boscowan, New Hampshire, lived in Meredith for about nine years preceding his death in 1839. It is more than likely he was responsible for the waste pile.

Another craftsman of the 1830s, Jeremiah Bean, worked in Bristol. He was a native of the town and was twenty-seven years old when he started his potworks on Hemlock Brook. The business was short-lived, as Bean soon removed to Boston, dying there in 1834."

While in Meredith yesterday, I acquired this dark green glazed nineteenth century red earthenware jug that seems more refined than most of the wares manufactured in New Hampshire. However, its history is of particular interest, seeing that it was just discovered in a 200 year old barn in Meredith and it is known to have belonged to the family owning this property dating back to at least 1940. The jug may have even resided on this property since it was originally manufactured. 

It should also be noted that I do see some similarities in the way this jug was produced and the wares made to the south in the Boscowan and Concord area, although, it does not exactly seem to fit with that production based on what I have studied and written about in the past for the New England Antiques Journal and Maine Antique Digest. And its form does not exactly remind me of wares made by the Osborn family in New Hampshire or by the potters who worked in the Plymouth, New Hampshire area. As a result, I feel there is a good chance that this jug was locally manufactured somewhere in the Lake Winnipesaukee area or possibly even the area where it was found in Meredith.

Note: For some reason, though, the green glaze on this jug is difficult to accurately photograph, although, the jug is covered in a dark green glaze.

19th Century Green Glazed Red Earthenware Jug

My Puppy Jack with the Jug Moments After We Acquired it in Meredith, N.H.
See Article for More Information
19th Century Green Glazed Red Earthenware Jug
Retains a Strong Local History of Ownership in Meredith, N.H.
Possibly Also Manufactured in Meredith, N.H. or the Lake Winnipesaukee Area
Stands 7 1/4" Tall
See Article for More Information
Another View of the Jug
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, June 1, 2021

A Slip Decorated Red Earthenware Figure of a Bull Found in Maine

I have written about these type of hand-made slip decorated red earthenware figures in the past, most notably a bull that I purchased from Nan Gurley's onsite sale in Parsonfield, Maine in 2016, which was also featured in Antiques & the Arts Weekly

I know about six examples in existence, four of which have all been found in Maine, including this bull that I purchased a few days ago with my niece Alexis in Scarborough, Maine. It is the same form as the other bull, although, the slip decoration is different. But I also think the fact that four have been found in Maine may hold some indication as to where they were made; I also know about one that was found in Pennsylvania and another in Ontario.

I have absolutely no proof of it, but I am curious to learn whether this could be a type of production from Canada that may have been somewhat forgotten through the years. I suspect these figures date anywhere from the late nineteenth century to the early/mid twentieth century. The reason I suggest Canada is A)  I have now found four of these in separate parts of Maine with no real explanation as to why they are there, and B) the clay color and the color of the white slip is similar to known production from Nova Scotia. Although, it should be noted that some of the Nova Scotia production is also similar to wares made in England. 

Nevertheless, though, I certainly think this is an interesting type of whimsical production where the forms I have been able to document are sheep, cows and bulls. In some ways, this also reminds me of the well-known figures that were produced in Pennsylvania during the circa 1840-1880 period, even though they are not related.

Any thoughts? Has anyone reading this post seen these exact type of figures before? It would be great to learn where they were made!

A Slip Decorated Red Earthenware Figure of a Bull Found in Maine

Late 19th to Early/Mid 20th Century Hand-Made Slip Decorated Red Earthenware Bull
Found a Few Days Ago in Scarborough, Maine
See Article for More Information
Another View of the Bull
See Article for More Information
Another View of the Bull
See Article for More Information
Another View of the Bull
See Article for More Information
View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, May 25, 2021

Some Nice Objects Currently Offered for Sale from Various Sellers Online

I do this every now and again, where I post some pottery for sale that I think is a good opportunity for someone to purchase something nice. Today I have posted three objects, all available on ebay, and all of which I think are good examples to own.

This first piece appears like a nineteenth century red earthenware jug possibly manufactured in western Pennsylvania or Ohio, circa 1850. It does have some similarities to wares manufactured at the John Bell (1800-1880) Pottery in Waynesboro, Pennsylvania, although, I don't think it's related.

https://www.ebay.com/itm/174684805281?ssPageName=STRK%3AMEBIDX%3AIT&_trksid=p2060353.m1438.l2649

19th Century Red Earthenware Jug
Probably Made in Western Pennsylvania or Ohio
Circa 1850
Stands 11 1/2" Tall
See Article for More Information
Photo Courtesy: eBay
View of the Base
See Article for More Information
Photo Courtesy: eBay

This next object was manufactured at the William Pecker (1757-1820) Pottery in South Amesbury (Merrimacport), Massachusetts, and it could have easily been illustrated in my new book, South Amesbury's Red Earthenware & Stoneware: The 1791-1820 William Pecker Pottery.


Late 18th or Early 19th Century Red Earthenware Pot
Attributed to the William Pecker Pottery in South Amesbury (Merrimacport), Mass.
Circa 1791-1820
Stands 9" Tall
See Article for More Information
Photo Courtesy: eBay

And lastly is this nicely glazed nineteenth century earthenware jar from Ontario in Canada.

https://www.ebay.com/itm/373589358065?ssPageName=STRK%3AMEBIDX%3AIT&_trksid=p2060353.m1438.l2649

19th Century Earthenware Jar Attributed to Ontario in Canada
Stands 6 1/2" Tall
See Article for More Information
Photo Courtesy: eBay

Please Stay Tuned...Much More to Come...