Thursday, April 30, 2020

New York City Red Earthenware Story Published Today by Untapped New York in Brooklyn

A research story I wrote about seventeenth, eighteenth and nineteenth century red earthenware recovered throughout New York City was just published today by Untapped New York in Brooklyn, titled, A Look Inside the Archaeological Repository for City's Earliest Pottery

I'm thrilled to see this story published within the New York City market, especially considering the subject. The story combines some of my past research, published by Maine Antique Digest and Antiques & the Arts Weekly, as well as some new information. The link above will redirect you to the story.

New York City Red Earthenware Story Published by Untapped New York in Brooklyn
Research Story Published Today by Untapped New York
See Article for More Information

Please Stay Tuned...Much More to Come...

Monday, April 27, 2020

Extremely Rare 19th Century Occupational Tintype Showing Possibly Three Potters and a Stoneware Pitcher Appears in Southern Florida

This is an awesome nineteenth century tintype with its original case that I just purchased from an antiques dealer in southern Florida. The picture depicts what appears to be three potters in their aprons with a stoneware pitcher, possibly covered with an Albany-slip interior glaze, otherwise another type of slip.

These type of occupational pictures showing potters in the 1800s are extremely rare to find today. And based on the shape of the pitcher and the popularity of tintypes, I believe this picture likely dates from the 1860-75 period. Although, I do not know the identity of any of these individuals, if anyone reading this should be able to kindly provide more information, it would be hugely appreciated!

I must also thank Craig Gamache from Ontario for making me aware of this wonderful piece of history.

19th Century Occupational Tintype Showing Possibly Three Potters and a Stoneware Pitcher
19th Century Occupational Tintype Depicting Possibly Three Potters and a Stoneware Pitcher
Most Likely American Potters
Although this Form of Pitcher was Also Manufactured in Ontario
Likely Dates Circa 1860-1875
See Article for More Information
 Another View of the Tintype
See Article for More Information
 View of the Case
See Article for More Information
Another View of the Case
See Article for More Information

Please Stay Tuned...Much More to Come...

The Broadway Water Cooler: An Incredible Example of American Stoneware Selling at Crocker Farm in Maryland

Note: The Broadway Cooler sold for $480,000, including the buyer's premium to New York collector, Adam Weitsman and it will almost certainly be heading to the New York State Museum in Albany, New York.
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There's no surprises with this tremendous piece of nineteenth century stoneware, known as the Broadway Water Cooler because of the remarkable incised and impressed decoration of a New York City street scene of Broadway, which has been consigned to Crocker Farm's current auction in Sparks, Maryland. The timed auction ends this Friday May 1, 2020, followed by callbacks for the top four bidders, which could be challenging in itself, depending on how many serious bidders are involved. At the time of posting this article, the bidding currently stands at $280,000 (plus buyer's premium); many are anticipating where the final price will end, whether it will break all American pottery records, and if the new owner will be a museum or a private collector. To my knowledge, the record for a piece of American pottery was set a few years ago when a circa 1765-69 porcelain teapot attributed to John Bartlam's (1731-1781) production at the Cain Hoyt Factory in South Carolina sold for over $800,000 (including buyers premium), now displayed at the Metropolitan Museum of Art.

This water cooler is stamped twice, "W.H. FARAR & CO. / GEDDES, N.Y.," and dated 1846, depicting an 1846 celebration at the Sons of Temperance National Hall Headquarters in Manhattan. It is also stamped, "SALINA DIVISION. NO. 86 / SONS OF TEMPERANCE," located in part of present-day Syracuse, New York, the city in which the cooler was made by William H. Farrar. Farrar who had recently arrived from Vermont in 1839, established the small pottery in Geddes in 1841, along the western edge of Syracuse. He was a member of a great family of stoneware potters found in northern New England and Canada.

According  to Crocker Farm, "The image depicts the celebration of the Great National Jubilee of the Order of the Sons of Temperance, a fraternal organization, founded on the principal of abstinence of alcohol in New York City in 1842."

