As I promised on Facebook and Instagram - here are better pictures of this awesome find I made earlier this week in a vintage type shop located just outside of New York City! In fact, this is the finest and most aesthetically decorative piece of Stahl red earthenware that I have ever handled, and I think it could be displayed at many art museums in America!
When I initially posted this ten-inch tall sgraffito decorated double-handled vase (which does remind me of forms made by Jacob Medinger in Montgomery County, Pennsylvania in the 1900s), I was not sure who would made it, seeing that it was inscribed on the base with what looked like a "TS" or "IS." But thanks to Jeff Herb, Scott Tyson and Jeff Graybill, it was determined that it was an "IS," representing Isaac Stahl (1872-1950) of the Stahl family in Powder Valley, Lehigh County, Pennsylvania, circa 1933-1940s. I also compared the mark to other known Isaac Stahl inscriptions this week and they were very similar to what is on this vase. The vase may be decorated with seven different glaze colors.
According to part of an article I wrote for the June 21, 2019 issue of Antiques & Auction News, titled, The 19th- And 20th-Century Stahl Family Pottery In Lehigh County, PA.: Stahl's Pottery Preservation Society Inc. Has Protected Homestead And Site -- "In the mid-19th century, Charles Ludwig Stahl (1828-96) established the Powder Valley Pottery in Lehigh County, Pa., a red earthenware business that supplied local homeowners with utilitarian pottery for their daily household needs. Charles was a second generation Pennsylvania German and trained under John Krauss, who operated his own business in nearby Upper Milford Township.
In the 1870s, Charles taught three of his sons the pottery craft, training Isaac (1872-1950), James (1860-1943), and Thomas (1863-1942). When Charles died in 1896, Isaac took over, but only a few years later James became owner. The family business closed in about 1903.
As the years passed, wares made by the Stahls became quite collectible and even received some published recognition. The Stahls found that the wares, which were originally priced at only a few pennies, were now selling for at least a dollar, and in some cases, much more. This was a rare occurrence. Most American utilitarian potters never lived long enough to see their wares transition from how they were used as their intended purpose to being thought of as collectible. In fact, in the early 1930s, Isaac reportedly attended an auction, which is where he saw pottery created by his family and also the Medinger family selling for surprisingly high amounts.
The Medingers were located roughly 35 miles from where the Stahls operated. A well-known, still considered revivalist operation (operating in the style of period 18th century and early 19th century craft), they were in Limerick Township, Montgomery County, Pa. Although in this case, the Medinger family did not stop production at the turn of the 20th century and continued to produce pottery under Jacob Medinger (1865-1932). Production eventually ceased when Jacob died from a tragic kiln accident. It was reported in area newspapers, proclaiming that all of the Pennsylvania German potters were now gone.
These events served as a source of inspiration, because in 1933, Isaac and Thomas chose to re-establish the family business, but they also decided to change some of the production style to accommodate fancier decorative wares. In some ways, this business was comparable to John Bells (1800-80) 19th-century pottery in Waynesboro, Pa., though the Stahls were more daring in what they produced. Production was more colorful and creative. There was even a sense of modernism. They began to sign just about every piece of pottery and typically inscribed a description, as well. Nevertheless, color was clearly a point of emphasis when some objects were decorated with as many as seven colors, all of which were typically masterfully applied.
An interesting aspect about some of the decoration accomplished in Powder Valley during this period is that Thomas daughter, Carrie (Stahl) Schultz (1908-85), was responsible for creating some of the sgraffito decoration. She also manufactured some of the whimsical animals. Her skill was perhaps similar to Mary Elizabeth Bell (1829-1914), daughter of John Bell, who also decorated some of the wares in the late 19th century. Females decorating traditional pottery are not exactly the norm for utilitarian red earthenware made in America, but both of these businesses do share that connection.
The Stahls managed to produce a large amount of pottery during this period, largely thanks to their kiln. Built in 1933, the giant kiln could reportedly hold as many as 2,000 pieces of pottery, which was powered by burning wood. Some of the more desired production from this era includes large vases, urns, pottery decorated with historical figures like Abraham Lincoln and George Washington, various styles of sgraffito, objects decorated with applied decorations, tobacco jars, compotes, and various wares decorated with tulips and floral work in slip and sgraffito."
An Outstanding Example of Isaac Stahl's Red Earthenware Production in Pennsylvania
20th Century Sgraffito Decorated Red Earthenware Urn or Vase
Made by Isaac Stahl (1872-1950) in Powder Valley, Lehigh County, PA
It Might be Decorated with Seven Different Glaze Colors
Circa 1933-1940s
Stands 10" Tall
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Another View of the Urn or Vase
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Another View of the Urn or Vase
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A View of the Footed Base
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Another View of the Footed Base
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A View of the Sgraffito Decoration
This Same Decoration is on Both Sides
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A View of the Initialed Inscription on the Base
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Another View of the Initialed Inscription on the Base
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Please Stay Tuned...Much More to Come...