Thursday, October 8, 2026

The Quaker Hat Theory: A New Look at Bristol County Red Earthenware

While speaking a few weeks ago at the Berkshire County Historical Society at Herman Melville's Arrowhead in Pittsfield, Massachusetts, I had the pleasure of discussing my forthcoming eleventh book, A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires, and Vermont.

During the talk, the subject of Quaker potters arose, specifically regarding red earthenware dishes from Bristol County, Massachusetts. I mentioned my theory that the slip-decorated triangles on these pieces may represent the region's faith. However, an audience member suggested an alternative: the triangles might actually represent the iconic Quaker hat. Now, whenever I look at these rare objects—including some of the presentation jars made by the Purinton family of Somerset, Massachusetts—that hat is all I can see.

Nonetheless, this new insight will be included in my forthcoming two-volume tenth book, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts. The set will be available very soon, with Volume I spanning 1,003 pages and Volume II at 981 pages. I am absolutely thrilled with how this massive project turned out!

"...Another significant find from the Clark Junior site is a slip decorated red earthenware pan sherd that closely matches a small group of known Bristol County dishes. The geometric designs adorning these objects allowed Quaker artisans to masterfully balance aesthetic appeal with the Testimony of Plainness—the core sectarian principle of simplicity that has guided the Religious Society of Friends since the seventeenth century. Within this group, several surviving dishes feature slip decorated triangles, a motif that may deliberately and visually echo the iconic silhouette of the traditional, wide-brimmed tricorn or low-crowned Quaker hat worn during the colonial and early federal eras..."

For additional information - see my fifth book, A Celebrated Industry: The Historic Wares of Southeastern Massachusetts, Bristol County and Cape Cod: https://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/

18th or Early 19th Century Slip Decorated Red Earthenware Dishes
Likely Made in Bristol County, Massachusetts
Both Adorned with Triangles in Slip
The Triangle May Represent the Quaker Hat
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, October 7, 2026

Unearthing the Hanover Shop: Winslow Warren, Jacob Barrows, and 1795 Red Earthenware Production in New Hampshire

The rediscovered career of eighteenth and nineteenth century Connecticut, Vermont, and New Hampshire potter Jacob Barrows (1757-1843) represents a major breakthrough for northern New England red earthenware scholarship. His legacy will be the focus of Chapter 25 in the upcoming book, A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires, and Vermont. Central to this research is Barrows' connection to the prominent Fenton family of potters, as well as the unveiling of his operations in possibly Thetford, Vermont, as well as Hanover and Dalton, New Hampshire.

Invaluable primary evidence confirming this early workshop surfaces in a notice published in The Eagle (Hanover, NH) on July 13, 1795, which was originally dated June 23, 1795. In the advertisement, his successor, Winslow Warren (1768-1837), announces to the public that he is continuing the pottery business "at the place formerly occupied by Jacob Barrows," promising a steady supply of earthen ware that would be "well glazed and burnt."

By analyzing these original print records and business transitions, Chapter 25 provides a definitive look at Barrows' long journey. It connects his roots as a Revolutionary War soldier in Connecticut to his profound, lasting impact on post-war red earthenware production across New England.

For more information - see a post from August 31st, titled, "The Fenton Connection: The Rediscovered Pottery of Jacob Barrows and Early Red Earthenware Production in Northern New England" - https://www.earlyamericanceramics.com/2026/08/the-fenton-connection-rediscovered.html

Winslow Warren Advertisement from Hanover, New Hampshire, July 13, 1795
Published in The Eagle, Hanover, N.H.
The Potter Jacob Barrows is also Noted in the Ad
See Article for More Information

Please Stay Tuned...Much More to Come...

Tuesday, October 6, 2026

Identifying a Possible Example of Gay Head Pottery from Martha's Vineyard at a New Hampshire Fair

A few days ago at a festival at the Hopkinton, New Hampshire Fairgrounds, I came across something that I never expected to see out in the wild: a piece of pottery that I believe was made at the Gay Head Pottery from Martha’s Vineyard, likely dating back to the late nineteenth or early twentieth century. While various potteries and commercial makers produced distinct swirlware over the years, this piece feels entirely distinct from those traditions, carrying the characteristic look and raw material makeup of the historic clay sourced directly from the iconic cliffs. Finding a piece available for sale in person is a rare occurrence, making the discovery all the more exciting. 

