Sunday, April 5, 2026

Happy Easter! Some Information About the History of Easter and the Easter Bunny in America

Happy Easter! These are two unusual Easter related red earthenware objects; the first is a late nineteenth century red earthenware "Hen on Nest" candy dish from Pennsylvania (only example I have ever seen!). The form features a nest on the bottom and a hen as the lid. This was a popular glass form during the Victorian Period, although the origin of the form dates back centuries in places like England and Germany. Before this shape was mass-produced, German children would create makeshift nests using their own caps and bonnets hidden in gardens, homes, or barns. They hoped the Osterhase (or Easter Hare) would fill these simple "nests" with dyed eggs overnight.

Interestingly, I saw some examples of these types of eighteenth and nineteenth century dyed eggs from Pennsylvania a few weeks ago, while speaking at Historic Tappe in southeastern Pennsylvania about the research article I wrote for the 2025 issue of Americana Insightshttp://www.earlyamericanceramics.com/2026/03/2025-americana-symposium-at-historic.html.

The second is a painted easter egg with a removable cover that was made at the A.H. Hews Pottery in North Cambridge, Massachusetts after 1871. The paint is original to production. The base is stamped "A.H. HEWS & CO. / NO. CAMBRIDGE / MASS." For more information - see a feature story I wrote for the March 17, 2023 issue of Antiques and the Arts Weekly, titled, The Abraham Hews Pottery Of Weston & North Cambridge, Mass.: http://www.earlyamericanceramics.com/2023/03/new-published-story-in-antiques-and.html.

For a brief history that will be included in my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts"Easter became a widely popular holiday in the United States during the late nineteenth century, specifically following the Civil War. Before this time, many American religious groups, like the Puritans, avoided the holiday because of its non-Christian origins. By the Victorian era, the tradition of dyeing eggs and holding egg hunts (something that was already celebrated by Germans in Pennsylvania) had been widely adopted, growing significantly in popularity by the early twentieth century, especially in major east coast cities like New York City and the Boston area.

The religious holiday transformed into a family-centered celebration marked by new traditions like the New York City Easter Parade and the first White House Easter Egg Roll in 1878, followed by the Easter Parade on Commonwealth Avenue in Boston's Back Bay, etc.

The Easter Bunny followed a similar timeline, originally arriving in America in the 1700s as a German folk legend called the "Osterhase" (Easter Hare). This tradition remained local to German immigrant communities in Pennsylvania for over a century before spreading nationwide in the late 1800s. By the early 1900s, the name officially shifted from the "Easter Hare" to the more child-friendly "Easter Bunny," solidifying its place as a commercial and cultural icon of the holiday."

Note: There are a wide variety of nineteenth century Easter related objects known from the Pennsylvania Germans today.

(Back) 19th Century Hen on Nest Red Earthenware Candy Dish
Made in Pennsylvania in the Late 1800s
(Front) Late 19th Century Painted Red Earthenware Easter Egg
Made at the A.H. Hews Pottery in North Cambridge, Mass. After 1871
See Article for More Information
18th Century and 19th Century PA German Painted Easter Eggs
See Article for More Information
Photo Courtesy: Historic Trappe
Information About Each Easter Egg
See Article for More Information
Photo Courtesy: Historic Trappe
Research Story Published in the March 17, 2023 Issue of Antiques and the Arts Weekly
The Abraham Hews Pottery Of Weston & North Cambridge, Mass.
See Article for More Information

Please Stay Tuned...Much More to Come...

Saturday, April 4, 2026

New Feature Story Published in Antiques & Auction News: Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- And 19th-Century America

This is the print version of my latest three-page feature story published on pages 2, 4 and 6 in the April 3, 2026 issue of Antiques & Auction News, titled, Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- And 19th-Century America.

Here is a link to a PDF of page 2: https://www.scribd.com/document/1018380116/ant-002-040326-2

Here is a link to a PDF of page 4: https://www.scribd.com/document/1018380682/ant-004-040326-4

Here is a link to a PDF of page 6: https://www.scribd.com/document/1018381249/ant-006-040326-page-6

New Feature Story Published in Antiques & Auction News

New Feature Story Published in April 3, 2026 Issue of Antiques & Auction News
Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- and 19th-Century America
This is Page 2
See Above for More Information
New Feature Story Published in April 3, 2026 Issue of Antiques & Auction NewsRed Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- and 19th-Century America
This is Page 2
See Above for More Information
New Feature Story Published in April 3, 2026 Issue of Antiques & Auction News
Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- and 19th-Century America
This is Page 4
See Above for More Information
New Feature Story Published in April 3, 2026 Issue of Antiques & Auction News
Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- and 19th-Century America
This is Page 4
See Above for More Information
New Feature Story Published in April 3, 2026 Issue of Antiques & Auction News
Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- and 19th-Century America
This is Page 6
See Above for More Information
New Feature Story Published in April 3, 2026 Issue of Antiques & Auction News
Red Earthenware And Stoneware Sugar Bowls: A Brief Examination Of The Form Manufactured In 18th- and 19th-Century America
This is Page 6
See Above for More Information
This is the April 2, 2026 Issue of Antiques & Auction News
See Above for More Information

Please Stay Tuned...Much More to Come...

