Thursday, September 12, 2019

Newburyport, Mass. Pottery Exhibit Featured in the September 20, 2019 Issue of Antiques & the Arts Weekly

Last weekend, I posted a story to this website announcing that the exhibit "Potters on the Merrimac: A Century of New England Ceramics" was now open to the public at the Custom House Maritime Museum in Newburyport, Massachusetts. The exhibit demonstrates pottery production from a variety of businesses in the Newburyport area during the Colonial eighteenth century through the early-1900s. A variety of archaeology is also displayed.

Overall, these are the businesses targeted by the exhibit:

1) Daniel Bayley Pottery Company, ca. 1763-1792
2) William Pecker Pottery, ca. 1791-1820
3) James Chase Pottery, ca. 1820-1849
4) Phineas Chase Pottery, ca. 1849-1890
5) Merrimac Pottery Company, ca. 1897-1908

I am thrilled to announce that this exhibit is the cover story to this week's issue of Antiques & the Arts Weekly with a feature story written by Rick Russack. I also wrote an article for this issue which features the history of local pottery production in the Newburyport area. A number of objects from the exhibit are also illustrated between the two feature stories.

Here are links to the two stories posted on Antiques & the Arts Weekly's website:

1) Potters on the Merrimac: A Century of New England Ceramics by Rick Russack

2) A History of Pottery Production Along the Merrimack River by Justin W. Thomas

September 20, 2019 Issue of Antiques & the Arts Weekly
 The Cover for the September 20, 2019 Issue of Antiques & the Arts Weekly
This Issue Features Two Articles Related to the Newburyport, Mass. Pottery Exhibit
See Article for More Information
 Feature Story Written by Rick Russack
See Article for More Information
Feature Story that I Authored
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 11, 2019

A Trip to the Clinton, New York Historical Society and the Site of the John Betts Gregory Pottery

While traveling through upstate New York last month with my nephew Jason and niece Alexis, we stopped at the Clinton, New York Historical Society to learn more about the museum's collection of advertising slipware made at the John Betts Gregory Pottery in downtown Clinton. We were also given a tour of the site of the pottery, and learned that basically very little archaeology survives from this business today because of late-nineteenth and twentieth century development. As a result, it is almost impossible to differentiate the lesser decorated slipware made by Gregory in Clinton from what he also made in Connecticut and Long Island. But we also learned that very little is known about Gregory's simpler production without slip, and that some of his slipware in Clinton can even be mistaken for wares made in Pennsylvania.

However, despite the fact there is missing information about Gregory's production in Clinton, his story is still a fascinating subject to learn. In 1896, Reverend Charles Melbourne Selleck (1831-1909) wrote Norwalk, "in an attempt to bring the town's history fully to light, and to preserve and to perpetuate its mentions and memoirs. Many of these were gathered by the author while engaged in the necessarily hasty preparation of his 1886 St. Paul's Church centenary address in Norwalk, Connecticut, but most of them have since been collected, and their public presentation upon the eve of the town's quarter-millennial birth anniversary."

As part of Reverend Selleck's history of Norwalk was the life of John Betts Gregory (1782-1842), a potter who began and ended his career in Norwalk; although, I believe Reverend Selleck's recount was the first time Gregory's entire career had been published, only to be later cited in some twentieth century historical and pottery related publications.

According to Reverend Selleck, "John Betts Gregory was born in Norwalk in 1782 to Abraham and Elizabeth Gregory, who lived where the late Henry Marvin resided, on East Avenue, and south of the ancient Beacham Lane. He learned his trade (potter) of Absalom Day (1770-1843) of "Old Well (neighborhood in Norwalk)." After his marriage to Olive (1786-1883), he had a good business offer from Huntington, Long Island, which he accepted. He afterward established a pottery in Clinton, Oneida County, New York, which required a building 140x40 for his operations. He returned in 1831 to Norwalk and bought from Samuel Hanford, Half-Mile Isle, paying $325.00. He there built a kiln for the burning of earthenware and stoneware. The kiln was erected in 1832 by masons Lewis and George Raymond of "Old Well." The business was here kept up until 1840. Mr. Gregory died July 22, 1842."

Situated almost 50 miles east of Syracuse, New York and in between Rochester, New York and Albany, New York, the Village of Clinton was settled in 1787 by Revolutionary War Veterans and families from Plymouth, Connecticut, having been named after New York's first governor, George Clinton (1739-1812). This settlement eventually expanded into a town, joining Kirkland in the nineteenth century, but the original village was listed on the National Register of Historic Places in 1982.

The reason why Gregory moved to landlocked upstate New York may have been a simple desire to operate his own pottery, but he may have also heard news of Clinton's connection to Connecticut and other areas in this part of New York. There may have also been a financial incentive to move.

Nevertheless, Gregory arrived in Clinton sometime around 1808-1810 with his wife and two daughters, purchasing a pottery from Erastus Barnes, Clinton's first potter. But Gregory's desire to move north may have also been a religious quest, seeing that at the time, parts of New York were engulfed with new religious movements in the early-nineteenth century, finding much of this activity in central and western upstate New York.

