Friday, July 4, 2014

The Continued Study About William Pecker's Important Stoneware Production in Merrimacport, Massachusetts, Circa 1790-1820

The late eighteenth and early nineteenth-century potter, William Pecker of Merrimacport, Massachusetts is most known for a pumpkin-colored orange glaze with manganese brush strokes placed on top of any given utilitarian form. This is basically the only glaze color that is usually associated to Pecker; although I have seen entirely slip decorated jugs, but also green glazes, peach glazes, cream glazes and even tan colored glazes. Pecker's glazes also often show impurities that result in peach colored halos or even dark brown freckling. I have always felt there was more to Pecker's creative output than only these colors. I have often thought about how his utilitarian crocks would have appeared - and even more so - what other forms he may have made besides what we know today.

As part of my research and discovery in Merrimacport - I have found a large selection of red earthenware shards that are likely the output of Pecker's company. I have written extensively in the past week about William Pecker, "The Stoneware Potter" - today, I am going to write about William Pecker, "The Red Earthenware Potter."

All of the following shards were discovered on the shore of the Merrimac River in Merrimacport, where Pecker probably discarded much of his kiln waste. Some were also found at the base of a cliff that is likely at the bottom of where Pecker used to fire his kilns. None of these shards were dug.

Just to restate  what I just said - All of the shards were either A) found in shallow water in the Merrimac River, B) found on the rock lined shore of the Merrimac River or C) taken from the base of a cliff that I believe leads up to where Pecker operated his kilns. They were all found in the same location.

My interest here isn't necessarily to define all the vibrant glaze colors that Pecker used, but to rather prove that he made a large amount of forms in his thirty-plus year career as a business owner - and only a small percentage of his output is accurately attributed today. This study of Pecker can also be applied to the Maine potters of which we know today. It's in my opinion that Pecker's business approach can relate to how we perceive many of the Maine potters today, who came after Pecker's death in 1820.

Take a look at some of the shards -- this is an ongoing project so there will be much-more to see in the future. This is just a start into my study of who the potter, William Pecker really was. Pecker was first employed in West Amesbury in 1784, when he began to work under his brother in-law, Benjamin Dodge - but it is my belief Pecker actually trained (apprenticed) as a potter before the American Revolution making him a colonial potter. He was born in 1758 in Haverhill, Massachusetts - and prior to his work in 1784 in West Amesbury - he likely worked elsewhere in Massachusetts that may predate 1770. Some of the following shards may date from the late eighteenth-century.

 Base of a Dark Brown Glazed Red Earthenware Jug Shard (Possibly Manganese)
Ca. Early 19th Century
  Base of a Dark Brown Glazed Red Earthenware Jug Shard (Possibly Manganese)
Ca. Early 19th Century
 Orange Glazed Exterior of Red Earthenware Jug Shard
Ca. Early 19th Century
 Orange Glazed Interior of Red Earthenware Jug Shard with a Manganese (Brown) Brush Stroke
Ca. Early 19th Century
 Green Glazed Red Earthenware Shard
Ca. Early 19th Century
 Yellow and Brown Glazed Interior Shard of a Red Earthenware Crock
Ca. Early 19th Century
 Thickly Potted, Shallow Crock Shard
This is the Exterior
Late 18th or Early 19th Century
 Thickly Potted, Shallow Crock Shard
This is the Interior
Late 18th or Early 19th Century
 Exterior of a Brown Glazed Red Earthenware Jug Shard
Ca. Early 19th Century
  Interior of a Brown Glazed Red Earthenware Jug Shard
Ca. Early 19th Century
 (Left) Brown and Greenish Glazed Red Earthenware Milk Pan Shard
(Right) Appears Slip Decorated Shard to a Base of an Unknown Form
Both Ca. Early 19th Century
 Gold, Green and Black Glazed Red Earthenware Crock Shard
Ca. Early 19th Century
 Black Glazed Red Earthenware Shards with Kiln Furniture
All. Ca. Early 19th Century
 Variety of Glazed Red Earthenware Shards
All Ca. Early 19th Century
 Variety of Glazed Red Earthenware Shards
(Top) The Green is Especially Nice
All Ca. Early 19th Century
Kiln Brick
Ca. Early 19th Century

I assume some of you reading this are surprised to see these colors - nothing like this has ever been attributed to William Pecker before. This is only a sample. I promise there is more to come with even more vibrant glazes, unexpected forms and surprises!

