Thursday, September 13, 2018

19th Century Trade Card Advertising "Antique Pottery" in Beverly, Massachusetts

As I noted in a post from earlier today, the nineteenth century Grecian style wares made in Massachusetts were referred to by many of the potters who produced the style as "antique pottery." My favorite among the group of potters involved with this type of production was Charles A. Lawrence in Beverly, Massachusetts, who was also the first in America to produce this brand of pottery, circa 1872.

This is an 1880s trade card that I just acquired from Lawrence's business, which clearly advertises "antique pottery." This was also the period that Lawrence regularly advertised his Grecian style pottery in local papers and publications. The ads are great, and for each year in the 1880s and early 1890s, a new ad was designed.

I show a group of these ads in a feature story that I have written exclusively about the Grecian style pottery production from the C.A. Lawrence Pottery, which I hope will be published sometime next year in the New England Antiques Journal. Nonetheless, this trade card demonstrates the idea behind some of these ads, many of which are also owned today by the Library of Congress in Washington, D.C.

Trade from the Beverly Pottery in Massachusetts
1880s Trade Card from Charles A. Lawrence's Pottery in Beverly, Mass.
The Card Clearly Advertises Antique Pottery
Measures 5 1/8" by 2 7/8"
See Article for More Information 
Another View of the Trade Card Including the Back
See Article for More Information 

Please Stay Tuned...Much More to Come...

The A.H. Hews "Antique Pottery" Catalog Published in 1877 in North Cambridge, Massachusetts

I have a great interest in Grecian type wares manufactured in America, beginning in the early 1870s and afterwards. The original wares made thousands of years ago are a style of pottery that I have always been drawn to, which is probably a result of admiring these wares at some of the museums I have visited, such as Boston's Museum of Fine Arts and the Metropolitan Museum of Art in New York City. The collection of Roman artifacts displayed at both of these museums are far beyond impressive.

However, the Grecian pottery or "antique pottery," like the nineteenth century New England potters used to call it, is a style of production that is among my favorite types produced in America. But it is also difficult to find today seeing that a good amount of this production resides in museums. It also wasn't necessarily produced in huge amounts - although, it was certainly a subject of great interest for such potters as Charles A. Lawrence in Beverly, Massachusetts, Hugh Robertson in Chelsea, Massachusetts, Russel Crook in South Lincoln, Massachusetts, the Portland Stoneware Company in Maine, the Kitson Pottery in North Bridgton, Maine, the Merrimac Pottery Company in Newburyport, Massachusetts, the Abraham Hews Pottery in North Cambridge, Massachusetts and the John Farmer Clark Pottery in Concord, New Hampshire, among other potters, as well.

Some of this production is also difficult to identify; not a lot of it is marked, and in some cases it was manufactured by traditional utilitarian red earthenware potters who rarely marked any object. But there are a few catalogs known, like a 1905 catalog from the Merrimac Pottery Company, which illustrates the company's Grecian style garden wares. I'm also only aware of two Merrimac catalogs in existence - one is owned by the Peabody Essex Museum's Phillips Library in Salem, Massachusetts and the other is currently owned privately.

Nevertheless, I was thrilled yesterday to acquire a 36 page catalog published in 1877 by the A.H. Hews Pottery in North Cambridge, highlighting the company's ancient brand of pottery. I've seen this catalog before in a prominent private collection in the Boston area, and with a few book dealers, but otherwise it is difficult to find today. The Library of Congress also owns one of the known catalogs in Washington, D.C.

Interestingly, a friend was able to identify a rare piece of Hews Pottery Grecian ware earlier this year because of this booklet; whereas, the object had been improperly cataloged by an auction house. They were able to match the form and mark impressed on the base to what the Hews Pottery illustrated.

I'm also fascinated with the competitive angle taken in this catalog, where the Hews Pottery claims its products are superior to its counterparts made elsewhere, presumably in the Boston market (ie. Beverly and Chelsea).

According to the A.H. Hews Pottery, "It is with pleasure we present this our second Catalogue of Antique Pottery. Although largely a copy of our first, it contains on the last three pages of cuts some twenty-two new patterns, all of which are very attractive. Our patterns are all nearly copies from ancient designs, and are very correct, we have spared no expense to make them the most perfect reproductions offered to the public; and having seen samples from most of the potteries manufacturing Antique Pottery, we can safely say there are none in the market as correct in shape and size as those we are offering.

