Thursday, January 20, 2022

A Pew Deed Dated 1860 from Monmouth, Maine Potter John Safford

The history of the Safford family and red earthenware production in Monmouth, Maine is rather well known since the family was one of the few in New England to sign their wares, sometimes found today either stamped "John Safford, "John M. Safford" or "John Safford 2D." The most famous of all the marked objects may be a heavily stamped nineteenth century red earthenware jar with its original lid that is displayed in the Americana Wing at the Metropolitan Museum of Art in Manhattan. It is inscribed on the underside of the lid "S J Jewett / Monmouth / August 18, 1838 / JMS." Although, there are a few other objects somewhat comparable to this piece known today, most of which are owned by the Maine State Museum in Augusta, but there others in private collections. These objects are typically viewed as either presentation pieces or objects that may have been made to be displayed at the pottery. 

The Safford family's red earthenware production began when John Milford Safford (1811-1880) arrived about 1830 after he had apprenticed in Exeter, New Hampshire, presumable with the Dodge family. Safford's cousin, John Safford II (1797-1879), followed a similar path and established his own shop in Monmouth by 1838. The thought is that the two often stamped their wares to distinguish their products. And there is also some speculation that some of the more elaborate pieces may have been created to showoff their skill between the potteries, seeing that much of their production was intended for the local marketplace, and probably communities located around the Kennebec River and the Androscoggin River.

However, it may not be widely know today that the Safford family actually continued to produce red earthenware into the twentieth century - John M. Safford's son George Llewellyn Safford (1847-1921) was also a potter and he continued in the family tradition in some capacity well into the 1900s. In fact, his obituary reading in part, "George Llewellyn Safford, a pottery manufacturer of Monmouth, Me., died at his home in that town on January 20. Mr. Safford was born in Monmouth Ridge in 1847, and after his education in the public schools went into business with his father, an old time potter, later acquiring the business..."

Nevertheless, I recently spoke with North Monmouth, Maine antiques dealer David McLean and I learned about a pew deed that he discovered, which is dated "February 23 1860" and signed at the bottom "John Safford." Pew deeds recorded titles to church pews, and were used to convey them. Pews were originally purchased from the church by their owners under this system, and the purchase price of the pews went to the costs of building the church. Although, it is unclear to me which church this is related to, but it may have been for the United Church of Monmouth built in 1840 or the North Monmouth Community Church built in 1852.

A Pew Deed Dated 1860 from Monmouth, Maine Potter John Safford

19th Century Heavily Stamped Red Earthenware Jar with Lid
Made by John M. Safford in Monmouth, Maine
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
View of the Base of the Lid
Inscribed "S J Jewett / Monmouth / August 18, 1838 / JMS"
See Article for More Information
Photo Courtesy: Metropolitan Museum of Art
Monmouth, Maine Pew Deed Dated "February 23 1860"
Signed at the Bottom "John Safford"
See Article for More Information
Photo Courtesy: David McLean

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Wednesday, January 19, 2022

A Wonderful 18th Century Stoneware Artifact Recovered from the Joseph Webb House in Wethersfield, Connecticut

While photographing some outstanding archaeology yesterday for my forthcoming book, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Area at the Webb-Deane-Stevens Museum in Wethersfield, Connecticut, I saw this eighteenth century American stoneware chamber pot sherd. The object was recovered alongside more than 100,000 other artifacts in 2020 during archaeological excavations in the courtyard in front of the circa 1752 Joseph Webb (ca. 1727-1761) House, a national landmark, and one of three beautifully preserved eighteenth century houses owned by the museum.

Webb was a young and successful merchant when the house was built - he hired Judah Wright (ca. 1710-1772) to construct a stylish three-and-a-half story house and shop with a massive gambrel roof that provided greater upper floor storage for Webb's trade goods. However, when Webb died in 1761, the property was inherited by his son Joseph Webb Jr. (1749-1815), although due to economic difficulties, Joseph Jr. was forced to sell the house in 1790. And after a series of owners, the property was finally purchased by Judge Martin Welles (1787-1863) about 1820. He modernized the south half of the house and it remained in his family until his grandson died in 1913.

The house served as George Washington's (1732-1799) headquarters in May 1781 and is where Continental General met with French commander the Comte de Rochambeau (1725-1807) to plan the joint military campaign that led to the victory at Yorktown in Virginia and the end of the American Revolution. It was later owned by famous antiquarian Wallace Nutting (1861-1941).