Friday, April 3, 2026

Four Very Good Examples of Late 18th and/or Early 19th Century New England Red Earthenware Currently Available in Massachusetts

Check out Antiques Associates At West Townsend's weekly email this afternoon, which shows four great examples of New England red earthenware from an outstanding private antiques collection. The email also provides a link to a story that I posted to my website yesterday about these four objects!
A.A.A.W.T.'s Weekly Email Today
See Article for More Information

Please Stay Tuned...Much More to Come...

Another Preview of Forthcoming Tenth Book: Mochaware Recovered from Archaeology Sites and Influence on Some American Design

As I have written on this website a number of times - my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettsis about to be published as part of my ongoing book series through Historic Beverly in Massachusetts. In this new book, I explain how some production in England, France, Germany, Italy, the China Trade, Philadelphia and perhaps Manhattan, etc. influenced some production in the Danvers and Salem, Massachusetts area, circa 1639-1955, among other locations in eastern Massachusetts. This influence is seen in slip designs, forms and religious ideologies. In fact, I posted an example of one influence on this website earlier this week in a post, titled, A Style of Red Earthenware Bowl Often Recovered from Circa 1740-1820 Archaeological Contexts: http://www.earlyamericanceramics.com/2026/03/a-style-of-red-earthenware-bowl-often.html.

Nonetheless, this is another example of that type of influence, although this nineteenth century red earthenware jar is from Western New York, and perhaps made at the circa 1818-1831 Nathaniel Rochester (1752-1831) Pottery in West Bloomfield, New York. 

The jar is adorned with a vibrant colored dendritic or seaweed pattern, a style of decoration often found on English mochaware during the late eighteenth to mid-nineteenth century, which is a type of factory-made slip decorated earthenware or dipped ware. In some areas, the slip trails into a looping, three-dimensional pattern often referred to as an earthworm or cable motif on mochaware. 

Interestingly, this is also a subject that was discussed in Sumpter Priddy's 2004 book, American Fancy: Exuberance in the Arts, 1790-1840, where he notes that mochaware design influenced other decorative arts in America, such as some painted woodenware. My new book also shows an early nineteenth century painted wooden bowl and plate from New England that appears to imitate slip decorated red earthenware.

For reference, the reason this jar is included in my forthcoming book is due to mochaware being a recurring find in archaeological excavations in Salem, Massachusetts, etc., such as a series of privies discovered on the property of the Narbonne House, located near Salem's waterfront and Custom House. This type of pottery was typically colorful glazed, although utilitarian in household use. Mochaware has also been recovered from other archaeology sites in Salem, including the Derby Counting House, the Ephraim Skerry (1685-1741) House and the Captain Stephen Phillips House (1764-1838), etc.

For more information about this jar - see my latest published book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New Yorkhttps://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

Note: I also have a forthcoming research article coming out about marbled red earthenware made in the American northeast in the late eighteenth and early nineteenth century, where I show this type of glaze is also found in seventeenth century American archaeological contexts on imported Italian red earthenware. It is also found in eighteenth century American archaeological contexts on imported English earthenware.

Another Preview of Forthcoming Tenth Book!

Early 19th Century Red Earthenware Jar from Western New York
Possibly Made at the Nathaniel Rochester Pottery, Circa 1818-1831
There are Three Other Jars Known of this Form in Western New York
All Four Jars Have Different Decorations
This Jar is Adorned in a Decoration Imitating British Mochaware Design
See Article for More Information
A Closser View of the Glaze
See Article for More Information
Early 19th Century American Paint Decorated Wooden Box
The Decoration is Imitating British Mochaware Design
See Article for More Information

Please Stay Tuned...Much More to Come...

Thursday, April 2, 2026

A Preview of Forthcoming Tenth Book: Some Existing Objects Compared to Archaeology from Western New York

Outside of the red earthenware made in the Beverly, Danvers and Salem, Massachusetts area, circa 1639-1955, as well as the Quaker pottery made in Bristol County, Massachusetts, my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettswill contain a lot more information! There will be archaeology and other information from a number of potters located elsewhere in eastern Massachusetts, Maine, Rhode Island, etc. There will also be a compare and contrast with production from other parts of the United States, including Philadelphia, East Tennessee, Western New York, etc.

