Saturday, July 20, 2019

Update on the Pottery Exhibit Scheduled to Open Later this Summer at the Custom House Maritime Museum in Newburyport, Mass.

I want to give a quick update about the upcoming pottery exhibit scheduled to open in early September at the Custom House Maritime Museum in Newburyport, Massachusetts. The focus of the exhibit is the various types of earthenware and stoneware made in the Newburyport area from the eighteenth, nineteenth and early twentieth century. A lot of great pottery has been loaned for the exhibit from museums across New England, archaeology departments and private collectors.

Yesterday, my niece Alexis and I dropped off the remains of this circa 1790-1820 William Pecker (1758-1820) Pottery jug recovered from beneath an early nineteenth century house in Historic Westbrook, Maine. Overall, there should be about 75 pieces of pottery to see, maybe more, as well as archaeology and other objects.

The exhibit also just received its first publicity; a small write up is published in the August 2019 issue of Maine Antique Digest.

Note: For more information, this link will redirect you to the write up about the exhibit on the Custom House's website. An exhibit catalog will also be published, and available in the museum's bookstore.

Update on the Newburyport, Mass. Pottery Exhibit 
My Niece Alexis Holding a William Pecker Pottery Jug from Merrimacport, Mass.
The Jug was Recovered Beneath a House in Historic Westbrook, ME
See Article for More Information
August 2019 Issue of Maine Antique Digest
See Article for More Information
Small Write Up About the Pottery Exhibit in the August 2019 Issue of Maine Antique Digest
See Article for More Information

Please Stay Tuned...Much More to Come...

Mystery Solved: An Excellent Original Picture of the Beverly, Mass. Pottery Just Discovered in an Old Estate in Marblehead, Mass.

Illustrated as image number five (a) in Lura Woodside Watkins' (1897-1982) book, Early New England Potters and Their Wares is a picture of the C.A. Lawrence Pottery kiln in Beverly, Massachusetts, after a fire on May 14, 1883. Charles A. Lawrence (1829-1906) is illustrated along with some of the company's other potters and workers.

I have been trying to find the whereabouts of this picture for about a decade now; it was not cited in Watkins' book. I have searched through the archives of the Beverly Historical Society and the Peabody Historical Society, as well as museums across the country. It has been a complete mystery.

However, while visiting Historic Eastfield Village's Ceramic Conference last month in East Nassau, New York, also known as "Dish Camp," I received a phone call from a friend, Bob Cianfrocca who owns Salt Marsh Antiques in Rowley, Massachusetts. He called to tell me that he had just come across a great photograph of a nineteenth century potter's kiln, found inside an old estate in Marblehead, Massachusetts. I told him that I would stop by when I got home.

I was shocked to learn that what Bob found was actually the original image that I have been in search of for years. I also learned that the estate is owned by a 93-year-old woman who was an antiques dealer in Marblehead for the majority of her life.

As a result, I bet that Watkins knew this woman, seeing that Watkins did not live far from Marblehead, and I feel this is very likely the actual photograph published in Early New England Potters and Their Wares. To my knowledge, I do not know of another in existence.

Printed on the back, it reads, "Beverly Pottery, Burnt May 14, 1883. View of the kiln after the fire. Showing the position of the ware in the kiln previous to being baked. Proper application has been made to the Librarian of Congress, Washington, D.C., to secure a copyright of this picture."

Great Picture of the C.A. Lawrence Pottery in Beverly, Mass.
Original Image of the C.A. Lawrence Pottery in Beverly, Mass.
Just Discovered in an Old Estate in Marblehead, Mass.
Shown is the Beverly Pottery Kiln, Burnt May 14, 1883
Charles A. Lawrence is Pictured Third from Right
Very Likely the Same Photo Illustrated in Early New England Potters and Their Wares
See Article for More Information
View of the Back
See Article for More Information

Please Stay Tuned...Much More to Come...

