Some Information About Forthcoming Two-Volume Tenth Book: Similar Decorated Red Earthenware from Beverly, Mass. and Philadelphia

North Carolina "swirlware" pottery is a decorative style from the Catawba Valley (and other parts of North Carolina) featuring a "cream and chocolate" or multi-colored swirled pattern usually created by combining contrasting clays on the pottery wheel. This "fancy ware" emerged around the late nineteenth or early twentieth century, as potters shifted from functional, utilitarian wares to decorative, tourist-oriented pieces.

However, this type of swirled affect was also produced at the Charles A. Lawrence (1829-1904) Pottery in Beverly, Massachusetts, as early as the mid-1860s. But contrasting clays were not used and instead the Beverly wares were manufactured with the use of slip decoration.

Furthermore, I have suspected for five to ten years now that some of these wares produced in Beverly may have been created around the centennial in 1876 and the glaze may have been inspired after red earthenware made in Philadelphia in the eighteenth and early nineteenth century. These later Essex County potteries in neighboring Beverly and Peabody, Massachusetts were very much aware of early red earthenware production in parts of New England and America, as well as the revival of ancient design, especially in the Boston area.

This is some information that will be included in my forthcoming two-volume, 1,100-1,300 page, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts: "...It was published in Volume I of this book that some potters in Massachusetts seem to have been inspired by some of the production in Philadelphia in the eighteenth century. This includes Joseph Wilson from the Wilson family of Danvers, Massachusetts (see Chapter 7 in Volume I of this for more information), who advertised in the June 22, 1767, issue of the Newport (Rhode Island) Mercury: "Joseph Wilson - potter at the North End of Providence Informs the Public that he can Supply them with Earthen Ware at a Cheap Rate, made in the best Manner and Glazed in the Same Way as Practised in Philadelphia - All Persons in this Town may be regularly supplied by Means of the Boats which constantly pass between this Place and Providence."

Interestingly, there are similarities with some of the glazes produced at the Charles A. Lawrence Pottery in Beverly, Massachusetts after 1865, in comparison to some of the red earthenware produced in Philadelphia in the eighteenth and early nineteenth century. This comparison includes the use of slip decorated lines combined with spots of green decoration.

The plate and four bowls shown below from Philadelphia with this type of design were recovered from a circa 1790-1820 brick-lined privy at 606 Hancock Street in Philadelphia. This type of production was also shipped to various locations along the American eastern seaboard, including New York City, Baltimore, New Jersey and Delaware, among other coastal cities and towns.

In theory, the Philadelphia style decoration manufactured in Beverly may have also been a centennial style that coincided with the Centennial Exhibition in Philadelphia in 1876..."

Personally, I would be very surprised if this was just a coincidence; the example shown below is one of a small group of Beverly pitchers known today with this exact type of decoration. This particular example came out of an old estate in Beverly in the early 2000s, where it was sold at a Frank Kaminski Auction in Lynnfield, Massachusetts. The pitcher was later consigned to Crocker Farm in Maryland, where I purchased it about ten years ago.

Similar Decorated Red Earthenware from Beverly, Mass. and Philadelphia

Circa 1860s-1870s Slip and Green Decorated Red Earthenware Pitcher

Made at the C.A. Lawrence Pottery in Beverly, Mass.

Found in an Old Beverly Estate in the Early 2000s

Stands 7 3/4" Tall

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Another View of the Pitcher

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Another View of the Pitcher

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18th/19th Century Slip-Decorated Red Earthenware Plate Attributed to Philadelphia

Recovered from a Circa 1790-1820 Brick-Lined Privy

The Privy was Located at 606 Hancock Street in Philadelphia

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Photo Courtesy: Chris Rowell

18th/19th Century Slip-Decorated Red Earthenware Bowls Attributed to Philadelphia

Recovered from a Circa 1790-1820 Brick-Lined Privy

The Privy was Located at 606 Hancock Street in Philadelphia

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Photo Courtesy: Chris Rowell

A Glaze Comparison of the Pitcher with the Bowls and Plate

The Colors and Decoration are Very Similar

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Please Stay Tuned...Much More to Come...

Some Information About Forthcoming Two-Volume Tenth Book: The Safford Family Pottery of Monmouth, Maine and the Family's Connection to Massachusetts

For those of you who enjoyed my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine, there will be two sections about Maine red earthenware in Volume II of my forthcoming 1,100-1,300 page, two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts. These sections explain how production from Essex County, Massachusetts and the Boston area influenced some production in New Hampshire and Vermont in northern New England, although the main focus will be some of the potters in Maine. 

