Sunday, August 4, 2024

William Pecker Cited as a Potter in Longworth's New York Directory From 1802-1807; Notably on Bayard Street in 1803/04

As I wrote in a post from last week, titled, William Pecker Listed as a Potter in Longworth's American Almanack, New York Register, and City Directory, 1805, "There has been speculation through the years where Pecker learned how to make stoneware; however, it seems that he trained in New York City in the early 1800s, alongside the Crolius family, the Remmey family, David Morgan and the famed free African-American potter Thomas Commeraw (ca. 1771-1823). This information is found published in a listing of potters in Longworth's American Almanack, New York Register, and City Directory, 1805."

I also learned from Long Island researcher and collector Chris Pickerell that he has found William Pecker listed in New York City Directories from the 1802-1807 period. Pecker's name and these directories are also noted in Brandt Zipp's book, Commeraw's Stoneware. Although, it is after he left New York City that Pecker began to produce stoneware in South Amesbury (Merrimacport), Massachusetts sometime before he died, as a result of a kiln collapse in 1820.

Yesterday, I sought out each of these directories from the collection of the New York Public Library, and aside from Pecker being listed in each directory by name with the profession of "potter" - the street is also included in the directory. And even though each year a different street or address is listed, the most intriguing address by what is known today is perhaps Bayard Street, where Pecker is listed as working in Longworth's New York Directory, 1803/04. This appears to be notable because the Crolius family was operating a stoneware manufactory on Bayard Street about the same time that Pecker is listed.

According to information that was published in Crocker Farm's Fall 2023 catalog that accompanied a circa 1800 stoneware jar marked C. CROLIUS / BAYARD STREET / NEW-YORK: "This finely colored and decorated jar features the rarest early Manhattan maker's mark, used by Clarkson Crolius, Sr. at a second shop location on Bayard Street, separate from his more well-known Manhattan Wells location at Pot Baker's Hill. As discussed in Zipp's Commeraw's Stoneware, pp. 119, 274n5, while the first reference to Clarkson Crolius owning a Bayard Street shop is the 1814 edition of Longworth's City Directory, stylistically the few surviving "C. CROLIUS / BAYARD STREET" objects clearly belong to an earlier, probably late eighteenth century context. These pieces all fall in line beside what was apparently Crolius's earliest "Manhattan-Wells" mark, and it is possible that Clarkson Crolius was superintending the family's Bayard Street pottery (a pottery first referenced in an 1803 city directory) prior to taking over his own father's shop at the more well-known Manhattan Wells site."

Note: All of this information will be included in my forthcoming New Hampshire book, although in the meantime, see my fourth published book, titled, South Amesbury's Red Earthenware & Stoneware: The 1791-1820 William Pecker Potteryhttps://historicbeverly.net/product/south-amesburys-red-earthenware-stoneware-production/.

Also see a feature story that I wrote for the April 23, 2023 issue of Antiques And The Arts Weekly, titled, William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter: http://www.earlyamericanceramics.com/2023/04/new-published-story-in-antiques-arts.html.

William Pecker Cited as a Pottery in Longworth's New York Directory From 1802-1807

Longworth's New York Directory, 1802/03 City Directory - 38 Barley Street
See Article for More Information
Photo Courtesy: New York Public Library
Longworth's New York Directory, 1803/04 City Directory Bayard Street
See Article for More Information
Photo Courtesy: New York Public Library
Longworth's New York Directory, 1804/05 City Directory Pell, Near Winne
See Article for More Information
Photo Courtesy: New York Public Library
Longworth's New York Directory, 1805/06 City Directory Pell, Near Mott
See Article for More Information
Photo Courtesy: New York Public Library
Longworth's New York Directory, 1806/07 City Directory 7 Mott Street
See Article for More Information
Photo Courtesy: New York Public Library
Longworth's New York Directory, 1807/08 City Directory 36 Barley Street
See Article for More Information
Photo Courtesy: New York Public Library
Three Examples of William Pecker's Stoneware Production Recently Identified
Made in South Amesbury (Merrimacport), Massachusetts Before 1820
The Jug was Found in California, While the Jars were Found in the Midwest and New York
See Article for More Information
Photos Courtesy: Leonard Gravier, Zach Christy and Nathan Fisher

Please Stay Tuned...Much More to Come...

