Sunday, April 21, 2024

The 20th Century Discovery of an Important 19th Century Stoneware Churn from Fulton, New York Now in Adam Weitsman's Collection at the New York State Museum

For every example of eighteenth and nineteenth century American red earthenware and stoneware that is owned by a museum, that object is also often accompanied with some type of history of family ownership or a moment of rediscovery, whereas the story of this nineteenth century stoneware churn from Fulton, New York is no different today. I actually just learned the twentieth century discovery of this object yesterday, although I was aware of part of its current history over the past ten years.

It was in the 1970s when David Blanchard's father, Douglas Blanchard was out picking for antiques in central New York, and he came across this remarkable churn for just $25 in a garage in Oswego, New York. Oswego is located to the north of Syracuse, New York along Lake Ontario, where it appears the churn may have only traveled about ten miles to the north from when it was originally manufactured.

However, the immediate first impression may not have been much compared to when the churn's artwork was eventually revealed. At first, it appeared like a simple churn, although that thought was quickly replaced, seeing that an incredible cobalt decoration was facing the wall, initially only revealing to visitor's of the garage the undecorated backside of the churn. It may have been placed this way to protect the decoration from any unexpected harm, although when turned around, the five-gallon churn revealed an incredible hand-drawn decoration of a hatted man smoking a pipe. The churn was also stamped "HARTS / FULTON." 

Multiple generations of the Hart family were involved in commercial stoneware production, but it began with James (d. 1864) and his brother Samuel Hart (1806-1891), who were both born in England; the brothers were based in Oswego Falls (now Fulton), New York when they established a stoneware pottery in 1832 operating together until 1840.

However, about 1840 is when James Hart relocated to Sherburne, New York and opened his own separate pottery there, while Samuel continued to operate the Fulton business from 1840-1876. 

James's son Charles (who was also born in England in 1818) joined him in the business from 1841 to 1858, after which Charles Hart ran it himself until he was joined by his own son, Nahum (b 1844) in 1866. The business was known as C. Hart and Son from 1866 to 1885. 

Samuel Hart's nephew, William Hart was also the founder of the Picton Pottery in Prince Edward County, Ontario, Canada, circa 1849. This family's history of stoneware manufacturers in New York and Canada is certainly among the most regarded of any of the red earthenware and stoneware potting family dynasties in America and Canada in the 1800s.

But the story of this churn found that day in the garage is far from over - it was then sold a few years later in order to help Douglas pay for his son's college tuition. The churn was sold through an auction house in Pennsylvania, where it brought about $12,000. Although, I do not know if this was a sale held by Marlin G. Denlinger, but it was acquired by Dr. Steven Leder of Yale University for around $20,000 at a Denlinger stoneware auction in Bennington. At the time, this was the highest price paid for a piece of stoneware sold at a Denlinger sale.

The Denlinger sales in Bennington are also often referenced today for exceptional examples of American stoneware sold by such auction houses as Crocker Farm in Maryland, Pook & Pook in Pennsylvania and Skinner in Massachusetts, among others.

Nonetheless, Dr. Leder collected and wrote about stoneware for decades, and he was also the co-author of the 1991 book, The Birds of Bennington, which describes the many bird designs on stoneware made by the Norton family in Bennington, Vermont in the nineteenth century.

This churn remained in Dr. Leder's collection until 2017 when it was consigned with part of his stoneware estate to Nadeau's Auction's annual spring sale in Windsor, Connecticut on March 25, 2017. I was actually the winning bidder on a number of the stoneware related lots in this sale for Adam Weitsman's Collection at the New York State Museum in Albany, New York, although with an $80,000-$120,000 estimate, the churn was passed at $60,000. But stoneware collector and dealer Stephen German eventually helped Adam acquire this object through a private sale with the family, whereas it now resides in the New York State Museum today.