We present in this addition one hundred and fifty-one different shapes, many of them in several sizes. Twenty patterns are exact copies from Dr. Schliemann's excavations on the supposed site of ancient Troy; they are correct in shape and size, having been taken from photographs of the originals; they will be marked S on the price list, to designate them.

Nos. 99, 118, 121, 124, 125, 126 and 129 are copies from the Cesnola collection, and were discovered by General Louis Palma de Cesnola in ancient tombs in Idalium Cyprus. They were supposed to be Phoenician manufacture, and extend back over a period of fifteen hundred years B.C."

A.H. Hews Antique Pottery Catalog from 1877
A.H. Hews Antique Pottery Catalog Published in 1877 in North Cambridge, Mass.
The Catalog Features 36 Pages and 151 Shapes of the Company's Grecian Style Pottery
  See Article for More Information
A.H. Hews Antique Pottery Catalog Published in 1877 in North Cambridge, Mass.
The Catalog Features 36 Pages and 151 Shapes of the Company's Grecian Style Pottery
  See Article for More Information
A.H. Hews Antique Pottery Catalog Published in 1877 in North Cambridge, Mass.
The Catalog Features 36 Pages and 151 Shapes of the Company's Grecian Style Pottery
  See Article for More Information
A.H. Hews Antique Pottery Catalog Published in 1877 in North Cambridge, Mass.
The Catalog Features 36 Pages and 151 Shapes of the Company's Grecian Style Pottery
  See Article for More Information
A.H. Hews Antique Pottery Catalog Published in 1877 in North Cambridge, Mass.
The Catalog Features 36 Pages and 151 Shapes of the Company's Grecian Style Pottery
  See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 12, 2018

A Collection of Artifacts Recovered at Low Tide from the Thames Foreshore in London

Mudlark: (formerly) one who made a living by picking up odds and ends in the mud of tidal rivers, (present) a person who scavenges in the river mud for objects of history, monetary or personal value.

-------------------------------------------

Mudlarking on the Thames River in London became a way of life and profit for some in the nineteenth century, and the river has attracted professionals, amateurs, archaeologists, treasure hunters, historians, museums and even tourists ever since. In fact, the ancient channel has even become somewhat of a tourist attraction in the last few decades.

According to a feature story recently written by Lara Maiklam for The Guardian, entitled, "London's History in Mud: The Woman Collecting What the Thames Washed Up, "For thousands of years human beings have been losing their possessions and dumping their rubbish in the Thames. I am not an archaeologist or even a treasure hunter, obsessively searching for gold or coins with a metal detector (although I have found both without one). I am a seeker and collector of pieces of human history. My finds sometime amount to no more than a button, a broken clay pipe or a sherd of pottery, but each one is a precious window into past lives lived on and around London's famous river, which is considered the world's longest archaeology site today."

However, the finds can be thrilling, representing a few thousand years of human settlement in England. But the Port of London Authority does require a permit for such activity, including metal detecting, digging or scraping. The standard permit allows digging to a depth of 7.5 centimeters, and a mudlark permit allows digging to a depth of 1.2 meters (the mudlark permit is only issued to members of the Thames Mudlark Society).

Certain artifacts must also be reported; "You must report any objects of archaeological interest to the Portable Antiquities Scheme Finds Liason Officer at the Museum of London."

But as the tide swells and regresses twice a day, rising as much as 23 feet, so do the artifacts hidden beneath the muddy surface - and with each low tide comes the opportunity that a hidden artifact was uncovered during the previous high tide. The northern bank is also the best area to search since it bears more history than the southern bank.

The possibilities are really endless; for instance, I was recently told that entirely intact seventeenth and eighteenth slipware dishes, among other survivors have been recovered in recent memory at low tide on the foreshore, and many of these discoveries are now cherished by local collectors and mudlarkers.

Nevertheless, while shopping the antiques fields in Brimfield, Massachusetts last week, I met up with Oliver Garland, an antiques dealer from London and Falmouth, Massachusetts. He recently returned after spending sometime in London this summer, and he brought back a collection of pottery sherds that had been recovered by a mudlarker on the Thames foreshore. This collection of ceramics really represents the diversity that can be found in the artifacts along the Thames, where these particular objects date from the Medieval Period through the 1600s and 1700s.