The archaeology of the courtyard at the Joseph Webb House revealed that when the home was built the ground level was three feet lower than it is today. This area was originally a workspace and a garbage dump for the Webbs. The archaeological deposits include both Joseph Sr. and Joseph Jr.'s occupancies, followed by a nineteenth century kitchen herb garden and a twentieth century layer of cobblestones and flagstones. 

Interestingly, the reason I visited the museum is a result of the the locally made red earthenware that was discovered, which was produced in West Hartford, Connecticut, probably dating from the 1790-1825 period. But I was also intrigued by this eighteenth century American stoneware chamber pot sherd. 

As you can see, the artifact is adorned with some incised lines and cobalt decoration. Although, it is unclear to me whether this chamber pot was manufactured locally, or if it was imported from another American manufacturer, considering all of the domestic and international trade that took place along the Connecticut River during this period.

18th C. Stoneware Artifact Recovered from the Joseph Webb House in Wethersfield, Conn.

The Joseph Webb (Ca. 1727-1761) House in Wethersfield, Connecticut
The House was Built Circa 1752
See Article for More Information
This is the Courtyard at the Webb House where an Archaeology Dig Took Place in 2020
The Artifacts Represent Two Generations of Webbs, as well as 19th and 20th Century Deposits
West Hartford, Connecticut Red Earthenware was Recovered, Probably Circa 1790-1820
See Article for More Information
18th Century American Stoneware Chamber Pot Sherd
Recovered from the Courtyard at the Webb House in Wethersfield, Connecticut
Probably Dates from either Joseph Sr. or Joseph Jr.'s Occupancy
See Article for More Information
Photo Courtesy: Webb-Deane-Stevens Museum

Please Stay Tuned...Much More to Come...

Thursday, January 13, 2022

An Outstanding 19th Century New England Red Earthenware Rundlet Made in Support of the "Log Cabin and Hard Cider" Presidential Campaign

While visiting Antiques Associates at West Townsend in Massachusetts last weekend, I saw an extremely rare and historically significant example of New England red earthenware that had recently been consigned to the business. In fact, I heard rumors about this piece of pottery a few years ago after it was discovered at the weekly Milford, New Hampshire Antiques Show.

Nonetheless, this is a wonderfully glazed red earthenware rundlet that is attributed to northern New England, and probably made in Maine, although this type of glaze is found with potteries all over central and northern New England.

But what makes this piece special is the fact that it is inscribed with a log cabin and the words "HARD CIDER." Undoubtedly, this is a political piece representing support for the presidential campaign of William Henry Harrison (1773-1841) and his running mate John Tyler (1790-1862) in 1840.

The Log Cabin Campaign of 1840 was a result of Harrison being laughed at by Democrats, while he ran for office under the new Whig political party, seeing they thought he was too old (67 at the time) for the presidency, and referred to him as "Granny," hinting that he was senile. In fact, one Democratic newspaper even wrote, "Give him a barrel of hard cider, and...a pension of two thousand a year...and...he will sit the remainder of his days in a log cabin."

In response, Whigs took advantage of this and declared that Harrison was "the log cabin and hard cider candidate," a man of the common people from the rough-and-tumble West. Harrison was eventually elected president, although he served only one month in office before dying of pneumonia on April 4, 1841. 

Understandably though, it is extremely rare to see a piece of New England red earthenware manufactured for a political purpose. However, it is unclear why this piece was made (Were there others made like it?), and perhaps even who it was made for, but this is an important example of nineteenth century New England red earthenware.

"Log Cabin and Hard Cider" Presidential Campaign Red Earthenware Rundlet

19th Century Red Earthenware Political Rundlet Attributed to Northern New England
Probably Made in Maine
Inscribed with a Log Cabin and a the Words "Hard Cider"
Made in Support of William Henry Harrison's Log Cabin and Hard Cider Presidential Campaign
See Article for More Information
Photo Courtesy: AAAWT
Another View of the Rundlet
See Article for More Information
Photo Courtesy: AAAWT
Another View of the Rundlet
See Article for More Information
Photo Courtesy: AAAWT
Another View of the Rundlet
See Article for More Information
Photo Courtesy: AAAWT

Please Stay Tuned...Much More to Come...

Monday, January 10, 2022

The Origin of a Sewer Tile Pitcher in the Form of a Seated Man

While out and about yesterday, I stopped at the Gurley Antique Show in Boxborough, Massachusetts, where I was surprised to see this fascinating example of likely nineteenth century folk pottery made out of sewer tile in the form of a seated man. I have never seen anything like it before, and I am trying to help a friend Oliver Garland, who is an antiques collector and dealer from England and Cape Cod gather some more information about its origin. 