Note: For the rest of the stoneware and related objects from Dr. Leder's Collection that sold at Nadeau's Auctions - see lots 331-345a in the auction catalog: https://www.nadeausauction.com/product-category/past-auctions/important-annual-spring-auction-1150/. Some of his stoneware has also been sold through the years by Crocker Farm in Sparks, Maryland. There was also a tribute to his stoneware collection that was presented by Jack McMackin and Stephen German at the Stoneware Collector's Group meeting in Bennington, Vermont.

Here is also a link to a story I posted to this website in March of 2017 that previewed the sale of this churn: http://www.earlyamericanceramics.com/2017/03/an-important-collection-of-19th-century.html.

Important 19th Century Stoneware Churn from Fulton, New York

19th Century 5 Gallon Stoneware Butter Churn Made in Fulton, NY
Stamped "Harts / Fulton"
Hand Decorated in Cobalt with a Man Smoking a Pipe
Stands 17 1/8" Tall
Found in a Garage in Central New York in the 1970s
See Article for More Information
Photo Courtesy: David Blanchard
Another Picture of the Churn
See Article for More Information
Photo Courtesy: Nadeau's Auction Gallery
Additional Pictures of the Churn
See Article for More Information
Photo Courtesy: Nadeau's Auction Gallery
Samuel Hart Listed as a "Pottery Baker" in the 1860 Federal Census
He is Listed in Oswego Falls (now Fulton), New York
The Census Also Indicates that He was Born in England
See Article for More Information

(Left) This is Douglas Blanchard
Douglas Found the Churn in a Garage in Central New York in the 1970s
(Right) This is David Blanchard
This Photo was Taken in 2003
See Article for More Information
Photo Courtesy: Douglas Blanchard

Please Stay Tuned...Much More to Come...

Saturday, April 20, 2024

An Inscribed 19th Century Red Earthenware Jar with Script that Sold Yesterday at Pook & Pook in Pennsylvania

This nineteenth century red earthenware jar with most likely its original lid sold yesterday at Pook & Pook in Downington, Pennsylvania, and it is probably related to a jar that sold at Crocker Farm in Sparks, Maryland in the spring of 2023 which was suggested to have been made in Chester County, Pennsylvania. However, the jar that sold yesterday was also inscribed on the base with what appears to be the name, "John Boll" and "1832."

Interestingly, there are some aspects about the way this jar was made that is similar to some of the known Vickers family production in Chester County, which was also a subject of a cover story I wrote for the September 2, 2022 issue of Antiques & Auction News, titled, The Vickers Family Of Pennsylvania: Abolitionists, Farmers And Quaker Potters - A Short Examination Into A Unique American Ceramics Story: http://www.earlyamericanceramics.com/2022/08/new-published-cover-story-vickers.html.

When I first learned about this jar, I assumed the signature on the base was the name of the potter, but seeing that I cannot find any record of a potter with this name, I now question if this is a presentation jar made for a person with this name. For instance, the name John Boll is found throughout southeastern Pennsylvania in the 1800s, although there is nobody with this name that I can link to being employed as a potter. 

As discussed in the cover story I wrote, the Vickers pottery is also known to have produced some presentation objects; in the collection of the Philadelphia Museum of Art (PMA) is a large jar attributed to Thomas Vickers with incised decorations, a wreath on one side enclosing the words "Apple Butter," and on the other the name of the recipient, Edith Harlan, and the year, 1807. The entire surface is covered with a mottled, apple green enamel. Other examples in the museum's collection from this pottery include a sgraffito decorated flowerpot, inscribed, 1826, Leah Phipps, Harmony Hall, as well as a spherical jar with variegated glaze, inscribed with the year, 1822, and the name, Abigail Stromberg. There is also a jar in the museum's collection inscribed "Ann Starr" with 1805 on the base

Additionally, the Vickers family is also known to have produced some red earthenware jars with rope handles. There are also presentation objects made by the Vickers family owned privately today, along with a bowl owned by Winterthur Museum in Delaware, as well as a presentation flowerpot, among other red earthenware objects.

