Sunday, June 16, 2024

A Good 19th Century Green Glazed Red Earthenware Jar that Sold Today at Miller & Miller in New Hamburg, Ontario

A little over one month ago, I posted a story to this website about a nineteenth century green glazed red earthenware jar that was recently found in a circa 1860s house in Dundas, a town and urban district near the port city of Hamilton, Ontario, which is located on the western tip of Lake Ontario. The jar's history really seemed to speak to me because of the industrial history that this area retained from around the turn of the nineteenth century through part of the twentieth century: http://www.earlyamericanceramics.com/2024/05/an-early-green-glazed-red-earthenware.html.

Nevertheless, that jar was consigned to Miller & Miller in New Hamburg, Ontario, where it sold today as part of a larger sale of advertising, pottery and historical objects: https://www.liveauctioneers.com/item/178724094_early-american-semi-ovoid-redware-jar

The auction house described the jar as "American, likely New York State, circa 1820s-1840s. An exciting recent discovery of this early American double-handled red earthenware jar in an 1860s homestead in southern Ontario. Noted Massachusetts-based researcher and author Justin Thomas advises that several aspects of this jar share characteristics from archaeological discoveries from multiple potters' sites in western New York state, more specifically the West Bloomfield area. A lovely green glaze with features including a tooled rim, beefy high-arched lug handles and five incised lines around the shoulder."

Interestingly, among the potters which very little is known about today who operated in West Bloomfield was Wheeler Griffin (1784-1851); he ran a red earthenware business from about 1812-1825. Alvin Wilcox (1801-1862) trained under Griffin in the 1820s, eventually acquiring the business in 1825, which he then operated until around the time he died in the early 1860s. 

The reason that I suggest Griffin's name is because I studied the archaeology that was collected in the 1970s at the site of the Wheeler Griffin and Alvin Wilcox Pottery business in June of 2023, which is kept today in a storage building, as part of the Rochester Museum & Science Center in Rochester, New York. In theory, Wilcox must have learned some forms and glazes from Griffin, whereas this seems to be somewhat of an unusual glaze color for Western New York. However, the color of the green glaze on this jar was recovered on various forms at the site the Griffin and Wilcox Pottery. The form does not seem refined enough for Wilcox's production, although it is somewhat similar to some jars made at the nearby Nathaniel Rochester (1752-1831) Pottery in West Bloomfield, which makes me wonder if this is a product of Griffin's production, seeing that he was in business at the same time as Rochester.

Furthermore, the jar sold reasonably for $225 plus the buyer's premium. This jar will also be published in my forthcoming two-volume Western New York book, titled, America's Great Awakening and Migration: The Red Earthenware of Western New York.

Note: For the rest of the pottery in today's sale - see the auction catalog: https://www.liveauctioneers.com/catalog/331363_advertising-pottery-and-historic-objects/.

19th Century Green Glazed Red Earthenware Jar Found in Ontario

19th Century Red Earthenware Jar Probably Made in Western New York
Recently Found in an 1860s Homestead in Southern Ontario
Probably Circa 1820s-1840s
Stands 13 1/2" Tall
See Article for More Information
Photo Courtesy: Miller & Miller
A View of One of the Handles
See Article for More Information
Photo Courtesy: Miller & Miller
A View of the Intentionally Unglazed Rim
This Jar Would Have Originally Had a Lid
See Article for More Information
Photo Courtesy: Miller & Miller
A View of the Base
See Article for More Information
Photo Courtesy: Miller & Miller

Archaeology from the Site of the Circa 1812-1860s Wheeler Griffin and Alvin Wilcox Pottery in West Bloomfield, N.Y.
Archaeology from the Wheeler Griffin and Alvin Wilcox Pottery in West Bloomfield, N.Y.
The Color is Very Similar to the Glaze on the Jar
See Article for More Information
Photo Courtesy: Rochester Museum and Science Center
Archaeology from the Wheeler Griffin and Alvin Wilcox Pottery in West Bloomfield, N.Y.
The Color is Similar to the Glaze on the Jar
See Article for More Information
Photo Courtesy: Rochester Museum and Science Center
Archaeology from the Wheeler Griffin and Alvin Wilcox Pottery in West Bloomfield, N.Y.
The Color is Similar to the Glaze on the Jar
See Article for More Information
Photo Courtesy: Rochester Museum and Science Center

Please Stay Tuned...Much More to Come...