I was told it was purchased many years ago by a picker in New England, and it has been owned ever since by Boston antiques dealer Stephen Score. Personally speaking, though, I have never seen anything like it before, and my initial thought was whether it could be from a sewer tile factory in the American South or Midwest, or perhaps one located in the United Kingdom. It does not strike me as a piece that was made in the American northeast. Either way, it is extremely well made and really a great object!

I am curious to learn if anyone reading this has any insight into where this object may have been made or whether they have seen anything like it before.

A Sewer Tile Pitcher in the Form of a Seated Man

Probably 19th Century Sewer Tile Pitcher in the Form of a Seated Man
Probably Stands About 8" Tall
Reportedly Found Years Ago by a Picker in New England
See Article for More Information
Photo Courtesy: Oliver Garland
Another View of the Pitcher
See Article for More Information
Photo Courtesy: Oliver Garland
Another View of the Pitcher
See Article for More Information
Photo Courtesy: Oliver Garland
View of the Interior
See Article for More Information
Photo Courtesy: Oliver Garland
View of the Base
See Article for More Information
Photo Courtesy: Oliver Garland

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Sunday, January 9, 2022

Day 1: An Outstanding Selection of Redware and Stoneware from the David Good Collection Sells at New Haven Auctions in Connecticut

It was one heck of a day at New Haven Auctions yesterday in Branford, Connecticut for day one of the lifelong collection of David Good, a well-known antiques dealer from Ohio. The sale included a little bit of everything, but with a huge focus given to American and Canadian folk art. Although, David has also been especially known for stoneware and red earthenware (or redware) through the years, even contributing to some of the country's most prominent collections, such as the face jug collection built by George H. Myer that was recently displayed at the Fenimore Art Museum in Cooperstown, New York and the South Carolina State Museum in Columbia, South Carolina. A number of the pieces he owned also came through major auction houses like Sotheby's, Christies, Northeast Auctions and Pook & Pook.

The American pottery was from all over though, for instance, yesterday's sale included a nineteenth century stoneware jar and a milk pan that were manufactured by Thomas Chandler (1810-1854) in Edgefield, South Carolina, as well as an important picture illustrating an African American woman with a nineteenth century Edgefield stoneware face harvest jug, along with a number of examples of outstanding folk pottery or stoneware from the South and the Midwest. The most notable of those pieces may have been an incredibly rare nineteenth century figure of a woman candle holder made by Solomon Bell in Strasburg, Virginia, which matches an example in form displayed by Winterthur Museum in Delaware that sold for $21,000.

However, the overall prices for the redware were very strong, largely because of the glaze, condition and aesthetic appeal. The notable lots included an outstanding early nineteenth century pitcher made at the Bradford Pottery in Kingston, Massachusetts that sold for $13,000, a late eighteenth or early nineteenth century green glazed jar with lid from Bristol County, Massachusetts that sold for $16,000, another jar also attributed to the Bradford Pottery in Kingston, Massachusetts that brought $9,000 (ex Lew Scranton Collection), a nineteenth century pitcher attributed to the Nathaniel Seymour (1752-1831) Pottery in Rochester, New York that sold for $6,500, a late eighteenth or early nineteenth century green glazed jug from Bristol County, Massachusetts that sold for $6,000, a slip decorated bowl made at the John Bell (1800-1880) Pottery in Waynesboro, Pennsylvania that brought $5,500, an early nineteenth century slip decorated plate from Pennsylvania that sold for $12,000, and many other pieces. There were also a number of Pennsylvania figural objects that did well. However, these prices that I have noted do not reflect the added buyer's premium.

There were definitely surprises with some of the prices, but most of the pieces sold for what they were expected to bring, seeing the careful thought and hard work that went into acquiring such a collection over many decades.

I was lucky enough to win one lot in the sale, which was also the lot that I really wanted to buy, considering I think it was one of the rarest pieces of pottery to sell yesterday. This late eighteenth or early nineteenth century slip decorated red earthenware jar is just incredible! And I believe it is one of only three examples that I know about with this type of decoration today (not necessarily all made by the same hand), where the other two are owned by Winterthur in Delaware and the Detroit Institute of Arts in Michigan. Although, the shape of the jar and the incised decoration found on the piece that I bought are a closer match to the jar that is owned by the Detroit Institute of Arts, which was also formerly owned by noted New York City antiques collector and dealer, George S. McKearin (1874-1958).