Saturday, August 3, 2024

An Exceptional 19th Century Presentation Stoneware Cooler that is Owned by Winterthur Museum in Delaware

This is at least among the best, and it can certainly be debated whether it is the best decorated example of New Jersey stoneware known to exist today; furthermore, it is probably one of the best stoneware coolers made anywhere in America. Nevertheless, this large double-handled nineteenth century presentation stoneware cooler is really a work of art in itself (just the lid alone is a work of art), which was acquired by Winterthur Museum in Delaware in the mid-twentieth century. 

The unmarked lidded presentation cooler is heavily decorated on the front with a tree, plants and an inscribed date of "1853;" there is also a medallion placed in the middle of the tree that is decorated with a spread-winged patriotic American eagle and a shield. The back of the cooler is adorned with more floral decoration, an inscribed bird, an inscribed fish chasing a smaller fish and the name "T. Whiteman."

Winterthur identifies the churn as having reportedly been made in Perth Amboy, Middlesex County, New Jersey, whereas I actually tried researching the inscribed name a few months ago, although I could not find any information about "T. Whiteman." But the museum did suggest that "the fish on the back may symbolize drunkenness. Large vessels with spigots have long been used to dispense water, wine and other alcoholic beverages. The date and name “T. Whiteman” may celebrate a particular occasion in his life."

This churn has also been published a few times since it was acquired by Winterthur in the 1950s, including Donald Blake Webster's 1971 book, Decorated Stoneware Pottery of North America and Kenneth Ames' 1977 book, Beyond Necessity: Art in the Folk Tradition.

Interestingly, some of the design on this cooler reminds me of some of the decoration that is applied on an earlier great stoneware punch bowl that is attributed to John Crolius Jr. (1755-ca. 1835) in Manhattan, which is inscribed with the name "Elisabeth Crane," dated "1811" and owned today by the American Folk Art Museum in New York City; for instance, there may be similarities with the inscribed fish on both objects: https://collection.folkartmuseum.org/objects/3382/punch-bowl?ctx=dcde36ced6940daf20b213d733602aa78dac5549&idx=13.

According to information displayed with the punch bowl, as part of the Folk Art Museum's 2014 exhibit, Self-Taught Genius: Treasures from the American Folk Art Museum, "The form of the bowl is inspired by Chinese export porcelain of the period, and the exterior is emblazoned with elaborate foliate cobalt decoration. When the bowl was emptied of its refreshment, a beautiful cobalt full-bodied fish on the interior would be revealed."

Another significant four gallon stoneware cooler sold at Crocker Farm in Sparks, Maryland in the fall of 2020, setting an auction record for New Jersey stoneware, when it sold to a private collector in New Jersey for $252,000, including the buyer's premium. The presentation cooler was attributed to Abial Price of South Amboy, Middlesex County, New Jersey; one side was masterfully incised with a ship decoration and inscribed with the name "John B. Wilson:" https://www.crockerfarm.com/stoneware-auction/2020-12-04/lot-1/Important-Presentation-Cooler-w-Elaborate-Incised-Ship-Design-attrib-Abial-Price-South-Amboy-NJ-Dated-1839/.

Mark Zipp of Crocker Farm described the object just after it sold to Antiques And The Arts Weekly: "It was the best ship I’ve ever seen. It is really finely done and very large, but the intricacy and depth of the incising was remarkable. And then when you put that on a cooler, it takes it to a whole new level. This was a stylish form, it had double open handles, and then the 1839 date and the presentation name. It had a lot going for it, you couldn’t ask for a whole lot more in a piece of stoneware.”