Some of these sherds also represent artifacts found on Colonial archaeology sites in America, seeing that some of this production was shipped to the colonies in the seventeenth and eighteenth century.

I also want to note that it is rather interesting to see some of the daily or weekly finds found by mudlarkers on the foreshore of the Thames; some of these people can be found by searching Facebook and Instagram - although, my personal favorite is Lara Maiklam's account under the name "london.mudlark."

Pottery Sherds Recovered on the Thames Foreshore in London
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland
Pottery Sherds Recovered at Low Tide from the Thames Foreshore in London
The Artifacts Date from the Medieval Period to the 17th/18th Century
See Article for More Information
Photo Courtesy: Oliver Garland

Please Stay Tuned...Much More to Come...

Tuesday, September 11, 2018

Massive 19th Century Stoneware Jar Made by Dave Drake Now on Display at the Metropolitan Museum of Art in New York City

While recently visiting the Metropolitan Museum of Art in New York City, my nephew Jason and I viewed a massive nineteenth century stoneware jar made by enslaved African-American potter Dave Drake (ca. 1801-1875) in Edgefield, South Carolina. The jar was previously owned by Dr. Arthur Goldberg (1929-2017), and published in the 2006 edition of Ceramics in America in an article written by Dr. Goldberg and Jim Witkowski, entitled, "Beneath his Magic Touch: The Dated Vessels of the African-American Slave Potter Dave."

According to the introductory paragraph in the Ceramics in America article, "Dave, an enslaved African-American potter, made alkaline-glazed stoneware vessels in the nineteenth century in the Edgefield District of South Carolina. His ceramics, especially his large pots, are very expressive and powerful, but his contribution goes beyond the vessels themselves. He is also known for his literacy, at a time when slave literacy was not permitted. It is expressed in the dates, signatures and poetry incised in script on many of his pots. Dave's pottery, valued for its functionality when first produced, is now appreciated for its greater value as the historical record of a slave who became an American icon."

The jar now on display in the Americana Wing at the MET, stands over 25 inches tall; it is inscribed "This jar is to Mr Segler who keeps the bar in orange burg / for Mr Edwards a Gentlemen - who formerly kept Mr thos bacons horses / April 21 1858." Furthermore, it is also inscribed "When you fill this jar with pork or beef / Scot will be there to get a peace , / Dave."

Massive Drake Drake Jar from Edgefield, SC
My Nephew Jason Pictured with Dave Drake's Jar
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
19th Century Stoneware Jar Made by Dave Drake in Edgefield, SC
Inscribed "This jar is to Mr Segler who keeps the bar in orange burg / for Mr Edwards a Gentlemen - who formerly kept Mr thos bacons horses / April 21 1858."
Stands 25 5/8" Tall
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Inscribed "This jar is to Mr Segler who keeps the bar in orange burg / for Mr Edwards a Gentlemen - who formerly kept Mr thos bacons horses / April 21 1858."
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Another View of the Jar
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Another View of the Jar
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Another View of the Jar
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Inscribed "This jar is to Mr Segler who keeps the bar in orange burg / for Mr Edwards a Gentlemen - who formerly kept Mr thos bacons horses / April 21 1858."
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art

Please Stay Tuned...Much More to Come...

Monday, September 10, 2018

Upcoming Feature Story in Maine Antique Digest: 17th-19th Century Domestic Red Earthenware in New York City

I would like to notify those who wish to know that my next published feature story will be available later this month in the October 2018 issue of Maine Antique Digest. The story will cover the seventeenth to nineteenth century red earthenware production in New York City, as well as the eighteenth and nineteenth century domestic wares that were shipped to the city.

The article will include about 25 pictures, most of which have never been published before, and there are also a few museum pieces that will be illustrated, as well. But all of the archaeology should be new material, and it was recovered from various contexts in the city and stored today at the New York State Museum in Albany, New York, Chrysalis Archaeology in Brooklyn, New York and the New York City Archaeological Repository.

A variety of wonderful imported domestic slip-script and slip-decorated objects are also included, which were recovered from various sites in New York City by Maribelle Costes and Scott Jordan. I don't want to spoil this information since some of these pieces are special, and represent wares made in New Jersey, Long Island and Connecticut. 