Saturday, June 15, 2024

A Very Good 19th Century Red Earthenware Pitcher with a Striped Glaze from New England

I had never visited the Walker Homestead Antiques and Primitive Goods Show in Brookfield, Massachusetts before, although I decided to finally check it out today. This is where I came across this outstanding likely unintentionally striped glazed red earthenware pitcher that was brought to the show by antiques dealer Ian McKelvey. I asked him if it retained any type of history, but none that he could recall other than he just pulled it out of storage in New England earlier this week.

I suspect the pitcher was made in Vermont, circa 1800-1840, but the stripes also remind me of some red earthenware pitchers that were manufactured by the Bradford family in Kingston, Massachusetts in the 1800s. A variety of these types of pitchers are also illustrated in my fifth book, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Codhttps://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/.

19th Century Red Earthenware Pitcher with a Striped Glaze

19th Century Red Earthenware Pitcher with a Striped Glaze
Probably Made in Vermont
Circa 1800-1840
Stands 9" Tall
See Article for More Information
A View of the Handle
See Article for More Information
A View of the Base
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, June 14, 2024

A Magnificent 19th Century Stoneware Jug Manufactured in Northern Ohio that Sold at Sotheby's in New York City in 2007

Following the sale of a great nineteenth century two-gallon stoneware jug decorated with an incised eagle and fish, stamped "Barnabas Edmands & Co. / Charlestown," that sold this past April at Crocker Farm in Sparks, Maryland, I posted some other great American stoneware objects decorated with incised eagles. Although, the jug that sold was made in Charlestown, Massachusetts about 1830, and it is certainly among the most important examples of pre-1850 pottery known to exist from anywhere in New England today.

Nevertheless, there are also a number of great stoneware objects known today adorned with cobalt decorated eagles, however, I have always felt this particular jug is one of the best examples that are known to exist. This four-gallon double-handle nineteenth century stoneware jug is decorated with a magnificent eagle, a shield, arrows and two flags. 

Furthermore, it is inscribed on one side with cobalt script, reading "Chapman Upson and Wright Manufacturers Middleburg O."  The reverse side of the jug is decorated with more blue script, that reads, "JP Alexander and Co. Detroit Michigan leave orders here." The jug last sold at Sotheby's in New York City on January 19, 2007https://www.sothebys.com/en/auctions/ecatalogue/2007/important-americana-including-property-approved-for-deacession-by-the-board-of-trustees-of-historic-deerfield-n08278/lot.418.html

According to revised information from a book written by Robert Treichler, titled, A History of Northeast Ohio Stoneware, there are several known pieces of stoneware that acknowledge the partnership of Chapman, Upson and Wright, and these pieces are sometimes distinguished by bold cobalt signatures, along with an inscribed base of a churn. The first two names, Edgar Chapman and Daniel A. Upson were known potters from the Middlebury, Ohio area. The third name possibly represents Oliver Wright who was related to the Chapman family, and only appears in census records with the profession of potter in 1869. Additionally, J. Park Alexander was advertising this firm's stoneware production in Detroit: https://ohiobottleclub.org/wp-content/uploads/2018/11/Chapman-Upson.pdf.

John Park Alexander Sr. (1834-1908) was born in Bath Township, Ohio in 1834. He was a teacher, pottery manufacturer, an agent and a sheep farmer all at the same time. He also became the owner of two oil refineries. He was an Akron City Councilman for 15-years and also served terms as state representative and state senator. He was also among those on the Board of Trade who helped to lure B.F. Goodrich to Akron. He started a pottery business on Canal Street in 1866, which became involved with dozens of other potteries and warehouses in and out of Akron. He was also the man that made the first white firebrick in Ohio.

Ohio scholar Andrew Richmond also noted that, "The Ohio History Connection has an example like this that I included in my 2011 exhibition Equal in Goodness: Ohio Decorative Arts, 1788-1860. Alexander worked with a number of Akron potters and wholesaled their wares all over via river, canal and rail."

A work of art in itself, there is another circa 1865-1870 jug known that is owned today by the Henry Ford Museum in Dearborn, Michigan: https://www.thehenryford.org/collections-and-research/digital-collections/artifact/267429/.

