Wednesday, October 19, 2022

An Example of Mission Swirl Pottery Made in Either Arkansas, Missouri or Nevada in the 1900s

While out-and-about in southern Maine this past summer with my niece Alexis, we found what we believe is a Mission swirl earthenware vase made at the Niloak Pottery in Benton, Arkansas, circa 1909-1949, otherwise it was made at the Evans Pottery in Dexter, Missouri after 1928 or it is an early example made at the Desert Sands Pottery in Nevada from the 1950s, which happens to have been a spinoff business of a company that had connections to Georgia, Arkansas and Missouri in the 1800s. 

According to the Daily Statesman"The business began when Jacob Semmimon, a potter in Georgia, sent his son, Thomas to Arkansas in search of clay suitable for the potter's trade. But it has been reported that Native Americans told him about a better clay source found to the north in the Bloommfield, Missouri area. He was later joined at this location by his then-widowed mother and other family members, and they established themselves as jugmakers. 

The pottery was primitive but utilitarian and included fruit jars, kraut crocks, milk pitchers, and whiskey jugs. The business was expanded by loading oxen-drawn wagons with pots peddling them from Bloomfield to Cape Road, Missouri. 

The family also setup a shop at a local livery in Cape Girardeau, Missouri, where they also bought and resold goods coming into town from the Mississippi River. 

Bloomfield was burned three times during the Civil War, but the pottery business managed to be spared each time.

In 1882, a potter named, Hugh Evans was working for the Semmimons and he had also married Jacob's daughter (and Thomas' sister), Lucinda. Evans took over the operations of the business following the death of Thomas Semmimon.

Hugh Evans' son, Randall was also employed in the potter's trade working nearby at the Peters Pottery just to the south in Dexter, Missouri. The Peters Pottery made whiskey jugs and reportedly tried to create a new glaze, but was not successful. When this business failed, it was bought out by Hugh Evans, helping provide work for what had become a large family business. There were about five firings of 3,000 to 5,000 pieces per year.

In an attempt to expand production, Randall Evans and his brother, Arthur went to Benton, Arkansas in 1928 to observe pottery being made at the Niloak Factory, an art pottery company that operated circa 1909-1946. The pattern known as Mission swirl had become very popular, which was produced at the Niloak Pottery. The Evans' were able to copy this style, and were sued; however, the Niloak Pottery's lawsuit failed. 

The Evans Pottery continued to prosper and supported the families of Hugh, Randall and Arthur Evans throughout the Great Depression. But Arthur soon migrated west, where he established the Desert Sands Pottery in Nevada."

In 1936, Terrell Evans was hired by the U.S. Bureau of Mines in Boulder City, Nevada. He was a potter by trade, but in this case he was to do geological surveys of local clays. Having obtained gainful employment in bad economic times, he made a place for his relatives. Before long, he was providing for his Uncle Arthur and Arthur's children, Ferrell and Dorothy.

In 1946, Arthur and Ferrell Evans convinced an investor named Jack Petrie to back them in a partnership venture, and the Pinto Pottery Company was created. It was fairly successful, but the company was liquidated in 1949 so that Jack could be bought out and the business converted to a purely family business. The new business entity created was called the Desert Sands Pottery. All four family members were engaged in the creation of the pottery, and on August 5th, 1950 they opened the doors on the Desert Sands Gift Shop on Nevada Highway in Boulder City.

The business was booming for years for their Mission swirl pottery at the tourist stop. But in 1962, Arthur passed away, leaving decisions to be made about the future of the family business. It was decided that each of the remaining three would continue alone. Ferrell took the Desert Sands name with him to Barstow, California, where he produced the trademark swirl pottery until he died in 1975. Terrell moved to Las Vegas where he sold swirl pottery branded as Evans through tourist shops until the 1980s. Dorothy remained in Boulder City, and continued the tradition for some time, producing swirl pottery rebranded as "Mineral and Sands Pottery".

Early pieces of Desert Sands are very similar to the famous Niloak Pottery, with only the interior glazed to make them functional. However, Desert Sands often used green, bright yellow, and bright orange, colors not in the Niloak pallette. Later pieces received a bright glossy glaze on the exterior, causing the dull clay colors to become brilliant. The Burley Winter Pottery tried similar styles with different glazes, but Mission swirl at this period remained the domain of Desert Sands.

Nevertheless, are there any thoughts on this vase? Niloak Pottery versus Deserts Sands Pottery? The style of the Mission swirl colors appears to be Niloak, but I am not positive. Or could this even be an example of the early artware made at the Dexter Pottery in Evans, Missouri? These swirl colors were also used in Missouri.