I should also mention that the feature story takes a look at marbled red earthenware plates recovered in various contexts on Long Island, a subject more commonly attributed to Pennsylvania and Connecticut today. Interestingly, similar sherds have also been found in New York City.

With that said, these are two nineteenth century slip-script red earthenware plates that were just recovered from a nineteenth century privy by Maribelle Costes and Scott Jordan in New York City. This is the type of material that is included for the imported domestic red earthenware found in the city, but these objects are not a part of the article since they were just discovered. The style of script seems to imply that these objects are from New Jersey, and possibly produced by George Wolfkiel in River Edge, New Jersey during the circa 1830-1867 period.

Slip-Script Red Earthenware Recovered in New York City
 19th Century Slip Script Red Earthenware Plate Likely from New Jersey
The Style of the Script Closely Resembles Production from River Edge, NJ
Inscribed "Maria"
Recovered from a Privy in New York City
Photo Courtesy: Maribelle Costes and Scott Jordan
 19th Century Slip Script Red Earthenware Plate Likely from New Jersey
The Style of the Script Closely Resembles Production from River Edge, NJ
Inscribed "Martha"
Recovered from a Privy in New York City
Photo Courtesy: Maribelle Costes and Scott Jordan

Please Stay Tuned...Much More to Come...

The Story of the Phineas Chase Pottery as Published in Newspapers from Newburyport, Massachusetts

As I noted in a post, also from today, Phineas Chase (1820-1911) established his own pottery in Merrimacport, Massachusetts around the time his father, James Chase (1779-1849) died in 1849. I have also found that there are some inaccuracies previously published about Phineas and his pottery, such as earlier publications that state he died in 1860, which is completely false. He actually died in 1911 and operated a successful pottery for decades after 1860. Much like the James Chase Pottery, Phineas' business is largely unnoticed today even though there are plenty of surviving objects in existence.

The Phinease Chase Pottery is also a business that I have written about this summer since I have been invited by the current property owners to collect as much material as possible before some construction happens next year. The recovered artifacts so far include hundreds of red earthenware sherds, kiln furniture and even some kiln bricks. It should also be noted that this property has been previously disturbed, as it was converted into an iron foundry sometime after Phineas' death in the early-twentieth century.

But much like the stories that I have just posted about William Pecker's Pottery (ca. 1790-1820) and James Chase's Pottery (ca. 1820-1849), I have also found that the local newspapers tell a story about Phineas' business that has not been published since - for instance, a story about the history of industry in Merrimacport was printed in the Newburyport Daily News on April 15, 1908. This story includes the local pottery and brick industry; whereas, I have recovered a number of objects in recent years in Merrimacport, which appear like brick wasters: "...There was a brickyard near Turkey Hill and one near the Kendrick House on the landing road. The pottery, which was owned and carried on by Deacon Phineas Chase until recently, was started by William Pecker, a great uncle of Deacon Chase, the works being situated where the Methodist church now stands. Deacon Chase's father learned the trade there, acquired the business, and moved it to an old house where the Sargent Co., coal office now stands, the building was afterwards sold and moved on two gondolas down the river to where it now stands near the hat factory (in Amesbury).

In 1865 Deacon Chase build the building near his residence where he continued the business until a few years ago when it ceased alltogether..."

Phineas' obituary published in the Newburyport Daily News on March 22, 1911, also tells the story of Phineas' life like it has not been published since:

"Death of Phineas Chase

After an illness which had confined him to his bed for six days, the death occurred early yesterday morning of Phineas Chase, a prominent resident of Merrimacport, at his home there. Mr. Chase had not been in good health for some time because of trouble due to old age, but death was directly due to heart failure. The funeral will be held from his late home, Thursday afternoon at 2 o'clock and relatives and friends are invited.

Phineas Chase was born in South Amesbury, now Merrimacport, and had been a lifelong and honored resident of that section. He attended school there and early in his life he learned the pottery trade. He was a young man when he engaged in that business and conducted a successful trade until about 30 years ago at which time he retired. He was a man of quiet tastes and habits and his chief solace in his home life, although he was during his active life much interested in the affairs of the community. He was for three years in the 80s a member of the board of selectmen of the town and in other ways manifested an interest in the town. He was a successful business man, and by thrift and careful compensation for his life's labors.

