Saturday, September 20, 2025

Some More Information About the 19th Century Norcross Pottery of Farmington, Maine

Yesterday I posted a story about a collection of eight nineteenth century red earthenware jugs made at the Norcross Pottery in Farmington, Maine, which sold at Thomaston Place Auctions in Thomaston, Maine: http://www.earlyamericanceramics.com/2025/09/selection-of-19th-century-red.html.

This company was operated by three successive family members: Josiah Norcross (1759-1828) who was born in Cambridge, Massachusetts, as well as his son Matthias Norcross (1792-1868) and grandson Matthias Norcross, Jr. (1836-1880). There was also a brother to Josiah, named Samuel Norcross (1781-1872), who had some involvement in the potter's trade, but not much is documented about what he may have produced, although he is buried in Monmouth Center Cemetery in Monmouth, Maine, which is where the Safford family produced red earthenware in the 1800s.

Nevertheless, published as part of my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine, is a selection of Norcross Pottery objects owned privately in Maine, which includes jugs, pitchers and an inkwell. One of the jugs is probably the most dramatic shaped jug associated with the Norcross Pottery today, which is known for a very unusual indented line around the midsection of the body of jugs. 

Furthermore, ten of the Norcross jugs in this collection came from the estate of Frank Dingley in Farmington, one of which I acquired from the owner around a decade ago. Although, the inkwell is of particular interest, seeing that it was pulled out of an old attic in Farmington by Dingley. 

The Norcross Pottery will also likely be mentioned in my forthcoming two-volume tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusettssince I have a section about how some potters in Essex County, Massachusetts and the Boston area influenced production in parts of northern New England in the eighteenth and nineteenth century.

The 19th Century Norcross Pottery of Farmington, Maine

(Left) Very Unusual 19th Century Red Earthenware Jug
Likely Made at the Norcross Pottery in Farmington, Maine
(Right) 19th Century Red Earthenware Inkwell
Found in an Old Attic in Farmington, Maine
See Article for More Information
Photo Courtesy: Private Collection
19th Century Jugs Made at the Norcross Pottery in Farmington, Maine
See Article for More Information
Photo Courtesy: Private Collection
19th Century Jugs Made at the Norcross Pottery in Farmington, Maine
Notice the Size of the One on the Left (See Picture Below)
See Article for More Information
Photo Courtesy: Private Collection
Small 19th Century Jug Made at the Norcross Pottery in Farmington, Maine
See Article for More Information
Photo Courtesy: Private Collection
19th Century Red Earthenware Pitchers Made at the Norcross Pottery in Farmington, ME
See Article for More Information
Photo Courtesy: Private Collection

Please Stay Tuned...Much More to Come...

Friday, September 19, 2025

Selection of 19th Century Red Earthenware Jugs from the Norcross Pottery in Farmington, Maine that Sold Today in Maine

A selection of eight nineteenth century red earthenware jugs made by the Norcross family in Farmington, Maine sold today at Thomaston Place Auctions in Thomaston, Maine. The company was operated by three successive family members: Josiah Norcross (1759-1828) who was born in Cambridge, Massachusetts, as well as his son Matthias Norcross (1792-1868) and grandson Matthias Norcross, Jr. (1836-1880). There was also a brother to Josiah, named Samuel Norcross (1781-1872), who had some involvement in the potter's trade, but not much is documented about what he may have produced.

The collection of jugs sold as part of the lifelong collection of Larry and Jean Dubord of Farmington. According to the auctioneer, "This collection is more than antiques: The Dubord family preserved Maine’s living stories. For more than fifty years, Larry and Jean Dubord welcomed friends, collectors, and curious visitors to their Farmington home to share their love for Americana. The pair had a keen business sense and incredible eye for beautiful things—but most importantly, they appreciated the value of a good story, and they understood that the objects we use, trade, and pass down through generations embody the stories that make us human." The auctioneer also noted during the sale that this collection of eight Farmington jugs sat in a graduated row on a mantle in the Dubord's home.

Nevertheless, the object that I found the most appealing was a colorfully glazed small jug that stood only four inches in height; this is an unusual size for the Norcross Pottery when compared to most of the jugs that survive from this business today, which are typically in the six to nine inch range in size. The small jug sold for $1,200 plus the buyer's premium: https://www.liveauctioneers.com/item/214392347_maine-redware-jug-attributed-to-norcross-thomaston-me

For the rest of the pottery in the sale, as well as other auction results - see the auction catalog: https://www.liveauctioneers.com/catalog/385913_americana-collection-the-dubord-estate/.

