Wednesday, October 21, 2026

Monmouth, 1841: Archaeological and Documented Evidence of the Safford & Allen Mark

As I noted in yesterday's post, the history of the Safford family's red earthenware production in Monmouth, Maine, is a remarkably complex subject involving multiple competing businesses and several generations of craftsmen. This intricate narrative will be featured in my forthcoming tenth book, a two-volume work titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts.

Volume II devotes a dedicated section to illustrating how many of Maine’s early red earthenware operations either directly migrated from or were heavily influenced by the historic potting hubs of Essex County, Massachusetts. What follows here is another preview of the Safford family's story, which will also be explored in an upcoming published feature article.

"...The history of the Safford family's red earthenware production is exceptionally well-documented within the American decorative arts, largely because they were among the few New England pottery dynasties who routinely stamped their wares. Extant pieces found today are frequently identified by impressed maker's marks reading "John Safford," "John M. Safford," “Safford & Allen,” or "John Safford 2D."

The Safford & Allen mark is probably the most intriguing of the group, as neither the specific Safford family member nor "Allen" has been accurately identified. While this partnership was discussed in Manlif Lelyn Branin's book The Early Potters and Potteries of Maine, the author's information centered entirely on a single fragment bearing the mark. The book suggested that Allen may not have been a potter at all, but rather a member of a local family who provided financial assistance. This theory is supported by a Hallowell merchant's daybook found in Maine in the 1970s—later used as a scrapbook—which contains a September 18, 1841 entry charged to "Safford & Allen." 

Despite these clues, no new information regarding the identities behind the mark has surfaced since the book's publication in 1978. Only a small group of extant examples bearing the mark are known today, most of which are pots glazed exclusively on the interior. However, one surviving jar may prove the partnership lasted only a single year; its stamp reads, "Safford & Allen / Monmouth 1841." 

Based on this evidence, I suspect John M. Safford (1811-1880) was the driving force behind the agreement. He established his own red earthenware business in Monmouth around 1840 and likely sought a financial backer to navigate a rocky start. The Allens—a local family of prominent farmers—would have been ideal candidates for this type of financial backing. This theory is heavily supported by the jar's impressed stamps, which closely match the stamps found on other known objects stamped "John M. Safford / Monmouth." Furthermore, these impressions closely resemble stamps found on archaeological artifacts recovered during twentieth century excavations at the site of John M.'s pottery: https://www.earlyamericanceramics.com/2026/08/unearthing-past-rediscovered-artifacts.html.

19th Century Red Earthenware Jar Made in Monmouth, Maine
Impressed "Safford & Allen / Monmouth 1841"
See Article for More Information
Photo Courtesy: Dr. Brian Mills
A View of the Mark
Impressed "Safford & Allen / Monmouth 1841"
See Article for More Information
Photo Courtesy: Dr. Brian Mills

Please Stay Tuned...Much More to Come...

Tuesday, October 20, 2026

The Safford Pottery Dynasty: From the Hubs of Essex County to the Kilns of Monmouth, Maine

The history of the Safford family's red earthenware production in Monmouth, Maine, is a remarkably complex subject involving multiple competing businesses and several generations of craftsmen. This intricate narrative will be featured in my forthcoming tenth book, a two-volume work titled, An Early Industry of Household Wares: The Red Earthenware of Salem Village, Danvers, Peabody, Beverly and Salem, Massachusetts.

Volume II devotes a dedicated section to illustrating how many of Maine’s early red earthenware operations either directly migrated from or were heavily influenced by the historic potting hubs of Essex County, Massachusetts. What follows here is a preview of the Safford family's story, which will also be explored in an upcoming published feature article.

"...The Safford family pottery legacy in Monmouth, Maine, stands as a monumental pillar in early American industrial arts. This multi-generational dynasty of master artisans preserved and adapted the craft of red earthenware production from the close of the eighteenth century through the industrial shifts of the early-twentieth century.