For example, this slip decorated earthenware sherd shown below to the bottom right was recovered from a nineteenth century archaeological context by the Buffalo State Archaeology Department at the site of Fort Niagara in Western New York. It appears to be related to the pitcher shown above and the churn shown to the bottom left, both of which could be from Erie County, New York. The style of the slip on these objects is also similar to some styles recently identified from the Danvers area, etc.

For a brief history: Fort Niagara was established by the French in 1726 to control the strategic Great Lakes fur trade and the portage around Niagara Falls. It became a major battleground during the French and Indian War and the War of 1812, changing hands between French, British, and American forces. After serving as a military training base and POW camp through the World Wars, it was deactivated in 1963. 

In the meantime - for more information - see my latest published two-volume, 1,400 page, ninth book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New Yorkhttps://historicbeverly.net/product/americas-great-awakening-and-migration-the-red-earthenware-of-western-new-york/.

A Preview of Forthcoming Tenth Book!

A Preview of Forthcoming Tenth Book!
Pitcher and Churn Likely From the Western New York Region, Possibly Erie County, NY
The Sherd was Recovered at the Site of Fort Niagara in Niagara County, NY
Erie County is Located Directly to the South of Niagara County
See Article for More Information
Photo Courtesy: Private Collection and Buffalo State Archaeology Department

Please Stay Tuned...Much More to Come...

Four Very Good Examples of Late 18th and/or Early 19th Century New England Red Earthenware Currently Available in Massachusetts

These three late eighteenth and/or early nineteenth century surviving red earthenware jars are beautiful examples of early production from the Hartford, Connecticut area. They feature hand-applied brushstrokes of slip, which appear like quick, simple and perhaps unintentional art. These jars represent some of the earliest production for the area from such potters as Nathaniel Seymour (1763-1849) and Seth Goodwin (1772-1828), showing some of the types of red earthenware that were used in the area's homes. There are also related objects retaining local histories of ownership owned by the Wadsworth Atheneum Museum of Art in Hartford. 

Interestingly, some of Hartford's earliest production can be traced back to the Braintree and Danvers, Massachusetts area, where at least one potter learned of early Massachusetts forms before bringing those techniques to the Hartford area, and later possibly influencing other early potters like Seymour and Goodwin. 

Nonetheless, these objects are illustrated in my sixth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Areahttps://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/.

The impact of the Danvers area industry in Hartford is also discussed in my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusettshttp://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html.

Furthermore, these objects were recently part of one of the best small collections of New England red earthenware assembled privately in New England in the 1990s and early 2000s. Most of the objects from this collection were acquired privately from reputable dealers in American redware, although some of the objects were also purchased from the personal collection of Hilarly and Paulette Nolan at Northeast Auctions in Manchester, New Hampshire in August 2004. However, only four objects remain of the fifteen or so pieces from this private collection.

Late 18th and/or Early 19th Century Slip Decorated Red Earthenware
Height Left to Right: 8", 10 1/2" and 10 3/4" Tall
All Possibly from the Hartford, Connecticut Area
See Article for More Information
Photo Courtesy: A.A.A.W.T.

This late eighteenth or early nineteenth century red earthenware jar from Bristol County, Massachusetts is a wonderful example of a form that possibly mirrors the sophisticated, "shouldered" silhouette of some Chinese porcelain jars. The jar's broad shoulders and tapered base with a pronounced round foot are similar to the ovoid shapes of imported Chinese export porcelain, such as ginger jars, possibly showing how global trade influenced local potters. This was a popular form in Bristol County, and it may have developed from the China Trade that existed in New Bedford, Massachusetts. While Boston and Salem were the initial hubs for this type of trade, New Bedford merchants also began participating in international ventures beyond the West Indies and Europe. Ships from New Bedford typically traded goods like tea, silk, nankeen (cotton), and spices, which included ginger.

This early jar is adorned with a colorful glaze that features a mottled green color finish with different shades of orange, along with black and dark brown streaks. This type of glaze is also found on other forms from Bristol County, including larger jars of this shape and pitchers. 

While the jar's vibrant glaze likely draws the most attention, its origins are deeply rooted in the Quaker potting traditions of Bristol County in the eighteenth and nineteenth century, with their trade being an integral part of the area's everyday life during this period. 

However, this region's Quaker pottery tradition was also intertwined with the Quaker potters in the Danvers and Salem area, where Bristol County's red earthenware production will also be part of my forthcoming new book, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts.

Additionally, this jar is illustrated in my fifth book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/.

For more information about any of these objects - contact Antiques Associates At West Townsend in Massachusetts: https://www.aaawt.com/about/.

Note: For more information about early Quaker potters in Bristol County and Essex County, Massachusetts - see a feature story I wrote that was published on page 10 in the December 12, 2025 issue of Antiques And The Arts Weekly, titled, The Southwick Family Of Potters Of Salem & South Danvers, Mass.: http://www.earlyamericanceramics.com/2025/12/new-published-feature-story-in-antiques.html.