Please Stay Tuned...Much More to Come...

Thursday, July 3, 2014

The Continued Study About William Pecker's Stoneware Production in Merrimacport, Massachusetts, Circa 1790-1820

I know I had written yesterday that I would discuss the red earthenware glazes and forms that are not regularly attributed to William Pecker today in Merrimacport, Massachusetts, circa 1790-1820; however, I would rather discuss the stoneware sherds and kiln furniture that I have recently discovered, which were made by Pecker. I feel this is an important subject to study today in respect to a stoneware potter, who until recently was only identified as a red earthenware potter.

Pecker appears to have been one of the earliest potters who was successfully manufacturing stoneware in Massachusetts. His wares appear to have been similar to the products that were made in Charlestown, Massachusetts, but they also may posses a New York City influence, as well. I have also found that he likely made quite a few different forms.

It is my belief that this was not an experiment either or a type of production that Pecker produced someplace else in New England or New York City, which has been previously suggested, but rather Pecker was actually a stoneware potter, as well in Merrimacport.

Pecker owned a good stretch of land along the Merrimac River in what was formerly West Amesbury, Massachusetts, where he may have operated multiple kilns suitable for both red earthenware and stoneware production. But much of this land was developed after Pecker's death in 1820 and homes were built for Pecker's relatives in the mid-nineteenth century.

It is also my belief that some of the kiln waste may have been disposed directly into the Merrimac River - and, that is why I am finding so much important information on the shore of the river today.

Note: I have included an image of an 1884 map of Merrimacport, Massachusetts that shows a red brick structure in the backyard of one of Pecker's family members, who helped operate the Chase Pottery, circa 1820-1880s. Here is also a link to an article that I wrote about the Chase Pottery, which was published in the October 2014 edition of the New England Antiques Journal.

Merrimac River in Merrimacport, Mass.
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information
 The Merrimac River in Merrimacport, Mass.
This is Where William Pecker Produced Stoneware, Circa 1790-1820
See Article for More Information

1884 Map of Merrimacport, Mass.
1884 Map of Merrimacport, MA
A Kiln is Seen in the Backyard of the Potter, William Chase - a Relative of William Pecker
See Article for More Information
Photo Courtesy: HistoricMapWorks.com

Stoneware Artifacts Recently Discovered in Merrimacport, Mass.
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information
Stoneware Artifacts Recently Recovered in Merrimacport, Mass.
All Related to William Pecker's Production
Circa 1790-1820
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, July 2, 2014

An Early Red Earthenware Jar Discovered in Nassau, New York While I Was Attending Dish Camp Last Weekend

I arrived at Dish Camp in Easfield Village, New York around 7:30am last Friday. It was about a three-hour ride from my home in Newburyport, Massachusetts. I got their early so could I drop off a little more than a dozen examples of Charles A. Lawrence Pottery made in Beverly, Massachusetts for display. I wanted to do it before anyone else got there. I also included a bag full of shards for this exhibit.

After I unpacked everything and brought it into the church where the three-day conference is held - I quickly left to explore the area in my rental Toyota Prius - and I also wanted to check into my hotel room in Rensselaer, New York. Only a matter of a few miles from Eastfield Village - I came across an antique shop that was surprisingly open at eight-o'clock in the morning. A small collection of locally made stoneware caught my eye in front of the shop. I couldn't resist - so I made a U turn at a gas station and I stopped. There must have been 100 to 200 examples of stoneware in this shop - many of which were locally made in upstate New York. A handle-less ovoid stoneware jug made by the nineteenth-century potter, Paul Cushman really caught my eye above all the other pieces. It was decorated with a large incised tulip that covered much of the front of the jug - and Cushman's full name was also drawn across the front. I asked how much it was - and I wasn't surprised when the shop owner told me it was, "$12,000." The walls of this shop were lined with stoneware crocks and jugs in a variety of makers, forms, sizes and prices.