An Example of Mission Swirl Pottery Made in Either Arkansas, Missouri or Nevada

20th Century Mission Swirl Earthenware Vase
Possibly Niloak Pottery in Benton, Arkansas, Circa 1909-1949
Possibly Dexter Pottery in Missouri After 1928
Possibly Deserts Sands Pottery in Nevada, Circa 1950s
Recently Found in Southern Maine
The Exterior is Not Glazed
Stands 4 7/8" Tall
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Only the Interior is Glazed
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A View of the Unmarked Base
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Please Stay Tuned...Much More to Come...

Monday, October 17, 2022

New Published Story: The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery

As I noted last week - I have a new research story published in the October 21, 2022 issue of Antiques & Auction News, titled, The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery.

Here is also a link to the online version: https://antiquesandauctionnews.net/articles/The-Frey-Pottery%3A-The-Forgotten-History-Of-An-American-Red-Earthenware-Manufacturer/

New Published Story: The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery

New Published Story in the October 21, 2022 issue of Antiques & Auction News
The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery
See Article for More Information
New Published Story in the October 21, 2022 issue of Antiques & Auction News
The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery
See Article for More Information

Please Stay Tuned...Much More to Come...

A Rare 19th Century Red Earthenware Cat Previously Owned by a Department Head at Sotheby's in New York City

I learned about this great nineteenth century hand-formed red earthenware cat a few weeks ago that is decorated with various impressions and covered in a green copper glaze over slip. It might have been used as a doorstop in the late nineteenth and/or twentieth century. Cape Cod and England antiques dealer Oliver Garland found it earlier this year at the antique shows in Brimfield, Massachusetts, however it was previously owned for many years by a department head at Sotheby’s in New York City.

I think it’s great! I have never seen the exact form before, although it definitely reminds me of some figures and other forms made at the Solomon Bell & Son Pottery in Strasburg, Virginia, circa 1882-1895. For instance, there is a somewhat similar type of cat owned by the Museum of the Shenandoah Valley that is attributed to this business, and the style of the impressed decoration and the glaze are types known from the Solomon Bell & Son Pottery. In fact, a terrific jar attributed to this company with this type of impressed decoration was recently acquired as part of a larger collection of red earthenware by Historic Deerfield in Deerfield, Massachusetts. There are also related wares published in Dr. Gene Comstock's book, The Pottery of the Shenandoah Valley Region.

Thoughts?

A Rare 19th Century Red Earthenware Figure of a Cat

Late 19th Century Green Copper Glazed and Slip Decorated Red Earthenware Cat
Possibly Used as a Doorstop
Possibly Made at the Solomon Bell & Son Pottery in Strasburg, Virginia
Possibly Circa 1882-1895
Stands 8 1/4" Tall
Recently Discovered by Oliver Garland in Brimfield, Mass.
Although was Previously Owned for Many Years by a Dept. Head at Sotheby's in NYC
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Another View of the Cat
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Another View of the Cat
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A View of the Base
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Please Stay Tuned...Much More to Come...

Saturday, October 15, 2022

An Outstanding Example of Isaac Stahl's Red Earthenware Production in Pennsylvania Found Just Outside of New York City

As I promised on Facebook and Instagram - here are better pictures of this awesome find I made earlier this week in a vintage type shop located just outside of New York City! In fact, this is the finest and most aesthetically decorative piece of Stahl red earthenware that I have ever handled, and I think it could be displayed at many art museums in America!

When I initially posted this ten-inch tall sgraffito decorated double-handled vase (which does remind me of forms made by Jacob Medinger in Montgomery County, Pennsylvania in the 1900s), I was not sure who would made it, seeing that it was inscribed on the base with what looked like a "TS" or "IS." But thanks to Jeff Herb, Scott Tyson and Jeff Graybill, it was determined that it was an "IS," representing Isaac Stahl (1872-1950) of the Stahl family in Powder Valley, Lehigh County, Pennsylvania, circa 1933-1940s. I also compared the mark to other known Isaac Stahl inscriptions this week and they were very similar to what is on this vase. The vase may be decorated with seven different glaze colors.

According to part of an article I wrote for the June 21, 2019 issue of Antiques & Auction News, titled, The 19th- And 20th-Century Stahl Family Pottery In Lehigh County, PA.: Stahl's Pottery Preservation Society Inc. Has Protected Homestead And Site -- "In the mid-19th century, Charles Ludwig Stahl (1828-96) established the Powder Valley Pottery in Lehigh County, Pa., a red earthenware business that supplied local homeowners with utilitarian pottery for their daily household needs. Charles was a second generation Pennsylvania German and trained under John Krauss, who operated his own business in nearby Upper Milford Township. 