Aside from his family, Gregory brought along his knowledge of slip-decoration and slip-script, which he had learned from Absalom Day in Connecticut, a New Jersey trained potter who arrived in Norwalk about 1793. But he likely practiced this type of production while employed in Huntington, as well sometime around the late-eighteenth and early-nineteenth century.

John Betts Gregory may have been the first red earthenware potter producing slip-decorated pottery in upstate New York, a technique that was already practiced in downstate New York, and later embraced by a number of potters employed in Western New York. But he clearly manufactured a lot of wares while employed in Clinton for about 20 years, circa 1810-1829. The most notable of those objects today are the wares that were decorated with slip, but he must have produced simpler decorated pottery in the same manner. Much of this production was also likely intended for local consumption.

Unfortunately, not much is left of the Clinton Pottery today, since the Owens-Pavlot Funeral Home was built on top of the pottery in the nineteenth century and also occupying Betts' home, having been established in 1867.

Interestingly, the personalities of most early American potters are not known; however, author, Amos Delos Gridley published History of the Town of Kirkland, New York in 1874, describing the businesses of Erastus Barnes and Gregory, as well as a first-hand account he had been told by someone who knew Gregory: "Erastus Barnes established the first pottery in Clinton, his works being nearly in the rear of the late Reverend Charles Jerome's residence on College Street (Hamilton College established in 1793). He found clay of an excellent quality on the Gleason farm, near Manchester, and his business was, for those times, large and lucrative. Mr. John B. Gregory succeeded him, and carried on the same industry for several years. He was quite a recluse, being seldom seen outside of his own premises. Yet he had a genial soul, and loved to scatter jokes and bits of humor among old and young who came to inspect his works or to buy his wares. He was a devout Methodist. Placing a lump of clay on his lathe, he would set his wheel a-spinning, and, while moulding pan or jug or other vessel, would burst into some old refrain, as --


"Behold the potter and the clay !
He forms his vessels as he please."


Among the best known examples of slipware produced by Gregory in Clinton is a large slip-script plate, "Why / Will You / Die," which has been published, and was owned for many years by retired New York State archaeologist and museum specialist, George Hamell. Other notable objects of interest include a slip-decorated vase with two eagles, as well as another plate inscribed, "Made / By J B G / Oct 18 1823 / Clinton" (see below), which is considered one of the earliest examples of dated and signed red earthenware from New York.

John Betts Gregory's Pottery in Clinton, New York
My Nephew Jason and Niece Alexis Outside the Clinton, NY Historical Society
See Article for More Information
My Niece Alexis Admiring Two Pieces of Advertising Slipware
Red Earthenware Made by John Gregory Betts in Clinton, NY
See Article for More Information
The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
Sign on the House Once Owned by John Betts Gregory in Clinton, NY
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The Site of John Betts Gregory's Pottery in Clinton,  NY
See Article for More Information
Building Behind the Site of the John Betts Gregory Pottery in Clinton,  NY
Most of the Archaeology was Likely Removed Because of this Type of Construction
See Article for More Information
Some Red Earthenware Artifacts Found Behind the Site of the John Betts Gregory Pottery
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, September 10, 2019

19th Century Canteen or Rundlet Owned by the Livingston County Historical Museum in Western New York

While traveling through western New York a few weeks ago with my nephew Jason and niece Alexis, we visited the Livingston County Historical Museum in Geneseo, New York. Our purpose of the visit was to study a terrific western New York red earthenware jar inscribed "Ice Cream," but we also saw other examples of locally made red earthenware and stoneware.

For instance, this red earthenware canteen or rundlet is a form that is typically attributed to manufacturers in New England today. However, this particular example was reportedly made in western New York in the 1800s, and according to the museum's records, it was owned by a local man named Zolman Wright.

Zolman Wright reportedly used this canteen while he served in the 171st Regiment in the New York Infantry during the Civil War, which was organized in New York in 1862. I have not been able to find much information on Wright's life, yet, but it appears that he served alongside other family members. The potter responsible for this object has also not been identified.

Western New York Canteen or Rundlet
19th Century Red Earthenware Canteen or Rundlet
Attributed to Western New York
Used by a Local Man Named Zolman Wright
See Article for More Information
Photo Courtesy: Livingston County Historical Museum
Information on Display with the Canteen or Rundlet
See Article for More Information
Photo Courtesy: Livingston County Historical Museum

Please Stay Tuned...Much More to Come...

19th Century New England Red Earthenware Jar Sells in Freeport, Maine

This excellent nineteenth century red earthenware jar just sold on Sunday September 8, 2019 at Casco Bay Auctions in Freeport, Maine. It was the firm's inaugural antiques auction. And while I cannot say specifically where this jar was made, I suspect that it was manufactured somewhere in northern New England. 

The combination of colors is quite attractive, combined with the shape and the incised decoration. However, this was a highly competitive lot in the sale seeing that there were 79 different bids.

New England Red Earthenware Jar
19th Century New England Red Earthenware Jar
Likely Made in Northern New England
Stands 8 1/2" Tall
See Article for More Information
Photo Courtesy: Casco Bay Auctions


Please Stay Tuned...Much More to Come...