In the case of this jar, among the John Boll's living in Pennsylvania in the nineteenth century, there was a 28 year old man with this name listed in the 1860 United States Federal Census as being married and living in Reading, Berks County, Pennsylvania. He was employed in that year as a "hatter" and born in 1832.

Thoughts?

Nevertheless, this jar sold for $2,432 including the buyer's premium.

An Inscribed 19th Century Red Earthenware Jar with Script

19th Century Red Earthenware Jar with Likely Its Original Lid
Possibly Made in Chester County, PA
The Base is Inscribed "John Boll 1832"
Stands 8 1/4" Tall
See Article for More Information
Photo Courtesy: Pook & Pook

A View of One of the Handles
See Article for More Information
Photo Courtesy: Pook & Pook
A View of the Base of the Lid and the Interior of the Jar
See Article for More Information
Photo Courtesy: Pook & Pook
The Base is Inscribed "John Boll 1832"
See Article for More Information
Photo Courtesy: Pook & Pook
A John Boll Born in 1832 is Listed in the 1860 Federal Census
He was Employed as a Hatter in Reading, Pennsylvania
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, April 19, 2024

A Great 19th Century Stoneware Crock Found in a Cabin in Arkansas in the 1940s

There have been some remarkable examples of early American red earthenware and stoneware that have appeared on PBS' Antiques Roadshow through the years, including some pieces that have recently resurfaced at Crocker Farm in Sparks, Maryland. Those objects include a massive twenty-gallon stoneware face jug from Ironton, Ohio that sold in July of 2019 for $177,000, including the buyer's premium, which was previously featured on Antiques Roadshow in 1998.

Nevertheless, this six-gallon stoneware crock also appeared on Antiques Roadshow in Tulsa, Oklahoma in 2011, where it was appraised by Ken Farmer, an art and antiques appraiser and advisor based in Charlottesville, Virginia

According to the episode, the crock was found in Arkansas in the 1940s by the father of the woman who brought the crock on the show. She said her father got it from a man who lived in a cabin and he had ties to the American Civil War. The family became friends, and when the man who lived in the cabin passed away, his relatives told this woman's father that he could clean out the cabin and keep anything that he found in it, which included this crock.

Originally appraised in 2011 for $4,000-$6,000, I suspect this circa 1870-1880 crock is possibly from Ohio, otherwise my guess is that it was made somewhere else in the Midwest, although I have not found any evidence that it has since been sold at auction. 

The words "Shoo" Fly and a drawn fly in cobalt I find especially intriguing, seeing that I can only recall having seen this term previously used at the Anna Pottery in Illinois. As previously noted in objects inscribed with this terminology that have sold at Crocker Farm, this phrase was a  "very popular tune of the time period, "Shoo Fly Don't Bother Me," written by a white man but whose long since censored lyrics were written as if sung by a stereotyped African-American Civil War soldier." 

The importance of this crock is further supported with what appears to be a Civil War soldier, who was applied in hand-drawn cobalt, perhaps representing a Union soldier. 

Furthermore, Shoo Fly, Don't Bother Me or Shew! fly, don't bother me is a minstrel show song from the 1860s that has remained popular since that time. It was sung by soldiers during the Spanish-American War of 1898, when flies and the yellow fever mosquito were a serious enemy. Bing Crosby even included the song in a medley on his album Join Bing and Sing Along (1959). Today, it is commonly sung by children, and has been recorded on many children's records.

Note: Here is a link to the episode: https://www.pbs.org/wgbh/roadshow/season/16/tulsa-ok/appraisals/american-stoneware-crock-ca-1880--201104A42/.

19th Century Stoneware Crock Found in Arkansas in the 1940s

19th Century Six-Gallon Stoneware Crock Possibly Made in Ohio or the Midwest
Circa 1870-1880
Decorated with the the Words "Shoo Fly"
Also Decorated with a Fly and a Civil War Soldier
See Article for More Information
Photo Courtesy: PBS' Antiques Roadshow

Please Stay Tuned...Much More to Come...