For those interested in the background of these items, the tradition is rooted in the unique geological makeup of Aquinnah on Martha’s Vineyard, where the multicolored local clays have been utilized for generations. Early pieces crafted from this material showcase a distinct, earthy aesthetic shaped by the natural marbling of the distinct colored strata found in the cliffs, a type of production that dates back centuries with Native pottery made on the island.

My only prior exposure to this pottery is an example illustrated in Figure 135b of Lura Woodside Watkins' (1897-1982) book, Early New England Potters and Their Wares. Notably, this same clay source was also utilized by stoneware potters in Bristol County, Massachusetts in the 1800s: https://historicbeverly.net/product/a-celebrated-industry-the-historic-wares-of-southeastern-massachusetts-bristol-county-and-cape-cod/.

This information was originally published in Edwin Atlee Barber's (1851-1916) 1893 book, The Pottery and Porcelain of the United States. Watkins later cited Barber's research to describe the unique nature of the ware: "A peculiar type of unburnt pottery was crafted around 1879 by W.F. Willard at Gay Head Pottery in Cottage City on Martha's Vineyard. Utilizing the island's distinct colored clays from the western cliffs, Willard mixed brilliant red, blue, slate, and buff shades to create striking striated and marbled patterns. The shaped pieces were smoothed while semi-dry and sun-hardened rather than fired, as the vibrant colors vanished during kiln baking. Serving purely as decorative souvenirs rather than functional, water-holding vessels, these sun-baked mementos captured the unique geological artistry of Martha's Vineyard."

According to Barber, the process involves grinding distinct colored clays separately, pressing them into a single ball, and shaping the vessel. Once partially dry, the pottery is shaved and sun-hardened. The resulting unglazed stoneware features brilliant, distinct bands of red, blue, and slate-grey. Barber notes that while some red clay pieces are fired, the heat destroys their natural color. Consequently, much of the pottery is sold unbaked to collectors who want to preserve the vivid hues. At the time of writing (1893), this fourteen-year-old operation employed several local workers. Some of the pieces were impressed on the side Gay Head Clay.

Note: A similar example sold in 2003 at Skinner in Boston: https://www.invaluable.com/auction-lot/art-pottery-vase-194-c-nyqvs6ow0n?objectID=700289&algIndex=undefined&queryID=3f428ded925488e381f9aeaebda82819

Late 19th or Early 20th Century Earthenware Vase
Found Last Weekend at a Fair in Hopkinton, N.H.
Possibly Made at the Gay Head Pottery on Martha's Vineyard
See Article for More Information
Another View of the Vase
See Article for More Information
A View of the Base
See Article for More Information
(Arrow) Late 19th Century Gay Head Pottery Vase from Martha's Vineyard
Published in Figure 135b in Early New England Potters and Their Wares
See Article for More Information

Please Stay Tuned...Much More to Come...

Presenting Red Earthenware Research in the Berkshire and a Feature in Antiques and The Arts Weekly

Nearly two weeks ago, I had the wonderful opportunity to speak at Herman Melville’s Arrowhead in Pittsfield for the Berkshire County Historical Society. We explored the history of red earthenware production in western Massachusetts and shared some exciting new discoveries that Warren Broderick, myself and others have made about dozens (or more) of early potteries in Vermont: https://www.earlyamericanceramics.com/2026/09/presenting-forthcoming-eleventh-book-at.html.

To top it all off, I just realized this talk was featured on page 37 in the September 25th issue of Antiques and The Arts Weekly! The piece also shares a glimpse into my forthcoming 700 to 800-page book, A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires, and Vermont, which will bring all of this research and much more to life.

Short Article About My Redware Talk at the Berkshire County Historical Society
Published in the September 25th Issue of Antiques & The Arts Weekly
See Article for More Information
Short Article About My Redware Talk at the Berkshire County Historical Society
Published in the September 25th Issue of Antiques & The Arts Weekly
See Article for More Information
Short Article About My Redware Talk at the Berkshire County Historical Society
Published in the September 25th Issue of Antiques & The Arts Weekly
See Article for More Information
Short Article About My Redware Talk at the Berkshire County Historical Society
Published in the September 25th Issue of Antiques & The Arts Weekly
See Article for More Information
This is the September 25th Issue of Antiques & The Arts Weekly
See Article for More Information

Please Stay Tuned...Much More to Come...