Sunday, September 8, 2019

Early 19th Century Whale Oil Lamp Complete with a Double Burner Tin Insert

This is one of two incredibly rare nineteenth century red earthenware whale oil lamps that sold through Crocker Farm in Sparks, Maryland earlier this year. I actually bought this example after the auction while visiting central Pennsylvania in June. I think the form is just spectacular, and it may be related to a specific type of jar manufactured in southeastern Massachusetts.

However, neither lamp retained their burner inserts, and I was very fortunate to acquire a period double burner tin insert yesterday that fits perfectly from Milford, New Hampshire antiques dealer, Mark Newton. The lamp is now complete, and as far as I know, this is the only lamp in this form known today.

Early 19th Century Red Earthenware Whale Oil Lamp
Early 19th Century Red Earthenware Whale Oil Lamp
I Added the Tin Double Burner Insert Yesterday
Stands 4 3/8" Tall
See Article for More Information

Please Stay Tuned...Much More to Come...

Saturday, September 7, 2019

Today's the Day! Potters on the Merrimac: A Century of New England Ceramics

Today is the big day! After a very successful opening night party last night, the Newburyport, Massachusetts Pottery exhibit, known as "Potters on the Merrimac: A Century of New England Ceramics," opens to the public this morning at 10:00 am at the Custom House Maritime Museum in Newburyport. This is an exhibit that I have dreamt of putting together for about a decade now, and the museum generously brought me on board as a guest curator, making this idea a reality.

I think this is a collection of extremely exciting pottery, all of which was made locally in the Newburyport area. There are wares that can positively be identified as production from the early-1760s right up through the artware made in the early twentieth century.

However, the aspect about this exhibit that makes me most proud is the selection of stoneware made by William Pecker (1758-1820) in the early-nineteenth century; an exhibit of this type of production has never been assembled before. And we have most of the best pieces in existence on display, including a monumental six-gallon jar and a jar that was published in the 2004 edition of Ceramics in America. There are less than 15 examples of Pecker's stoneware known today, and seven of those pieces can be seen in this exhibit, demonstrating a variety of production. There is also archaeology on display from the site of Pecker's stoneware business in Merrimacport.

Overall, these are the businesses targeted by the exhibit:

1) Daniel Bayley Pottery Company, ca. 1763-1792
2) William Pecker Pottery, ca. 1791-1820
3) James Chase Pottery, ca. 1820-1849
4) Phineas Chase Pottery, ca. 1849-1890
5) Merrimac Pottery Company, ca. 1897-1908

There is also a book that was published to coincide with this exhibit, featuring new research and many of the objects displayed. It is available in the museum's bookstore, as well through this link on Amazon.com.

A special event of interest is planned for Saturday October 5, 2019, where Massachusetts potter Rick Hamelin will demonstrate pottery production behind the Custom House building and along the picturesque Merrimack River. This event will compliment the exhibit, and will be both entertaining and extremely informative.

Potters on the Merrimac: A Century of New England Ceramics
Part of the Pottery Exhibit at the Custom House Maritime Museum in Newburyport, Mass.
See Article for More Information
Part of the Pottery Exhibit at the Custom House Maritime Museum in Newburyport, Mass.
See Article for More Information
The Exhibit Catalog is Available in the Museum's Bookstore and Through Amazon.com
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, September 5, 2019

Excellent Late-18th or Early-19th Century Red Earthenware Jar Found in a Rhode Island Estate

An early-nineteenth century red earthenware cup will be on display at the Newburyport, Massachusetts pottery exhibit, beginning this weekend at the Custom House Maritime Museum in Newburyport - the cup was made at William Pecker's business in Merrimacport, Massachusetts, and it was discovered earlier this summer inside an old estate in Rhode Island.

However, also found in that estate was this beautiful late-eighteenth or early-nineteenth century red earthenware jar, likely made by Peter Clark (1743-1826) in Lyndeborough, New Hampshire; otherwise, another potter located somewhere along Boston's South Shore or southeastern Massachusetts. 

I recently acquired this piece from Sagamore, Massachusetts antiques dealer, Brian Cullity who purchased this jar from the person handling the Rhode Island estate, while I bought the Pecker Pottery cup. And granted this is a Clark jar, then very few objects in this form are known to exist today with the most famous of those likely being an example owned by the New Hampshire Historical Society in Concord, New Hampshire. The museum's jar was reportedly made during the 1790-1810 period, and measures about the same height.

The lid also appears to be original; it certainly is the correct shape for the type of lids made by Clark, and it fits the jar very well. 

For more information about Peter Clark, I recommend a feature story I wrote for the August 2016 issue of the New England Antiques Journal, titled, "A Pottery Moves to New Hampshire: Peter Clark and His Family in Lyndeborough.

Excellent New England Red Earthenware Jar
Late-18th or Early-19th Century Red Earthenware Jar
Likely Made by Peter Clark in Lyndeborough, NH or Another Potter in Southeastern Mass.
Recently Discovered in an Estate in Rhode Island
Stands 8 1/4" Tall
See Article for More Information
Another View of the Jar
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Please Stay Tuned...Much More to Come...