The reason for this is because the names Alld, Bickford, Corliss, Dodge, Norcross, Philbrick, Porter and Safford, as well as the industry in North Yarmouth can all be traced back to the Essex County and Boston area in the seventeenth and eighteenth century. In most cases, these families relocated to New Hampshire and Maine in the eighteenth and nineteenth century, otherwise they were somehow influenced by Massachusetts families. For instance, one family in particular, the Porters of Wiscasset, Maine came from a family of potters in Danvers.

This is some information that will be included in the book about the Safford family of Kennebec County, Maine: "...The Safford family's red earthenware production began in Monmouth, Maine when John Milford Safford (1811-1880) arrived about 1830 after he had apprenticed in Exeter, New Hampshire, presumably with the Dodge family. Safford's cousin, John Safford II (1797-1879), followed a similar path and established his own shop in Monmouth by 1838. The thought is that the two often stamped their wares to distinguish their products. There is also some speculation that some of the more elaborate pieces may have been created to showoff their skill between the potteries, seeing that much of their production was intended for the local marketplace, and probably communities located around the Kennebec River and the Androscoggin River.

However, it may not be widely known today that the Safford family actually continued to produce red earthenware into the twentieth century - John M. Safford's son George Llewellyn Safford (1847-1921) was also a potter and he continued in the family tradition in some capacity well into the 1900s. In fact, his obituary reading in part, "George Llewellyn Safford, a pottery manufacturer of Monmouth, Me., died at his home in that town on January 20. Mr. Safford was born in Monmouth Ridge in 1847, and after his education in the public schools went into business with his father, an old time potter, later acquiring the business.

The Safford family migrated to New Hampshire in the eighteenth century when Benjamin Safford relocated from Ipswich, Massachusetts to Exeter, when he married Susanna Mahlon Safford (1738-1798) in 1763. The Safford family originated in America in Essex County, Massachusetts in the seventeenth century..."

Displayed in the Americana Wing at the Metropolitan Museum of Art in New York City is a lidded red earthenware jar from Monmouth, which was sold to the museum in the 1990s by Manhattan dealers Garrison and Diana Stradling. The jar is heavily stamped with the different types of impressed decorations used by the Saffords, although the bottom of the lid is inscribed "S J Jewett / Monmouth / August 18, 1838 / JMS.” The jar is also inscribed near base in pin-pricked block backwards letters: "S J JEWETT."

I have not been successful in finding someone living with this name in Monmouth in 1838, although there was a Joseph J. Jewett (1836-1913), who was born in Monmouth in 1836. He was listed as a farmer in Monmouth in the 1850, 1860 and 1870 United States Federal Censuses; the record shown below is from the 1850 Census. Jewett lived his entire life in Monmouth.

The Safford Family Pottery of Monmouth, Maine

19th Century Heavily Stamped Red Earthenware Jar with Lid

Made by John M. Safford in Monmouth, Maine

Base of the Jar is Marked "S J JEWETT"

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Photo Courtesy: Metropolitan Museum of Art

View of the Bottom of the Lid

Inscribed "S J Jewett / Monmouth / August 18, 1838 / JMS"

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Photo Courtesy: Metropolitan Museum of Art

Joseph J. Jewett (1836-1913) was a Farmer in Monmouth, Maine

This is from the 1850 United States Federal Census

He is Listed as a Farmer in Monmouth in the 1850, 1860 and 1870 Censuses

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Please Stay Tuned...Much More to Come...

The Origin of the 19th Century "Thomas Kendrick" Attribution in Maine

A few days ago I posted a story about the Dodge Pottery in Portland, Maine and how some wares made at this business in the nineteenth century were mistaken for production by Thomas Truxton Kendrick (1803-1878) in Hollis, Maine. I believe this attribution began in the late 1970s; the basis for it was some wares displayed at the Maine State Museum in Augusta, Maine, as well as a red earthenware pan published in Manlif Lelyn Branin's 1978 book, The Early Potters and Potteries of Maine.

Branin described the pan as "Redware Pudding Pan. Made at the Kendrick Pottery at Hollis Center, the pan is tan with brushed on brown spots and is owned by descendants of the potter." 

It is unclear where this pan is located today, although when working on my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine, the Kendrick family of Maine informed me that the only object they knew about as being made at the Kendrick Pottery was a mug owned by Kathleen Kendrick. 

Furthermore, archaeology sites that I have studied in recent years in Maine have revlealed this type of glaze was produced at a number of nineteenth century red earthenware businesses, and is not unique to any location or single potter's business in the state of Maine. 