The origins of this prolific ceramic lineage are firmly rooted in the historic pottery hubs of Essex County, Massachusetts. The family's regional trade network initially expanded northward when Benjamin Safford (1734–1827) relocated from Massachusetts to Exeter, New Hampshire, in 1763. Running parallel to Benjamin's move, the Monmouth trade’s foundational roots trace back to his first cousin, John Safford (1742–1823). Born in Ipswich, Massachusetts, where the cousins shared grandparents Thomas Senior (1672-1754) and Eleanor Safford (1679-1724), the younger John likely mastered his craft in the nearby production centers of Beverly, Salem, and South Danvers (now Peabody). Seeking new economic frontiers in the 1790s, the elder John relocated to the burgeoning settlements of Maine to establish a red earthenware business. He passed this closely guarded technical knowledge down to his nephew, John Safford II (1769–1850), under whose direction the Monmouth workshop expanded its footprint and embedded itself deeply into the local agrarian economy. One of the most notable surviving objects from this era is a circa 1823-1854 mottled green glazed jar distinctly marked “John Safford / Monmouth.”

A dynamic new chapter unfolded in 1830 when his nineteen-year-old cousin, John Milford Safford (1811–1880), arrived in Monmouth to work side-by-side with John II. The young craftsman came to the Monmouth kiln after completing a formal apprenticeship in Exeter, New Hampshire, presumably under the tutelage of the notable Dodge family of potters and operating within the regional pottery hub established decades earlier by his relative Benjamin. Meanwhile, another cousin—also named John Safford II (1797–1879)—followed a parallel path of craftsmanship, establishing his own independent shop in Monmouth by 1838.

That same year, the partnership between John M. and the senior John Safford II dissolved. Two remarkable examples of red earthenware survive from this pivotal transition, both crafted on the very same day: one is stamped “John M. Safford / Superior Article / August 20, 1838,” while the other is simply impressed “John M. Safford / August 20, 1838...”

19th Century Red Earthenware Jar Made in Monmouth, Maine
Impressed "John Safford / Monmouth"
Circa 1823-1854
See Article for More Information
Photo Courtesy: Maine State Museum
A Closer View of the Mark
See Article for More Information
Photo Courtesy: Maine State Museum
19th Century Red Earthenware Jar Made in Monmouth, Maine
Impressed "John M. Safford / Superior Article / August 20, 1838"
See Article for More Information
Photo Courtesy: Dr. Brian Mills
A Closer View of the Mark
Impressed "John M. Safford / Superior Article / August 20, 1838"
See Article for More Information
Photo Courtesy: Dr. Brian Mills
19th Century Red Earthenware Jar Made in Monmouth, Maine
Impressed "John M. Safford / August 20, 1838"
See Article for More Information
Photo Courtesy: Maine State Museum

Please Stay Tuned...Much More to Come...

Monday, October 19, 2026

An Unidentified Red Earthenware Hound-Handle Pitcher at Strawbery Banke Museum

Published in the 2025 issue of Americana Insights, my article "Nathaniel Sellers: A Postmaster and Potter of Upper Hanover, Pennsylvania" explored a unique hound-handle red earthenware pitcher discovered a few years ago in a Manhattan penthouse. Yesterday, while exploring some of the houses at Strawbery Banke Museum in Portsmouth, New Hampshire, I ran into somewhat of a similar mystery: another beautiful hound-handle red earthenware pitcher, but this time by an unidentified maker whose work I do not recognize. Nonetheless, a very well made object!

This pitcher features a molded relief design wrapped in natural motifs. The main body is decorated with raised clusters of grapes, grapevine leaves, and hanging fruit, all framed by crisp, beaded border bands along the upper rim and base. The handle is formed by a molded hunting dog peering over the edge, and the entire pitcher is covered in a dark Rockingham-type glaze.

Note: For more information about my Americana Insights story - see this link to purchase the book from the University of Pennsylvania Press: https://www.pennpress.org/9798988533122/americana-insights-2025/ 

19th Century Red Earthenware Hound-Handle Pitcher
See Article for More Information
Photo Courtesy: Strawbery Banke Museum

Please Stay Tuned...Much More to Come...