Some may even draw some comparisons behind the meaning of this piece of pottery and the temperance jugs manufactured later in the 1800s, especially in the Midwest, including those made by Cornwall (1814-1890) and Wallace (1828-1896) Kirkpatrick in Anna, Illinois. Although, I find it fascinating in what I consider to be the three best pieces of American stoneware (excluding some of the stoneware made in Edgefield, South Carolina) all having ties to New York City. Those three pieces include this water cooler, a temperance jug made in 1871 by the Kirkpatrick brothers for caricature artist, Thomas Nast  (1840-1902), owned by the New York Historical Society, as well as a punch bowl attributed to John Crolius Jr. (1755-1841) in Manhattan, made as a special commemorative gift for the Crane Family of  Cranetown (now Montclair), New Jersey, owned by the American Folk Art Museum. The bowl is inscribed, "Elisabeth Crane May 22, 1811," and its form was probably copied from Chinese export porcelain examples. Interestingly, the international sale records for pottery are largely held by Chinese porcelain.

Although, it is fascinating to learn that this massively important piece of American pottery was unknown until recently to the general public. This is an extremely rare situation, where a piece of pottery of this magnitude is available outside of a museum setting. It also makes me wonder about the possibilities of what is yet still to be discovered today.

The Broadway Water Cooler
The Broadway Water Cooler
Stamped Twice, "W.H. FARAR & CO. / GEDDES, N.Y.," and Dated 1846
Decoration Depicts a New York City Street Scene of Broadway
Also Depicts the Sons of Temperance National Hall Headquarters in Manhattan
Stands 26" Tall
See Article for More Information
Photo Courtesy: Crocker Farm Auctions of American Redware &  Stoneware

Please Stay Tuned...Much More to Come...

Friday, April 24, 2020

Forthcoming New York City Research Article to be Published by Untapped New York in New York City

With tens of thousands of social media followers in the New York City area, and an even larger readership, I am excited to announce that I have written a research article that will likely be published next week by Untapped New York, titled, "Early Red Earthenware Recovered in New York City." I am thrilled to share this story with the New York City market. According to their website, "Untapped New York unearths New York City's secrets and hidden gems by discovering the city's most unique and surprising places and events for the curious mind."

This article revisits some of my previously published New York City material, combined with some new information. Although, this is not the eighteenth century New York City article I wrote that I cited on this website last week.

Among the wares illustrated is some nineteenth century production from Norwalk, Connecticut, especially the slip-script wares that have been recovered from a variety of contexts in the city. For instance, this dish is from my personal collection, attributed to the Asa Edward Smith (1798-1880) Pottery (operated circa 1825-1887) in Norwalk, circa 1825-1850, and it is an example of slip-script  Norwalk production found in a number of contexts in the city, including Manhattan.

But the diversity of domestic red earthenware found in eighteenth and nineteenth century archaeological contexts in New York City is what fascinates me today; aside from local production, wares made in Connecticut, Long Island, New Jersey and Philadelphia are all represented in the city's archaeology collections.

I will post a link to this website once the story has been published; however, it will be available to read on Untapped New York's website.

Forthcoming New York City Article to be Published by Untapped New York
19th Century Slip-Script Red Earthenware Dish
Attributed to the Asa E. Smith Pottery in Norwalk, CT
This Type of Production was Shipped to New York City in the 1800s
Circa 1825-1850
See Article for More Information

Please Stay Tuned...Much More to Come...

More Pictures of a Sugar Bowl Purchased from a Family in the Strasburg, Virginia Area

This is the red earthenware sugar bowl that I wrote about the other day, which I suggested could have been made in Pennsylvania, although, now that I have it in hand, I am not sure where exactly it was made. But I do want to note that the lid appears to be original.

This is a larger sized sugar bowl, measuring six inches tall and eight inches across. It is also covered in tulips; the lid is especially wonderful, seeing that it is entirely decorated with tulips in green and yellow slip.

I was told by the owner that he purchased this piece a few decades ago from a family in the Strasburg, Virginia area, where it had been owned for many years. In fact, this person thought it may have descended in the family since it was originally purchased, but I currently have no way to prove that information. Nevertheless, the slip is really attractive on this piece of pottery!  Opinions are certainly welcome should anyone reading this article be able to shed more information or facts about where this piece of pottery originated. I am also curious to know if this could date from any point in the eighteenth century.