I hung out at the shop for probably a half hour and talked early American pottery with the shop owner. He told me about stoneware and I answered questions about red earthenware.

The Antique Shop I Came Across in Nassau, NY at 8:00am on Friday June 27th
Antiques at Baileys - website

As I continued to look around the store, I saw many examples of nineteenth-century Pennsylvania-made red earthenware - and a colorful lidded jar probably made by the Clark family of potters in either Lyndenboro or Concord, New Hampshire in the nineteenth-century. I have seen similar lidded jars sold at Skinner, Inc. in Boston recently and also in private New Hampshire collections. This jar was as nice of an example as any of the others that I have seen. I also saw a few large examples of Canadian and North Carolina red earthenware. The North Carolina examples were from the twentieth-century.

In the center of the store was a collection of black glazed wares that were made throughout the mid-Atlantic and northeast states. A jar in this collection really stood out to me that wasn't in the best of condition, but it appeared to be a rare survivor from an era that rarely exists today. The jar was cracked at the base with a small rounded foot - it was thickly potted with a dark exterior glaze that showed impurities. The interior was glazed in a green glaze that also showed impurities. The dark exterior and colorful interior glazes were used by potters throughout central and western New Hampshire (especially the Concord and Chesham areas) in the nineteenth-century; however most of those pots and crocks were more thinly potted, while this jar was thickly potted - similar to many of the eighteenth-century shards that I have examined from coastal Massachusetts potters. The shop owner told me he purchased it from a Connecticut antiques dealer who regularly deals in New England-made red earthenware. He told me the jar was found in Massachusetts.

An Important Note to Consider:
The exact form of this jar was also used by William Pecker in Merrimacport, Massachusetts in the late eighteenth  and early nineteenth-centuries. Pecker's business was only a few miles away from the Bayley Pottery Company in Newburyport, Massachusetts. There could be a relationship or influence into why Pecker used such a form. That's a very-good possibility. I don't recall ever seeing this form attributed to any of the New Hampshire potters before.

Click on this link to see the William Pecker jar I am referring to on page 38 of the report I wrote for the October 2013 edition of the New England Antiques Journal.

 Red Earthenware Jar Found in Nassau, NY
It Has a Dark Glazed Exterior with a Colorful Glazed Interior
Height: 7 1/4" Tall
Diameter at Top: 4" Across
Diameter at Base: 4 3/4" Across
Ca. Late 18th Century, Possibly Early 19th Century
 Interior is Glazed with a Greenish Colored Glaze with Impurities
Another Angle of the Interior Glaze

The interior glaze is actually very-similar to shards collected by Lura Woodside Watkins in the 1930s at the site of the Daniel Bayley Pottery Company (Ca. 1764-1799) in Newburyport, Massachusetts. Those shards are now kept at the Smithsonian in Washington, D.C. Take a look at the interior glaze of the mug shards (Watkins collection) in the first photo below. It is very similar to the interior glaze of the jar above. The photos following the mug shards show more glazes from the Bayley Pottery Company that can relate to the colors seen on the jar above.

 Daniel Bayley Red Earthenware Mug Shards - Newburyport, Ma
Lura Woodside Watkins Collection
This Mug Has a Similar Interior Glaze as the Jar Above
Ca. 1764-1799
Photo Courtesy: The National Museum of American History, The Smithsonian - Washington, D.C.
 Daniel Bayley Pottery Co. Red Earthenware Shards - Newburyport, Ma
Lura Woodside Watkins Collection
Notice the Greenish Glaze to Right and Towards the Bottom
Ca. 1764-1799
Photo Courtesy: The National Museum of American History, The Smithsonian - Washington, D.C.
Daniel Bayley Pottery Co. Slip Decorated Shards - Newburyport, Ma
Lura Woodside Watkins Collection
The Glaze Color is Similar to the Interior Glaze Seen on the Jar Above
Ca. 1764-1799
Photo Courtesy: The National Museum of American History, The Smithsonian - Washington, D.C.