Thursday, April 18, 2024

An Important 19th Century Stoneware Water Cooler Impressed "TYLER & DILLON / ALBANY" & Inscribed "L. PADDOCK"


The cooler is impressed "TYLER & DILLON / ALBANY," which represents the mark of Moses Tyler (1794-1846) and Charles Dillon (d. 1842) during the circa 1825-1834 period in Albany, New York. Previous to this partnership, Tyler is listed as a potter in Albany from 1822-1826, where he eventually took over the firm of Calvin Boynton & Company, and operated as Tyler and Dillon.

Furthermore, this cooler is decorated with a very impressive incised cobalt bird and flower decoration, and inscribed with the name "L. PADDOCK." Loveland Paddock (1794-1872) was born in Middletown, Connecticut in 1794, although he came to Watertown, New York in 1807 to work for his brother John (1776-1816) in the family business known as Paddock & Smith Mercantile. The firm amassed a great amount of wealth during the War of 1812, supplying the Army and Navy at Sackets Harbor. He took over the partnership in 1816 when John died. In the 1820s, Paddock began investing in real estate, becoming one of the wealthiest men in Jefferson County, New York during the first half of the nineteenth century.

Paddock was also a financier and entrepreneur, and he was involved in numerous ventures, where one of his most notable achievements was his founding of the Black River Bank in 1844, of which he served as president.

However, Paddock's legacy probably lies in the Paddock Arcade. During the rebuilding of Watertown after the Great Fire of 1849, Paddock commissioned architect Otis Wheelock (1816-1893) to design and build the arcade and the adjoining Paddock Building. Paddock had taken notice of a photo of the Beauharnais Arcade in Paris, France. This famous "glass covered street" struck Paddock, who wanted to build one in Watertown. Nonetheless, the arcade opened in 1850, whereas today the arcade carries the distinction of being the oldest continuously operating covered mall in the United States.

Interestingly, this cooler was also actually just rediscovered in 2009 at an on-site estate auction near Carthage, New York. It was thought to have been found during auction setup the morning of the sale, and later consigned by the winning bidder to Cottone Auctions.

Additionally, it certainly makes me question what this cooler would sell for in today's stoneware market; for instance, another stoneware water cooler bearing this same maker's mark inscribed with a fish and the word "BRANDY" sold at Crocker Farm in Sparks, Maryland in July of 2015 for $92,000, including the buyer's premium. It was the first time this object had been sold publicly, where it was previously found by the consignor's family in an attic in New York in the 1950s. There is also a related object owned by the Albany Institute of History & Art: https://www.albanyinstitute.org/collection/details/stoneware-brandy-keg.

An Important 19th Century Stoneware Water Cooler from N.Y.

19th Century Stoneware Water Cooler from New York
Impressed "TYLER & DILLON / ALBANY"
Estimated to be 8-Gallons in Size
Inscribed "L. PADDOCK" for Loveland Paddock (1794-1872)
Circa 1825-1834
See Article for More Information
Photo Courtesy: Cottone Auctions
Another View of the Cooler
See Article for More Information
Photo Courtesy: Kelly Kinzle
This is Loveland Paddock (1794-1872)
See Article for More Information
The Loveland Paddock Arcade in 1909 in Watertown, New York
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, April 17, 2024

A Good Example of 19th Century Stoneware from Hartford, Connecticut Decorated with an Inscribed Eagle, an American Flag and a Federal Shield

There are a number of very good examples of eighteenth and nineteenth century stoneware manufactured in Hartford, Connecticut known today, such as some objects owned by the Connecticut Historical Society, the National Museum of American History at the Smithsonian Institute in Washington, D.C., the Metropolitan Museum of Art in New York City and Old Sturbridge Village in Massachusetts, among other museums across the country. Crocker Farm in Sparks, Maryland has also sold some very good examples of Hartford stoneware through the years. 

Although, to continue the discussion with nineteenth century stoneware objects inscribed with American eagles, this unmarked circa 1830 three-gallon stoneware jug is thought to be from Hartford, and it is decorated with an inscribed spread-winged eagle grasping an American flag with a Federal shield. It is a very good example of inscribed decoration from the Hartford area. There is also some cobalt decoration highlighting the figure. 