Sugar Bowl Purchased from a Family in the Strasburg, Virginia Area
Slip-Decorated Red Earthenware Sugar Bowl
Purchased Years Ago from a Family in the Strasburg, Virginia Area
Stands 6" Tall with the Lid
Measures 8" Across from Handle to Handle
See Article for More Information
Another View of the Sugar Bowl
See Article for More Information
View of the Lid
See Article for More Information
Another View of the Bowl and the Lid
See Article for More Information
Another View of the Bowl and the Lid
See Article for More Information
View of the Base of the Lid and the Bowl
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, April 22, 2020

The Nineteenth Century Dry Family Pottery in Berks County, Pennsylvania

Yesterday, I posted on Facebook a nineteenth century three color slip-decorated red earthenware dish that was discovered a few years ago at a weekly flea market in Arizona. The dish was likely made at the Dry family pottery in Stony Point/Dryville, Berks County, Pennsylvania, which is a rural community located in the southeastern part of the state, about 55 miles northwest of Philadelphia. Although, the term "Dryville" is often used for attribution today, I am not sure that it is widely known what the attribution actually means, which refers to the location and not the name of a potter's business.

It is known that John Dry (1785-1870) operated the Stony Point Pottery, which was renamed Dryville in 1853 in honor of Dr. Benjamine Dry (1819-1907), who became the first postmaster, but he was also a potter, learning the trade from his father John Dry. I have not been able to determine how many of his sons were involved in the family business, but he had four sons, including Benjamine.

Aside from the slipware produced by the Drys, John Dry may have also manufactured some sgraffito, such as a reported example that sold in the Ralph O. Esmarian Collection at Sotheby's during Antiques Week in New York City in January 2014. The dish was inscribed in pencil on the back, "Made by John Dry / Dry Pottery / Stony Point Pottery / Dryville / Lydia / David Hess / Frederick / Bought by / C. Nippon / Nov. 16 1819." 

In spite of that, I am unsure where John trained before he established the business in Stony Point, but it is possible that he is a southeastern Pennsylvania trained potter. He was the son of Paul (born circa 1760) and Elizabeth (Ettinger) Dry from Strausstown, Berks County, Pennsylvania.

Interestingly, after Benjamine Dry worked at his father's pottery business, he moved west to New Berlin, Union County, Pennsylvania, where he continued to work in the pottery business with his uncle Jacon Egolf. However, later business ventures and his eventual return to Dryville suggest that he did not work his entire life as a potter.

Nevertheless, the Drys were an incredibly talented family of potters, likely best known today for their production of slipware, often found on dishes applied in wavy lines and tulips. These are two signed examples from the Dry Pottery that are currently privately owned in Pennsylvania. One is a two color slip-decorated dish and the other is a crock.

Signed Pottery Made by the Dry Family in Berks County, Pennsylvania
19th Century Slip-Decorated Red Earthenware Dish
Made at the Dry Pottery in Stony Point/Dryville, PA
The Back is Stamped with a Company Mark
See Article for More Information
Photo Courtesy: Brad Hamilton
View of the Stamp on the Back of the Dish
See Article for More Information
Photo Courtesy: Brad Hamilton
19th Century Red Earthenware Crock
Made at the Dry Pottery in Stony Point/Dryville, PA
The Base is Signed and Dated
See Article for More Information
Photo Courtesy: Brad Hamilton
View of the Inscription on the Base
See Article for More Information
Photo Courtesy: Brad Hamilton

Please Stay Tuned...Much More to Come...

Tuesday, April 21, 2020

Red Earthenware Sugar Bowl Purchased Years Ago from a Family in the Strasburg, Virginia Area

I will post better pictures when this piece arrives, but in the meantime, I wanted to show this wonderful slip-decorated red earthenware sugar bowl that I just acquired with what I believe to be its original lid. Some of the slip-decoration appears black because of the photography, but it's actually green in hand. I suspect this piece is a lot more colorful than how it appears here.

This is a larger sized sugar bowl, measuring six inches tall and eight inches across. It is also covered in tulips; the lid is especially wonderful, seeing that it is entirely decorated with tulips in green and yellow slip.

I was told by the owner that he purchased this piece a few decades ago from a family in the Strasburg, Virginia area, where it had been owned for many years. In fact, this person thought it may have descended in the family since it was originally purchased, but I currently have no way to prove that information. Although, my initial reaction, based on the form, and the style of the slip was that this bowl was possibly made in Pennsylvania in the 1800s.

Sugar Bowl Purchased Years Ago from a Family in the Strasburg, Virginia Area
 Red Earthenware Sugar Bowl with Likely Its Original Lid
Purchased Years Ago from a Family in the Strasburg, Virginia Area
Stands 6" Tall with the Lid
Measures 8" Across from Handle to Handle
See Article for More Information
 View of the Lid
See Article for More Information
 View of the Interior
See Article for More Information
View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...