In the 1870s, Charles taught three of his sons the pottery craft, training Isaac (1872-1950), James (1860-1943), and Thomas (1863-1942). When Charles died in 1896, Isaac took over, but only a few years later James became owner. The family business closed in about 1903.

As the years passed, wares made by the Stahls became quite collectible and even received some published recognition. The Stahls found that the wares, which were originally priced at only a few pennies, were now selling for at least a dollar, and in some cases, much more. This was a rare occurrence. Most American utilitarian potters never lived long enough to see their wares transition from how they were used as their intended purpose to being thought of as collectible. In fact, in the early 1930s, Isaac reportedly attended an auction, which is where he saw pottery created by his family and also the Medinger family selling for surprisingly high amounts. 

The Medingers were located roughly 35 miles from where the Stahls operated. A well-known, still considered revivalist operation (operating in the style of period 18th century and early 19th century craft), they were in Limerick Township, Montgomery County, Pa. Although in this case, the Medinger family did not stop production at the turn of the 20th century and continued to produce pottery under Jacob Medinger (1865-1932). Production eventually ceased when Jacob died from a tragic kiln accident. It was reported in area newspapers, proclaiming that all of the Pennsylvania German potters were now gone.  

These events served as a source of inspiration, because in 1933, Isaac and Thomas chose to re-establish the family business, but they also decided to change some of the production style to accommodate fancier decorative wares. In some ways, this business was comparable to John Bell’s (1800-80) 19th-century pottery in Waynesboro, Pa., though the Stahls were more daring in what they produced. Production was more colorful and creative. There was even a sense of modernism. They began to sign just about every piece of pottery and typically inscribed a description, as well. Nevertheless, color was clearly a point of emphasis when some objects were decorated with as many as seven colors, all of which were typically masterfully applied.

An interesting aspect about some of the decoration accomplished in Powder Valley during this period is that Thomas’ daughter, Carrie (Stahl) Schultz (1908-85), was responsible for creating some of the sgraffito decoration. She also manufactured some of the whimsical animals. Her skill was perhaps similar to Mary Elizabeth Bell (1829-1914), daughter of John Bell, who also decorated some of the wares in the late 19th century. Females decorating traditional pottery are not exactly the norm for utilitarian red earthenware made in America, but both of these businesses do share that connection.

The Stahls managed to produce a large amount of pottery during this period, largely thanks to their kiln. Built in 1933, the giant kiln could reportedly hold as many as 2,000 pieces of pottery, which was powered by burning wood. Some of the more desired production from this era includes large vases, urns, pottery decorated with historical figures like Abraham Lincoln and George Washington, various styles of sgraffito, objects decorated with applied decorations, tobacco jars, compotes, and various wares decorated with tulips and floral work in slip and sgraffito."

An Outstanding Example of Isaac Stahl's Red Earthenware Production in Pennsylvania

20th Century Sgraffito Decorated Red Earthenware Urn or Vase
Made by Isaac Stahl (1872-1950) in Powder Valley, Lehigh County, PA
It Might be Decorated with Seven Different Glaze Colors
Circa 1933-1940s
Stands 10" Tall
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Another View of the Urn or Vase
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Another View of the Urn or Vase
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A View of the Footed Base
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Another View of the Footed Base
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A View of the Sgraffito Decoration
This Same Decoration is on Both Sides
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A View of the Initialed Inscription on the Base
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Another View of the Initialed Inscription on the Base
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Please Stay Tuned...Much More to Come...

New Published Story: The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery

I have a new research story published in this week’s issue of Antiques & Auction News, titled, The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery.

Here is a link to the online version - I will post the print version next week: https://antiquesandauctionnews.net/articles/The-Frey-Pottery%3A-The-Forgotten-History-Of-An-American-Red-Earthenware-Manufacturer/

New Published Story: The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery

New Published Story: The Frey Pottery - The Forgotten History Of An American Red Earthenware Manufacturer: A Closer Look At Colorful American Art Pottery
See Article for More Information

Please Stay Tuned...Much More to Come...

A 19th Century Red Earthenware Barrel Formed Bank that Retains a Remarkable Massachusetts History

Every now and again, I see late nineteenth century painted barrel-shaped red earthenware banks or money boxes that I find difficult to say where they were made. I know some were made at the Lamson Pottery in Exeter, New Hampshire, as well as other areas, including Pennsylvania; however, I have never seen one like this before, perhaps a one-of-a-kind type object today.