Here are some of the New Hampshire glazes I reference; however I feel these products are all more thinly potted than the jar of discussion. What I perceive to be New Hampshire products (that can relate in color to the jar above) as those that display a dark exterior and a light interior glaze - are wares that were more thinly potted. The jar of discussion (seen above) is heavy with thickly potted walls like many of the shards seen in Newburyport and elsewhere in eighteenth-century coastal Massachusetts (as I have previously indicated).

Jeremiah Burpee Red Earthenware Mug - Boscowan, NH
Ca. 1804-1830
Photo Courtesy: The New Hampshire Historical Society - Concord, NH
Concord, NH Red Earthenware Pitcher
Ca. Early to Mid 19th Century
Photo Courtesy: The New Hampshire Historical Society - Concord, NH
New Hampshire-Made Barrel-Formed Red Earthenware Mug
Ca. Early to Mid 19th Century
Photo Courtesy: The New Hampshire Historical Society - Concord, NH
New Hampshire-Made Red Earthenware Shaving Mug
Ca. Early to Mid 19th Century
Photo Courtesy: The New Hampshire Historical Society - Concord, NH

The colonial potters of Charlestown, Massachusetts are also known to have used a glaze style like this (contrasting dark exterior and colorful interior glazes); although I am not sure many of these type glazed products have survived since they all predate June 17, 1775 - when English soldiers leveled the town of Charlestown, Massachusetts and basically all of its potter's industry. There are some products that have survived today that are believed to have been made in Charlestown; however nothing with this exact glaze that I have seen.

Some Charlestown potters rebuilt after the Battle of Bunker Hill, but most did not return.

I have shown a possible surviving Charlestown example below that was purchased from a longtime Vermont collection of New England-made red earthenware in March of 2013. It has a metallic dark glaze on the exterior with a colorful interior glaze that matches a handful of shards found in the Town Dock area of Charlestown. The shards were collected as part of the Big Dig archaeology that happened in the 1980s.

Shards of a Charlestown, Ma Red Earthenware Chamber Pot  
Shows a Dark Exterior and Colorful Interior Glaze
Ca. 1750-1775
Found in the Maudlin Street Archaeological District in Charlestown as part of the Big Dig
Photo Courtesy: Boston Archaeology Dept. - West Roxbury, Ma
(Left) Charlestown, Ma Red Earthenware Shard
Found in the Town Dock Archaelogical District of Charlestown During the Big Dig
Ca. 1760-1775
(Right) Probably a Surviving Example of 18th Century Charlestown, Ma Red Earthenware
Ca. 1760-1790
Purchased from a Vermont Collection in 2013
Height: 7 1/4" Tall
Width: 9 1/2" at Widest Point (Center)
Diameter at Top: 7 1/2" Wide
Diameter at Base: 5 3/4" Wide

I am not necessarily positive that the jar I purchased in Nassau, New York was made at the Bayley Pottery Company in Newburyport; although it does share strong characteristics with some of the shards collected from that company by Lura Woodside Watkins. Shards collected across the street from the Bayley Pottery at Ebenezer Morrison's business are also similar. The clay source was likely the same - and both companies operated in the same period.

Do I feel the jar I found is eighteenth-century? Yes, I do; however the jar could have been made at any number of businesses that produced red earthenware all-over Essex County during this period. Most of these businesses would have used a similar clay source with related impurities (that are seen in the final glaze) and the styles could have also been similar with potters influencing each other with their utilitarian approach in the way they manufactured wares. It's difficult to know for sure, but above is my case as to why this jar could have been made in Newburyport before 1800. I think the fact that William Pecker made a similar form and shards from the Bayley site closely match the interior glaze to the jar seen above makes for a very-good case for a Newburyport-area potter.

I am going to show some colorful glazes from William Pecker in my next report. For all I know - some of you may feel this jar was made by Pecker after seeing the glazes that were collected near Pecker's home and place of operation a few days ago - I however, feel the jar is related to Newburyport.

Please Stay Tuned...Much More to Come...