Late 18th or Early 19th Century Red Earthenware Jar from Bristol County, Mass.
Circa 1780-1830
Stands 7 1/2" Tall
See Article for More Information
Photo Courtesy: A.A.A.W.T.

Please Stay Tuned...Much More to Come...

Wednesday, April 1, 2026

Early 19th Century Sgraffito Decorated Red Earthenware Plate from Southeastern Pennsylvania Available in Massachusetts

This is a wonderful early nineteenth century sgraffito decorated red earthenware plate that I previously posted about in December of 2025; this vibrant red earthenware plate is a quintessential example of southeastern Pennsylvania sgraffito, possibly produced in Montgomery County around the early nineteenth century. The design features a stylized "flowering urn" or "pot of flowers," a central motif in Germanic folk art representing life and growth.

The plate is adorned with a sgraffito technique—scratching through a light-colored slip to reveal the red clay body—to create the intricate cross-hatching on the main blossom and the delicate, curved fronds at the base of the stem. The application of green copper oxide splashes provides a bold contrast to the yellowish slip, a popular color combination for the region’s traditional pottery. Its simplistic yet balanced composition and the specific rendering of the foliage point toward the hand of a master potter active in southeastern Pennsylvania in the early 1800s.

Furthermore, it is not everyday that a good example of sgraffito decorated red earthenware from southeastern Pennsylvania becomes available in the public antiques marketplace, seeing that many of the best examples are owned by museums, institutions and major private collections.

It has also previously been suggested that the potter responsible for the production of this plate might be Henry Roudebush or Roudebuth (circa 1792-1838) in Upper Hanover Township, Montgomery County. But it should also be considered that several other prominent late eighteenth and early nineteenth century Pennsylvania German potters from the same region worked in similar styles.

Additionally, flowers and urns were popular motifs on European pottery from the seventeenth through the nineteenth century, often carrying deep symbolic and cultural meaning. In fact, this style of motif was a cornerstone of some European folk art. It appeared frequently on seventeenth and eighteenth century Dutch Delftware and English slip decorated pottery.

In these European traditions, it was often used as a central decorative element on plates and chargers, where the flowering urn was also sometimes used to represent the "Tree of Life," symbolizing fertility, growth, and prosperity. In more formal Neoclassical designs of the late eighteenth century, the urn was also a symbol of remembrance and classical refinement.

Nonetheless, Pennsylvania sgraffito decorated red earthenware has been sought out by major institutions for over a century now, including the Philadelphia Museum of Art, the Metropolitan Museum of Art in New York City, the American Folk Art Museum in New York City and Winterthur Museum in Delaware, etc.

For more information about this object - contact Antiques Associates At West Townsend in Massachusetts: https://www.aaawt.com/about/.

Note: For more information about this type of production - see the 2025 edition of Americana Insightshttps://www.pennpress.org/9798988533122/americana-insights-2025/.

19th C. Sgraffito Decorated Red Earthenware Plate from Southeastern Pennsylvania
Early 19th Century Sgraffito Decorated Red Earthenware Plate from SE Penn.
Features an Urn with a Plant and Flower Highlighted with a Vibrant Green Glaze
Possibly Made in Montgomery County, PA
Otherwise Another Southeastern Pennsylvania-German Potter
Circa 1815
Measures 9 3/4" in Diameter
See Article for More Information
Photo Courtesy: A.A.A.W.T.
A View of the Back of the Plate
See Article for More Information
Photo Courtesy: A.A.A.W.T.

For reference, this was always one of my favorite museum displays to visit at any American art museum - an incredible amount of eighteenth and early nineteenth century sgraffito decorated red earthenware from southeastern Pennsylvania displayed at the Philadelphia Museum of Art. These photos were taken in 2014, although the display is no longer up. There are great examples of this production displayed at other museums, such as the Metropolitan Museum of Art in Manhattan and Winterthur in Delaware, but this was always spectacular to see!
Selection of 18th and Early 19th Century Sgraffito Decorated Red Earthenware
All from Southeastern Pennsylvania
Photo Taken in 2014
See Article for More Information
Photo Courtesy: Philadelphia Museum of Art
Selection of 18th and Early 19th Century Sgraffito Decorated Red Earthenware
All from Southeastern Pennsylvania
Photo Taken in 2014
See Article for More Information
Photo Courtesy: Philadelphia Museum of Art
Selection of 18th and Early 19th Century Sgraffito Decorated Red Earthenware
All from Southeastern Pennsylvania
Photo Taken in 2014
See Article for More Information
Photo Courtesy: Philadelphia Museum of Art

Please Stay Tuned...Much More to Come...