19th Century Stoneware Jug Manufactured in Northeast Ohio

19th Century Stoneware Four-Gallon Stoneware Jug
Decorated in Cobalt with an Eagle, a Shield, Arrows and Two Flags
Inscribed in Cobalt "Chapman Upson and Wright Manufacturers Middleburg O."
Reverse Inscribed "JP Alexander and Co. Detroit Michigan leave orders here."
Circa 1865-1870
Stands 18" Tall
See Article for More Information
Photo Courtesy: Sotheby's
This is John Park Alexander Sr. (1834-1908)
See Article for More Information
A Related Jug Owned by The Ohio History Connection
See Article for More Information
Photo Courtesy: Andrew Richmond and The Ohio History Connection

Please Stay Tuned...Much More to Come...

Thursday, June 13, 2024

Two Red Earthenware Vases Retaining a History of Ownership in Northern New York

It may not be widely known today, although there were a number of short-lived art potteries in America and possibly Canada in the 1900s; for instance, I recently learned about a high-skilled business that operated in Deerfield, Massachusetts around 1910 that was known as "The Deefield Pottery." 

The Gazette and Courier of Greenfield, Massachusetts first mentioned the arrival of the potter Chauncey Thomas to Deerfield in the fall of 1909. "The Deerfield Pottery," the paper promised, "bids fair to be an interesting asset to the village. Mr. Thomas, the proprietor, is a pleasing man with good common sense and master of his craft."


Chauncey Thomas studied design and china painting at the Pratt Institute, located in Brooklyn, New York, where he learned from famed art educator Arthur Wesley Dow. In 1904, he began attending Alfred University's New York State School of Clay-Working and Ceramics (now the College of Ceramics) where he trained under, and lived with, the school's founder, Charles Fergus Binns. Binns is credited with having taught many American Arts and Crafts potters including the Marblehead Pottery's Arthur E. Baggs, along with Mary Chase Perry Stratton of Detroit's Pewabic Pottery. The decorative effect of Binn's pottery tended to rely upon beautifully-formed iconic vessel shapes covered with luscious glazes, rather than upon applied decoration. Similar stylistic features can be seen in the pottery of many of Binn's students, including that of Chauncey Thomas.


Prior to his arrival in western Massachusetts, Chauncey Thomas was a member of the American Ceramic Society. As a teacher, at both the University of Chicago's School of Education and the Teachers' College of Columbia University, he prepared his students to teach the art of pottery in city schools.


At the end of 1906, Chauncey Thomas wrote to teacher and mentor Charles Fergus Binns, "Do you remember my speaking to you about my starting a pottery at Old Deerfield? I am seriously considering the idea. What do you think of it? I would follow out Doat's plan (the French ceramist and author Taxile Doat) and make high temperature ware, use his style of kiln and do the work myself."


In 1909, Chauncey rented the Dennis Stebbins house on the street in Deerfield. It served as his residence, his sales shop and the location at which he glazed his pottery. Behind the Stebbins house, the artist built a separate pottery with an "oil-fueled kiln."Despite this preparatory work and the active roles he played in the governance of the Society of Deerfield Industries Chauncey Thomas remained in Deerfield for only a short time. He closed his studio and shop in the fall of 1911, and moved to Berkeley, California where he set up his new pottery in 1913. Around 1919 he opened The Tile Shop in partnership with William Bragdon. A number of years later The Tile Shop was renamed California Faience.


Chauncey Thomas Listed as a "Potter" in Deerfield, Mass.
This is from the 1910 United States Federal Census
See Article for More Information
Chauncey Thomas Listed as a "Potter" in San Mateo, California
This is from the 1940 United States Federal Census
See Article for More Information
Early 20th Century Green Glazed Red Earthenware Vase
Made at Chauncey Thomas' The Deerfield Pottery in Deerfield, Mass.
Circa 1909-1911
See Article for More Information
Photo Courtesy: Memorial Hall Museum

Nevertheless, nearly ten years ago, I posted a story to this website about a small slip decorated red earthenware vase that had recently been found in an hold house in Morrisonville, Clinton County, New York in the fall of 2014. I always felt this was a late nineteenth to twentieth century object manufactured somewhere in northern New York or Canada. For reference, Morrisonville is located just to the east of Lake Champlain near the Vermont border and to the south of Quebec and Montreal.