In fact, this type of glaze was also produced in Western New York, Ontario, Canada, among other locations. Nonetheless, I suspect this is how the Dodge Pottery wares from Portland were mistaken decades ago for production in Hollis because of using the glaze as a means of attribution. The form is usually the first indicator of when trying to determine where an object was made followed by other characteristics.

The Origin of the 19th Century "Thomas Kendrick" Attribution in Maine

Information Published in The Early Potters and Potteries of Maine

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19th Century Red Earthenware Cup from Maine

Made at the Thomas Truxton Kendrick Pottery in Hollis, Maine

Descended in the Kendrick Family in Maine

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Photo Courtesy: Kathleen Kendrick

19th Century Red Earthenware Lidded Pot from Cumberland County, Maine

Made at the Dodge Pottery in Portland, Maine

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Photo Courtesy: Lew Scranton

Please Stay Tuned...Much More to Come...

An Excellent Selection of Red Earthenware Made in Days Ferry, Woolwich, Maine

Another significant aspect about the incredible private collection in Maine that I wrote about a few days ago is the selection of vibrant glazed forms made at the John Corliss (1799-1892) Pottery in Days Ferry, Woolwich, Maine, circa 1824-1890. All of these objects were also published in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine: https://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/.

There are a number of examples of Corliss Pottery scattered throughout private and museum collections today, although the styles of the glazes on these objects significantly vary. The best examples are the ones that are adorned with vibrant multi-colored glazes, along with rare forms, which is what the examples in this collection represent, combined with original lids.

The history of the Corliss Pottery is rather well documented today, although before John Corliss established his pottery business, he was born in New Hampshire and worked at a red earthenware company owned his uncle Ebenezer Corliss (1764-1853) in North Yarmouth, Cumberland County, Maine. 

The industry in North Yarmouth was established in the 1790s by John Thomas (1754-1843), who relocated from Newburyport, Massachusetts, where he had likely previously worked at the circa 1764-1799 Daniel Bayley (1722-1792) Pottery Company in Newburyport. Thomas was a native of Gloucester, Massachusetts, and he built his pottery on the west side of Main Street on Yarmouth Corner in 1791. Thomas trained Ebenezer Corliss, who also opened a business in Yarmouth. The industry in North Yarmouth was eventually the location of a group of red earthenware businesses in the nineteenth century, and arguably the largest production center in the state of Maine.

This private collection in Maine also included a collection of letters mostly written by John Corliss, now owned by the Maine State Museum in Augusta, Maine. Although, while reading through these letters about ten to eleven years ago, I found one was actually written by a member of the Foster family to Corlisss, whereas the Foster family also operated a red earthenware company in North Yarmouth in the 1800s.

----------------------------------

Yarmouth, June 25, (18)66

Brother Corliss,

The fields are green, the trees are green, everything is green. Many month you promise to come here is green and fresh in my memory, which you made me when I saw you last, and I shall take no excuse for you can come if you choose to. Do take the time and make us a visit. One more visit to the scenes of your youthful days. We will all try to make your visit agreeable. Mother says she would be glad to have you home and see her. Give my love to all.

Good bye till we have you here in our midst.

Your's Truly, 
W.H. Foster

Selection of Red Earthenware Made in Days Ferry, Woolwich, Maine

19th Century Red Earthenware Made at the John Corliss Pottery in Days Ferry, Maine

Circa 1824-1890

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Photo Courtesy: Private Collection

19th Century Red Earthenware Made at the John Corliss Pottery in Days Ferry, Maine

Circa 1824-1890

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Photo Courtesy: Private Collection

19th Century Red Earthenware Made at the John Corliss Pottery in Days Ferry, Maine

Lids and Pots Inscribed with Matching Numbers

Circa 1824-1890

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Photo Courtesy: Private Collection

19th Century Red Earthenware Made at the John Corliss Pottery in Days Ferry, Maine

Circa 1824-1890

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Photo Courtesy: Private Collection

19th Century Red Earthenware Made at the John Corliss Pottery in Days Ferry, Maine

Circa 1824-1890

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Photo Courtesy: Private Collection

19th Century Red Earthenware Made at the John Corliss Pottery in Days Ferry, Maine

Circa 1824-1890

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Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

John Alld's Red Earthenware Bottle Signed "J ALLD / 1811"

It was published as part of my most recent feature story in the August 1, 2025 issue of Antiques And The Arts Weekly, titled, A Red Earthenware Pitcher Discovered At The Reverend Jonathan Atkinson House: "There are few examples of red earthenware that can be accurately associated with Maine today before 1820, which is when Maine separated from Massachusetts to become an independent state. Anything that is properly identified as having been produced before 1800 is historically significant."