Mr. Chase was the son of James and Olive Chase. Early in life he was married to Ann Marie Sargant, daughter of Joseph and Hannah Sargent, whose death occurred about three years ago. Mr. Chase was a lifelong member and until infirmities made attendance impossible, a regular attendant at the Pilgrim church in the work of which he always showed great interest. For many years he was a deacon of the church.

Mr. Chase was aged 90 years, 11 months and 16 days. He was a man of sterling honesty and marked integrity and had the respect and confidence of the community. Although he leaves no near relatives, there survives a nephew, Arthur W. Chase of Flint, Mich., a grand nephew, E. Sherman Chase of Reading, Pa., a nephew James C. Tuckwell of Merrimacport and Charles H. Tuckwell of Merrimacport, and William S. Tuckwell, also of Merrimacport."

Note: Check the right column on this website for archaeology from the Phineas Chase Pottery, under the column "Merrimacport, MA Archaeology."

 Examples of Red Earthenware from the Chase Family
19th Century Red Earthenware Pan Found in Merrimacport, Mass.
Likely Related to the Chase Family Pottery
See Article for More Information
Photo Courtesy: Private Collection 
 Another View of the Pan
See Article for More Information
Photo Courtesy: Private Collection 
19th Century Red Earthenware Bottle or Vase Found Years Ago in Haverhill, Mass.
Likely Related to the Chase Family Pottery
See Article for More Information
Photo Courtesy: Private Collection 
19th Century Red Earthenware Bottle or Vase
Attributed to the Chase Family Pottery in Merrimacport, Mass.
See Article for More Information
Photo Courtesy: Town of Merrimac, Mass.
 19th Century Red Earthenware Bottle or Vase
Attributed to the Chase Family Pottery in Merrimacport, Mass.
See Article for More Information
Photo Courtesy: Town of Merrimac, Mass.
19th Century Red Earthenware Bottle or Vase
Attributed to the Chase Family Pottery in Merrimacport, Mass.
See Article for More Information
Photo Courtesy: Town of Merrimac, Mass.

Phineas Chase Pottery Billhead from the 1880s
Photo Copy of an 1880s Billhead from Phineas Chase's Pottery in Merrimacport, Mass.
See Article for More Information

1884 Essex County, Mass. Directory
Phineas Chase Listed in the 1884 Essex County, MA Directory
See Article for More Information

Newburyport Daily News - April 8, 1902

82 Years of Age

Phineas Chase, a much respected citizen of Merrimacport Saturday observed the 82nd anniversary of his birth at his home in that section of the town. Mr. Chase still retains remarkable possession of his faculties at his age.

He received many visits of congratulations from his friends and was also well remembered by testimonials from them.
Phineas Chase's 82nd Birthday
Published in the Newburyport Daily News on April 8, 1902
See Article for More Information

Newburyport Daily News - April 15, 1908

...There was a brickyard near Turkey Hill and one near the Kendrick House on the landing road The pottery, which was owned and carried on by Deacon Phineas Chase until recently, was started by William Pecker, a great uncle of Deacon Chase, the works being situated where the Methodist church now stands. Deacon Chase's father learned the trade there, acquired the business, and moved it to an old house where the Sargent Co., coal office now stands, the building was afterwards sold and move on two gongolas down the river to where it now stands near the hat factory.

In 1865 Deacon Chase build the building near his residence where he continued the business until a few years ago when it ceased alltogether...
Remembering Merrimacport
The History of the Area's Potteries was Published in the Newburyport Daily News
Published on April 15, 1908
See Article for More Information

Newburyport Daily News - April 7, 1909

89 Years Old

One of the town's oldest and most highly respected citizens, Phineas Chase, quietly observed the 89th anniversary of his birth at his residence on High Street Monday. Mr. Chase enjoys good health and is exceptionally active for one of his advanced age, going about smartly and walking to the center and return, a distance of two miles several times a week. He received congratulations from a host of friends in this and distant towns.
Phineas Chase's 89th Birthday
Published in the Newburyport Daily News on April 7, 1909
See Article for More Information

Newburyport Daily News - March 22, 1911


Death of Phineas Chase

After an illness which had confined him to his bed for six days, the death occurred early yesterday morning of Phineas Chase, a prominent resident of Merrimacport, at his home there. Mr. Chase had not been in good health for some time because of trouble due to old age, but death was directly due to heart failure. The funeral will be held from his late home, Thursday afternoon at 2 o'clock and relatives and friends are invited.