Interestingly, a second sgraffito decorated red earthenware vase was also recently found in northern New York, which exhibits a number of similar characteristics in manufacture, including the same cream-colored slip decoration and the same trimmed footed base. This vase is also decorated with blue flowers, perhaps created by using cobalt. The color of the clay on both objects also appears similar being a dark red color. 

I want to note that the color of this slip is also found with some of the pottery manufactured in the maritime area in Nova Scotia, Canada, but I have never seen anything like these objects before associated with that area. It is also a color of slip found with some red earthenware produced in the United Kingdom.

Furthermore, the way the bases that both of these objects were manufactured is similar to a small group of nineteenth century red earthenware pitchers known today, which are thought to have been manufactured in New York. Although, the potter or general location has never been identified; one of the pitchers is currently for sale with Sheffield, Massachusetts antiques dealer Sam Herrup: https://www.samuelherrup.com/redware-pitcher-multicolored/redware-pitcher-multicolored.html.

Thoughts?

Note: Pottery production in the most northern areas of New York is also a subject that deserves more attention, such as a feature story that I wrote for the February 28, 2020 issue of Antiques & the Arts Weekly, titled, Early Pottery Manufactured in Champion, N.Y.: http://www.earlyamericanceramics.com/2020/02/new-published-research-story-early.html.

Vases Retaining a History of Ownership in Northern New York

(Left) Late 19th or 20th Century Slip Decorated Red Earthenware Vase
Found in a House in Morrisonville, NY in the Fall of 2014
Stands 2 5/8" Tall
(Right) 20th Century Slip Decorated Red Earthenware Vase
This Vase is Also Decorated with Sgraffito and Blue Flowers
Recently Found in a House in Northern New York
Stands 6 1/2" Tall
See Article for More Information
Another View of the Vase
The Cream Colored Slip is the Same Color on Both Vase
See Article for More Information
A View of the Interior of the Vases
See Article for More Information
A View of the Trimmed Bases
The Bases were Manufactured the Same Way
See Article for More Information
Another View of the Trimmed Bases
The Bases were Manufactured the Same Way
See Article for More Information

Please Stay Tuned...Much More to Come...


Wednesday, June 12, 2024

A 19th Century Southern Alkaline and Rutile Glazed Stoneware Pot Owned that is Privately in New York City

This is a nineteenth alkaline glazed stoneware pot that I saw last summer while visiting a prominent collection in New York City. I know it is southern in origin, although I have not been able to determine where it as made. But it does remind me of production from both North Carolina and South Carolina.  

A few facts about this object that I noticed - first, the color of the clay is the reddish colored clay that is sometimes found with stoneware made in North Carolina, South Carolina, Georgia and Alabama. The base was also wire-cut from the potter's wheel. It also appears that the exterior of this pot is heavily applied with rutile, which covers much of the olive or dark green colored alkaline glaze.

Furthermore, there are a number of similar forms known from North Carolina in the 1800s and early 1900s, which are usually referred to as "milk crocks" or "cream risers." Among the potters who reportedly made this form was J.H. Owens (1866-1923) in Moore County, North Carolina. This form was also produced by red earthenware potters in North Carolina, such as a pot that was signed by Albert F. Loy (1874-1955) in Alamance County, North Carolina.

Interestingly, I came across a story that included milk crocks and buried gold in West Virginia; according to the August 26, 1951 issue of The Stars and Stripes, "Henry Sheff, a diamond importer who died last November, buried $21,000 in gold coins over his 43-acre estate (in Parkersburg, West Virginia) as a cushion against inflation or financial embarrassment.

Discovery of the hidden horde was disclosed by the jeweler's son, William H. Sheff Jr., who found the treasure buried in glass jars and a milk crock over a period of nine months.

The younger Sheff used an Army mine detector manned by two Air Force recruiting sergeants to help find the gold coins, some of them rare collector's pieces. One two-gallon milk crock was filled to the brim with gold pieces."

Nevertheless, are there any thoughts on the origin of this object? North Carolina versus South Carolina? Or another Southern state?

