18th Century Utilitarian Earthenware Crock Found in Charlestown, Ma
Excavated from a Privy at the Three Cranes Tavern
Ca. 1765-1775
Photo Courtesy: Boston Archaeology Dept. - West Roxbury, Ma
Colorful Raspberry and Cream Colored Glaze
Photo Courtesy: Boston Archaeology Dept. - West Roxbury, Ma
18th or 19th Century Red Earthenware Jug
A similar glazed jug is seen at the Dyer Memorial Library in Abington,
Massachusetts - as part of the eighteenth century collection of red
earthenware by the potter John Henry Benner. The jug was donated to the historical society
without a strong provenience or an attribution. It may have been made by
John Henry Benner - or it may have been produced by a potter employed
in northern New England - where a similar glaze was also used. I am
hopeful the glaze comparison between the jug and the Charlestown crock are
more than only a coincidence. Its interesting to see two similar glazes, that are not common, but each was found roughly twenty miles apart. Whether the jug is an eighteenth century product or not is yet to be determined.
Kept Within the John Henry Benner Collection of Red Earthenware in Abington, Ma
Photo Courtesy: Dyer Memorial Library - Abington, Ma

Colorful Raspberry and Cream Colored Glaze
Photo Courtesy: Dyer Memorial Library - Abington, Ma
19th Century Raspberry and Cream Glazed Red Earthenware Shard
The use of raspberry and cream glazes appear to have transitioned into the nineteenth century with northern New England potters. I am unaware if there is any eighteenth century Massachusetts connection. A similar glaze is seen in a trash pile full of broken earthenware and kiln wasters at the actual Bickford
Family Pottery in Buxton, Maine. The Bickford Pottery operated from the
first quarter of the nineteenth century up into the 1880s. The context
of these shards suggests a possible 1840 to 1860 timeframe. A milk pan that
matches shards from the Bickford site is also shown for comparison. The milk pan was discovered just south of Maine in Newburyport, Massachusetts.
Found at the Bickford Pottery Site in Buxton, Me
19th Century Raspberry and Cream Glazed Red Earthenware Shard
Together with a Matching Milk Pan
Shard Found at the Bickford Pottery Site in Buxton, Me
My Nephew, Jason with a Raspberry and Cream Glazed Utilitarian Crock
Last July, my nephew, Jason and myself found a large raspberry and cream
glazed utilitarian crock while searching through the flea market fields in
Brimfield, Massachusetts. It was purchased from a local dealer. The jug
has an eighteenth century feel to it. I initially thought it was a
product of the Charlestown earthenware industry due to the similar
glazed crock uncovered at the Three Cranes Tavern, but I guess another
potter is possible. Raspberry and cream glazes
were also used in parts of Maine, Vermont and Western New York in the
nineteenth century. It must have been the vibrant colors that appealed to the consumer since it was used by so many nineteenth century businesses. Who would have thought this mixture of glazes would
have been so popular throughout New England and really the northeast?!
Found in Brimfield, Ma - July 2013
Probably From an 18th Century Massachusetts Maker
But Also Possibly from a Maine or Vermont Potter

Colorful Raspberry and Cream Colored Interior Glaze
Very Similar Colors to Those Seen in Abington and Charlestown, Mass
Colorful Raspberry and Cream Colored Interior Glaze
Very Similar Colors to Those Seen in Abington and Charlestown, Mass
The
raspberry and cream colored glazes seen in Maine, Vermont and Western
New York are typically softer colors than the examples in Abington and
Charlestown. It is interesting to know - that I have not seen any other
similar glazed shards in the Charlestown Archaeology Collection. I
actually cannot recall ever having seen anything even close to these colors. There are a lot of reds, greens, blacks and unglazed material - and of course, lots of slip decoration, but no raspberry and cream. The collection shows a huge variety of glaze colors so it is possible there is more to be discovered.
I
do feel the jug at the Dyer Memorial Library may be related to the
crock from Charlestown, due to the strong similarities in color. With
that under consideration, I wonder if John Henny Benner, an immigrant
German potter could be responsible for both? Benner initially began
working south of Boston in an area known as Germantown in the
1750s, which is a part of Quincy, Massachusetts today. When that area
disappeared, Benner emerged nearby in Abington in the 1760s and continued to
work there until the latter years of the eighteenth century. The Dyer
Memorial Library does have kiln furniture and shards from Benner's
operation in Abington, but none of the glazes resemble what we see in this report. Lura Woodside Watkins (Early New England Potters and Their Wares) also collected red earthenware shards from the Germantown-area and her findings were the same.
Red Earthenware Shards from "Germantown" - Quincy, Ma
Ca. 1750s
Lura Woodside Watkins Collection
Photo Courtesy: The Smithsonian, National Museum of American History - Washington, D.C.
Red Earthenware Shards from "Germantown" - Quincy, Ma
Attributed to John Henry Benner
Ca. 1750s
Lura Woodside Watkins Collection
Photo Courtesy: The Smithsonian, National Museum of American History - Washington, D.C.
Glazed Kiln Bricks from the Site of John Henry Benner's Business - Abington, Ma
Ca. 1760s to 1790s
Photo Courtesy: Dyer Memorial Library - Abington, Ma
1770
was a controversial time to be living in Boston - and even in
Charlestown with politics, power and Parliament playing a major role in
the daily lives of colonists. Without getting into the specifics about
Charlestown's earthenware industry - there may be reasons to believe the
industry was in decline by 1770 - due to the state of local protests,
the economy and an unstable urban lifestyle for many people. It is
unlikely, but Charlestown may have seen a small group of imported red
earthenware make its way into town. It is also possible the crock from
the Three Cranes Tavern may have traveled by some means into Charlestown
by way of a visitor or an individual who had relocated. It is also
possible the glaze was used in Charlestown in only a sparing amount by
a potter who is known, but not yet identified to this type of glaze. There is also a chance the potter is not known. It's all theory, but its also very interesting to try and
gauge why this broken crock ended up in a privy in the center of
Charlestown around 1770. It's equally interesting to try and grasp the
idea that these eighteenth century glazes may have influenced potters
elsewhere in America in the nineteenth century.
Much More to Come...
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