Phineas Chase was born in South Amesbury, now Merrimacport, and had been a lifelong and honored resident of that section. He attended school there and early in his life he learned the pottery trade. He was a young man when he engaged in that business and conducted a successful trade until about 30 years ago at which time he retired. He was a man of quiet tastes and habits and his chief solace in his home life, although he was during his active life much interested in the affairs of the community. He was for three years in the 80s a member of the board of selectmen of the town and in other ways manifested an interest in the town. He was a successful business man, and by thrift and careful compensation for his life's labors.

Mr. Chase was the son of James and Olive Chase. Early in life he was married to Ann Marie Sargant, daughter of Joseph and Hannah Sargent, whose death occurred about three years ago. Mr. Chase was a lifelong member and until infirmities made attendance impossible, a regular attendant at the Pilgrim church in the work of which he always showed great interest. For many years he was a deacon of the church.

Mr. Chase was aged 90 years, 11 months and 16 days. He was a man of sterling honesty and marked integrity and had the respect and confidence of the community. Although he leaves no near relatives, there survives a nephew, Arthur W. Chase of Flint, Mich., a grand nephew, E. Sherman Chase of Reading, Pa., a nephew James C. Tuckwell of Merrimacport and Charles H. Tuckwell of Merrimacport, and William S. Tuckwell, also of Merrimacport.
Phineas Chase's Obituary
Published in the Newburyport Daily News on March 22, 1911
See Article for More Information

Please Stay Tuned...Much More to Come...

The Story of the James Chase Pottery as Published in Newspapers from Newburyport, Massachusetts

For some strange reason, the nineteenth century Chase family potteries have been largely overlooked in Merrimacport (formerly West Amesbury), Massachusetts; although, the wares produced by the Chase family were extremely skilled and clearly a major provider for decades in parts of Essex County, Massachusetts. I would compare this family business as similar to the John Corliss Pottery in Days Ferry, Woolwich, Maine, the Safford family pottery in Monmouth, Maine and the Clark family potteries in central New Hampshire, among other family businesses located elsewhere in New England.

I have also found that some of the wares made by the Chase family resemble the skill and forms found with wares made by William Pecker (1758-1820) in Merrimacport during the circa 1790-1820 period - but this revelation should also not be a major surprise seeing that James Chase was Pecker's nephew, and also employed by Pecker for many years.

The Chase family pottery actually materialized under unfortunate circumstances in the early-1820s after Pecker died from a kiln collapse. After the family mourned, James Chase (1779-1849) eventually resumed production and established his own pottery, which seems to have operated until the late-1840s. Afterwards, James' son, Phineas Chase (1820-1911) who had worked with his father, established his own pottery in Merrimacport. I have also found that there are some inaccuracies previously published about Phineas and his pottery, such as earlier publications that state he died in 1860, which is completely false. He actually died in 1911 and operated a successful pottery for decades after 1860. Much like the James Chase Pottery, Phineas' business is largely unnoticed today even though there are plenty of surviving objects in existence.

Nevertheless, the following two examples of nineteenth century red earthenware are attributed to the Chase family and discovered by Massachusetts author, Lura Woodside Watkins (Early New England Potters and Their Wares) in Merrimacport, Massachusetts before 1950. These objects are now owned by the National Museum of American History at the Smithsonian in Washington, D.C. These pieces were also published in a feature story I wrote about the Chase family for the October 2014 edition of the New England Antiques Journal, entitled, Utilitarian Redware in Massachusetts: The Chase Family Pottery.

Interestingly, while recently studying a number of Essex County potteries in various eighteenth and nineteenth century newspapers, I found a brilliant advertisement declaring the James Chase Pottery for sale in the Newburyport Herald from Tuesday December 27th, 1853 (see below). I don't believe this information has been published in any type of scholarship since. The ad even describes a "pottery stand" utilized by the Chase family that was centrally located in Essex County, which reportedly gave the family a competitive advantage in selling their wares. This stand may have even been used by William Pecker.