Update: According to Alabama scholar Gary Price -- the cream riser is probably from Randolph County, Bacon Level Community in Alabama; it could probably could be as early as 1840 through the 1870s, and perhaps made by John Leopard or John Barnes. John Leopard left in 1848 for Texas and John Barnes passed away in the early 1880s.

A 19th Century Southern Alkaline Glazed Stoneware Pot

19th Century Southern Alkaline Glazed Stoneware Pot Covered with Rutile
Possibly a Milk Crock or Cream Riser
Probably from Randolph County, Alabama
Stands About 9" to 10" Tall
See Article for More Information
Photo Courtesy: Private Collection
A View of the Base
See Article for More Information
Photo Courtesy: Private Collection
August 26, 1951 Issue of The Stars and Stripes
An Account is Published About a Buried Treasure, Glass Bottles and a Milk Crock
See Article for More Information

Please Stay Tuned...Much More to Come...

Monday, June 10, 2024

Two Outstanding 19th Century Red Earthenware Figural Bottles from Salem, North Carolina that were Once Owned by Garrison and Diana Stradling in New York City

During an appraisal conducted by New York City ceramic specialist Garrison Stradling on the Antiques Roadshow in 2019, he described a green glazed circa 1801-1829 red earthenware fish bottle from Salem, North Carolina as "the smallest example that he had ever seen." The bottle also retained an early history of nineteenth century family ownership (link to episode: https://pbswisconsin.org/watch/antiques-roadshow/appraisal-moravian-fish-bottle-ca-1810-n040kb/).

According to the book, Art in Clay: Masterworks of North Carolina Earthenware, "Moravian potters in North Carolina made press-molded earthenware for more than one hundred twenty-five years. The range of forms documented by surviving objects, molds, and references in pottery inventories is far greater than that of any contemporary American ceramic tradition. From smoking pipes to stove tiles, the Moravian potters in Bethabara (historic area in Salem-Winston, North Carolina) and Salem, North Carolina expanded the production of press-molded earthenware to include figural bottles and castors, non-figural bottles, and toys. Rudolph Christ (1750-1833) can be credited for the successful production and marketing of press-molded figural wares during his tenure as master of pottery at Salem (1789-1821).

Of all the figural bottles produced in Salem, fish survive in the greatest number. Most are glazed green on the outside but examples decorated in tortoiseshell colors are known. Fish appear in the April 30, 1801 inventory of the Salem pottery valued at 1 shilling 6 pence each. Three sizes were available the following year, and by 1806 the pottery was producing four patterns - the number represented by surviving molds listed in the 1828 inventory."

Furthermore, according to Museum of Early Southern Decorative Arts in North Carolina, "Christ apprenticed under Gottfried Aust (1722-1788) in Salem. He established his own pottery in Bethabara in 1786 and worked there until 1789. He succeeded Aust as master potter in Salem from 1789 to 1821. The production of press-molded wares also continued through the tenure of John Holland, who apprenticed under Rudolph Christ and as noted in Moravian records, inherited molds used in Christ’s shop. Rudolph Christ retired in 1821 and John Holland took over as Salem’s third master potter. Although the pottery ceased to operate as a congregational business in 1829, production of press-molded wares continued in the shop of Holland and another Salem potter, Heinrich Schaffner until at least the middle of the nineteenth century."

Interestinglywhile studying some of Diana and Garrison Stradling's archives last summer in Manhattan for my forthcoming two-volume New York book, I saw this slide of these two Moravian bottles that they once owned. It is unclear where these objects are today, although they are two outstanding examples! Related objects can be found today displayed at MESDA, the Art Museums of Colonial Williamsburg in Virginia, the High Museum of Art in Atlanta and the Metropolitan Museum of Art in Manhattan, among other museums. 

Note: For a possible record sale for this type of production - see a story that I posted to this website in January of 2023 about a tortoiseshell glazed fish bottle that sold at Sotheby's in New York City for nearly $140,000: http://www.earlyamericanceramics.com/2023/01/an-outstanding-moravian-fish-bottle.html.

19th Century Red Earthenware Figural Bottles from Salem, N.C.

19th Century Red Earthenware Figural Bottles from Salem, N.C.
Circa 1801-1829
See Article for More Information
Photo Courtesy: Garrison and Diana Stradling

Please Stay Tuned...Much More to Come...