A Great Piece of Slip-Decorated Red Earthenware that Sold Today at Crocker Farm in Sparks, Maryland

According to The Church of Jesus Christ of Latter-day Saints in Salt Lake City, Utah, "Heber C. Kimball (1801-1868) was born on June 14, 1801, in Sheldon, Vermont. He was ordained as one of the original 12 Apostles on February 14, 1835, and later sustained as first counselor to President Brigham Young (1801-1877) who was also from Vermont, on December 27, 1847. Kimball died on June 22, 1868, in Salt Lake City, at the age of 67. He was a potter by trade, and he frequently referred to the Saints as "Clay in the Hands of the Potter." He delivered his discourse on April 2, 1854."

Furthermore, agreeing to take on plural marriage, then part of church doctrine, Kimball married 43 women throughout his lifetime, and had a total of 66 children by 17 of his wives.

However, before Kimball arrived in Utah, he left Vermont and relocated about 15 miles south of Rochester, New York to Mendon, Monroe County, New York in the western part of the state. This may have been a religious quest, seeing that at the time, parts of New York were engulfed with new religious movements, finding much of this activity in central and western upstate New York.

This was also a time in Western New York history, when land opened up for settlement, men and women left their rocky farms in New England and moved west, while Pennsylvanians and Marylanders migrated from the south. 

It was in Mendon that Kimball first became a Mormon leader, but he also bought a pottery owned by his brother around 1822, operating until about 1833. Nevertheless, very little is known about this production today, even though there must be surviving examples in existence. Although, I have found no evidence that suggests any of this pottery was ever marked, nor does it appear that the site has been excavated for archaeological remains. I also do not believe it has been identified where Kimball was originally taught to make pottery, which he may have learned from his brother, but he may have learned the trade in Vermont, as well.

According to one twentieth century historian, Stanley B. Kimball (1926-2003), "The energetic Heber could turn out 20 dozen milk pans on a hard day at the potter's wheel. Apparently he specialized in common brownware made from fine-textured clay burned to a very high degree and covered by a hard brown glaze. It was used mainly for simple kitchen and table items - jars, crocks, pitchers, bottles, mugs, pots, milk pans, cups, churns and plates"

Though Heber Kimball gave up his potter's wheel once he was ordained as an apostle, he did not forget his experience as a potter. In later sermons, Kimball compared the shaping of his own life by the Lord "to the molding of malleable clay with his own hands."

This great nineteenth century slip-decorated red earthenware jar with lid just sold today at Crocker Farm in Sparks, Maryland; it is the same form and decoration as is a jar owned by the Museum of Church History in Salt Lake City, which is attributed to Heber Kimball in Mendon, New York. This type of production is very rare to find today, and these are the only two objects I know about in this form to exist. But there certainly could be others seeing that these objects also resemble production from places like Pennsylvania, Maryland, Virginia or West Virginia - and perhaps even North Carolina.

Matching Formed Red Earthenware Jars
 19th Century Slip-Decorated Red Earthenware Jar
Very Likely Attributed to the Heber C. Kimball Pottery in Mendon, NY
Very Likely Circa 1822-1833
Stands 7" Tall
 See Article for More Information
Photo Courtesy: Crocker Farm
19th Century Slip-Decorated Red Earthenware Jar
Attributed to the Heber C. Kimball Pottery in Mendon, NY
Acquired by the Museum in 1870 from Solomon Kimball
Circa 1822-1833
 See Article for More Information
Photo Courtesy: Museum of Church History and Art

Please Stay Tuned...Much More to Come...

Thursday, July 18, 2019

Another Possible Example of Slipware from the Hyssong Family in Central Pennsylvania

Earlier this week, I posted a story investigating the pottery made by the Hyssong family in central Pennsylvania in the nineteenth and early-twentieth century. Part of that article cited the fact that Austin L. Hyssong (1851-1922) was known to have manufactured pottery from two different types of clay used in manufacturing stoneware, which typically appears gray in a finished state, as well a terracotta or a red colored earthenware clay.