Friday, October 2, 2026

From the Narbonne House to the Peabody Essex Museum: Tracing Salem's Red Earthenware Legacy

This late-eighteenth or nineteenth century red earthenware jar with incised decoration was attributed to Salem, Massachusetts, in September 1957. While further evidence is required to definitively prove this provenance, the specific style of incised lines exhibited on the jar is traditionally associated with Salem potters (among others)—a link corroborated by archaeological recoveries at the Narbonne House. This regional red earthenware tradition is a central focus of my forthcoming two-volume work, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts.

Supporting this research is a vital group of objects held by the Peabody Essex Museum that retain original histories of Salem family ownership, alongside a vast collection of archaeological data published for the very first time in this book. Among the most prominent artisans of this era was the Symonds family, who operated multiple multigenerational businesses; the following history of their family is excerpted from Chapter 8.

"...While South Danvers (Peabody) typically receives the credit for the region's famous red earthenware, several potters were also active in neighboring Salem during the eighteenth and nineteenth centuries. Because these craftsmen lived in close proximity and shared similar techniques, their wares are bound to exhibit stylistic overlap, particularly given their use of the same regional clay. However, without further archaeological evidence, pinpointing the exact relationship between the two production areas and distinguishing the unique characteristics of Salem’s pottery remains an ongoing investigative challenge.

Among Salem's notable potting families was the Symonds family, whose name had been heavily associated with local furniture manufacturing since the seventeenth century. The woodworking dynasty began with John Symonds (1594–1671), a joiner who emigrated from Norfolk, England, in the 1630s and established a prominent workshop with his sons, James (1626–1714) and Samuel (1633–1722). By the mid-eighteenth century, however, branches of the family had transitioned into red earthenware production. This line included the potter Nathaniel Symonds (1723–1793), a Salem native and son of Thomas Symonds (1680–1724), a Sussex-born joiner who had migrated to America shortly after 1700.

On October 8, 1745, Nathaniel married Jane Phipps (1721–1760) in Charlestown, Massachusetts. Given the timing of this marriage, Nathaniel may have trained as an apprentice in Charlestown—which was experiencing a booming period of red earthenware production in the 1730s and 1740s under prominent workshops like the Parker family (circa 1714–1755)—or he may have trained locally in Essex County. Nathaniel ultimately passed the trade down to his Salem-born sons, Nathaniel Junior (1754–1804) and William (1749–1830). The younger Nathaniel would marry Elizabeth Gardner (1759–1808) on November 17, 1779. The generational continuation of the craft is firmly codified in the Essex County Probate Records, which list the occupation of both father and son as "potter," with the elder Nathaniel’s probate dated February 4, 1793, and his son’s dated April 18, 1804.

The potting craft continued into a third generation through the younger Nathaniel’s son, Nathaniel Symonds (1780–1848) of Salem, who married Elizabeth Baker (1786–1838) of Ipswich, Massachusetts, on November 17, 1805. William’s son, also named Nathaniel Symonds (1780–1848), similarly worked as a third-generation family potter, and evidence suggests other extended family members likely operated wheels in the area. Spanning the seventeenth through the nineteenth centuries, the Symonds dynasty evolved from its roots as seventeenth century joiners into a network of eighteenth- and nineteenth century potters scattered across Salem. After 1840, later generations diversified further, transitioning into fields such as painting, farming, and municipal civil service.

This multi-generational potting tradition is well-supported by early regional texts. As published in the 1908 volume, Genealogical and Personal Memoirs Relating to the Families of Boston and Eastern Massachusetts: “Nathaniel Symonds, son of Thomas Symonds, was born in 1723, at Salem. He was a potter by trade. His homestead was at Northfields, adjoining land of Benjamin Osgood, Elizabeth Symonds and Jonathan Symonds. He was given land by his father October 26, 1751, and May 9, 1752. He married Elizabeth Downing on August 20, 1761. He deeded his homestead to his son William, August 8, 1781.”

The record further notes that his children included "Nathaniel, 3d." and "William," both of whom served as soldiers in the American Revolution. The elder Nathaniel Symonds also contributed to the war effort from Salem, serving as a private in Captain Thomas Barnes's Company within Colonel John Mansfield's (Nineteenth) Regiment, under Lieutenant Colonel Israel Hutchinson from 1775 to 1776.