One of those examples is included in the outstanding Maine private collection that I wrote about a few days ago, which is inscribed on the base "J. Alld / 1811." The small spotted green and pinkish glazed bottle is arguably one of the most important examples of nineteenth century red earthenware in existence from Maine today. Personally I feel it may be the most important example from the 1800s, seeing that it was produced before Maine became its own state on March 15, 1820, meaning it was actually produced when Maine was still a part of Massachusetts. 

Outside of this object, there are really only two other pieces of red earthenware that come to mind that can accurately be associated with the pre-1820 period in Maine, those being the pitcher that was the subject of the Antiques And The Arts Weekly article, as well as another object noted in the article that is owned today by Historic New England, which is inscribed “May ye 8 JD hur jug-1739 / price 2s 6d / give me to make / with your hand and I will / fill it if I can / Made by John Day, Pownal, Me.” This jar may have been made by John Daye, Jr. (1671-1770), who was born in Salem, Massachusetts, in 1670 and living in Cumberland County, Maine, by 1730.

Furthermore, this bottle is published in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine, as well as Manlif Lelyn Branin's book, The Early Potters and Potteries of Maine.

Branin stated in his book, "The underside of the bottle is signed J ALLD / 1811 and was made by John Alld at Biddeford (Maine) before he moved to Hollis Center, Maine (which is when he purchased two acres of land on February 17, 1820)." Alld's brother-in-law was Thomas Truxton Kendrick (1803-1878), who was also a potter in Hollis, where some pottery has been inaccurately attributed to him through the years, both in publication and in the collection of the Maine State Museum. 

For a brief history: John Alld (b. 1789) was born in Saco, York County, Maine about 1789; his parents were William (1749-1791) and Hannah Kent Alld (b. 1753). His grandfather William Alld (1723-1805) was born in Ireland in 1723 and migrated to Massachusetts where he married Lettice Caldwell Alld (1725-1807) in Dunstable, Massachusetts on June 6, 1746. The couple was living in Hillsborough County, New Hampshire by 1749 with one son dying in Francestown, New Hampshire in 1784, which was an area that Peter Clark (1743-1826) and his family operated red earthenware businesses in the eighteenth and nineteenth century. 

The extent of Alld's pottery production is not documented since he was continuously cited as a "farmer" in census records in Hollis after 1820, suggesting that he lived the rural farmer  / potter lifestyle common to many people in northern New England during this period. The only census record that cites his profession as a "potter" in Hollis was in 1850, which is when he was credited with this job title alongside Kendrick, also cited as a "potter." 

It is unclear where Alld was trained as a potter, but Kendrick likely worked with him before establishing his pottery business. The only object that can be accurately attributed to Kendrick today is a mug that is owned by the Kendrick family of Maine and published in my book, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine: https://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/.

John Alld's Red Earthenware Bottle Signed "J ALLD / 1811"

Early 19th Century Red Earthenware Bottle Made in York County, Maine

Signed on the Base by John Alld  (Born 1789)

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Photo Courtesy: Private Collection

A View of the Base

The Base of Inscribed "J ALLD / 1811"

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Photo Courtesy: Private Collection

Another View of the Bottle

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Photo Courtesy: Private Collection

(Top) Thomas Truxton Kendrick Listed as a Potter in Hollis, Maine

(Bottom) John Alld Listed as a Potter in Hollis, Maine

This is from the 1850 United States Federal Census

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(Top) John Alld Listed as a Farmer in Hollis, Maine

(Bottom) Thomas Truxton Kendrick Listed as a Potter in Hollis, Maine

This is from the 1860 United States Federal Census

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Please Stay Tuned...Much More to Come...

Some More Information About an Outstanding Private Collection of Maine Red Earthenware

This is a great nineteenth century red earthenware pitcher from a private collection in Maine that was probably made at the industry in North Yarmouth, Maine or at the Dodge Pottery in Portland, Maine before 1850. I have not seen this type of form from Cumberland County before, although the pitcher retains a lengthy history of ownership in Maine with it being owned for a number of years by the current owner. 

In fact, this private collection was the subject of yesterday's post, where this is just one piece of red earthenware tucked away among 100 to 200 amazing pieces, which incorporate aesthetic and desirable characteristics, including glaze, form, rarity, historical value, condition, etc.:  http://www.earlyamericanceramics.com/2025/09/exciting-opportunity-to-acquired-once.html. 