I also examined an Albany slip glazed lidded pot with twisted rope handles and two slip-decorated flowers attributed to the Hyssong family, along with a flowerpot adorned with the same type of slip floral decoration.

An Albany slip glaze is a style of glaze typically associated with stoneware production in America, and rarely found on red earthenware because of the high temperature needed to melt pure Albany clay into a slip glaze. But the clay body found on both of the mentioned objects is red, especially where they have been damaged exposing the interior clay appearance. However, I suspect that the use of an Albany glaze may affect the clay color on the surface, but the type of clay used to manufacture each object could also easily explain the color of the clay.

Nonetheless, while I wrote that article, I remembered seeing this pitcher with a red clay body sell at a James Julia Auction in Fairfield, Maine in the winter of 2012 - although, the auction firm was recently purchased by Dan Morphy of Morphy Auctions in Pennsylvania.

I suspect this pitcher was also manufactured by the Hyssong family in Pennsylvania seeing that it is decorated with an Albany slip glaze and very similar slip-decorated flowers as that seen on the flowerpot and the lidded pot that I wrote about a few days ago.

Albany Slip Glazed Pitcher with Slip Decorated Flowers
Late 19th Century Albany Slip Glazed Pitcher with Slip-Decorated Flowers
Probably Made by the Hyssong Family in Central Pennsylvania
See Article for More Information
Photo Courtesy: James Julia Auctions / Morphy Auctions

Please Stay Tuned...Much More to Come...

A Great Slip-Decorated Red Earthenware Bowl from the Mid-Atlantic Region

Last month, I wrote about some slip-decorated red earthenware artifacts recovered from an early-nineteenth century archaeological context in Cearfoss, Maryland, which are believed to have been manufactured in nearby Hagerstown, Maryland. I also wrote in another post that there is a spectacular example of Hagerstown pottery currently on display at the Landis Valley Village & Farm Museum in Lancaster, Pennsylvania.

However, while on vacation last month with my nephew Jason, we visited Robesonia, Pennsylvania antiques dealer Greg Kramer, who has a remarkable collection and inventory of American pottery. In fact, at any given time, there are very few places outside of an American museum or private collection where you can see such a wide variety of Pennsylvania-made wares. 

For instance, this fabulous example of slip-decorated red earthenware is among the better pieces of pottery that Greg currently owns; it was reportedly made in Mayland or Pennsylvania. But I have not been able to find any record of the potter who is said to have made the bowl.

Until recently, this bowl, which may have been manufactured as a presentation piece, had descended through the potter's family to the current owner before it was acquired by Greg. Inscribed on the back is the name "Christian Gingrich" with German script and the date "1832." 

Although, I have not been able to identify who Christian Gingrich is seeing that his name was a common name in the region in the 1800s. But aesthetically, this is a beautiful bowl that does share characteristics in slip found with some pottery manufactured in Hagerstown, as well as other areas where German potters were employed.

Mid-Atlantic Region Slip-Decorated Red Earthenware Bowl
19th Century Slip-Decorated Red Earthenware Bowl Attributed to the Mid-Atlantic Region
Possibly Manufactured as a Presentation Piece
Attributed to Either Maryland or Pennsylvania
Inscribed on the Back "Christian Gingrich" with German Script and the Date "1832"
Stands 6" Tall and Measures 16 1/2" in Diameter
See Article for More Information
Photo Courtesy: Greg Kramer
View of the Inscription on the Back
Inscribed "Christian Gingrich" with German Script and the Date "1832"
See Article for More Information
Photo Courtesy: Greg Kramer

Please Stay Tuned...Much More to Come...