Sunday, June 9, 2024

A Cobalt Decorated Stoneware Jug and Other "Watch-Spring" Decorated Artifacts Recovered from 18th Century Contexts in Manhattan

I posted a story to this website last month, titled, A Stoneware Jug that Retains a History of Ownership with the Conover Family in New Jersey, whereas the cobalt decoration on the eighteenth century stoneware jug seemed similar to some types of decorations produced at the circa 1746-1790s Kemple Pottery in Ringoes, New Jersey, as well as the circa 1770s-1780s pottery of Captain James Morgan (1734-1784) in Middlesex County, New Jersey. I had just acquired the jug in one of the fields at the antique shows in Brimfield, Massachusetts.

According to the Archaeological Society of New Jersey, "One of the most important and influential potteries in eighteenth century America was established by the Morgan family in Cheesequake (located in modern-day Old Bridge, New Jersey). Morgan stoneware was often decorated with a distinctive “watch-spring” motif, a brushed-on blue spiral design."

However, before I wrote that story, I posted the jug to my Instagram and Facebook accounts, where it was suggested that the jug also shared some characteristics in form to some jugs produced by David Morgan in Manhattan in the late 1700s and early 1800s, although there is a lot yet to be learned about Morgan's production and career.

Furthermore, found in one of the many archaeology collections kept at the New York State Museum in Albany, New York is an eighteenth century cobalt decorated stoneware jug, which is different in shape around the top compared to the jug that I acquired, but it bears one type of a "watch-spring" cobalt decoration on the front and back of the jug. This jug was recovered from an eighteenth century archaeological context in Manhattan, which was the location of various stoneware potters during the 1700s, including the Remmeys, the Crolius', David Morgan and Thomas Commeraw, etc.

There are also a number of stoneware sherds decorated with a "watch-spring" motif in various eighteenth and early nineteenth century archaeology collections at the New York City Archaeological Repository in Manhattan. Understandably, I find the idea of determining where certain "watch-spring" decorations originated in either New Jersey or Manhattan is often difficult.

For example, it is not an exact match, although shown below is one sherd with a "watch-spring" decoration that was recovered from a mid-eighteenth century to 1815 context at the Seneca Village site in Manhattan. The technique of this "watch-spring" is somewhat similar to the decoration on the jug that I acquired in Brimfield last month, although the "watch-springs" on the jug and sherd were applied in two different directions.

Nevertheless, the idea of this New York City versus New Jersey subject is further discussed in an article written by Arthur F. Goldberg, Peter Warwick and Leslie Warwick for the 2008 issue of Ceramics in America, titled, Eighteenth-Century New Jersey Stoneware Potteries of Captain James Morgan and the Kemple Family: https://www.chipstone.org/article.php/411/ceramics-in-america-2008/the-eighteenth-century-new-jersey-stoneware-potteries-of-captain-james-morgan-and-the-kemple-family.

A Stoneware Jug and Other Sherds Recovered in Manhattan

(Left) 18th Century Cobalt Decorated Stoneware Jug
Recovered from an 18th Century Archaeological Context in Manhattan
Likely Made in Either New Jersey or Manhattan
See Article for More Information
Photo Courtesy: New York State Museum
(Left) Another View of the Jug
See Article for More Information
Photo Courtesy: New York State Museum
18th or 19th Century Stoneware Sherd with "Watch-Spring" Decoration
Recovered from City Hall Park Site in Manhattan
See Article for More Information
Photo Courtesy: New York City Archaeological Repository
18th Century Stoneware Sherd with "Watch-Spring" Decoration
Circa 1720-1775 Context
Recovered from South Ferry Terminal Sites in Battery Park in Manhattan
See Article for More Information
Photo Courtesy: New York City Archaeological Repository

Stoneware Sherd with "Watch-Spring" Decoration
Recovered from a Mid-18th Century to 1815 Context
Recovered from Seneca Village Site in Manhattan
See Article for More Information
Photo Courtesy: New York City Archaeological Repository
A Comparison of the Jug and a Sherd
(Left) The "Watch-Spring" Decoration on the Jug I Acquired in Brimfield
The "Watch-Springs" were Applied in Two Different Directions
But there Does Appear to be Some Similarity
See Article for More Information

Please Stay Tuned...Much More to Come...