Note: For more information about the Norcross Pottery - see my seventh book, titled, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Mainehttps://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/.

19th C. Red Earthenware Jugs from the Norcross Pottery in Farmington, Maine

19th Century Red Earthenware Jugs from the Norcross Pottery in Farmington, Maine
Bottom Left Measures Only 4" in Height
See Article for More Information
Photo Courtesy: Thomaston Place Auction Galleries, Inc.

Please Stay Tuned...Much More to Come...

Thursday, September 18, 2025

“An two Earthen platers and a Culender" in the Probate Inventory of Edward Allen (Ca. 1633-1696) of Suffield, Connecticut

Displayed at the Museum of Fine Arts, Boston is an eighteenth century slip decorated red earthenware colander, which I suspect was made in Massachusetts. I believe this colander is also illustrated in my third book, titled, The Dawn of Independence, the Death of an Industry: The Pottery of Charlestown, Massachusettshttps://historicbeverly.net/product/the-dawn-of-independence-the-death-of-an-industry/.

However, I have not seen any archaeological evidence of this form from any site that I have studied in New England; in fact, I have not really seen any accurate reference to the form having been made in Massachusetts before the American Revolution. Understandably, though, this is a very special object that the museum owns. 

Nonetheless, while working on my tenth and eleventh books, which are both works progress, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts and A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires and Vermont, I came across a probate inventory owned by Memorial Hall Museum in Deerfield, Massachusetts. 

The record is for Edward Allen (circa 1633-1696) of Suffield (now Hartford County), Connecticut. It is dated “1696” and includes “An two Earthen platers and a Culender.” 

Allen arrived in the Salem, Massachusetts area, where he married Sarah Kimball (1635-1696) in Ipswich, Essex County, Massachusetts on November 24, 1658. According to historical records, "On October 30, 1678, Edward was granted 60 acres in Suffield. His three older sons were granted forty acres each by the committee charged with the settling of Suffield. In spite of this grant, Edward and his son, John (1659-1704), took an oath of allegience to the town of Ipswich on December 11, 1678. The family remained in Ipswich until the spring of 1680, but they moved to Suffield shortly thereafter. Edward was referred to as Corporal when he was chosen a selectman in Suffield on March 7, 1693."

It is unclear where the "two Earthen platers and a Culender" were made noted in his inventory, although there was red earthenware production in places like Salem and Charlestown before Edward arrived in Connecticut in 1680.

Note: For more information about pottery made in the Hartford, Connecticut area - see my sixth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Areahttps://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/?add-to-cart=2685.

“An two Earthen platers and a Culender" in the Inventory of Edward Allen

The 1696 Probate Inventory of Edward Allen (Ca. 1633-1696) of Suffield, Connecticut
Allen Came to Suffield in 1680 from Essex County, Mass.
The Inventory is Dated "1696"
Included are “An two Earthen platers and a Culender"
See Article for More Information
Photo Courtesy: Memorial Hall Museum
Likely an 18th Century Slip Decorated Red Earthenware Colander
Probably Made in Massachusetts
See Article for More Information
Photo Courtesy: Museum of Fine Arts, Boston

Please Stay Tuned...Much More to Come...

Tuesday, September 16, 2025

Some Upcoming Museum Presentations, Forthcoming Book, the Gleason Family Pottery of Western New York, Etc.

I will be speaking about my book series at some museums in New England and New York later this year and in 2026, where one of the speaking engagements will be done privately in a few months at the annual meeting of the New Hampshire Antique Dealers Association in Concord, New Hampshire. I put together a brief overview of this talk, although I wanted to share this information because there is a significant connection found with a family of potters in Western New York that is tied in with many of the key points that I will talk about, as part of the presentation. This family of potters is also a subject touched upon in my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusetts. 

This is the overview: "Red earthenware (or redware) production in the American Northeast, dates back to the seventeenth century, where it was the earliest type of domestic pottery production, with stoneware following in the eighteenth century before the American Revolution in places like New York City, Philadelphia, Yorktown, Virginia and Charlestown, Massachusetts. The household uses for each type of pottery were often similar, but the type of clay used and how it was fired in the kiln was different. Essentially, potters usually worked with the clays that were native to the areas that they lived, which typically dictated the type of pottery that was produced.

The earliest industry in New England operated in Charlestown in the seventeenth and eighteenth century before it was destroyed at the Battle of Bunker Hill on June 17, 1775. This was an influential production center that employed dozens of potters and largely produced red earthenware, which was shipped throughout the eastern seaboard with archaeological evidence of such distribution recovered as far north as the Fortress of Louisbourg in Nova Scotia, Canada and as far south as the Carolinas, with many locations in between.