Tuesday, July 16, 2019

Edgar Allen Poe's Stoneware at the Museum of Cape Fear Historical Complex in Fayetteville, North Carolina

According to the Fayetteville Observer in Fayetteville, North Carolina, "Mention the name Edgar Allan Poe (1809-1849), and only one man comes to mind: the poet and mystery writer who has frightened generations and given the cheesy horror movie industry unending fodder.
But, as people who have studied Fayetteville history know, there is another Poe, Edgar Allen Poe (1858-1934), one who spelled his middle name with an “e” not an “a”. That Poe was a businessman who built a successful brick and pottery operation at the bottom of Haymount Hill, a family man and teetotaler who helped pull the city out of the depths of post-Civil War misery.
As far as anyone knows, Poe claimed no kinship to the troubled Baltimore writer. But, since Fayetteville’s Poe was born in 1858, nearly a decade after the more famous Poe passed, his parents surely must have known that they were subjecting their child to a pit and a pendulum’s amount of teasing.
“We’ve never been able to determine any relationship between them,” said Megan Maxwell, the education coordinator at Fayetteville’s 1897 Poe House. The house, built by Poe, is now a living museum at the top of Haymount Hill. “And we’re unable to find anyone with the name Edgar in the family before him.
“The best we can determine is that they must have liked the writings of the other Poe. In fact, Lilly Poe, who was the last family member to live in this house, actually has a collection of Poe’s poems in a book.”
While traveling south last month with my nephew Jason to see a Thomas Chandler pottery exhibit at the McKissick Museum at the University of South Carolina in Columbia, we stopped in Fayetteville, and viewed a collection of pottery made by Edgar Allen Poe at the Museum of Cape Fear Historical Complex in Fayetteville. I enjoyed seeing these objects, which were displayed throughout the museum along with some folk pottery made in North Carolina. 
Most of the objects made by Poe were impressed "E.A. Poe," while others were marked "Poe & Co." Interestingly, we visited a few antique shops afterwards in downtown Fayetteville, where we saw an unmarked stoneware pan, which matched the form of a pan in the museum's collection that was marked by Poe.
The Poes
Fayetteville, NC's Edgar Allen Poe, left, and the Famous Poet Edgar Allan Poe, right
See Article for More Information
Photo Courtesy: The Fayetteville Observer

Edgar Allan Poe Stoneware Made in Fayetteville, NC
Edgar Allen Poe Stoneware and North Carolina Folk Pottery
Displayed at the Museum of Cape Fear Historical Complex in Fayetteville, NC
See Article for More Information
Photo Courtesy: Museum of Cape Fear Historical Complex
Edgar Allen Poe Stoneware from Fayetteville, NC
See Article for More Information
Photo Courtesy: Museum of Cape Fear Historical Complex
Edgar Allen Poe Stoneware from Fayetteville, NC
See Article for More Information
Photo Courtesy: Museum of Cape Fear Historical Complex
Edgar Allen Poe Stoneware from Fayetteville, NC
See Article for More Information
Photo Courtesy: Museum of Cape Fear Historical Complex
Poe & Co. Mark on a Stoneware Jug
See Article for More Information
Photo Courtesy: Museum of Cape Fear Historical Complex
E.A. Poe Mark on a Stoneware Crock
See Article for More Information
Photo Courtesy: Museum of Cape Fear Historical Complex

Please Stay Tuned...Much More to Come...

The Wares Made by the Hyssong Family in Central Pennsylvania in the Nineteenth and Early Twentieth Century

Since posting an article last week about this Albany slip glazed pot with twisted rope handles and two slip-decorated flowers, I have heard from multiple persons saying that it was made by the Hyssong family in central Pennsylvania. The pot was found decades ago by Scott Tyson, a Pennsylvania antiques dealer who now lives in Florida. He says he found the pot in the Lancaster, Pennsylvania area and sold it to Robesonia, Pennsylvania antiques dealer Greg Kramer. I purchased the pot last month from Greg who kept the pot inside his house ever since he purchased it more than 20 years ago.

According to a book published in 1915, Historical and Biographical Annals of  Columbia and Montour Counties Pennsylvania Containing A Concise History of the Two Counties and a Genealogical and Biographical Record of Representative Families: "Austin L. Hyssong has carried on a pottery business at Bloomsburg for over twenty years, during which time he has had to enlarge his original plant to accommodate the profitable trade he has built up in stoneware, stovepipe, collars, flowerpots and similar goods. His father, Elisha B. Hyssong, followed the same calling. 