Nevertheless, for more information about some of the stoneware produced in the Hartford, Connecticut area in the eighteenth and nineteenth century - see my sixth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Areahttps://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/.

19th Century Stoneware from Hartford, Connecticut

19th Century 3-Gallon Stoneware Jug From Hartford, Connecticut
Decorated with an Inscribed Eagle, an American Flag and a Federal Shield
Circa 1830
See Article for More Information
Photo Courtesy: Ed Stenger
A View of the Inscribed Decoration 
Inscribed with an Eagle, an American Flag and a Federal Shield
See Article for More Information
Photo Courtesy: Ed Stenger
Additional Views of the Jug
See Article for More Information
Photo Courtesy: Ed Stenger

Please Stay Tuned...Much More to Come...

Tuesday, April 16, 2024

Feature Interview Published in the Spring 2024 Issue of New England Pet & Home Magazine

Published on pages 8-12 in the current Spring 2024 issue of New England Pet & Home Magazine includes a feature interview with me, my dog Jack and some information about nineteenth century red earthenware figurals made in America, titled, At Home With: Justin Thomas, Historian + Author.

Here is a link to the online version of the Spring 2024 issue: https://issuu.com/newenglandpetandhome/docs/new_england_pet_home_spring_2024

Feature Interview in Spring 2024 Issue of New England Pet & Home Magazine 
See Pages 8-12
See Above for More Information
Feature Interview in Spring 2024 Issue of New England Pet & Home Magazine 
See Pages 8-12
See Above for More Information
Feature Interview in Spring 2024 Issue of New England Pet & Home Magazine 
See Pages 8-12
See Above for More Information
Feature Interview in Spring 2024 Issue of New England Pet & Home Magazine 
See Pages 8-12
See Above for More Information
Feature Interview in Spring 2024 Issue of New England Pet & Home Magazine 
See Pages 8-12
See Above for More Information

Please Stay Tuned...Much More to Come...

Found Yesterday: An Ancient Style Red Earthenware Vase Probably Made in Beverly, Massachusetts

This was a surprising find yesterday in Lawrence, Massachusetts! I have never seen this exact form before, although I suspect this circa 1870-1900 hand-thrown painted red earthenware vase was possibly manufactured in the style of ancient Grecian pottery, whereas it was probably made at the Charles A. Lawrence (1829-1904) Pottery in Beverly, Massachusetts. There are a few reasons why I suggest this place of manufacture, such as handling and studying a number of similar made marked pieces, including some that are owned today by Historic Beverly, as well as another object owned by the Metropolitan Museum of Art in New York City. 

However, the shape of this object also reminds me of ancient porcelain vases and bottles that were manufactured to resemble gourds in some of the Asian countries. And if this form were inspired after Asian pottery, then it is possible that the China Trade industry in neighboring Salem, Massachusetts may have been a source of inspiration.

For more information - see my first book, titled, The Beverly Pottery: The Wares of Charles A. Lawrencehttps://historicbeverly.net/product/the-beverly-pottery-the-wares-of-charles-a-lawrence/ .

Ancient Style Red Earthenware Vase Probably Made in Beverly, Mass.

19th C. Hand-Thrown Painted Red Earthenware Vase 
Possibly Made in an Ancient Grecian Style
Although the Shape also Has an Ancient Asian Look to It
Probably Made at the Charles A. Lawrence Pottery in Beverly, Mass.
Found Yesterday in Lawrence, Mass.
Circa 1870-1900
Stands 8" Tall
See Above for More Information
Another View of the Vase
See Above for More Information
Another View of the Vase
See Above for More Information
Another View of the Vase
See Above for More Information
A View of the Interior
See Above for More Information
A View of the Large Footed Base
See Above for More Information
A View of the Base
See Above for More Information

Please Stay Tuned...Much More to Come...