Another movement that happened in New England was the rise of the Quaker religion, which first arrived from England to Salem, Massachusetts in the 1650s; many of the Quaker families that lived in the Salem and Danvers area embraced the potter’s craft, with a number of multigenerational families working as potters in the area during the eighteenth and nineteenth century. This industry was also intertwined with production in Bristol County, Massachusetts, among other locations in New England, including the Colonial industry in Charlestown and parts of New Hampshire and Maine, etc.

In fact, one of the potters who came from the Danvers tradition was Peter Clark (1743-1826), whose grandfather, Reverend Peter Clark (1693-1768) was the minister of the Salem Village Parsonage from 1717-1768, which was the location of the infamous Salem Witch Trials in 1692. Clark became a significant potter, working to the south of Boston in the 1760s and part of the 1770s, before relocating to New Hampshire, where he and his family were influential with production in the Hartford, Connecticut area, throughout New Hampshire and Vermont.

Some of these potters in northern New England and coastal Massachusetts also became factors in parts of New York in the 1800s, including Western New York, which was a migration area for potters from New England and the Mid-Atlantic region. Many of these potters were employed in multiple professions, working as farmers in the warmer months, while producing red earthenware when it was colder, a career path for a number of potters in America in the eighteenth and nineteenth century."

Interestingly, the Gleason family came to Western New York from Cheshire County, New Hampshire, where I noted in the recently published Western New York book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New York: "The Gleason family’s history can be traced back to Middlesex County, Massachusetts in the early-eighteenth century, which is when Thomas Gleason, IV (1637-1705) migrated from England to the Boston area. The family remained in this area, until Benjamin Gleason (1749-1814) relocated to Cheshire County, New Hampshire in the late eighteenth century; Benjamin was the father of Fortunatus Gleason Senior (1752-1811), who was the father of Forunatus Gleason Junior (1792-1873), who originally established the pottery business in Morganville. Some of the Gleason family from New Hampshire also traveled to southern California in the 1800s."

An interesting connection that the Gleason family had in Cheshire County was a member of the Southwick family also worked there as a potter for decades in the 1800s, a descendant of Lawrence (1600-1660) and Cassandra Southwick (1598-1660), who were persecuted for their Quaker faith in Salem, Massachusetts in the seventeenth century.

The 19th Century Gleason Family Pottery of Western New York

Collection of 19th Century Red Earthenware Made by the Gleason Family in WNY
See Article for More Information
Photo Courtesy: LeRoy, New York Historical Society
The Location of the Gleason Family Pottery in Western New York
The Site is Listed on the National Register of Historic Places
See Article for More Information
The Location of the Gleason Family Pottery in Western New York
The Site is Listed on the National Register of Historic Places
See Article for More Information

Please Stay Tuned...Much More to Come...

Monday, September 15, 2025

The Quaker Meeting House in Dover, New Hampshire and Its Possible Connection to a Slip Script Decorated Red Earthenware Pan Recovered in Rollinsford, New Hampshire

While traveling to the mountains last week for a hike in New Hampshire, I decided to stop at the Quaker Meeting House in Dover, New Hampshire. I suspect there is a relationship between this building and a late eighteenth century slip script decorated red earthenware pan that I recently wrote about, which was recovered in neighboring Rollinsford, New Hampshire, a community filled with Quakers that was a part of Dover until the 1800s. The pan is inscribed with religious text and dated "1793: http://www.earlyamericanceramics.com/2025/08/a-significant-18th-century-slip-scipt.html?m=1.

Built in 1768, the Dover Quaker Meeting House will also be included as part of the new two-volume book I’m working on now, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusettshttp://www.earlyamericanceramics.com/2025/09/some-info-about-forthcoming-book.html.

The history of the Dover Quaker Meeting House began in the mid-1600s when Quaker missionaries arrived in the area, leading to the establishment of the Dover Friends Meeting in 1680. After earlier meetinghouses were constructed, a significant third meetinghouse was built in 1768 at 141 Central Avenue, which still stands today and is the oldest religious structure in the city. This building is listed on the National Register of Historic Places and remains in use by the Dover Friends Meeting. This Quaker group was also intertwined with the Quakers living in the Danvers and Salem area before the American Revolution.