Elisha B. Hyssong (1827-1873) was a native of Franklin county, Pa.‚ and was there bound out in boyhood to learn the potter's trade, serving four years as an apprentice. Later he went to Cassville, Huntingdon Co.‚ Pa.‚ where he first worked as a jouneyman, and there he married Rachel E. Green, a native of Huntingdon County. When he built a pottery of his own he had to clear the location, and that plant was carried on by the Hyssong family for nearly sixty-five years, Elisha B. Hyssong continuing to operate it until his death, in 1873, after which his son Bruce took it, running the business until the spring of 1912.

Mr. Hyssong was a much esteemed citizen of his neighborhood, where he was very well known not only in his business relations but also because of his activity in politics, the administration of public affairs and church work. He was a justice of the peace for over twenty years, a stanch Republican in political sentiment, and a lifelong member of the M. E. Church, which he served officially for over forty years, being deacon, elder, class leader and Sunday school superintendent. In his prime he was a noted singer, and music afforded him one of his chief sources of enjoyment. He died beloved by all who knew him, and his wife, who still survives, continues to make her home at Cassville. Twelve children were born to their union, ten reaching maturity, namely: Annie, who is living in Pitcairn, Pa.; Jennie, now deceased; Martha, widow of Oliver Beaver, of Altoona, Pa.; Bell, at home with her mother; Margaret, married and living in Philadelphia; Austin L.; George, of Altoona, Pa., who became a potter (he is married); Bruce, also a potter, now engaged in the crucible factory at Philadelphia, who married Jennie Horton; Russell, who learned the potter's trade, now employed as a guard in the reformatory at Huntingdon; and Alice, who died unmarried. 

Austin L. Hyssong (1851-1922) was born Dec. 25, 1851, at Cassville, Huntingdon Co., Pa., where he acquired a common school education in youth and early commenced to learn the potter's trade with his father, and he has always followed it. Remaining with him until he attained his majority, he then went to Lewistown, Pa., where he was located most of the time for the next twenty years, for several years running the Dipple pottery there. He was at Lewistown for the four years following his marriage, spent the next year at Peterburg, Pa., returned to Lewistown for two years, and then did business in Huntingdon for three years. Going back to Lewistown he formed a partnership with J. & C. Dipple, with whom he was associated four years. In 1891 he came to Bloomsburg and purchased from John Rehm the plant he has ever since operated. During his ownership it has been considerably enlarged, and many valuable improvements have been made in the property. Mr. Hyssong's patronage has been extended steadily, his wares being sold in various sections, and besides manufacturing he deals quite extensively in terracotta sewerpipe, for which he has found a good demand in the local market.

In 1875 Mr. Hyssong was married to Anna Margaret Dipple, daughter of John and Margaret (Peters) Dipple, of Germany. The father, who was a potter by trade, settled at Lewistown and operated a pottery there until his death, in 1872. He was killed while crossing the Pennsylvania railroad track, on his way to dig clay. His wife, who survived until 1903, ran the business he established for several years after his death. Mr. and Mrs. Dipple had six children: Anna Margaret, Mrs. Hyssong; Anna, widow of James Irwin, of Lewistown, Pa.; Ida, who married William Miller, of Lewistown; John, deceased, who was a potter and worked with his father; Andrew G. C.‚ who owns the old pottery his father established at Lewistown; and Charles, who was formerly in the grocery and confectionery business, now a mail carrier at Lewistown.

Five children have been born to Mr. and Mrs. Hyssong: Charles has always worked as a potter and is engaged with his father; John, a carpet weaver, now settled in Philadelphia, married Nettie Cashner, and they have four children, Robert, Martha, John and Ruth; Walter, who died when twenty-fours year old, learned the trade of potter, but afterwards worked as a machinist at the locomotive works of the Standard Steel Company, at Burnham, Pa.; Irwin, a resident of Bloomsburg, who also learned the potter's trade, married Mary Beagle, and they have three children, Robert, Edna and Esther; Wilbur, who worked with his father in the pottery until twenty years old, and has been a machinist in the government employed at Washington, D. C., for the last two years, married Estella Knepp and has two children, Margaret and Estella."