Price was the grandson of Xerxes Price and the son of Ebenezer Price, both potters themselves; he did not have a maker’s mark and there are only a few examples of stoneware known to exist that he inscribed with his name.

Note: Any prior ownership of this churn before Henry Francis du Pont (1880-1969) at Winterthur is unknown to me, although I am sure there is a story to tell there, as well.

An Exceptional 19th Century Presentation Stoneware Cooler

(Front) 19th Century Double-Handled Lidded Stoneware Presentation Cooler
Reportedly Made in South Amboy, New Jersey
Decorated with a Patriotic American Eagle, Plant & Tree Motifs
Dated "1853"
Stands 26 3/4" Tall
See Article for More Information
Photo Courtesy: Winterthur Museum
(Back) Decorated with a Bird, a Fish Chasing a Smaller Fish and Plant Motifs
Inscribed with the Name "T. Whiteman"
See Article for More Information
Photo Courtesy: Winterthur Museum

Please Stay Tuned...Much More to Come...

Friday, August 2, 2024

Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania

Here are some more before and after pictures of an auction catalog photo shoot for an upcoming sale at Pook & Pook in Downington, Pennsylvania. As I already noted, this is from a private collection I had the privilege of visiting about ten years ago in Gettysburg, Pennsylvania. There is a lot more to this collection, although some of it has also been published in a few of my books, as well as my forthcoming New Hampshire book. This sale will be happening in September of 2024; there is also a significant amount of great stoneware.

Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania

Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania
See Above for More Information
Photo Courtesy: Pook & Pook
Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania
See Above for More Information
Photo Courtesy: Pook & Pook

Please Stay Tuned...Much More to Come...

William Pecker Listed as a Potter in Longworth's American Almanack, New York Register, and City Directory, 1805

Among the subjects that will be covered in my now finished forthcoming 675-page New Hampshire book, titled, An Influential Family of Early Potters: The Clarks of New Hampshire and Related Businesses, is the amount of red earthenware and stoneware that was shipped to the state in the 1700s and 1800s. One of the businesses that may have capitalized with its close location to the New Hampshire border and access to waterways (or shipping routes) was the potteries that operated in South Amesbury (Merrimacport), Massachusetts in the eighteenth and nineteenth century; those potters included Benjamin Bodge (1747-1822) in the 1700s, William Pecker (1757-1820) in the 1790s through 1820, followed by successive generations of the Chase family, which lasted into the 1880s. Although, Pecker’s production is probably the most notable, seeing that not only has his red earthenware been found in many different contexts in the state, but some of the stoneware he made in South Amesbury has also been found in New Hampshire.

Interestingly, there has been speculation through the years where Pecker learned how to make stoneware; however, it seems that he trained in New York City in the early 1800s, alongside the Crolius family, the Remmey family, David Morgan and the famed free African-American potter Thomas Commeraw (ca. 1771-1823). This information is found published in a listing of potters in Longworth's American Almanack, New York Register, and City Directory, 1805; also take note that Morgan and Commeraw's names are misspelled in the directory.

I also learned last night from Long Island researcher and collector Chris Pickerell that he has found William Pecker listed in New York City Directories from the 1802-1807 period. It is after he left New York City that Pecker began to produce stoneware in South Amesbury sometime before he died, as a result of a kiln collapse in 1820.

Furthermore, this stoneware jug will also be included in the book, seeing that it was found in a context of ownership in New Hampshire; it is marked with an impressed upside down "Wm PECKER," and  a "2" for the gallon capacity.

Note: For more information - see my fourth published book, titled, South Amesbury's Red Earthenware & Stoneware: The 1791-1820 William Pecker Potteryhttps://historicbeverly.net/product/south-amesburys-red-earthenware-stoneware-production/.