Note: See LiveAuctioneers or New Haven Auctions' website for the full catalog of both days of the sale.

Three Important American Slip Decorated Red Earthenware Jars

Late 18th or Early 19th Century American Slip Decorated Red Earthenware Jar
Sold Yesterday in David Good's Collection in Ohio
Stands 9 1/8" Tall
See Article for More Information
Photo Courtesy: New Haven Auctions

Late 18th or Early 19th Century American Slip Decorated Red Earthenware Jar
Reportedly Circa 1790-1810
Stands 11 1/4" Tall
See Article for More Information
Photo Courtesy: Winterthur
Late 18th or Early 19th Century American Slip Decorated Red Earthenware Jar
Stands 10 1/4" Tall
Former Owned by George S. McKearin
See Article for More Information
Photo Courtesy: Detroit Institute of Arts

Please Stay Tuned...Much More to Come...

Wednesday, January 5, 2022

An Outstanding Early Nineteenth Century Flowerpot Saucer from Massachusetts

This is another interesting object that I recently acquired that could have been made anywhere from Kingston, Massachusetts, Cape Cod or Bristol County, Massachusetts in the early 1800s. Although, it is an outstanding green glazed red earthenware flowerpot saucer that was previously owned by Boston antiques dealer Bill Taylor, which will also be illustrated in my forthcoming book A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod.  

Nonetheless, this piece is different than many of the flowerpot saucers that I have seen from this region since it was manufactured with a crimped rim; however, the glaze is also different, seeing that it is very similar to artifacts recovered by Massachusetts author Lura Woodside Watkins (1897-1982) in Somerset, Massachusetts, now in the collection of the National Museum of American History at the Smithsonian Institute in Washington, D.C. The artifacts that I am referencing are decorated with a green and plum colored glaze, which happens to be similar to the glaze found on this flowerpot saucer.

For those of you who are familiar with these type of objects, in theory I think they may have been made at multiple locations in southeastern Massachusetts, Bristol County and possibly Cape Cod in the nineteenth century. I think these are a great piece of history though decorated in just an outstanding glaze. I can only imagine how the flowerpot must have appeared that accompanied this piece!

An Outstanding Early Nineteenth Century Flowerpot Saucer from Massachusetts 

Early 19th Century Green and Plum Glazed Red Earthenware Flowerpot Saucer
Attributed to the Southeastern Mass., Bristol County and Cape Cod Region
Possibly Related to Archaeology Collected in Berkley, Mass. in the Collection of the Smithsonian
See Article for More Information
Another View of the Flowerpot Saucer and the Multi-Colored Glaze
See Article for More Information

Please Stay Tuned...Much More to Come...

Monday, January 3, 2022

A Wonderful Hand-Thrown Slipware Dish Attributed to Southeastern Massachusetts

This eighteenth or early nineteenth century slip decorated red earthenware dish is an object that I have always admired that I just acquired yesterday, which had been owned for many years by Sheffield, Massachusetts antiques dealer Sam Herrup. In fact, it very well may date to the 1700s, and perhaps as early as the 1760s or 1770s, but I feel more comfortable saying it is from the 1780-1820 period. 

And while many of the slipware plates and platters that exist today were manufactured with a mold, this dish is actually hand-thrown on a potter's wheel, likely indicating an early manufacture date in coastal Massachusetts.

This dish is also illustrated in my new forthcoming book from Historic Beverly in Massachusetts, titled, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod; however, the feeling is that it may have been made in Bristol County, but a safer attribution is to say that it was produced in southeastern Massachusetts, seeing that it covers a wider landscape. The reason for this is because this type of slipware was produced by a group of potteries in the 1700s and early 1800s, including those that existed in Bristol County, but also in Abington, Massachusetts, Braintree, Massachusetts, Kingston, Massachusetts and possibly other locations, as well.

Nonetheless, aside from the historic value of this piece, I also find the aesthetic appeal to be equally as impressive, where the potter applied the slip and black glaze in a symmetric style, creating a pleasing affect in how this dish is decorated, utilizing all of the space. And for what it matters, this is the only surviving dish that I know about today that appears this way in a museum of private collection.

A Wonderful Hand-Thrown Slipware Dish Attributed to Southeastern Massachusetts

18th or Early 19th Century Slip Decorated Red Earthenware Dish
Attributed to Southeastern Massachusetts
Likely Circa 1780-1820
But Could Possibly Date as Early as the 1760s or 1770s Depending on Where it was Made
See Article for More Information

Please Stay Tuned...Much More to Come...