Furthermore, because Nathaniel Symonds was deeded land by his father in Salem in 1751 and 1752, this timeframe likely marks the establishment of the family potting business. The Symonds family actively produced red earthenware in Salem from roughly the 1750s through the 1820s or 1830s. Production most likely ceased before 1837—perhaps following the death of William Symonds in 1830—as evidenced by Salem’s inaugural city directory published in 1837. In that volume, the younger Nathaniel Symonds (d. 1848) is no longer listed as a potter, but rather as a "cordwainer," an artisan skilled in crafting leather shoes from scratch. However, because several members of the Symonds family were active Salem mariners during the eighteenth century, it remains highly possible that a portion of the family's earlier red earthenware was exported to other regional ports.

While there is no documented evidence directly implicating the Symonds family as accusers, judges, or defendants in the 1692 Salem Witch Trials, they were deeply embedded in the historical fabric of the community during this tumultuous period. Although some family members shared social or familial connections with individuals involved in the trials, none were directly targeted or legally involved. This level of interconnectedness was typical for late seventeenth- and early eighteenth century Essex County, where local families maintained close social networks. Decades later, the family members who transitioned into pottery manufacturing after 1750 likely shared similar close relationships with contemporary Salem furniture makers.

Surviving examples of red earthenware possibly made by the Symonds family are comparable to some of the artifacts featured in Chapters 9 and 18 of Volume II, including a notable jar owned by Salem's prominent Ropes family. Furthermore, some of the red earthenware specimens recovered during the 1970s National Park Service excavations at the Narbonne House property may also point to a Symonds origin (Chapter 9). By the latter half of the nineteenth century, the Symonds name had radiated outward from Salem, establishing a visible presence in other bustling Essex County centers such as Peabody, Lynn, and Gloucester..."

Late 18th or 19th Century Red Earthenware Jar with Incised Lines
Reportedly Made in Salem, Massachusetts
See Article for More Information

Please Stay Tuned...Much More to Come...

Wednesday, September 30, 2026

Tucked in Away in Daniel Clark's Diary: The Concord Pottery Receipts Found Hidden in the Diary

As I mentioned a few days ago in a post titled, "Sourcing the Past: Inside the 1789-1827 Diary of Concord, New Hampshire Potter Daniel Clark" - Last week, I visited the New Hampshire Historical Society in Concord to study Daniel Clark’s (1768-1828) 1789–1827 diary for my forthcoming eleventh book, A Monumental History: Stories of Red Earthenware Production in Western Massachusetts, the Berkshires and Vermont. I was particularly interested in this diary because it contains multiple entries from the 1790s and early 1800s detailing the Clark family's involvement in Vermont and Canada.

Interestingly, 1830s receipts from the pottery of Daniel Clark's son, Daniel (1793–1862), were discovered tucked safely inside the diary. He diligently carried on the Concord manufacturing tradition following his father's death in 1828, distributing utilitarian wares through established family networks across New Hampshire and west into Walden, Vermont. While these business receipts date to the 1830s and 1840, the specific inventory forms they document serve as a vital material link to the past; they heavily reflect the exact types of domestic wares previously produced by his father in Concord and likely his uncle Peter II in Brownington, Vermont. The receipts itemize an extensive and diverse range of essential red earthenware forms, including milk pans, large and small pots, bread pans, large platters, second-size platters and dishes, flat pans, bean pots, jugs, chamber pots, flower pots, and pitchers.

Additionally, these receipts document shipments of red earthenware sent to a Boston merchant in Brighton during 1830, 1838, and 1840.

Note: For more information - see my eighth book, An Influential Family of Early Potters: The Clarks of New Hampshire and Related Businesses: https://historicbeverly.net/product/an-influential-family-of-early-potters-the-clarks-of-new-hampshire-and-related-businesses/.

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Receipt No. 1: "The pottery bill from Daniel Clark Jr.’s business in Concord on April 29, 1830, documents a variety of historical red earthenware forms purchased by P. Jones & Co. of Brighton, Massachusetts. The items listed on the invoice include 4 dozen milk pans, a quantity of large pots, 1 dozen bread pans, 1/2 dozen large platters, and 1/2 dozen second size platters or dishes. Additionally, the receipt records the purchase of 1/2 dozen bean pots and a single jug, making up the complete inventory of pottery forms detailed on the paper."

