This late eighteenth or nineteenth century slip decorated red earthenware jar is the only object known to me like it in either a museum or private collection. It has been owned privately in a major American antiques collection for decades, which was comprised of about ten top examples of New England red earthenware, spanning manufacturers in Massachusetts, Connecticut, etc. However, the jar was previously owned privately in Western Massachusetts.
This jar was then published in 2023, as part of my fifth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Area, where I speculated that it may have been manufactured in this area: https://historicbeverly.net/product/a-city-on-the-river-the-early-red-earthenware-of-the-hartford-connecticut-area/.
There is a lot yet to be learned about early production in the Hartford area, which included the red earthenware potters Ebenezer Faxon (1749-1811), Seth Goodwin (1772-1828) and Nathaniel Seymour (1763-1849), among others. Nevertheless, this is an excerpt from my forthcoming two-volume, tenth book, titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts: http://www.earlyamericanceramics.com/2026/01/update-on-new-book-book-sent-to.html.
"..An interesting connection found in the Salem Village Parsonage was that Reverend Peter Clark (1693-1768), who served as the minister from 1717-1768 was the grandfather of Captain (and Deacon) Peter Clark (1743-1826) of Braintree, Massachusetts and Lyndeborough, New Hampshire. Reverend Clark was born in Watertown, Massachusetts in 1693, graduated from Harvard College in Cambridge in 1712 and was ordained as the minister of Salem Village on June 5, 1717. He then married Deborah Hobart Clark (1702-1765) in Salem on November 6, 1719, who was the daughter of Peter (1673-1751) and Deborah Hayward Hobart (1678-1759): http://www.earlyamericanceramics.com/2025/07/some-more-information-that-will-be.html.
The Clark family can be traced back to Hugh Clark (1612-1693) in Watertown, who migrated to America from London, England in 1638. He first appears in Ipswich, Massachusetts before he relocated to Watertown about 1640.
Captain Peter Clark’s parents were Peter Clark (1720-1747) and Anna Porter (Clark) (Faxon) (1722-1763); they were both born in Danvers, Massachusetts. The elder Clark was the son of Reverend Peter Clark of Salem Village. They were married in Salem, Massachusetts on October 3, 1741. They were then living in Braintree by 1743. The elder Peter Clark died in Braintree in 1747, and Anna Clark died in Braintree in 1763. Although, she remarried Thomas Faxon (1710-1801) in Braintree on September 14, 1752, where this second marriage likely influenced early red earthenware production in Hartford, Connecticut in the late 1700s and early 1800s.
Ebenezer Faxon (1749-1811) was from the Faxon family of Braintree, relocating to Hartford in 1772 in order to establish a pottery business. His role in the red earthenware industry in Hartford is largely unknown today, but he is regarded as having moved to Hartford in order to establish a red earthenware business, utilizing the rich clay in the city’s Elmwood/West Hartford section. Opportunities presented by the city’s proximity to the Connecticut River also probably contributed to his decision to relocate.
Faxon’s Massachusetts background and a potential connection to the potter Peter Clark may explain why some of the early red earthenware produced by Seth Goodwin (1772-1828) and Nathaniel Seymour (1763-1849) in West Hartford appears like it has a coastal Massachusetts influence in some of the forms.
Interestingly, Faxon’s probate inventory from 1811 in Hartford is quite extensive, although there were also claims filed on the estate of Faxon in 1812, where “Seth Goodwin” is named, as well as a “Charles Seymour...”
Nonetheless, this jar may have been made by the Goodwin family in West Hartford. While Seth Goodwin founded the family's first pottery works around 1798, he also taught the trade to his son Thomas O'Hara Goodwin (1796-1880), who eventually operated his own pottery shop. Historical records indicate they also collaborated, running a pottery together in the "Hartford West Division" (the area that became West Hartford). Specific forms probably varied to some degree through the years under both of these potters.
The jar of discussion also shares similarities to a group of existing jars, some of which are impressed "T.O. GOODWIN," among other handled jars known from Hartford.