Also see a feature story that I wrote for the April 23, 2023 issue of Antiques And The Arts Weekly, titled, William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter: http://www.earlyamericanceramics.com/2023/04/new-published-story-in-antiques-arts.html.

Early 19th Century Two-Gallon Stoneware Jug
Made at the William Pecker Pottery in South Amesbury (Merrimacport), Mass.
The "Wm PECKER" Mark was Applied Upside Down
See Article for More Information
Photo Courtesy: Mark Newton
The Impressed Marks on the Jug
The "Wm PECKER" Mark was Applied Upside Down
See Article for More Information
Photo Courtesy: Mark Newton
The List of Potters Documented Working in New York City in 1805
Longworth's American Almanack, New York Register, and City Directory, 1805
William Pecker's Name is Listed
See Article for More Information
Photo Courtesy: New York Public Library
The List of Potters Documented Working in New York City in 1805
Longworth's American Almanack, New York Register, and City Directory, 1805
William Pecker's Name is Listed
See Article for More Information
Photo Courtesy: New York Public Library

Please Stay Tuned...Much More to Come...

Thursday, August 1, 2024

Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania

This is kind of cool to see the before and after pictures of an auction catalog photo shoot for an upcoming sale at Pook & Pook in Downington, Pennsylvania. This is from a private collection I had the privilege of visiting about ten years ago in Gettysburg, Pennsylvania. There is a lot more to this collection, although some of it has also been published in a few of my books, as well as my forthcoming New Hampshire book. This sale will be happening in September of 2024; there is also a significant amount of great red earthenware.

Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania

Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania
See Above for More Information
Photo Courtesy: Pook & Pook
Preview Pictures of an Upcoming Sale at Pook & Pook in Pennsylvania
See Above for More Information
Photo Courtesy: Pook & Pook

Please Stay Tuned...Much More to Come...

Two Painted 19th Century Red Earthenware Vases from the C.A. Lawrence Pottery in Beverly, Mass.

This is a follow-up story to an article I posted to this website earlier this week, titled, A Pair of 19th Century Painted Red Earthenware Vases Likely from Beverly, Mass. that Just Sold on eBay: http://www.earlyamericanceramics.com/2024/07/a-pair-of-19th-century-painted-red.html.

These are great! This pair of nineteenth century painted red earthenware vases were just found together in an estate in New Jersey, and the decoration is very similar to a larger object made at the Charles A. Lawrence (1829-1904) Pottery in Beverly, Mass. that is owned today by Historic Beverly. Interestingly, until I saw these vases, the object owned by Historic Beverly was the only one like it that was known to exist.

This artwork likely represents Marblehead artist Thomas Pitman (1848-1923), who was employed at the pottery business as a decorator. I also suspect that the decoration is inspired after Japanese design, a subject that Lawrence devoted some time to in the late 1800s. Japanese porcelain, along with artifacts like textiles, fans and metalwork, inspired some of the designs. This is also a subject that I wrote about in my first book, titled, The Beverly Pottery: The Wares of Charles A. Lawrencehttps://historicbeverly.net/product/the-beverly-pottery-the-wares-of-charles-a-lawrence/.

This movement, known as Japonisme really began in Europe and the United States in the 1870s, whereas this is an excerpt from the Beverly book: "Lawrence also received high praise from Professor Edward Sylvester Morse (1838-1925) in the winter of 1892, a few years after he had arrived home from Japan. Professor Morse was a zoologist and orientalist. He authored some books while living in Japan in the late-1870s and 1880s. When he finally returned home, he brought with him a collection of clay samples and ceramics, as well as other art and artifacts now owned by the Peabody Essex Museum. According to the Beverly Citizen, “In a lecture on Japanese pottery at Plummer Hall in Salem, Professor E.S. Morse said $9,000,000 are spent each year for foreign pottery by the people of this country, and this might just as well be made at home, if our potters could be educated up to it. In this connection, Professor Morse spoke in high praise of the Beverly pottery of Charles A. Lawrence." I suspect that these vases are the types of object Morse was referencing during his talk.