See Paragraph Above for More Information
Photo Courtesy: New Hampshire Historical Society

Receipt No. 2: "This bill from Daniel Clark Jr.’s business in Concord on June 18, 1838, details a transaction between S. H. Jones Esq. of Bright, Massachusetts and Daniel Clark, featuring an expanded variety of regional red earthenware forms. The inventory includes 4 dozen milk pans, 1/2 dozen large pots, 1 dozen bean pots, and 1/2 dozen small pots. Additionally, the invoice lists 1 dozen bread pans, 1/2 dozen pudding pans, 1/2 dozen flat pans, 1 dozen large platters, and 1 dozen chambers (chamber pots), completing the selection of utilitarian vessels recorded on this date. "

See Paragraph Above for More Information
Photo Courtesy: New Hampshire Historical Society

Receipt No. 3: "This pottery bill from Daniel Clark’s Jr.’s business in Concord on April 1840 detaills the trade relationship between Seth H. Jones Esq. of Brighton, Massachsuetts and Daniel Clark, showcasing another assortment of utilitarian forms. The list of items on this invoice includes 3 dozen milk pans, 1 dozen large pots, 1 dozen bean pots, and 1 dozen bread pans. It also records 1 dozen platters, 1/2 dozen small pots, 1 dozen pudding pans, 1/2 dozen flower pots, and a small order of 4 pitchers to conclude the list of pottery forms for this transaction."

See Paragraph Above for More Information
Photo Courtesy: New Hampshire Historical Society

Please Stay Tuned...Much More to Come...

Monday, September 28, 2026

New Published Feature Story in Antiques & Auction News - A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seamen’s Bank For Savings Collection

This is my latest feature story published on pages 2, 3, 5, 6, 10 and 13 in the September 27, 2026 issue of Antiques & Auction News, titled, A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seamen’s Bank For Savings Collection.

Link to PDF of page 2: https://www.academia.edu/176397576/A_Look_At_American_Red_Earthenware_and_Stoneware_Coin_Banks_An_Emphasis_Given_To_The_Seamen_s_Bank_For_Savings_Collection

Link to PDF of page 3: https://www.academia.edu/176402731/A_Look_At_American_Red_Earthenware_and_Stoneware_Coin_Banks_An_Emphasis_Given_To_The_Seamen_s_Bank_For_Savings_Collection

Link to PDF of page 5: https://www.academia.edu/176402764/A_Look_At_American_Red_Earthenware_and_Stoneware_Coin_Banks_An_Emphasis_Given_To_The_Seamen_s_Bank_For_Savings_Collection

Link to PDF of page 6: https://www.academia.edu/176397608/A_Look_At_American_Red_Earthenware_and_Stoneware_Coin_Banks_An_Emphasis_Given_To_The_Seamen_s_Bank_For_Savings_Collection

Link to PDF of page 10: https://www.academia.edu/176397708/A_Look_At_American_Red_Earthenware_and_Stoneware_Coin_Banks_An_Emphasis_Given_To_The_Seamen_s_Bank_For_Savings_Collection

Link to PDF of page 13: https://www.academia.edu/176397818/A_Look_At_American_Red_Earthenware_and_Stoneware_Coin_Banks_An_Emphasis_Given_To_The_Seamen_s_Bank_For_Savings_Collection

"A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seaman's Bank For Savings Collection"
Published in April 27, 2026 Issue of Antiques & Auction News
This is Page 2
See Article for More Information
"A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seaman's Bank For Savings Collection"
Published in April 27, 2026 Issue of Antiques & Auction News
This is Page 3
See Article for More Information
"A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seaman's Bank For Savings Collection"
Published in April 27, 2026 Issue of Antiques & Auction News
This is Page 5
See Article for More Information
"A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seaman's Bank For Savings Collection"
Published in April 27, 2026 Issue of Antiques & Auction News
This is Page 6
See Article for More Information
"A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seaman's Bank For Savings Collection"
Published in April 27, 2026 Issue of Antiques & Auction News
This is Page 10
See Article for More Information
"A Look At American Red Earthenware & Stoneware Coin Banks: An Emphasis Given To The Seaman's Bank For Savings Collection"
Published in April 27, 2026 Issue of Antiques & Auction News
This is Page 13
See Article for More Information

 Please Stay Tuned...Much More to Come...