From 1700s Spain to the Frost Family of Kittery: A Rare Maritime Storage Jar

Over the years, I’ve seen a wide variety of eighteenth and nineteenth century Iberian storage jars—ranging from fragmentary archaeological finds to fully intact surviving examples. However, while visiting Strawbery Banke Museum in Portsmouth, New Hampshire yesterday, I came across something truly exceptional. 

On display is a massive, bulbous earthenware jar manufactured in Spain or Portugal between 1700 and 1750. What makes this specific piece incredibly unique is its original woven rope casing. While these hemp rope jackets were universally used to protect the fragile ceramic vessels from cracking during their cross-Atlantic voyages to the New World, it is incredibly rare to find one that survived. Despite some staining and wear, the nautical rigging is still completely intact. 

Historically, this jar was imported to Kittery, Maine by Nicholas Frost, a prominent early English pioneer who arrived in the region around 1634. Overcoming a turbulent start on the colonial frontier, he became a pillar of the early Piscataqua plantation, accumulating massive acreage and serving as a local selectman and constable. The jar subsequently descended through centuries of the Frost family—the same historical New England lineage that eventually produced celebrated American poet Robert Frost. This incredible piece of maritime heritage was safely preserved across generations until it was generously gifted to the museum by Joseph W.P. Frost. Joseph, a lifelong resident of Eliot and Kittery, was a passionate preservationist, a dedicated collector of regional colonial history, and actually a cousin and personal friend of Robert Frost himself. It's an absolute must-see for anyone fascinated by maritime trade and early colonial history.

Large 1700-1750 Iberian Storage Jar with a Woven Rope Casing
Brought to Kittery, Maine by Nicholas Frost
See Article for More Information
Photo Courtesy: Strawbery Banke Museum

Please Stay Tuned...Much More to Come...

Sunday, October 18, 2026

Small Size, Huge Rarity: A Unique Monmouth, Maine Discovery

A few weeks ago, I posted about a friend who discovered a rare billhead from the Safford family pottery of Monmouth, Maine. Today, I caught up with them and officially acquired it! 

Surprisingly, it’s much smaller than I anticipated, which actually makes it an even more desirable size. To top it off, this is the only example of this specific type of Safford family billhead I’ve ever come across. 

Here is a link to read more about it: https://www.earlyamericanceramics.com/2026/09/george-l-safford-pottery-rare-turn-of.html?m=1

Note: For additional information about Maine red earthenware - see my seventh book, From One Town Came Many: The Red Earthenware Industry of Ancient North Yarmouth, Maine - https://historicbeverly.net/product/from-one-town-came-many-the-red-earthenware-industry-of-ancient-north-yarmouth-maine/

Billhead from the George L. Safford Pottery in Monmouth, Maine
Circa 1880
See Article for More Information
A Closer View of the Billhead
See Article for More Information

Please Stay Tuned...Much More to Come...

A Tale of Three Pieces: Uncovering the Roots of Perhaps a Forgotten New England Pottery Style

Over the years, I have encountered a variety of related twentieth century pottery in New England, typically distinguished by an orange-colored base, black-painted numbers, and a shellac coating. While some attribute these pieces to various regions and eras—including twentieth century North Carolina—I have only kept three examples from this specific production. 

One of the more fascinating examples of this style is a large vase owned by the Weston Historical Society in Massachusetts. I wrote about the history of red earthenware production in Western for a feature story published in the March 17, 2023, issue of Antiques and The Arts Weekly, titled The Abraham Hews Pottery of Weston & North Cambridge, Mass.: http://www.earlyamericanceramics.com/2023/03/new-published-story-in-antiques-and.html.

Nonetheless, the other day, I pulled these three pieces that I kept out of my cellar for a friend to examine. I wanted to showcase certain ancient forms produced in New England during the late nineteenth and early twentieth centuries. 