The Quaker Meeting House in Dover, New Hampshire
This is the Quaker Meeting House in Dover, New Hampshire
It was Constructed in 1768
See Article for More Information
This is the Quaker Meeting House in Dover, New Hampshire
It was Constructed in 1768
See Article for More Information
Old "Quaker / Meeting House / 1768" Sign
See Article for More Information
The Building is Register on the National Register of Historic Places
See Article for More Information
This is the Quaker Meeting House in Dover, New Hampshire
It was Constructed in 1768
See Article for More Information
This is the Quaker Meeting House in Dover, New Hampshire
It was Constructed in 1768
See Article for More Information
This is the Quaker Meeting House in Dover, New Hampshire
It was Constructed in 1768
See Article for More Information
This is the Quaker Meeting House in Dover, New Hampshire
It was Constructed in 1768
See Article for More Information

Please Stay Tuned...Much More to Come...

Sunday, September 14, 2025

Some Info About Forthcoming Two-Volume Book, Frederick Douglas, Bristol County, Mass. Potters, Archaeology, Etc.

Tonight's post is an update on my next book, where the format of the forthcoming tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, South Danvers, Peabody and Salem, Massachusettshas changed a bit - it is going to be two volumes and similar to the Western New York book that was published earlier this year: https://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

This is an excerpt from Volume II: "...The Quaker impact with red earthenware production in the South Danvers (Peabody), Danvers and Salem, Massachusetts area in the seventeenth, eighteenth and nineteenth century should not be understated; it is a storied past with an extensive and intricate history. Its history stretches back for centuries with the production of red earthenware being the career path for a number of the Quaker men, who lived in this area before 1850. The documentation is lacking, although there may have been a good deal of red earthenware trade between the Quaker communities, including in Bristol County, Massachusetts, which was surrounded by Quaker Meeting Houses located elsewhere in the region, including on Cape Cod and Rhode Island.

As English settlements continued to expand in parts of Colonial New England, so did the Quaker religion into parts of coastal Maine and southern Rhode Island. The religion also began to spread inland. The potting trade also remained with many of the big potting families, such as the Osborn family of South Danvers, which was a way of preserving skills within the family that often required a lengthy period of apprenticeship. The Osborn family potting dynasty eventually spread to different parts of New England in the 1800s, most notably red earthenware businesses that family members established in areas of New Hampshire, which included Gonic, Dover and Loudon.

However, there was growing opposition against Quakers as the American Revolution drew near, as conflicts increased between the colonies and Great Britain. A number of Quakers proclaimed a religious loyalty to England, although this sentiment was not shared by all American Quakers, where some rebelled against the English monarchy.

After the Revolutionary War, America’s newfound independence brought change to the Quaker Movement. New Meeting Houses were erected in Western Massachusetts, Maine, Vermont and Upstate New York. Quakers also became heavily involved with the whaling industry in New Bedford, Massachusetts, an industry that was previously largely dominated on the island of Nantucket. A number of New England Quakers also helped formerly enslaved people find new free lives in New England and Canada. Although, the foundation of much of this Quaker Movement in New England can be traced back to Salem, Massachusetts in the seventeenth century when Lawrence (1600-1660) and Cassandra Southwick (1598-1660) were persecuted for their Quaker faith, among others.

In fact, in his 1845 autobiography, Narrative of the Life of Frederick Douglass, Frederick Douglass (1818-1895) mentions two men who were members of New Bedford Monthly Meeting—William C. Taber (1797-1886) and Joseph Ricketson (1815-1876) — because of their assistance in helping Douglass and his wife get to New Bedford from Newport, Rhode Island when he was escaping enslavement.

According to Douglas, "They seemed at once to understand our circumstances, and gave us such assurance of their friendliness as put us fully at ease in their presence. It was good indeed to meet with such friends, at such a time.”

Douglas lived in New Bedford for three years, circa 1838-1841; he and his wife, Anna Murray Douglas (1813-1882), were sheltered by the Johnson family, active abolitionists and Underground Railroad hosts.

Taber and Ricketson helped Douglas and his wife escape slavery in Maryland in 1838, where they reached New Bedford, and were then connected with African Americans Nathan (1797-1880) and Mary Durfee (nicknamed Polly) Johnson (1784-1871), who were local abolitionists. Nathan was born in either Philadelphia or Virginia about 1797.