Some of this information was also published in 2002 when author Phil Schaltenbrand wrote the book, Big Ware Turners: The History and Manufacture of Stoneware in Pennsylvania. Although, the most significant of the wares made by the Hyssongs may be a monumental stoneware double-sided face pitcher that was consigned to Crocker Farm in Sparks, Maryland in March 2017. The pitcher was reportedly made by Elisha B. Hyssong about 1850 in Cassville, Pennsylvania, and seems to possibly demonstrate a Baltimore and Philadelphia influence in its appearance.

But as I noted earlier, I was contacted by some generous people last week who told me that this lidded pot with twisted rope handles and two slip-decorated flowers was made by the Hyssong family in central Pennsylvania. In fact, Randy Hoffman who collects Pennsylvania pottery, especially the wares made in central Pennsylvania told me that he owned an Albany slip glazed flowerpot made by the Hyssongs decorated with the same slip-decorated flower.

Interestingly, the information that I cited above indicates that the Hyssongs used multiple types of clay, especially Austin who likely made the lidded pot and the flowerpot of discussion; those wares include traditional stoneware that appears gray in color as well as terracotta which appears reddish in color.

This pot as well as the flowerpot that I mentioned are both decorated with an Albany slip glaze, a style of glaze typically associated with stoneware production in America, and rarely found on red earthenware because of the high temperature needed to melt pure Albany clay into a slip glaze. But the clay body found on both of these objects is red, especially where both pieces have been damaged exposing the interior clay appearance.

Both objects are also porous meaning that the clay absorbs a liquid rather than the liquid running off like it would on more typical stoneware. I am not sure what to make of these pieces at the moment, in terms of their clay makeup, but I think they are both great examples of central Pennsylvania pottery production. I also want to acknowledge the fact that the form of this lidded pot is quite rare today, and some longtime collectors and dealers have said that they have never seen this form before.

Lidded Pot Reportedly Made by the Hyssong Family in Central Pennsylvania
My Niece Alexis Holding the Lidded Pot
See Article for More Information
 Late 19th Century Pot with an Albany Glaze, Twisted Rope Handles and Slip-Decorated Flowers
Reportedly Made by the Hyssong Family in Central Pennsylvania
Likely Made by Austin L. Hyssong (1851-1922)
See Article for More Information
 View of One of the Twisted Rope Handles
See Article for More Information
 View of the Other Handle
See Article for More Information
 View of the Other Slip-Decorated Flower
See Article for More Information
View of the Base of the Lid and the Pot
See Article for More Information

Flowerpot Attributed to the Hyssong Family in Central Pennsylvania
Late 19th Century Flowerpot with an Albany Glaze and a Slip-Decorated Flower
Attributed to the Hyssong Family in Central Pennsylvania
Likely Made by Austin L. Hyssong (1851-1922)
See Article for More Information
Photo Courtesy: Randy Hoffman
View of the Slip-Decorated Flower
See Article for More Information
Photo Courtesy: Randy Hoffman
View of the Unglazed Interior
See Article for More Information
Photo Courtesy: Randy Hoffman
View of the Base
See Article for More Information
Photo Courtesy: Randy Hoffman

Another Flowerpot Attributed to the Hyssong Family in Central Pennsylvania
 Late 19th Century Flowerpot with an Albany Glaze and a Slip-Decorated Flower
Attributed to the Hyssong Family in Central Pennsylvania
Possibly Made by Austin L. Hyssong (1851-1922)
See Article for More Information
Photo Courtesy: Randy Bohn
Another View of the Flowerpot
See Article for More Information
Photo Courtesy: Randy Bohn

Please Stay Tuned...Much More to Come...