In my opinion, the majority of the pieces in this collection embody the notion of form, rarity and colorful glazes, representing some of the best surviving examples of nineteenth century red earthenware from Maine. This pitcher is also probably one of six or seven pieces in this collection that appears like production from the Dodge Pottery in Portland.

Furthermore, I do not normally use glaze as a means of suggesting where an object was made, but I have seen a number of forms from the circa 1790s-1870s Dodge Pottery in Portland, which are adorned in this type of glaze. Those objects include a handful of pieces that descended privately through the Dodge family in Maine and Massachusetts to the current family members. These objects have never been outside of the family and will probably eventually end up with a museum in Maine, such as the Maine Historical Society in Portland.

Interestingly, I have no idea if there is any relationship, but some of the glazes from Cumberland County, Maine remind me of some of the painted furniture manufactured in Maine in the nineteenth century. Perhaps it is something to consider as a possible influence or source of inspiration.

Some of these types of objects have also previously been incorrectly attributed in the twentieth century to the Thomas Truxton Kendrick (1803-1878) Pottery in Hollis, Maine, although there is no evidence to support that information. Unfortunately, the Maine State Museum stills lists this incorrect attribution on their website, but their information is wrong.

The Dodge Pottery was established in Portland by Benjamin Dodge Sr. (1774-1838) in the 1790s. He came from an eighteenth century family red earthenware business in Exeter, New Hampshire that his father owned, with another family business operating in Portsmouth, New Hampshire in the late eighteenth and nineteenth century. And like the companies in the Exeter and Portsmouth, the Portland company was a multigenerational pottery with a son, Benjamin Dodge Jr. (1802-1876) continuing the company into the 1870s, producing a wide variety of red earthenware.

The Dodge Pottery will also be a subject in my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts, since the Dodges were descendants of the Dodge family of Beverly, Massachusetts, dating back to the area, as early as the seventeenth century. Members of the Dodge family do not appear to have been Quakers; they were Puritans in Beverly who were active members of the Congregational Church.

Nonetheless, a few years ago I wrote a three-part series about the Dodge Pottery and various family owned objects for Antiques And The Arts Weekly; here are links to those three feature stories:

1) July 8, 2022 Issue of Antiques & the Arts Weekly - Rare Red Earthenware Urn Discovered at Newburyport Estate Auction: http://www.earlyamericanceramics.com/2022/06/new-published-story-rare-red.html

2) August 5, 2022 Issue of Antiques & the Arts Weekly - A Group of Important Objects From The Dodge Family, Portland, Maine: http://www.earlyamericanceramics.com/2022/07/latest-published-story-group-of.html

3)  November 4, 2022 Issue of Antiques And The Arts Weekly - Group Of Important Objects From the Chase & Goold Families, Portland, Maine: http://www.earlyamericanceramics.com/2022/10/new-published-story-group-of-important.html

Note: For more information about the Dodges in New Hampshire and Maine - see my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine: https://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/.

Red Earthenware from the Dodge Pottery in Portland, Maine

19th Century Red Earthenware Pitcher Likely Made in Cumberland County, Maine

Glaze Closely Resembles Some Types Produced at the Dodge Pottery in Portland

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Photo Courtesy: Private Collection

Another View of the Pitcher

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Photo Courtesy: Private Collection

A View of the Handle

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Photo Courtesy: Private Collection

These Objects Were All Made at the Dodge Pottery in Portland, Maine

All Descended Through the Dodge Family to the Current Owner

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Photo Courtesy: Private Collection

These Objects Were All Made at the Dodge Pottery in Portland, Maine

All Descended Through the Dodge Family to the Current Owner

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Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

Exciting Opportunity to Acquire a Once-In-A-Lifetime Collection of 19th Century Red Earthenware Made in Maine

This is a very exciting opportunity to acquire a once-in-a-lifetime collection of mostly nineteenth century Maine-made red earthenware, although there are some pieces made in other locations in New England, as well as in Western New York. The owner of this incredible collection is a friend, a retired doctor and has spent much of his life collecting Maine red earthenware from different manufacturers, based on glaze, rarity, condition and form. All of this collection was published in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine, as well as some pieces also previously published in Manlif Lelyn Branin's book, The Early Potters and Potteries of Maine.

Serious inquiries only! The collection will not be broken up; the owner wants to sell all of it together. Most of these pieces are the best-of-the-best in terms of shape combined with vibrant colored glazes. 

For more information - please feel free to contact me through the contact page on this website: https://earlyamericanceramics.shop/get-in-touch/.

Red Earthenware on Shelves

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Red Earthenware in Corner Cupboard

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Red Earthenware Displayed Elsewhere in the Home

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Private Collection of Red Earthenware

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Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...