However, I also explained that I kept these particular pieces because their matte glaze closely resembles a type made around 1930 at the Moses Paige Pottery in Peabody, Massachusetts. According to the Peabody Historical Society records, that specific glaze was created by an Italian migrant potter who worked at the Paige Pottery. I actually featured this migrant pottery in an article I wrote for the May 12, 2023, issue of Antiques and The Arts Weekly, titled Ermano & Luigi Paolucci: Two Italian Immigrant Potters in Peabody, Mass.: https://www.earlyamericanceramics.com/2023/05/new-published-article-in-antiques-and.html.

Note: For more information about the Moses Paige Pottery - see my second book, The Moses B. Paige Company: The Last of the Peabody Potteries - https://historicbeverly.net/product/the-moses-b-paige-company-the-last-of-the-peabody-potteries/.

20th Century Hand-Thrown Red Earthenware Objects All Found in New England
All Adorned with a Similar Matte Glaze Color
These Objects are Related to a Broader Line of Pottery Production
See Article for More Information
A View of One of the Bases
Some of the Bases from this Type of Pottery are Decorated with Orange and Black Numbers
See Article for More Information
20th Century Red Earthenware Pitcher and Lid with Matte Glaze Color
Made at the Moses Paige Pottery in Peabody, Massachusetts
Circa 1930
The Accompanying Note Provides More Information
See Article for More Information
Photo Courtesy: Peabody Historical Society

Please Stay Tuned...Much More to Come...

Saturday, October 17, 2026

From North Carolina to New England: A Chance Encounter with Two Related Examples of A.R. Cole Pottery

Yesterday in Boston, I stumbled upon a surprising find. The backstory of this North Carolina object links directly to an A.R. Cole pitcher, my niece Alexis and I first spotted in Portsmouth, New Hampshire, back in the summer of 2022.

During that trip, we had noticed a large, striking pitcher with a unique glaze sitting in a local shop window. The shop owner told us a woman living in a historic home near Pleasant and Court Streets had recently brought it in, explaining it had graced her mantel for decades. Standing about twelve inches tall, that impressive North Carolina piece bore a distinct stamp on its base: “A.R. Cole Pottery / Sanford, N.C.

For a brief history: The A.R. Cole pottery business is a cornerstone of North Carolina’s ceramic history, established in Sanford, North Carolina in 1934 by fifth-generation potter Arthur Ruffin Cole (1892–1974). Moving away from traditional utilitarian forms, Cole revolutionized the family business by creating decorative "art pottery" like multi-handled vases and candleholders, finished in vibrant, proprietary glazes. Pieces from his earliest years in Sanford (1926–1941) were often marked with non-durable ink stamps that wore away over time, leaving many early wares seemingly unmarked. His highly collectible prime-era pieces are famously identified by an impressed circular "A.R. COLE POTTERY / SANFORD, N.C." bottom stamp introduced in 1941. Following his death in 1974, his daughters Neolia (1927-2016) and Celia (1924-2015) continued the business on Hawkins Avenue for decades, transitioning to an altered "AR Cole’s Pottery" stamp to distinguish their work and cementing a lasting folk-art legacy that collectors still highly prize today.

For more information about the Portsmouth pitcher - see this link: https://www.earlyamericanceramics.com/2022/08/an-outstanding-example-of-north.html?m=1

Note: For additional information - see a feature story I wrote for the September 22, 2023 issue of Antiques & Auction News, titled, A Wide Selection Of 20th Century Pottery From North Carolina Found In New England: A Brief Examination Of Asian-Influenced Pottery From Jugtown Pottery: https://www.earlyamericanceramics.com/2023/09/new-published-story-in-antiques-auction_19.html.

20th Century Earthenware Pitcher Found in Cambridge, Massachusetts
The Base is Marked "A.R. Cole Pottery Sanford, N.C."
Stands 10 1/4" Tall
See Article for More Information\
20th Century Earthenware Pitcher Found in Portsmouth, New Hampshire
The Base is Marked "A.R. Cole Pottery Sanford, N.C."
Stands 12" Tall
Probably Circa 1940s
Retains a History of Ownership in Portsmouth
See Article for More Information

Please Stay Tuned...Much More to Come...