Furthermore, the Peabody Essex Museum owns wonderful Japanese collections and a beautiful Japanese garden, no doubt due, in large part, to the advocacy of its long-term director, Edward Sylvester Morse. Morse was also responsible, in a way, for another tangible symbol of the Salem-Japan connection: the so-called “Japanese House” on Laurel Street in Salem. 

Interestingly, there was even a “Japan corner” in the late 1800s and early 1900s at the department store Almy's, Bigelow and Washburn, which operated on Essex Street in downtown Salem from 1862 to 1985. The "corner" was overseen by Mitsuki Bunko, who had a gallery in Boston and supplied the area's influential collectors with Japanese objects.

The 1880s was also when the Metropolitan Museum of Art in New York City began collecting Japanese decorative objects, including ceramics. Back then the collection was described as, "Just a small, eclectic array of Japanese decorative arts." 

Nevertheless, this fascination with everything Japonisme was a certainly a subject that Charles Lawrence took notice of with his production in neighboring Beverly, especially in the 1880s and 1890s, and I believe these vases are directly related to all of this.

Red Earthenware Vases from the C.A. Lawrence Pottery in Beverly, Mass.

My Niece Alexis Holding the Vases
See Article for More Information
19th Century Painted Red Earthenware Vases
Made at the C.A. Lawrence Pottery in Beverly, Mass.
Painted Decoration Possibly Japanese Inspired
Recently Found Together in a New Jersey Estate
Circa 1870s-1890s
Larger Stands 5 1/2" Tall
See Article for More Information
A View of the Interior
See Article for More Information
A View of the Bases
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, July 30, 2024

Some 19th Century Red Earthenware from the American Northeast Found in Various Contexts in California Through the Years

It should be no surprise that some nineteenth century red earthenware and stoneware manufactured in the American Northeast traveled all over the United States since it was originally manufactured, such as the case as some red earthenware that just sold today at John Moran Auctioneers in Monrovia, California: http://www.earlyamericanceramics.com/2024/07/a-good-19th-century-red-earthenware-dog.html.

Sometimes these objects traveled west as part of the twentieth century antiques trade, where West Coast collectors and museums chose to diversify their collections with objects made all over the country; there are examples of this happening with both museums and major private collectors in many places in the West, such Los Angeles County. But there are also other cases where pottery gradually moved away from its original place of manufacture, as a result of people or families relocating through the years or even the transfer of ownership, where pottery continued to travel further and further away from where it was originally produced.

For instance, published in the April 14, 2023 Issue of Antiques & the Arts Weekly is a feature story I wrote, titled, William Pecker: A Massachusetts Red Earthenware & New York City Stoneware Potter, which illustrates a stoneware jug that was made by William Pecker (1757-1820) in South Amesbury (Merrimacport), Massachusetts that was recently discovered in California: http://www.earlyamericanceramics.com/2023/04/new-published-story-in-antiques-arts.html.

Another example that is worth mentioning is a nineteenth century red earthenware jug that was made at the John Corliss (1799-1892) Pottery in Days Ferry, Woolwich, Maine that was found covered in dirt in an old shed near San Diego in Coronado, California. I first wrote about this jug on this website in 2013, although it has since been published in my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/94597/.

Nevertheless, here are some more examples of nineteenth century red earthenware from the American Northeast that have been discovered through the years in various contexts in California; these objects are also all privately owned in California. The larger jug and the jar or crock may have been made in Western New York, while the smaller jug is likely from northern New England.

19th Century Red Earthenware from the American Northeast

19th Century Red Earthenware Found in California Through the Years
The Larger Jug and Jar or Crock are Possibly from Western New York
The Small Jug is Likely from Northern New England
See Article for More Information
Photo Courtesy: Private Collection
More Views of the Jar or Crock
The Unglazed Top of the Rim Means There May Have Originally Been a Lid
See Article for More Information
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...