This Brick Quaker Meeting House was Built in 1785
It is Located in New Bedford, Mass.
There was also a Quaker Meeting House in Dartmouth, Bristol County, Mass.
See Article for More Information
This is Nathan and Polly Johnson's House in New Bedford, Mass.
This is Where Frederick Douglas and His Wife Stayed, 1838-1841
To the Right is a Quaker Meeting House
Photo Courtesy: National Park Service
This is Frederick (1818-1895) and Anna Murray Douglas (1813-1882)
See Article for More Information
Photo Courtesy: Wadsworth Atheneum Museum of Art

After living in New Bedford, Douglass went on to live in various locations, including Rochester, New York, where he published the abolitionist newspaper The North Star starting in 1847. The City of Rochester also has a storied history with slavery connected to Nathaniel Rochester (1752-1831) (for more information – see the book, America’s Great Awakening and Migration: The Red Earthenware of Western New York). Douglas later lived in Washington, D.C., which was his primary home from 1872 until his death in 1895.

Circa 1818-1831 Slip Decorated Red Earthenware Jar
Made at the Nathaniel Rochester Pottery in West Bloomfield, New York
See Article for More Information
Photo Courtesy: Personal Collection of Gene and Nancy Pratt
Another View of the Jar
See Article for More Information
Photo Courtesy: Personal Collection of Gene and Nancy Pratt

Interestingly, a green glazed knob to a red earthenware lid likely from a jar made in Bristol County, Massachusetts was recovered by archaeologists at the site of the African-American Meeting House in Boston (see Chapter 11). This small artifact likely represents a lot more to the story of the abolitionist Quakers who lived in Bristol County in the eighteenth and nineteenth century, as well as other parts of New England..."

19th Century Sherds Recovered at the African-American Meeting House in Boston
Likely the Remains of a Lid for a Jar Made in Bristol County, Mass.
See Article for More Information
See Jar Below from Winterthur for a Comparison
Photo Courtesy: Boston Archaeology Department
Late-18th or Early-19th Century Red Earthenware Jar Attributed to Bristol County, Mass.
The Finial is Likely Related to the Sherds Shown Above
Circa 1790-1820
Stands 11 3/8" Tall
See Article for More Information
Photo Courtesy: Winterthur Museum

Please Stay Tuned...Much More to Come...

Saturday, September 13, 2025

A Sewer Tile Figure Made by Carl Funk in Ohio in 1945

Published on the cover of the February 5, 2021 issue of Antiques & Auction News, is a feature story I wrote, titled, Special Folk Art Ceramic Vase Made At The Maurice Knight Chemical Stoneware Plant in Akron, Ohio: Carl Funk's Sewer Tile Vase Is Dated 1935.

Carl Elton Funk (1913-2005) was born in Akron, Ohio on February 26, 1913. His first wife Marie Funk was born in 1918; they divorced on March 27, 1947, although, he married a second time in 1951 to Vera Genevee Parsons (1919-2011), who he married on January 20, 1951. He worked at the Maurice Knight Chemical Stoneware Plant in Ohio, very likely starting there in the late 1920s or early 1930s. Later in life, he was a gospel singer on television and radio in Louisville, Ohio. He is buried next to his second wife in Forte Meade, Florida.

Carl Funk's occupation is listed in the 1940 United States Federal Census as an "Ovens Tender, Clay Factory." It would seem that he began in the pottery industry at a young age seeing that his highest level of education achieved was eighth grade. His father Howard Thurlow Funk (born July 25, 1881) was also a German potter working in Akron, listed as a "maker of chemical stoneware." 

The Maurice Knight Chemical Stoneware Plant was established in 1910, and the company was the first United States maker of acid-resistant ceramics that could be used in chemical processing. Among the products manufactured were huge ceramic urns used to move corrosive liquids before tanker trucks and rail cars were developed to transport acids. In the 1920s, a typical large container used to treat acid and convert sulfur dioxide would have been five feet in diameter and 20 to 25 feet tall.

I recently learned about this outstanding sewer tile object from the personal collection of antiques dealer Matt Greig, which Carl Funk made in 1945. The figure incorporates the use of some slip decoration. The front appears to be impressed with the words "FUNNY MAN," although part of the second word is missing. The back is impressed with the initials "C.E.F.," while the base is marked "MADE BY / CARL FUNK / 1-28-45."

A Sewer Tile Figure Made by Carl Funk in Ohio in 1945

20th Century Sewer Tile Figure Made by Carl Funk in Ohio in 1945
Front Appears to be Impressed "FUNNY MAN"
See Article for More Information
Photo Courtesy: Personal Collection of Matt Greig
A View of the Back
The Back is Impressed "C.E.F."
See Article for More Information
Photo Courtesy: Personal Collection of Matt Greig
A View of the Base
Marked "MADE BY / CARL FUNK / 1-28-45"
See Article for More Information
Photo Courtesy: Personal Collection of Matt Greig

Please Stay Tuned...Much More to Come...