This barrel shaped bank was just found in the Boston area and it retains its original red and gold paint. I also shined a flashlight through the money slot and this example may have been hand-thrown. But what surprised me about this piece is the paper label that it retains, reading, "The Jug Fund / To Furnish Company Rooms in the New Armory / Company M / Eighth Regiment, M.V.M." The paper also appears to be signed in ink by “George Campbell." And based on this history - I’m wondering if this bank was made in either Beverly or Peabody, Mass.
The 8th Regiment Massachusetts Volunteer Militia was a peacetime regiment of infantry that was activated for federal service in the Union Army for three separate tours during the American Civil War. The regiment consisted almost entirely of companies from Essex County, Massachusetts.
The unit was one of four Massachusetts militia regiments to respond to Abraham Lincoln's call for 75,000 volunteer troops after the Battle of Fort Sumter on April 15, 1861. Three companies of the 8th Massachusetts earned the distinction of being the first troops to report to Boston, arriving less than a day after the call. During their first "90 days" term, the regiment mainly served garrison duty in the vicinity of Elkridge, Maryland, repairing and guarding the railroad line between Washington, D.C. and Baltimore. Shortly after arriving in Maryland, the regiment briefly occupied the United States Naval Academy, securing that installation and the USS Constitution, both of which were believed to be in danger of capture by Confederate troops. The regiment was again activated in September 1862 for a term of nine months. The 8th Massachusetts was stationed in New Bern, North Carolina, participated in several expeditions and saw minor skirmishing. The regiment responded to a third call for an enlistment of 100 days in July 1864. During their final term of service, the 8th Massachusetts served garrison duty in and around Baltimore.

Note: I have also included information that Robert Girouard sent to me about George Campbell that was published in the book, Massachusetts Soldiers, Sailors, And Marines In The Civil War.

19th Century Red Earthenware Barrel Formed Bank
A 19th Century Red Earthenware Barrel Formed Bank
Retains a Remarkable Massachusetts History
Possibly Made in Beverly or Peabody, Mass.
Stands 3 3/4" Tall
See Article for More Information
Another View of the Bank
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Another View of the Bank
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Information About George Campbell
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Information About George Campbell
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Please Stay Tuned...Much More to Come...

Monday, October 10, 2022

A Rare Piece of Victor, New York Porcelain Recently Discovered in an Estate in Upstate New York

This is a rare late nineteenth or twentieth century porcelain jardiniere that was recently discovered in an estate in upstate New York, which was made in Victor, New York. It is an 'end-of-the-day' type piece made by a factory worker at the Victor Insulator Company, a business founded in 1893 by Fred M. Locke (1861-1930), and the oldest insulator company in North America. They originally made glass insulators for electrical lines. They suspended operations during the Great Depression, but resumed operations in 1935 as Victor Insulators.

The planter is decorated with applied vines, oak leaves and cut off branches. The base is also inscribed with the maker's initials, reading what appears to be, "H.A.

There is also an inscription below the rim that reads in part, "Dr G. W. Mc…….." This may have been an object that was given as a gift or maybe even traded for some type of goods or services. 

Nevertheless, though, these are the types of sewer tile, porcelain and even terra-cotta objects that I enjoy that can be connected to a person, a place and a time in history. Most pieces made in these clay factories are not signed, but I think it is the objects that are signed, such as this piece that provide it with much more of a historical context. Nevertheless -- I believe this object has now gone to a very good collection!

A Rare Piece of Victor, New York Porcelain

19th or 20th Century Porcelain Jardiniere Made in Victor, New York
Made at the Victor Insulator Company
Recently Discovered in an Estate in Upstate New York
Circa 1893-1920s
Stands 8 1/4" Tall and Measures 9 3/4" Across
Weighs Over 13 Pounds
See Article for More Information
Photo Courtesy: eBay
An Inscription is Below the Rim
It Reads in Part "Dr G. W. Mc….."
See Article for More Information
Photo Courtesy: eBay
An Inscription is Below the Rim
It Reads in Part "Dr G. W. Mc….."
See Article for More Information
Photo Courtesy: eBay
The Base is Inscribed with the Maker's Initials Reading "H.A."
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Photo Courtesy: eBay
A Closer View Inscribed with the Maker's Initials Reading "H.A."
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Photo Courtesy: eBay

Fred M. Locke's Victor, New York Insulator Company
Fred M. Locke's Victor Insulator Company, Circa 1900
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Photo Courtesy: Mike SpadaforaPaul GreavesRobin HarrisonElton Gish, and Fred Locke's great-grandson, Jim Kimble
Fred M. Locke's Victor Insulator Company, Circa 1900
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Photo Courtesy: Mike SpadaforaPaul GreavesRobin HarrisonElton Gish, and Fred Locke's great-grandson, Jim Kimble
Fred M. Locke's Victor Insulator Company, Circa 1900
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Photo Courtesy: Mike SpadaforaPaul GreavesRobin HarrisonElton Gish, and Fred Locke's great-grandson, Jim Kimble

Please Stay Tuned...Much More to Come...