"Valuable Real Estate for Sale.

The real estate belonging to the heirs of the late Deacon JAMES CHASE, potter, deceased, is now offered for sale on favorable terms, it consists of four different lots with the dwellings and other buildings thereon, being about one half an acre to each lot.

One of the lots is the old Homestead, and out-buildings in good repair and now renting for two families.

Another is the long noted POTTERY STAND, where much business has been done, and is now being done, it being centrally located with the surrounding towns of Haverhill, Bradford, Georgetown, the City of Newburyport and other Villages, having without competition a large and good run of custom.

The buildings are all in good order and well adapted to the business. A large two story shop with a cellar, a large barn and ware house, being used for a ware room, a stable and a carriage house. A Kiln house and a wood house in connexion, making a full and good set of buildings, and undoubtedly the best if not the only chance to purchase a valuable Pottery Stand in the state.

There are on each of the above lots, five or six ever bearing apple and pear trees, together with other trees and shrubs, having borne the present season about $100 worth of good frut.

In connexion with the above are two good 2 story dwelling houses nearly new and well finished, low renting for $90 each. The land belonging is well adapted to the raising of fruit there being a number of fast growing trees now on the land.

The above property is pleasantly located on the main road in the River Village of West Amesbury, in the immediate vicinity of steam and water power - the daily Express to Boston - the Post Office - and good church and school facilities.

The property can be purchased connectedly or separately, as desired.

For further information in regard to the property onquire of WILLIAM CHASE, near the premises."

Examples of Chase Family Pottery in Merrimacport,  Mass.
19th Century Red Earthenware Pitcher
Attributed to the Chase Family in Merrimacport, Mass.
Possibly Made by James Chase
Photo Courtesy: The National Museum of American History at the Smithsonian
19th Century Red Earthenware Pitcher
Attributed to the Chase Family in Merrimacport, Mass.
Possibly Made by James Chase
Photo Courtesy: The National Museum of American History at the Smithsonian

Daily Herald - February 6th, 1850

NOTICE is hereby given that the subscriber has been duly appointed administrator of the estate of JAMES CHASE, late of Amesbury, in the county of Essex, Potter, deceased, and has taken upon himself that trust by giving bonds, as the law directs: All persons having demands upon the estate of said deceased are required to exhibit the same; and all persons indebted to said estate are called upon to make payment to W.M. CHASE, Adm'r. Amesbury, Feb. 5th,. 1850.

Also Published On:
February 20, 1850
Advertisement for James Chase Published on February 6, 1850
See Article for More Information

Newburyport Herald - Tuesday December 27th, 1853

Valuable Real Estate for Sale.

The real estate belonging to the heirs of the late Deacon JAMES CHASE, potter, deceased, is now offered for sale on favorable terms, it consists of four different lots with the dwellings and other buildings thereon, being about one half an acre to each lot.

One of the lots is the old Homestead, and out-buildings in good repair and now renting for two families.

Another is the long noted POTTERY STAND, where much business has been done, and is now being done, it being centrally located with the surrounding towns of Haverhill, Bradford, Georgetown, the City of Newburyport and other Villages, having without competition a large and good run of custom.

The buildings are all in good order and well adapted to the business. A large two story shop with a cellar, a large barn and ware house, being used for a ware room, a stable and a carriage house. A Kiln house and a wood house in connexion, making a full and good set of buildings, and undoubtedly the best if not the only chance to purchase a valuable Pottery Stand in the state.

There are on each of the above lots, five or six ever bearing apple and pear trees, together with other trees and shrubs, having borne the present season about $100 worth of good frut.

In connexion with the above are two good 2 story dwelling houses nearly new and well finished, low renting for $90 each. The land belonging is well adapted to the raising of fruit there being a number of fast growing trees now on the land.

The above property is pleasantly located on the main road in the River Village of West Amesbury, in the immediate vicinity of steam and water power - the daily Express to Boston - the Post Office - and good church and school facilities.

The property can be purchased connectedly or separately, as desired.

For further information in regard to the property onquire of WILLIAM CHASE, near the premises.

Also Published On:
February 3, 1854
February 21, 1854
March 17, 1854
Advertisement for James Chase Published on December 27, 1853
See Article for More Information

Please Stay Tuned...Much More to Come...