The Goodwin family’s work established a "pottery dynasty" that lasted over a century in West Hartford. Their influence extended to other relatives; for example, their cousin/nephew Harvey Goodwin (1802-1895) learned the pottery trade from both Seth and Thomas before starting his own successful firm, Goodwin Brothers Pottery.
Additionally, the Wadsworth Atheneum Museum of Art in Hartford owns a jar that was acquired over a century ago by Albert Hastings Pitkin (1852-1917), a curator at the museum and the first to accurately document some of the history of red earthenware production in the Hartford area. Pitkin's information on file with the museum states that he said the jar was made by Seth Goodwin, where there is actually a pencil inscription the base reading "Seth Goodwin." I believe this information. Pitkin also documented that both the Seymour and Goodwin families utilized slip decoration on red earthenware, a type of production more commonly associated with Nathaniel Seymour today.
According to the Wadsworth Atheneum, "A native and lifelong resident of Hartford, Albert Hastings Pitkin was among the first to systematically study and collect early American pottery. While visiting a local farmhouse in the spring of 1884, his discovery of two pieces of redware, or lead glazed earthenware pottery, spurred his passion for ceramics. Pitkin soon amassed a collection and became known as the leading authority on New England earthenware. In 1910 he joined the staff at the Wadsworth Antheneum as curator of the department of ceramics. During his tenure, he oversaw the installation of his own collections in the Morgan Memorial, and upon his death, his wife, Sarah Howard Loomis Pitkin, donated over three hundred objects to the museum."
It is also very likely that other potters worked for Seth Goodwin, though during his era (roughly 1798–1828), his operation is often described as a "one-man pottery" compared to the massive industrial factory it would later become. Although, the most documented "workers" were his relatives learning the trade; Thomas O'Hara Goodwin (his son) and Harvey Goodwin (his nephew) both worked under him to master the craft before starting their own ventures. It also needs to be taken into account that Harvey Goodwin was probably involved with the production of similar forms under both Seth and Thomas, as early as 1815-1820.
Furthermore, the first jar discussed in this post is currently available in Massachusetts: https://www.aaawt.com/antique/redware-jar-lug-handles-broadly-brushed-slip-decoration/.
For more information about this object - contact Antiques Associates At West Townsend: https://www.aaawt.com/about/.
Note: For more information about Albert Hastings Pitkin - see my fifth book, titled, A City on the River: The Early Red Earthenware of the Hartford, Connecticut Area; also see a feature story I wrote for the April 12, 2019 issue of Antiques & Auctions News, titled, The Albert Hastings Pitkin Collection: http://www.earlyamericanceramics.com/2019/05/the-albert-hastings-pitkin-collection.html.
Late 18th or 19th Century Red Earthenware Jar Made in New England
Possibly Related to the Goodwin Family in West Hartford, CT
Stands 10 1/2" Tall
See Article for More Information
Photo Courtesy: A.A.A.W.T.
Late 18th or Early 19th Century Red Earthenware Jar from Hartford, CT
Reportedly Made by Seth Goodwin (1772-1828)
Albert Hastings Pitkin (1852-1917) Collection
Pitkin Possibly Wrote on the Base of the Jar "Seth Goodwin"
See Article for More Information
Photo Courtesy: Wadsworth Atheneum Museum of Art
The Name "Seth Goodwin" is Written on the Base in Pencil
Albert Hastings Pitkin (1852-1917) Collection
See Article for More Information
Photo Courtesy: Wadsworth Atheneum Museum of Art
19th Century Red Earthenware Jar Made in Hartford, CT
Made by Thomas O'Hara Goodwin (1796-1880)
Impressed "T.O. GOODWIN"
See Article for More Information
Photo Courtesy: Connecticut Museum of Culture and History
A View of the "T.O GOODWIN" Mark
See Article for More Information
Photo Courtesy: Connecticut Museum of Culture and History
Please Stay Tuned...Much More to Come...